A song from Bernstein's 1976 musical 1600 Pennsylvania Avenue arranged for medium voice and piano. Text by Alan Jay Lerner.

Revised & Expanded Edition-Revised and expanded edition of Edition Peters Art Of Song Grade 4-5 for Medium-Low Voice and Piano.

Revised & Expanded Edition-Revised and expanded edition of Edition Peters Art Of Song Grade 7 for Medium Voice and Piano.

Schubert's Lieder provide a wealth of German songs which are regularly performed by many vocalists across the world. Volume one of Schubert's Lieder contains Die Schone Mullerin D.795 Die Winterreise D.911 and Schwanengesang D.957.This highly authoritative Urtext edition of Schubert's Lieder has been edited by Dietrich Fischer-Dieskau and revised by Elmar Budde. For Medium Voice with Piano accompaniment.

Revised & Expanded Edition-Revised and expanded edition of Edition Peters Art Of Song Grade 6 for Medium Voice and Piano.

The song cycle 'Lunar Beauty' was commissioned by the Harrogate International Festival. First performed on 9th August 1986. Arranged for tenor or medium voice and guitar. Duration 12 minutes.

An extremely expressive and beautiful piece Ave Maria has been a traditional favorite for church performance. This timeless masterpiece by Bach-Gounod is presented in medium voice.

Born into a family that had lived in Florence since the expulsion of the Jews from Spain in 1492 Mario Castelnuovo-Tedesco (1895-1968) entertained only a distant relationship with the music he heard at synagogue. It was only when he discovered Schelemo a rhapsody for cello and orchestra written in 1916 by Ernest Bloch that he began to understand what “Jewish music” could be. In the mid-1920s the young composer found a collection of prayers set to music among his maternal grandfather’s papers. Something clicked and from then on Jewish tradition would become a source of inspiration for Castelnuovo-Tedesco. In 1928 two years after publishing theDances of King David he wrote this Vocalise-Étude for medium voice and piano at the request of vocal teacher Amédée-Landély Hettich who wanted to include it in the Répertoire moderne de Vocalises-Études published by Leduc. The piece became so popular that several instrumental adaptations were soon created published under the title Chant hébraïque (for violin and piano: AL17 713; for cello and piano: AL 17196). Divided into three sections this wordless melody opens with a “sad and impassioned” chant that appears to grieve the tragic fate of the Jewish people. A folk dance follows in which a “lively and stubborn” movement has great panache. The third section returns to the initial poignant theme before briefly reiterating the dance motif allowing the piece to conclude on a hopeful note. The composer himself would adopt this proactive stance refusing to yield to resignation when fleeing Mussolini’s anti-Semitic laws he decided to emigrate in 1939 to the United States a land of refuge to which he would remain faithful until his death some thirty years later.

Three Songs arranged for Medium Voice and piano.Polish text.Words by Juliusz Slowacki and Julian Tuwim. / Voix Moyenne Et Piano

Aria in Eb major Instrumentation : medium voice and piano Date of Publications : 15/10/1978 Number of Pages : 4 Language : Italian Editor : Papini, Guido Series : Edition Schott - Single Edition

Mittlere Stimme / Medium Voice-Based on the New Schubert Edition.Newly engraved clearly presented musical layout.Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger).Includes English translations of lieder texts by Richard Wigmore.The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With Nachtgesang (D 119) and Trost in Tränen (D120) Schubert turns to the Strophenlied in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe.Schubert during this periodan assistant teacher at his father?s school orientated himself towards the so-called Berliner Liederschule particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.Also available:High Voice & Piano BA 9106Low Voice & Piano BA 9146

Schirmer Library of Classics Volume 242-Fifty lessons for medium voice. Vol.242 Schirmer's Library of Musical Classics. The purpose of these lessons is 'To place and fix the voice accurately' 'To develop taste while singing broad elegant and rhythmical melodies'.