SKU: HL.49002099
ISBN 9790001022460. UPC: 884088054267. 9.0x12.0x0.228 inches.
This suite has been taken from the music of the Christmas tale of the same name. The instrumentation can be easily realized with four woodwind instruments, two brass instruments, timpani and strings. The 'Tanz der Holzpuppen', a foxtrot, is suitable as encore showing the humorous musician Hindemith who, in 1920, wrote to the Schott publishing house with a wink: 'Can you also make use of foxtrots, Bos-tons, rags and other kitsch? Whenever I cannot think of decent music, I write such stuff.'.
SKU: HL.51489060
UPC: 840126932843. 6.75x9.5x0.226 inches.
Haydn's three Symphonies nos. 90-92 might rightly be dubbed his “Paris Symphonies Part II,†as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already composed his six “Paris Symphonies†nos. 82-87 just a few years earlier. Ironically enough, Haydn would later sell these three a second time to Prince von Oettingen-Wallerstein who requested he “receive 3 new symphonies from him.†Regardless of such mercantile entanglements, Haydn shows himself to be at the full height of his mastery as a symphonist in these works. Completed in 1788 according to the autograph manuscript, the Symphony in E flat major no. 91 astonishes, even for Haydn’s standards, with its many idiosyncrasies, such as the Baroque, contrapuntal theme of the first movement or the strings of trills in the slow variation movement. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy scorean ideal companion for all current and soon-to-be Haydn fans.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: AP.48056
ISBN 9781470656331. UPC: 038081558615. English.
If I Can't Have You was performed by Shawn Mendes and is now arranged for string orchestra by Victor López. This Hot 100 hit is guaranteed to rock the house at your next concert. Hitting No. 1 on the iTunes chart, this solid pop-rock song will certainly add a little pizzazz to your program. A brilliant and unforgettable catchy melody, along with an upbeat groove, drives this solid pop-rock song from a new pop troubadour. Get the audience clapping along and let them have some fun. (2:20).
SKU: AP.48056S
ISBN 9781470656348. UPC: 038081558622. English.
SKU: HL.51489059
UPC: 840126932898. 6.75x9.5x0.22 inches.
SKU: HL.51489058
UPC: 840126932904. 6.75x9.5x0.232 inches.
Haydn's three Symphonies nos. 90-92 might rightly be dubbed his “Paris Symphonies Part II,†as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already composed his six “Paris Symphonies†nos. 82-87 just a few years earlier. Ironically enough, Haydn would later sell these three a second time to Prince von Oettingen-Wallerstein who requested he “receive 3 new symphonies from him.†Regardless of such mercantile entanglements, Haydn shows himself to be at the full height of his mastery as a symphonist in these works. According to the autograph manuscript, the Symphony in C major no. 90 was completed in 1788 and highlights its festive character with the addition of timpani and trumpets. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
SKU: HL.14030044
ISBN 9788759852743. 5.75x8.25x0.151 inches. International (more than one language).
This pocket sized book contains Humoresques I - II Op.87 Nos.1/2, the first two of Jean Sibelius' Humoresques for Violin solo and Orchestra. This handy study score can be easily referenced. Duration 3 minutes.
SKU: HL.51489068
UPC: 840126951967. 6.75x9.5x0.278 inches.
Haydn arrived in London at the beginning of February 1794 for his second stay in England. Two movements of the Symphony in G major Hob. I:100 had already been completed by then, and the finished work was premiered on 31 March. The trumpet fanfare in the second movement and the use of “janissary†percussion gave the symphony its nickname “Military Symphony,†which Haydn himself even used. Its success in London was enormous; in 1794/95 alone, the work was performed nine times and thus quickly became one of the most popular Haydn symphonies of all time. To everyone wishing to become more acquainted with this symphony, let this inexpensive study edition be commended - with reliable commentaries on its genesis, sources, and edition as well as an unassailable musical text taken from the Haydn Complete Edition.
SKU: HL.51489061
UPC: 840126932836. 6.75x9.5x0.22 inches.
