Become part of a full choir and sing along with eight pop standards.All the songs have been specifically arranged for four-part mixed voices and the accompanying CD contains a full recorded version of each one, just choose your part and join in! / Voix

Par LAURIDSEN MORTEN. O Come, Let Us Sing Unto The Lord was written for Stephen Layton and Polyphony by Morten Lauridsen. Purchase the sheet music for unaccompanied SATB chorus. This setting has been recorded on Lauridsen: Nocturnes (Hyperion, CDA 67580). In speaking of Lauridsen in his book Choral Music in the Twentieth Century, the author Nick Strimple says of him, 'he is the only American composer in history who can be called mystic, (whose) probing, serene work contains all the elusive and indefinable ingredient which leaves the impression that all questions have been answered. . . From 1993 Lauridsen's music rapidly increased in international popularity, and by the centuy's end he hadeclipsed Tandall Thompson as the most frequently performed American choral composer'./ Feuillet / SATB

Following the publication of Francis Jackson's organ reduction of Finzi's Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has created reductions of the full orchestra accompaniments to two more of Finzi's choral works. These reductions broaden the reach of these works to choirs which do not wish to present the works with orchestra, as with other standards from the sacred repertoire such the Requiems of Fauré and Duruflé. The reductions sympathetically recreate the orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedal coupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each performance. The scores are user-friendly, in landscape format and with at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full. The reductions are fully compatible with the published piano vocal scores of the respective works which the singers will use. For St Cecilia, Ceremonial Ode for tenor solo, chorus and orchestra - words by Edmund Blunden. The original work was commissioned by the St Cecilia's Day Festival Committee for the 1947 celebration of music's patron saint. The ceremonial mood is established with fanfares, and the sonorous sweep of the choral writing reflects Finzi's admiration for Parry and Elgar. The 'catalogue' of saints, shared between the soloist and chorus, are deftly delineated: St Valentine, St George, St Dunstan, St Swithin and St Cecilia herself. In rapt stillness, the English composers of the past - Merbecke, Byrd, Dowland and Purcell - are summoned. To close, Finzi creates a festal summation with exultant counterpoint and the saint's name pealing around the chorus. / Choeur Mixte (SATB) Et Orchestre

From our popular Fanfare and Concertato series comes this confident call of faith. The journey of promises in the text place the people of God marching to life everlasting. Though intended for choir and congregation, the anthem works just as well as a standalone. Accompany with the optional brass and handbells and make this a wonderful worship exclamation a festive opportunity for all. Superb! Score and Parts (tpt 1-2, tbn 1-2, timp) and Parts for Handbells (3 oct.) each available as a digital download. / SATB and Congregation

Une sélection de cinq chansons d'Eglise hymne-livre de Jan Siedlecki (édition 1878:1928), dans quatre dont Górecki fidèlement définit les mélodies originales. Texte polonais. Adapté pour les chorales standards intermédiaires. / Choeur Mixte A Cappella

Les Motets de Strathclyde sont motets de communion définissant propres de la masse pour divers dimanches et fêtes. Ils conviennent pour les chorales standards intermédiaires. Cette pièce est une antienne pour le 21 décembre, le texte (en anglais) est l'un du ' antiennes grand o ' qui sont utilisés sur les sept jours, l'approche de Noël. Le même texte est utilisé dans un autre, antiphon MacMillan, ' o ', pour choeur, trompette et cordes (la partition vocale est disponible comme 979-0-060-12023-7). / Choeur Mixte A Cappella

Les Motets de Strathclyde sont motets de communion définissant propres de la masse pour divers dimanches et fêtes. Adapté pour les chorales standards intermédiaires. Le Cantique de Zachariah prend chapitre Luke comme son texte : versets 68-79, qui est habituellement parlé dans le cadre de Laudes ou Matins. / Choeur Mixte A Cappella

First published in 1926, Bye Bye Blackbird has been enduringly popular ever since. It has been recorded by numerous artists and its simplistic beauty works perfectly for SATB choir. This arrangement with piano accompaniment is simple and easy to learn, and choirs of all standards will enjoy singing it. / SATB Et Piano

Paramètre sacrée des mots de St Ephraim (c. 306-373) de 1979 et a récemment été publié par le compositeur. Le texte reflète à la fois de Christ enfant et son sacrifice sur la Croix. Pour SATB avec alto divisi et certains passages de l'unisson - convenables pour les artistes interprètes ou exécutants standards intermédiaires. / Choeur Mixte (SATB) Et Orgue

Pièce d'hommage anniversaire la première fois en 2006 dans un restaurant de Glasgow par un quatuor d'étudiants de la Royal Scottish Academy of Music and Drama. Le texte est l'éloge bien connu ' À rire souvent et beaucoup - À gagner le respect des gens intelligents... ', un poème de Bessie Stanley mais souvent attribuée à tort à Ralph Waldo Emerson. Convient pour les artistes interprètes ou exécutants standards intermédiaires. / Choeur Mixte (SATB) A Cappella

Depuis le Swingle Singers album des Beatles, leur tribu en 1999, le groupe ont été submergés par demandes par a cappella, des groupes et des choeurs pour les dispositions de cet enregistrement. Et maintenant......De la classique, bibliothèque Swingle Singers vient cet superbe volume de dix-sept favoris Lennon et McCartney. Swingle Singers sont un choeur mixte de 8-voix formé à Paris en 1963, fondé par Ward Swingle. Le groupe a été par le biais de nombreuses incarnations, mais leur style unique et le son sont restées pratiquement inchangées. Leur répertoire comprend opéra classique, contemporaine, standards de jazz, gospel, pop et même la musique rock ! Complètement isolés, que tous les sons sont faites par la voix humaine (ou d'autres parties du corps!). Ces chants ont été pris pour plein choeur mixte et sont aptes pour toute occasion chorale. / Voix

This is the second supplemental volume to the complete works. It was awarded the Music Edition Prize in 1998. In spite of various books on the life and work of Rheinberger, until this publication there has not been a portrayal in pictures, with authentic texts, of his creative work and of his influence upon his contemporaries. The present publication fills this need and in preparing the book the editor has been able to choose from a large selection of, in part, previously unpublished pictures which in this collection, as a whole, present a vivid picture of Josef Gabriel Rheinberger in his surroundings and make the course of his development clearly understandable. The texts whichaccompany the pictures are drawn primarily from contemporary letters, reviews, monographs, etc. , and they have been chosen to underscore the images of each picture./ Répertoire / Livre

Par MOZART WOLFGANG AMADEUS. Due to numerous customer requests, Bärenreiter will be successively offering vocal scores to major Mozart operas in hardback editions again. This means you now have the choice: perhaps you prefer a lower-priced and slightly lighter soft-cover edition with excellent lay-flat characteristics or you feel that sturdier hardcover editions of important repertoire works are more likely to survive the rigours of a musician's life. Our vocal score to 'Don Giovanni” K. 527 (BA 4550-93) is the first edition we have now published in a hardback version. The vocal score of this ingenious opera by Mozart contains the original Prague version of 1787, which, due to its musical and dramaturgical coherence, should unquestionably be preferred to any hybrid versions. The changes made for the Vienna performances of 1788 are included in the appendix. Based on the research findings published in 2003 in the Critical Commentary to the respective music volume of the 'New Mozart Edition” (Volume II/5/17), the highest musicological standards have been adhered to in this vocal score edition./ Répertoire / Chant et Piano