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Gabriel
VIOLA
Orchestra
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Pavane Für Orchester Op. 50
Orchestra
[Score]
Barenreiter
Bärenreiter's new scholarly-critical edition of Gabriel Fauré's evergreen, the...
(+)
Bärenreiter's new scholarly-critical edition of Gabriel Fauré's evergreen, the Pavane op. 50, has been edited by Robin Tait as part of the 'Complete Works of Gabriel Fauré?.The popularity of the work is mostly attributed to its many arrangements but the original version for orchestra is being published here for the first time. Shortly after completing the orchestral work, Fauré began work on a version for choir, which was actually premiered before the orchestral version.This new Bärenreiter edition offers conductors and orchestras a reliable Urtext edition of the 'Pavane's? original orchestral version which will surely enhance symphonic concert programmes everywhere.- First edition of the original version for orchestra- Urtext based on the 'Complete Works of Gabriel Fauré?- Large format orchestral parts (25.5 x 32.5 cm) / Orchestre
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Pavane Op. 50 (FAURE GABRIEL)
Orchestra
[Study Score / Miniature]
Hamelle
Par FAURE GABRIEL. SATB chorus and orchestra./ Répertoire / Partition D'Orchest...
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Par FAURE GABRIEL. SATB chorus and orchestra./ Répertoire / Partition D'Orchestre In 16 Poche
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Masques Et Bergamasques Op. 112
Orchestra
Barenreiter
In 1918 Gabriel Faure, then 73 years old, received a commission from Prince Albe...
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In 1918 Gabriel Faure, then 73 years old, received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell'arte. The four-movement orchestral suite op. 112, consisting of Ouverture, Menuet, Gavotte and Pastorale, combines previously unpublished parts of this stage music. The Pastorale of 1919 was Faure's last composition for orchestra, the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The op. 112 orchestral suite demonstrates how the composer, now older and more experienced, reworked and improved his earlier music. / Orchestre
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Pelleas Et Melisande Op. 80 (FAURE GABRIEL)
Orchestra
[Study Score / Miniature]
Hamelle
Par FAURE GABRIEL. / Répertoire / Partition D'Orchestre In 16 Poche
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Rheinberger: Konzertouvertüren (Gesamtausgabe, Bd. 25) (RHEINBERGER JOSEF GABRIEL)
Orchestra
[Sheet music]
Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. Rheinberger's concert overtures are completely be...
(+)
Par RHEINBERGER JOSEF GABRIEL. Rheinberger's concert overtures are completely beholden to the tradition of the genre established at least since the 1820s. The spread of this genre was favored in equal measure by the growth of bourgeois musical culture and the overwhelming model of Beethoven's nine symphonies, which sowed a certain perplexity and discouragement among composers of the next generation and led them to turn increasingly to the smaller single-movement genre in their orchestral music. Soon a generic distinction arose between two types of overture. One was the autonomous overture, whose character results from its specific introductory function. Rheinberger's Academic Overture follows in thissame line of tradition. The other type was the overture with subject-matter, in which the romantic inclination to recreate extra-musical material in music found an expecially fruitful field of exploration. Having originated as the opening item of an opera or play, the overture had, after all, long been accustomed to accommodating the contents of the work that followed. The concert overture on an extra-musical subject is in turn associated in particular with the works of Felix Mendelssohn Bartholdy. Rheinberger too, closely modeled his opp. 11 and 110 on Mendelssohn's overtures./ Répertoire / Orchestre
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Preludes De Promethee Op. 82 (FAURE GABRIEL)
Orchestra
[Study Score / Miniature]
Hamelle
Par FAURE GABRIEL. / Répertoire / Partition D'Orchestre In 16 Poche
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Dolly Op. 56 (FAURE GABRIEL)
Orchestra
[Study Score / Miniature]
Hamelle
Par FAURE GABRIEL. 1. Berceuse; 2. Mi-a-ou; 3. Le Jardin de Dolly; 4. Kitty-Vals...
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Par FAURE GABRIEL. 1. Berceuse; 2. Mi-a-ou; 3. Le Jardin de Dolly; 4. Kitty-Valse; 5. Tendresse; 6. Le Pas espagnol/ Répertoire / Partition D'Orchestre In 16 Poche
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Lucia di Lammermoor (DONIZETTI GAETANO)
Orchestra
Ricordi
Edizione critica a cura di Gabriele Dotto e Roger Parker (Vol. 1: XLIV, Vol. 2: ...
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Edizione critica a cura di Gabriele Dotto e Roger Parker (Vol. 1: XLIV, Vol. 2: VIII). Par DONIZETTI GAETANO. Gaetano Donizetti’s Lucia di Lammermoor, written to a libretto by Salvadore Cammarano, was first performed at the Teatro di San Carlo in Naples on 26 September 1835. It has remained in the repertory without interruption as one of Donizetti’s most popular operas throughout its nearly 200-year history. The edition proposes as the principal text a version of the opera that, for the most part, is as near as possible to that given at the premiere in Naples. However, one of the important new features of the edition is that it includes several fully orchestrated passages that, for unknown reasons, were cancelled very close to the time of the first performance. It also features in the third-act mad scene an obbligato part for the glass harmonica, an instrument that Donizetti had chosen for this extraordinary scene, and drafted in his autograph score, but was then constrained to substitute with a solo flute when the glass harmonica player got into contractual difficulties with the theatre. While the glass harmonica part was considered a mere “musicological curiosity” some decades ago, the critical edition now convincingly argues for its legitimate restoration as part of the composer’s preferred concept. The Sources section of the edition includes a detailed examination of all contemporary sources for the opera. The composer’s autograph score is of course the most important of these, but also of great value is the first printed vocal score of the opera, which in some numbers has a piano reduction prepared by the composer and contains many vocal variants (all reported in the score) that will be a great value to performers. There are also a number of early manuscript copies of the full score, several of which are valuable in outlining the first interpretations of Donizetti’s music. The critical edition restores the original keys, thus maintaining Donizetti’s overall harmonic design, but discusses transpositions that later entered the performing and editorial tradition of the opera. Three transposed pieces – which may have had Donizetti’s approval – will be made available available in the material for hire to theatres. / Date parution : 2022-03-05/ Répertoire / Orchestre
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Rheinberger: Orchesterfassungen Eigener Werke (Ga 26)
Orchestra
[Sheet music]
Carus Verlag
Gesamtausgabe, Bd 26. Par RHEINBERGER JOSEF GABRIEL. In Rheinbergers Orchesterbe...