The twelve “London Symphonies†comprise the sublime final statement of Haydn's symphonic ouvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Probably composed in the winter of 1791/92, the Symphony in D major no. 93 was, with its easily accessible (butby no means simple!) musical structure, perfectly tailored to London tastes, which demanded melodic clarity and expressive pathos. The Baroque echoes of Handel in the slow introduction to the first movement and in the festive mood of the finale with its timpani and trumpets would have been well received - no wonder the symphony had to be repeated multiple times in the same season after its performance in 1792! This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
SKU: HL.51489063
UPC: 840126932867. 6.75x9.5x0.204 inches.
SKU: HL.51489071
UPC: 840126989397. 6.75x9.5x0.268 inches.
The twelve “London Symphonies†comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The E-flat-major Symphony no. 103 was composed in 1795 as the penultimate of the London Symphonies. It owes its epithet to its unique beginning; a solo drumroll in the timpani ushers in the slow introduction. This opening bar, marked with Haydn's heading “Intrada†and a pause, even inspires many a performer to venture a short timpani improvisation. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
SKU: HL.51489070
UPC: 840126989410. 6.75x9.5x0.259 inches.
The twelve “London Symphonies†comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The energetic, surging B-flat-major Symphony no. 102 belongs to the group of the last three symphonies premiered in early 1795. Exceptionally, Haydn here dispenses with the clarinets that are otherwise generally featured in his late symphonies. The instrumentation of the Adagio is also unusual, in that Haydn includes trumpets and timpani, both muted. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
SKU: HL.51489062
UPC: 840126951950. 6.75x9.5x0.263 inches.
The twelve “London Symphonies†comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. To this day, the G-major symphony, first performed in March 1792, numbers among Haydn's most popular works. It owes its English nickname “Surprise†to the striking tutti chords in the Andante, which apparently caught the audience off guard. Haydn had consciously incorporated this effect at a later stage - and was thus subsequently also perfectly willing to authorize this nickname that had been dreamt up by a London musician. This popular work also spread rapidly through German-speaking countries, where it is still firmly established in the repertoire as the “symphony with the drumbeat.†This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
SKU: HL.49007945
ISBN 9790001084963. 8.25x11.75x0.235 inches.
SKU: HL.49002101
ISBN 9790001022484. UPC: 884088477974. 8.0x11.75x0.248 inches.
SKU: HL.49002100
ISBN 9790001022477. UPC: 073999293265. 9.25x12.0x0.431 inches.
SKU: HL.49013033
ISBN 9790001131919. 8.25x11.75x0.462 inches.
Bei der Neuschrift des Stucks im Winter 1995-96, funfzig Jahre nach seiner Entstehung (als Buhnenmusik zu Molieres Comedie ballet Georges Dandin, aus der anschliessend ein Ballett wurde mit dem englischen Clown Jack Pudding in der Titelrolle), ist es mir darum gegangen, den alten Notentext auszulosen und sein thematisches und harmonisches Material nach Kriterien zu ordnen und zu entwickeln, die mir seinerzeit noch nicht zur Verfugung standen, und die recht skizzenhafte Anlage des Urtexts in eine Klangwelt heruberzutragen, die meinen heutigen Vorstellungen und Wertbegriffen von Theater und Musik entspricht und die gleichzeitig das heutige kulturelle Klima Neapels widerspiegelt und damit eine besondere Art von Wirklichkeit, die mich einmal so sehr gefangengenommen, bezaubert und beeinflusst hat.- Hans Werner Henze: 1 (auch Picc.) * 1 * 1 * 1 - 1 * 1 * 1 * 0 - P. S. (3 Trgl. * Crot. * Rohrengl. * Trinidad steel drum * 3 hg. Beck. * 3 Tamt. * 3 Tomt. * Schellentr. * kl. Tr. * gr. Tr. [m. u. o. Beck.] * Bongo * Guiro * Kast. * Ratsche * Peitsche * Lotosfl. * Cuica * Mar. * Putipu [neap. Brummtopf]* Scetavajasse [neap. Schrapstock mit Schellen] * Flex. * Vibr. * Marimba) (3 Spieler) - Klav. (auch Cel. und Akk. ad lib.) - Str.
