Version for Flute and Piano. This edition was prepared by Georges Barrere who premiered this little known but gem of a work to great acclaim in New York in 1919.

Summer Music by Richard Rodney Bennett is aimed towards the more advanced Flautist from grade 5-7. The work is in 3 movements: Summer Music Siesta Games.Add some Summer cheer into your concert programme with this delightful work for Flute and Piano - it is guaranteed to impress!

Par MILHAUD DARIUS. À la fin de l?année 1922, Milhaud compte à son actif une dizaine d??uvres de chambre mais cette année-là est particulièrement productive. La Sonatine pour flûte et piano, op. 76, émerge au sein de ce bouillonnement fécond. Milhaud l?écrit à Aix-en-Provence et elle sera créée par les deux dédicataires, Louis Fleury et Jean Wiéner, au Théâtre des Champs-Élysées, le 18 janvier 1923, dans le cadre du Cinquième Concert Jean Wiéner. / Date parution : 2022-07-23/ Répertoire / Flute and Piano

Trevor Wye has selected and arranged eight of Ravel's most famous melodic works creating a collection which will be valued and appreciated by flautists of varying degrees of technical ability. With piano accompaniment. Suitable for grades 3-5.

Three challenging preludes for solo flute. The Allegro and Allegro molto should be spirited and well-accented whereas the expressive Andante molto should be played freely.

From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively called 'Fancies' originally written for piano in 1915.Gabriel Marie Grovlez (1879-1944) was born in Lille Northern France in 1879 and died in war-torn Paris in 1944. From among his teachers who include Gédalge and Lavignac Fauré must surely rank as his strongest influence and this is readily heard in his small but significant oeuvre of solo piano pieces as well as his music for stage and chamber ensembles. Interestingly most of the piano music was published over a period of around a dozen years (1907-1919) and in the lull between these works and his Impressions (two pieces) of 1934 Grovlez wascompositionally preoccupied with songs and chamber pieces many of which languish patiently on the shelf awaiting a wholehearted appraisal. There is as well as his notable penchant for elegance and poetical lyricism a considerable wit to enjoy too (take Les nes The Donkeys from L'Almanach aux images for example) and indeed the fact that Grovlez's middle years were spent fulfilling the duties of assistant conductor and choir leader of the Opéra-Comique seems especially revealing of the man's musical personality and capacity for successfully intertwining serious and less serious genres.Grovlez was quite a cosmopolitan character; besides making a notable mark in his native country (he was latterly a professor of chamber music at the Paris Conservatoire) he travelled to the United States and Africa as well as across Europe. Although we tend to remember Grovlez today for his influence primarily as a composer in the mould of Fauré or Debussy bringing a quirky quality to some of his writing more than occasionally reminiscent of Poulenc it was as a conductor that Grovlez initially made an impact. Moreover we should not overlook the fact that he gave the inaugural performances of some highly treasured works by the likes of Ravel (Ma Mère l'Oye) and Fauré (Dolly Suite) a piano duet which has earned an especially important

Flute and Piano. Par PROUST PASCAL. / Répertoire / Flûte Traversière et Piano

Reduction Pour Flute et Piano. Par ESCAICH THIERRY. / Date parution : 2022-02-17/ Répertoire / Flûte Traversière et Piano

Faintaisie-transcription de Giuseppe Gariboldi-La Danse macabre est l?une des ?uvres parmi les plus c?l?bres de Camille Saint-Sa?ns et du r?pertoire symphonique fran?ais en g?n?ral. D?s sa cr?ation le 24 janvier 1875 l??uvre s??tablit durablement comme un incontournable succ?s. Lestranscripteurs-souvent de grands noms-s?emparent bient?t de cette Danse et les versions pour instruments divers se multiplient. C?est ? Giuseppe Gariboldi (1833-1905) fl?tiste virtuose et compositeur d?origine italienne install? ?Paris que Durand demande une multiple transcription de l??uvre r?invent?e par le transcripteur pour fl?te ou cornet ? piston ou violon ou violoncelle et piano. Voici donc ici republi?e cette Fantaisie-transcription- ainsi qu?elle futoriginellement sous-titr?e-dans sa version pour fl?te et piano.