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Orchestra
VIOLA
Oboe, Piano (duet)
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Rapport Critique (2)
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Book (2)
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Xylophone (2)
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Wolfgang Amadeus Mozart: Concerto For Oboe And Orchestra C K.314: Oboe:
Oboe, Piano (duet)
[Sheet music]
G. Henle
Klavierauszug-Cette ?dition Urtext de Henle est ? la recherche de sa pareille en...
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Klavierauszug-Cette ?dition Urtext de Henle est ? la recherche de sa pareille en mati?re de fonctionnalit? et de pr?cision. La presse sp?cialis?e ?Rohrblatt? a d?clar? peu apr?s sa parution (2004): ?Un trait de g?nie ?ditorial ... Chaque hautbo?ste qui se risque ? ce concerto doit confronter son interpr?tation ? cette ?dition?. Cet ?loge honore avant tout l??diteur le c?l?bre hautbo?ste Ingo Goritzki. Son id?e fut d?offrir outre la partie s?par?e un cahier pr?sentant simultan?ment les deux sources de l??uvre ? probl?matiques l?une et l?autre pour diverses raisons. Gr?ce au choix de l?agencement de la partition l?interpr?te distingue du premier coup d??il toutes les divergences etpeut ainsi justifier ses propres choix d?interpr?tation. Des passages particuli?rement probl?matiques et abondamment discut?s ont ?t? exhaustivement comment?s par le professeur Goritzki. Le ?trait de g?nie ?ditorial? vise tout autant le pianiste et expert mozartien Robert Levin qui a compos? pour ce concerto pour hautbois de Mozart de fantastiques cadences dans le style du ma?tre: tout ? fait dans l?esprit d?improvisation attendu pour toute cadence l?interpr?te pourra pr?cis?ment ? divers passages du texte gr?ce ? un simple syst?me de renvois num?riques vers d?autres endroits bricoler ainsi sa ?propre? cadence. Un mot enfin ? propos de l?excellente r?duction pour piano de cette ?dition. Elle est de la plume de Siegfried Petrenz un profond connaisseur de Mozart et illustre sp?cialiste de la basse continue. Son ambition est celle d?une r?duction sonnant bien d?ex?cution relativement ais?e et qui se distingue nettement de toutes celles qui s?en tiennent ? la partition orchestrale. Voil? qui vient ?galement au secours des conditions d?enseignement qui privent parfois le hautbo?ste d?un r?p?titeur professionnel.
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Cyril Scott: Concerto For Oboe & Orchestra: Oboe: Instrumental Work
Oboe, Piano (duet)
[Sheet music]
Novello & Co Ltd.
Cyril Scott was an English composer writer and poet. He was essentially a lat...
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Cyril Scott was an English composer writer and poet. He was essentially a late romantic composer whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works which include two mature symphonies three operas three Piano concertos concertos for Violin Cello Oboe and Harpsichord several overtures four oratorios as well as a mass of chamber music.Scott composed his Concerto For Oboe & Orchestra in 1946. The three movements (Molto vigoroso Andante Pastorale:Tranquillo and Rondo giocoso: Allegronon troppo cadenza Con spirit) are published here with a Piano reduction of the orchestra accompaniment.Complete performance time of the entire piece is approximately 20 minutes.
10.99 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Oboe Quartet in F K.370: Oboe: Instrumental Work
Oboe, Piano (duet)
Peters
arranged for Oboe and Piano-The Oboe Quartet in F major K. 370/368b was writte...
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arranged for Oboe and Piano-The Oboe Quartet in F major K. 370/368b was written by Wolfgang Amadeus Mozart in early 1781. The quartet originally arranged for oboe violin viola and cello is presented in this edition for Oboe with Piano accompaniment. In 1780 Mozart was invited to Munich to visit Elector Karl Theodor who had commissioned the opera Idomeneo for a carnival celebration. While in Munich Mozart renewed an acquaintance with Friedrich Ramm a virtuoso oboist in the Munich orchestra. It was for Ramm that Mozart composed the quartet in order to show off his virtuosity and the improvements that had been made to the oboe at that time. One way that this piece showed off theinstrument was the use of the 'high F' above the staff a note rarely played in any repertoire previously written for the oboe. This piece is a work of chamber music but it has elements that harken to other musical genres and requires a fair amount of virtuosity. Because of its large amount of virtuosic playing on the part of the oboe and the large degree to which the strings simply accompany the oboist it almost resembles a concerto but with only with four players instead of an entire orchestra. Despite this there are also a number of places within the work that require ensemble playing for example the famous 13-bar passage in the finale in which the oboe plays in common time against a 6/8 accompaniment.
