Per Orchestra - Partitura. Par GIURANNA ELENA BARBARA. Langue: English(UK)/Deutsch/Français/Nederlands / Date parution : 1905-06-06/ Répertoire / Orchestre

The Concerto for Violin was written in early 2012 for Philip Ficsor. The four movements conceived separately are intended to have the feeling of a suite rather than a verbose heavy interpretation of the concerto form. The first movement A Little Parlour Music carries the subtitle after Poulenc in a reflection of the lightness and charm of that composer's work. The second movment Remembrance of Things Past is the most expressive of the movements. The third movement Santa Barbara Rag is full of syncopated rhythm and humor with even a slight reference to another well-known rag. And the fourth movement John Adams Light looks back at the early minimalism of Adams with itsrepitition and constant motion. The concerto is available with piano reduction and for rental with the full orchestra accompaniment.

The Concerto for Violin was written in early 2012 for Philip Ficsor. The four movements conceived separately are intended to have the feeling of a suite rather than a verbose heavy interpretation of the concerto form. The first movement A Little Parlour Music carries the subtitle after Poulenc in a reflection of the lightness and charm of that composer's work. The second movment Remembrance of Things Past is the most expressive of the movements. The third movement Santa Barbara Rag is full of syncopated rhythm and humor with even a slight reference to another well-known rag. And the fourth movement John Adams Light looks back at the early minimalism of Adams with itsrepitition and constant motion. The concerto is available with piano reduction and for rental with the full orchestra accompaniment.

Musikvermittlung hat sich zu einem festen Bestandteil unserer Musikkultur ­entwickelt. In den Aufsätzen dieses Buches werden Umrisse und Aufgaben der künstlerischen Disziplin beschrieben, Arbeitsfelder, Ausbildungsfragen und Adressaten thematisiert, Methoden und neue Medien gesichtet, kritische Aspekte und Qualitätskriterien erörtert sowie historische Prozesse und zukunftsweisende Perspektiven aufgezeigt - Bestandsaufnahme und Neu­reflexion einer offenen und offensiven Musikvermittlung, die dem Musik­leben neue Impulse verleiht. / Orchestre