SKU: BA.BA04597-01
ISBN 9790006451456. 33 x 26 cm inches.
Urtext der Neuen Mozart-Ausgabe.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.51481550
UPC: 196288207269. 10.0x12.75x0.236 inches.
Tchaikovsky spent the summer and autumn of 1880 at his sister's country estate in Kam'ianka, Ukraine, where he sought peace and relaxation. But after a short time the desire to work took hold of him again. âI'm sketching a symphony or string quintet just now; I don't know where it's going yet,â he wrote to his friend and patroness Nadezhda von Meck. In the end it turned out to be a Serenade for String Orchestra, which numbers among his most beautiful inspirations and is today a central work in the genre. The four movements captivate with their diverse moods â be it the Mozartian first movement âin the form of a sonatinaâ, the elegant Waltz, the melancholy âElegiaâ or the rousing Finale. For this new source-critical edition it was possible to consult the autograph in Moscow as well as the early printed editions into which Tchaikovsky sometimes entered a number of minor revisions. Clear the stage for the new reference edition of this indispensable work of the string-orchestra repertoire!
SKU: BA.BA10984
ISBN 9790006567294. 31 x 24.3 cm inches. Key: F major. Preface: Armin Raab.
Along with Symphonies Nos. 80 and 81, Haydn’s Symphony in F major Hob. I:79 belongs to a group of works that he composed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy who wished to be entertained with new music. The symphonies were tailored for the twenty-five to thirty musicians who were in the prince’s court orchestra.Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydnâ€. Bärenreiter has already published the complete performance material for several “Sturm und Drang†symphonies and all the Paris and London symphonies.
SKU: BA.BA10982
ISBN 9790006565504. 31 x 24.3 cm inches. Key: D minor. Preface: Armin Raab.
Along with Symphonies Nos. 79 and 81, Haydn’s D-minor Symphony Hob. I:80 belongs to a set of symphonies that he completed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy, his task being to entertain the prince with new music. The symphonies had to be suitable for the twenty-five to thirty musicians who were in the prince’s orchestra. Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn’s large choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydnâ€.Bärenreiter has already published the complete performance material for several “Sturm und Drang†symphonies and all the London and Paris symphonies.
SKU: BA.BA10981
ISBN 9790006564620. 31 x 24.3 cm inches. Key: C major. Preface: Andreas Friesenhagen.
Haydn’s Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82–87) and the London symphonies (Hob. I: 93–104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791–92 and 1794–95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90, Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 as well as several Sturm und Drang symphonies.
SKU: HL.51489819
UPC: 840126932737. 6.75x9.5x0.712 inches.
After the first sketches had been put to paper in 1815, Beethoven only finally put the finishing touches to his last completed symphony in 1824. With its extended finale in which soloists and choir perform, building the bridge to the symphonic cantata with their invocation of fraternity, it marks a caesura in the history of the symphony that echoed long into the nineteenth century. The main theme of the ode “To Joy†by Friedrich Schiller, set to music in the final movement, has become one of the most popular melodies in all of classical music and today serves as the official anthem of Europe. Based on the musical text of the Beethoven Complete Edition and furnished with a new preface, this recently prepared edition reflects the latest in Beethoven scholarship. Now,in this study edition, it is available to everyone at a reasonable price and in a handy format.
SKU: BA.BA10983
ISBN 9790006565573. 31 x 24.3 cm inches. Key: G major. Preface: Armin Raab.
Haydn’s Symphony in G major Hob. I:81 comes from a series of three symphonies completed in late 1784 (nos. 81, 80 and 79, presumably in that order). No autograph score survives for Hob. I:81, thus our Urtext edition is based on copyists’ manuscripts and first editions. As with so many of his symphonies, Haydn wrote this one to provide new music for his employer, Prince Nikolaus Esterházy.Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn’s large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has now published the complete performance material for several Sturm und Drang symphonies and all the London and Paris symphonies (Nos. 81 to 104).
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