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Carl Nielsen: Fantasy Pieces Op. 2 For Oboe And Piano: Oboe: Score
Oboe, Piano (duet)
G. Henle
paperbound-Carl Nielsen?s Fantasy Pieces for Oboe and Piano were composed in 188...
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paperbound-Carl Nielsen?s Fantasy Pieces for Oboe and Piano were composed in 1889/90. Having just gained a position as a violinist in the Royal Danish Orchestra Nielsen had already experienced successwith his String Suite Op. 1 both as a composer and as a conductor. Several sketches and autographs bear witness to his intensive work on these contrasting pieces for Oboe which were to appear in 1890 as his Opus 2.The twomovements Romance and Humoreske are dedicated to the oboist Olivo Krause who played in the royal orchestra. His beautiful tone and virtuosic technique probably played no small part in the fact that these miniatures by the?young talented composer? took the public and critics by storm at their first performance in March 1891.
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Edward Elgar: Chanson De Matin Op. 15 No. 2 - Oboe And Piano: Oboe: Instrumental
Oboe, Piano (duet)
Fentone Music
Sir Edward Elgar was born in Worcester in 1857. Until the outstanding success of...
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Sir Edward Elgar was born in Worcester in 1857. Until the outstanding success of the 'Enigma' Variations in 1899 he was considered a 'provincial' composer - and a largely self taught one at that.In the earlier part of Elgar's career as a composer he wrote several short pieces which became very popular indeed. Chanson de Matin is one such the second of a pair (the other being Chanson de Nuit) which carried his name far and wide before his larger orchestra works appeared. It was published in several versions at once: for string orchestra for small orchestra for violin and piano and so on - so it is almost impossible to say with any degree of certainty which was theoriginal version. This arrangement makes a useful addition to the repertoire for oboe.
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Wolfgang Amadeus Mozart: Oboe Concerto In C K.314: Oboe: Instrumental Work
Oboe, Piano (duet)
[Reduction]
Barenreiter
Oboe and Orchestra KV 314-Oboe Concerto In C Major K.314 (285d).Oboe Solo Oboe ...
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Oboe and Orchestra KV 314-Oboe Concerto In C Major K.314 (285d).Oboe Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.In addition to an Urtext Oboe solo part this publication includes a performance part prepared by Frank de Bruine.Given the close relationship between Mozart’s D maj Flute concerto and the original concerto for Oboe a reference score has been included with the Urtext Oboe part set above the Urtext Flute part transposed to C maj. With this performers have the opportunity to compare the versions and make qualified decisions on articulation based on the reliable Urtext of the New Mozart Edition.- Urtext Oboe solopart- Reference score with Urtext Oboe part set above Urtext flute part transposed into C maj- Cadenza and lead-in brochureThe New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.
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Nino Rota: Elegia: Oboe: Instrumental Work
Oboe, Piano (duet)
Leduc, Alphonse
Elegia is a small piece for Oboe and Piano accompaniment by Nino Rota. Really ly...
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Elegia is a small piece for Oboe and Piano accompaniment by Nino Rota. Really lyrical its medium difficulty will enable intermediate players to execute it for a recital or for a contest. This lovely work is quite slow nostalgic at some points and ends up on a perfect harmony between the two instruments. Nino Rota (1911-1979) is an Italian composer and conductor particularly known for his works on film music. He also composed 5 ballets 10 orchestras as well as numerous music chamber works including a string concerto.
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Esa-Pekka Salonen: Second Meeting for Oboe and Piano: Oboe: Instrumental Work
Oboe, Piano (duet)
[Sheet music]
Chester
Composer's NoteSecond Meeting was written in January 1992. The first performanc...
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Composer's NoteSecond Meeting was written in January 1992. The first performance took place in Stockholm in February (Bengt Rosengren oboe and Stefan Bojsten piano). The work belongs to a planned series of virtuosoduos 'meetings'. The first one (from 1982) is written for clarinet and harpsichord.Formally Second Meeting is very close to a familiar 'theme and variations' category although there are seven themes or melodies all quiteclosely related.In the autumn of the same year I decided to write a version of the piece for oboe and a small orchestra trying to remain reasonably faithful to the original (a la Ravel perhaps). The orchestral version iscalled Mimo 1).Esa-Pekka Salonen
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Raymond Parfrey: Sonatina For Oboe And Piano: Oboe: Instrumental Album
Oboe, Piano (duet)
[Sheet music]
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Intermediate/advanced
Queen's Temple Publications
Raymond Parfrey has written for Choir Piano Organ and String Orchestra though ...
