For massed unison voices organ piano and percussion with optional SATB chorus.All shall be Amen and Alleluia was commissioned as the concluding piece for a concert in Princeton University Chapel New Jersey onApril 29 2009 to be sung by a large chorus of 500 voices. It was written to follow a performance of Son of God Mass by the same composer sung by a smaller choral group.

A free-and-easy style of performance is appropriate for this extremely popular cantata-musical about Jonah and the whale. The score is for unison voices narrator and piano (with chord symbols). There are opportunities for a suitable group of jazz instrumentalists to use the piano score as the basis for improvisation and there's even hand clapping and finger clicking for the singers!

Quilter's setting of a text by Rudyard Kipling was written for the Pageant Of Parliament at the Royal Albert Hall London July 1934. For Unison Voices with Piano accompaniment.

When 18th century British composer Thomas Arne included his song Rule Britannia! in a masque based on the life of Alfred the Great that was presented at Cliveden the country home of Frederick Prince of Wales he could not have imagined that more than two hundred seventy years later his ditty would be known throughout the British Isles and beyond. Rule Britannia! is widely used in the Royal Navy and British Army and is featured each year at the Last Night of the Proms in the Royal Albert Hall as a national sing-along.At the time of writing the Dutch actually ‘ruled the waves ’ so this song was more an exhortation than a status report. The lyrics were also a statement ofcivil liberty. Since Cromwell’s time Britain had had a standing army which could be turned against the native population. A standing navy however existed solely to protect the nation from invaders protecting a free populace.Rule Britannia! has been quoted extensively by other composers among them Beethoven Wagner Strauss and Arthur Sullivan. Thomas Arne also penned a version of God Save The King which came to be the British national anthem.

Whether for classroom sing-alongs adult community sings choral concerts or just riding in the car this Step One of the SING WITH US songbooks is an invaluable resource. Composer and song leader Nick Page who has led group sings and workshops at MENC ACDA AOSA and other conferences for many years has assembled this multicultural set of 28 easy and fun sing-along songs for all ages. The collection begins with Echo songs that are easy but with a simple challenge reinforcing Nick's belief that the first step in getting people of all ages to sing along is to make them better listeners. Along with this Nick encourages using lots of emotion particularly joy. TheCall and Response songs and the unison songs that follow offer well known gems as well as easy to learn new songs that can be sung in Unison or with harmony. Nick provides invaluable cultural information as well as essential tips for making the songs come alive. Reproducible lyric sheets are also included. Nick Page has received rave reviews for his SINGS and many workshops throughout North America and Europe. In addition to his song leading Nick is a choral composer with over fifty published works including Sing and Shine On and Music as a Way of Knowing that are very popular with music teachers and choral musicians. Singing is an act of compassion; we make the world a better place through our singing.

Somebody's Knockin' at Your Door. Spirituals are an important part of the educational canon for young singers, and they serve as a powerful reminder of the enduring cultural importance of the African American musical tradition. This unison/2-Part setting offers aplayful sense of urgency as well as alternate lyrics for church and

Simple elegant piece for young voices_x000D_Consists of a beautiful melody with long legato lines works well as a solo too would be good for a school remembrance day event._x000D_From the jean Ashworth Bartle Choral Series for treble voices

Originally written as a solo work this unison setting for treble voices and organ depicts Mary standing at the foot of the cross. In the music the falling phrases represent Mary's weeping – and the rising phrases her grief and great sadness of heart.

Art thou troubled? Music will calm thee. The soothing strains of this Handel aria are offered here in an excellent new arrangement for unison choir. Ideal for developing tone phrasing and style this is a superb addition to therepertoire for younger ensembles. Performance Time: Approx. 3:20.

from Mass in C Minor-Unison treble choirs can experience the beauty and elegance of this movement from the Mozart Mass in C Minor and gain appreciation for music of the Classical era. The flute obbligato adds to the authenticity. Duration: ca. 2:45.

(The Loveliest Flower)-Give your young singers an opportunity to experience classical style with this charming Beethoven art song with an optional added harmony part. A simple and easily learned teaching piece it is also an excellent choice for contestand festival. German and English lyrics. Available: Unison/2-Part. Performance Time: Approx. 1:30.

The captivating music and message found in this Broadway hit continue to enchant singers and audiences across the country.Introduce your beginning singers to the music of Wicked with this value-packed collection of songs and professionally-produced recordings perfect for classroom or stage - in school or out.These favourites from Wicked have been arranged especially for young singers with optional harmonies for added! Suggested for grades 4-8.