16 Short Lyric Pieces for Flute and Piano-This collection is the first-ever publication of 19th-20th Century exam pieces composed for the Paris Conservatory meticulously compiled arranged and edited over the course of many years by accomplished flutist Nancy Andrews. All 16 pieces include solo flute part with piano accompaniments. Optional digital downloads are available as well of the original cello/string ensemble accompaniments where available. Sir James Galway's introduction to the album states: “It is my great pleasure to present this collection of pieces originally intended as the sight reading exam for the flute class of the Paris conservatoire. Each piece is a little jewel and could be used asan encore to a recital or even in the main part of a recital. Nancy Andrew has done a magnificent job of preparing them for publication. I look forward with great joy to include them in my future recitals.” Works included: Charles Colin 1873 Allegretto Ernest Guiraud 1874 Allegretto Scherzando Emile Paladilhe 1875 Allegretto Moderato Jules Cohen 1878 Andantino Theodore Dubois 1880 Allegretto Jules Duprato 1882 Allegro Moderato Adrien Barthe 1886 Andante 1891 Moderato 1895 Allegretto Georges Marty 1893 Allegretto Paul Vidal 1894 Allegro Moderato Raoul Pugno 1896 Tres doux et tres tranquille Alphonse Duvernoy 1897 Allegretto Alphonse Duvernoy 1899 Allegro Moderato Gabriel Pierne 1918 Modere Jules Mouquet 1924 Andantino.

(11 Pieces for Flutists Of All Ages) for Flute and Piano-In February of 2006 Schocker was featured in Flute Talk which was no surprise given his popularity among the Flute-playing public. The cover photo the four-page spread and the inclusion of the third movement ?Sarabande ? all pointed to his collection of short pieces Dances and Daydreams.?Short easy movements with a wide range of expressions and styles? says Schocker. A sure-fire Schocker hit it is a perfect addition to a flutist?s repertoire along with Schocker?s Airborne and Green Places.

For Flute And Piano-The composer has drawn from her Scottish background for inspiration in this piece. In the central section of Piper's Dream the music hints at real Scottish folk music. The outer sections are freer and players are encouraged to enjoy the spirit of improvisation. At times the flautist reflects the sound of the bagpipes imitating the instrument's characteristic 'fall' in the closing phrases of the piece. Near the end the music fades as if this Scottish fantasy were just a dream. he interplay between the flute and piano is beautiful the writing showing McDowall's understanding of the qualities of the instruments' Music Teacher MagazineGrade: 7

Seven lively pieces for players at grades 2 - 3. Each piece helps with specific technical points - eg: Dim Dragon uses pauses and explores diminished chords while Ornamental Dragon uses various trills and mordents etc but all within an entertaining framework. The piano accompaniment is of the same grade as the solo part encouraging pupils to play together.Grade: 2 - 3

Luna's Magic Flute is a fairytale for Flute and Piano which invites you to join Luna and her Magic Flute as they set out on an unforgettable adventure in the wide world. 11 pieces are interspersed with beautiful illustrations which guide you through the story as Luna makes new friends and triumphs over the evil dragon who steals her Magic Flute. / Flûte Et Piano

Par TELMAN ANDRE. Une pièce pour une fin de 1ère année de pratique instrumentale. - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Flûte Traversière 1 Piano - Niveau de Difficulté : 1/6 - Débutant - Durée : 1 mn 35 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : André TELMAN - / Niveau : Débutant / Classique, Pédagogique / Répertoire / Flûte Traversière et Piano

Dos Poemas De Juan Ramon Jimenez are settings of two poems by the Spanish Nobel Prize-winning poet arranged for either Voice and Flute or Voice and Piano (one hand). Written c. 1959 they were first performed in December 1962 in Valencia. A perfect gift for any young singer looking for quirky but easy performance pieces. Joaquin Rodrigo (1901-1999) was born in Valencia and lost his sight to diphtheria at the age of three which is believed to have heightened his hearing and inspired him to pursue a musical career. He began to study music five years later and became one of Spainâ??s most distinguished composers musicologists and pedagogues.

Ce recueil s'adresse aux musiciens débutants, jouant d'un instrument mélodique (flûte à bec soprano et / ou alto, flûte traversière, violon, hautbois) ou d'un clavier (clavecin, piano, orgue), désireux de jouer ensemble un répertoire varié pour voix mélodique et accompagnement, constitué de pièces du XVIIIe siècle et de musiques traditionnelles. Nathalie Rotstein-Raguis, flûtiste à bec et Zdenka Ostadalova, claveciniste, ont enseigné plusieurs années au conservatoire de Chilly-Mazarin. Leur expérience pédagogique et leur collaboration musicale étroite les ont amenées à constituer un répertoire adapté au niveau des jeunes élèves de leurs classes. La Méthode de Flûte à bec Soprano éditée aux Editions Lemoine, en fut la première réalisation. Ce nouveau recueil s'inscrit dans le même esprit, à savoir offrir aux élèves des pièces faciles et variées leur permettant de jouer non seulement à deux mais également en ensemble (ajout possible de violoncelle, viole de gambe ou basson doublant la main gauche du clavier pour renforcer la basse) afin de développer très tôt la pratique de la musique d'ensemble, si enrichissante musicalement et humainement. L'attention des auteures s'est portée sur le choix des pièces et leur niveau afin que des élèves de 1er cycle puissent les jouer avec plaisir, tout en expérimentant une première approche stylistique de la musique baroque./ Recueil / Flûte Traversière et Guitare

Arranged and adapted by Andrea Cappellari. Easy duets. Each book included complet scores and solo part.

Par PEARCE J. / GUNNING C.. Cette collection introduit des acteurs au niveau débutant à une exceptionnellement vaste gamme de musique. Tous les 27 pièces ont été choisis pour encourager l'attention sur les aspects techniques fondamentales de jouant de la flûte tels que la qualité de ton, de rythme et de dynamique. Les pièces sont disposées dans l'ordre approximatif de difficulté, permettant aux joueurs de consolider les compétences techniques et une expression musicale naturelle comme elles progressent à travers le livre./ Recueil / Flûte Traversière et Piano