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Raymond Parfrey has written for Choir Piano Organ and String Orchestra though he feels happiest when writing for wind instruments. Among his more popular works aer Travel Without Tears and A Variety Of Moods both ideal for the developing Oboe player.
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Michael Hurd: Concerto Da Camera: Oboe: Instrumental Work
Oboe, Piano (duet)
[Sheet music]
Novello & Co Ltd.
Commissioned by the Havant Chamber Orchestra and first performed on 16 June 197...
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Commissioned by the Havant Chamber Orchestra and first performed on 16 June 1979 with Geoffrey Bridge oboe and Peter Craddock Conductor. Duration c. 13 minutes. Full score and parts are available on hire from the publisher.
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Poème Op. 39
Oboe, Piano (duet)
Schott
La réputation du compositeur Bohême Zdenek Fibich (1850-1900) a toujours été...
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La réputation du compositeur Bohême Zdenek Fibich (1850-1900) a toujours été quelque peu éclipsée par celle de Bedrich Smetana et Antonín Dvorák. C'est fort dommage, pour Fibich, bien qu'il est mort jeune, apporté une contribution tout aussi importante à l'émergent styl national tchèque avec son large éventail de compositions. Après le début des leçons de piano avec sa mère comme son premier maître, le garçon ensuite à l'école de musique à Prague, puis au Conservatoire de Leipzig, où il apprend son métier comme compositeur. Il passe quelques mois enseignement de piano à Paris et poursuit ses études avec Vinzenz Lachner à Mannheim. Prague a finalement pour devenir le centre d'activités musicales du Fibich : comme son rêve d'un poste au Conservatoire est resté déçus, son emploi principal était donner des leçons de musique privée et comme un compositeur Zdenek Fibich a écrit des oeuvres de nombreux genres musicaux : chant et musique de chambre, pièces pour piano et oeuvres orchestrales, opéras, musique de scène et mélodrames, récitals littéraires avec orc... / Hautbois Et Piano
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Nocturne Hautbois/Piano (DANIEL-LESUR JEAN-YVES)
Français
Oboe, Piano (duet)
[Sheet music]
Choudens
Par DANIEL-LESUR JEAN-YVES. Création dans le cadre du concours du Conservatoire...
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Par DANIEL-LESUR JEAN-YVES. Création dans le cadre du concours du Conservatoire National Supérieur de Musique de Paris en juin 1974. Version orchestrale établie simultanément (ACF020629) Adagio ma non troppo, Allegro quasi una cadenza, Lento, 5min15/ Répertoire / Hautbois et Piano
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Concerto For Oboe And Orchestra (YUN ISANG)
Oboe, Piano (duet)
[Reduction]
Bote and Bock
Arranged For Oboe And Piano. Par YUN ISANG. Après son piano versions du Concert...
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Arranged For Oboe And Piano. Par YUN ISANG. Après son piano versions du Concerto pour les flûte de Isang Yun et violon Concerto #3, le pianiste et Yun élève Holger Groschopp présente aujourd'hui ses arrangements au piano du Concerto pour hautbois et orchestre composé en 1990. Cet arrangement, trop, a été créé par Groschopp dans ses efforts pour encourager la propagation du travail en permettant aux spectacles avec piano et en fournissant des solistes qui veulent jouer la pièce avec orchestre avec une aide pour la préparation. Le niveau de difficulté de la partie de piano est telle qu'un pianiste expérimenté peut maîtriser dans un court laps de temps./ Répertoire / Hautbois et Piano
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Air De La 3Eme Suite Orchestrale (Version Hautbois) En Ré Majeur
Français
Oboe, Piano (duet)
Delatour France
/ Hautbois Et Piano
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Concerto For Hautboy And Orchestra. Cadenzas And Performing Edition By I. F. Pushechnikov. Piano Score And Part
Oboe, Piano (duet)
[Sheet music]
Kompozitor
/ Hautbois Et Piano / 40 pages / Partition
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