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The Germ Song
VIOLA
Orchestra
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Hans Abrahamsen: Four Pieces For Orchestra: Orchestra: Score
Orchestra
Wilhelm Hansen
Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programm...
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Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programme note: In 1983 Hans Abrahamsen wrote the first seven of his Ten Studies for Piano. In the early eighties most composers who wrote for the piano were still making strenuous efforts to distance themselves from the instrument?s romantic past for example treating it as a percussion instrument rather than exploiting its expressive ?singing? potential. The piano?s modern identity as a mechanical rational emotionally cool instrument is reflected in Abrahamsen?s studies 5 7; but in the first four studies Abrahamsen allows the piano to?recollect? its past: especially what the composer calls ?the golden German romantic time full of expression night timelessness dream and the irrational?. Accordingly these first four studies were given German one might specifically say Schumanesque - titles: Traumlied (?Dreamsong?) Sturm (?Storm?) Arabeske (?Arabesque?) and Ende (?End?). While Abrahamsen was in no way dissatisfied with the first four Studies as piano music he soon felt the urge to expand them in both time and space. In their new identity as Four Pieces for Orchestra created between 2000-2003 the original studies nearly doubled in length while the forces required expanded from one soloist to an orchestra of Mahlerian/Straussian dimensions including instruments beloved by the late-romantics: Wagner tubas bass trumpet guitar mandolin and the hammer used so memorably in Mahler?s Sixth Symphony and Alban Berg?s Three Pieces for Orchestra. The results are not so much ?arrangements? of the four piano studies more recompositions. A helpful comparison might be made with certain painters: Cézanne portraying the same mountain from different angles; or Monet obsessively returning to Rouen Cathedral in different lights and weather conditions. Abrahamsen himself remembers an important visit to the Munch Museum in Oslo where he saw how Munch painted the same subject
57.50 GBP - Sold by Musicroom UK
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David Angerman Joseph M. Martin: A Resurrection Acclamation: Orchestra: Parts
Orchestra
Shawnee Press
Wow! This is a must-have anthem for every choral library. Joseph Martin provides...
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Wow! This is a must-have anthem for every choral library. Joseph Martin provides two great texts – one for Easter and one for general worship – both of which are brimming with dazzling imagery and unbounded joy. Thelilting dance-like accompaniment moves the piece along so deftly that the song seems to end too soon. “A Resurrection Acclamation” is a thrill for both choir and congregation.
44.99 GBP - Sold by Musicroom UK
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Britta Byström: Screen Memories - Trumpet Concerto No.2: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Britta Byström's Trumpet Concerto No.2 Screen Memories for Trumpet solo and Orc...
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Britta Byström's Trumpet Concerto No.2 Screen Memories for Trumpet solo and Orchestra (2012). Trumpet solo part: WH31514B Dedicated to Tine Thing Helseth. Premiered February 28 2013 by the Nordic Chamber Orchestra and Tine Thing Helseth conducted by Johannes Gustavsson at Stadshuset in Sundsvall Sweden. Programme note Screen Memories is the English translation of a Freudian term (Deckerinnerung is the original German term). In Swedish it is called 'täckminnen'. The term means strong but seemingly meaningless childhoodmemories as 'cover' for substantial memory. The title is something of a pun as the work is based on the composition Voyage Into the Golden Screen (1968-69) by Danish composer Per Nørgård – a modern classic in which Nørgård presents his compositional technique known as the infinity series. The technique which I freely apply in the “Trumpet Concerto” enables the development of an endless melody! In that sense “Screen Memories” adapts a second understanding: memories of the composition of Nørgård. Nørgård in turn adopted the title from a song by British songwriter Donovan – the first phrase of this song is in my trumpet concerto. And then there's a third musical reference: the second movement of Beethoven's Piano Sonata No. 8 'Pathetique'. I once heard it in concert while a massive rainstorm appeared and nearly drowned the music. A musical memory incorporated in the composition (the percussionist uses a “rain stick”). Screen Memories thus becomes a concert full of musical memories dressed in new clothes. It is written for and dedicated to the soloist Tine Thing Helseth whose soft and virtuoso
87.99 GBP - Sold by Musicroom UK
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Max Reger: The Virgin's Slumber Song: Orchestra: Parts
Orchestra
Hal Leonard
Gentle rocking rhythms and expressive vocal lines enhance the richness of the mu...
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Gentle rocking rhythms and expressive vocal lines enhance the richness of the music in this setting of the Reger art song by John Leavitt. German or English lyrics.Available separately: SATB SA Instrumental ePak (score andparts for Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Percussion 1 & 2 Harp Violin 1 & 2 Viola Cello and Bass) and ChoirTrax CD. Performance Time: Approx. 2:00
49.99 GBP - Sold by Musicroom UK
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Gustav Mahler: Symphony No. 7: Orchestra: Score
Orchestra
Dover Publications
Among the most popular of Mahler's symphonic works the 7th symphony has neither...
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Among the most popular of Mahler's symphonic works the 7th symphony has neither a program nor a folk-song theme. It is a purely instrumental composition both hopeful and romantic in feeling. The restrained mood and thematic economy of the symphony make it one of the least extravagant of the composer's works; it is also one of the most approachable. Now music lovers can study this edition of the complete score reprinted from the authoritative German edition of 1909.
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Johann Strauss: Great waltzes: Orchestra: Score
Orchestra
[Score]
Dover Publications
Among the most widely popular composer of light classical music ever, Johann Str...
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Among the most widely popular composer of light classical music ever, Johann Strauss, Jr., wrote over 150 waltzes and brought the form to perfection as an extended musical composition. By the 1860s the waltz had become the exhilarating symbol of an elegant way of life, its lively sophistication mirroring the sparkle and joie de vivre of imperial Vienna and charming the world into dancing in three-quarter time. Now musicians and music lovers can enjoy eight of Strauss's finest waltzes, reproduced from authoritative editions, in this sturdy, attractive collection. They include The Beautiful Blue Danube: Artist's Life: Tales of the Vienna Woods: Wine, Women and Song: Wiener Blut: Roses from the South: Voices of Spring: and Emperor Waltz. Replete with inspired melodic invention and harmonic felicities, most of the scores have been reprinted directly from excellent German and Russian editions. In this inexpensive treasury they offer a rich source of inspiration and delight for every waltz lover.
21.95 GBP - Sold by Musicroom UK
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Hector Berlioz: Les Nuits D'Eté: Voice: Score
Orchestra
Dover Publications
Complete Song Cycle in Full Score and Vocal Score-Among Hector Berlioz's best-lo...
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Complete Song Cycle in Full Score and Vocal Score-Among Hector Berlioz's best-loved works Les Nuits D'Eté sets six poems by Théophile Gautier to music. Romantic and melancholic these poems include Villanelle - a popular street song LeSpectre De La Rose (The wraith of a rose) and Au cimetière (In the graveyard).This edition of the Orchestral score includes French English and German singing texts as well as the corresponding Piano score which can serve as a rehearsal addendum.
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Georg Friedrich Händel: Concerto grosso: Violin
Orchestra
[Sheet music]
Barenreiter
In der Continuo-Gruppe sind 2 Cembali besetzt-(First Set Of 1720 - The Eight Gre...
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In der Continuo-Gruppe sind 2 Cembali besetzt-(First Set Of 1720 - The Eight Great Suites) By George Frideric Handel (1685-1759) edited by Rudolf Steglich Terence Best. Collection for solo piano. Urtext of the Halle Handel Edition. 114 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA4224) ISBN M006446247. With introductory text performance notes and manuscript facsimiles (does not include words to the songs). Baroque.
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