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Gesamtausgabe, Bd 26. Par RHEINBERGER JOSEF GABRIEL. In Rheinbergers Orchesterbearbeitungen zeigt sich seine exzellente Instrumentationskunst ebenso wie eine latente orchestrale Klanglichkeit seiner vierhändigen Klaviermusik und seiner Werke für die Orgel. Aus der Ouvertüre zum Singspiel Der arme Heinrich op. 37 wird so ein charmantes Orchesterstück aus Schubert’schem Geist. Mit der Orchestrierung seiner vierhändigen es-Moll-Klavierfantasie op. 79 gelang Rheinberger eine klangliche Transformation von großer Überzeugungskraft. Originalwerke für Orgel dienten als Basis beim Elegischen Marsch op. 167b sowie bei der Passacaglia aus der Orgelsonate op. 132, mit der Rheinberger Bachs Orgelpassacaglia [BWV 582] noch vor Max Reger alsVorbild „wiederentdeckt“ hatte./ Répertoire / Orchestre
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Symphonie Nr. 2 (DVORAK ANTONIN)
Orchestra
[Sheet music]
Barenreiter
Par DVORAK ANTONIN. The Dvoràk symphonies represent a milestone in symphonic li...
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Par DVORAK ANTONIN. The Dvoràk symphonies represent a milestone in symphonic literature and encompass the composer's creative period from 1865 to 1893. They reflect the impact of Czech, and with the 9th Symphony, the impact of American folk music on Dvoràk. Each study score contains a short history of the Dvoràk Edition as well as valuable information on each of the works by the Dvoràk scholar Jarmila Gabrielovà./ Répertoire / Orchestre
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Requiem Op. 48
Français
Orchestra
[Study Score / Miniature]
Leduc, Alphonse
/ Conducteur Et Poche
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Sicilienne
Orchestra
Boosey and Hawkes
/ Orchestre
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Sicilienne Op. 8/3
Orchestra
Zen-on
/ Orchestre
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Requiem Op. 48
Français
Orchestra
[Sheet music]
Leduc, Alphonse
L'oeuvre musicale qui a pour support une Partition a pour titre Requiem Op48. C'...
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L'oeuvre musicale qui a pour support une Partition a pour titre Requiem Op48. C'est une partition musicale composée par Faure et qui est destinée aux joueurs de Conducteur et Poche. Le détail de l'instrumentation Partition D'Orchestre In 4 vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Partition D'Orchestre In 4 / Partition
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Pelléas Et Mélisande Op. 80
Orchestra
Eulenburg
/ Orchestre
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Requiem Op. 48
Français
Orchestra
[Study Score / Miniature]
Leduc, Alphonse
L'oeuvre musicale qui a pour support une Partition a pour titre Requiem Op48. C'...
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L'oeuvre musicale qui a pour support une Partition a pour titre Requiem Op48. C'est une partition musicale composée par Faure et qui est destinée aux joueurs de Conducteur et Poche. Le détail de l'instrumentation Partition D'Orchestre In 16 Poche vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Partition D'Orchestre In 16 Poche / Partition
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Pelléas Et Mélisande, Op. 80 / Pavane, Op. 50
Orchestra
[Sheet music]
Dover Publications
Deux superbes oeuvres originales frappante par l'un des compositeurs les plus do...
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Deux superbes oeuvres originales frappante par l'un des compositeurs les plus doués de l'école française: Pelléas et Mélisande, op. 80, une suite pour orchestre écrite après la musique de scène de Fauré pour le drame de Maurice Maeterlinck, et la Pavane extrêmement populaire, op. 50, l'une des plus jouées de courtes oeuvres orchestrales du répertoire.Réimpression de l'Hamelle J. and Cie, Paris, n.d. éditions. / Orchestre
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Masques Et Bergamasques Op. 112
Orchestra
Eulenburg
/ Orchestre
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Masques And Bergam. Poche
Français
Orchestra
[Study Score / Miniature]
Durand
/ Conducteur Et Poche
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Sicilliene
Orchestra
Boosey and Hawkes
/ Orchestre
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Pelléas Et Mélisande Op. 80
Orchestra
Barenreiter
Faure wrote Pelleas et Melisande in 1898 originally as incidental music to Mauri...
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Faure wrote Pelleas et Melisande in 1898 originally as incidental music to Maurice Maeterlinck's like-named play. After the premiere and subsequent performances, he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard. In December 1912, the four-movement version of Pelleas et Melisande was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Faure's most popular compositions and now exists in countless arrangements. / Orchestre
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