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Per Nørgård: Symphony No. 2 In One Movement: Orchestra: Score
Orchestra
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Per Nørgård's Symphony No. 2 In One Movement - work for Orchestra dating from ...
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Per Nørgård's Symphony No. 2 In One Movement - work for Orchestra dating from 1970. Programme Note: After the first performance of my chamber orchestra work VOYAGE INTO THE GOLDEN SCREEN (1969) I was very preoccupied with ‘voyaging on’ in the infinity series I had brought to fruition in the second movement of the work: instead of about 1000 notes of the series I wanted to use about 4000 in order to create the potential for further exploration of the many layers and interval combinations of the infinity series. Instead of the pristine progression of the notes and its orchestration in‘Voyage’ I now wanted to intervene: to create melodies lead up to climaxes darken enlighten etc. but all with respect for the continuous flow and the preservation of the special timeless objectivity characteristic of the infinity series. One can perhaps experience the many recurrences of motifs in tempo layers from fast to very slow as a successor to the fractal computer graphics of the eighties. At any rate this ‘Symphony no. 2 in one movement’ (which was the result) became the precursor of the other works of the seventies including my 50-minute long chorally integrated Third Symphony (from 1973-75) which is also based on the infinity series but in addition has incorporated the upper and lower harmonic series and rhythms with ‘Golden’ duration proportions. The Second Symphony lasts about 25 minutes and was given its first performance on13th April 1970 by the Aarhus City Orchestra conducted by Per Dreier. Per Nørgård August 1992
57.50 GBP - Sold by Musicroom UK
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Per Nørgård: Symphony No. 6 'At The End Of Day': Orchestra: Score
Orchestra
Wilhelm Hansen
Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per Nørgård. Pro...
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Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per Nørgård. Programme note: ”… with the Lord a day is like a thousand years and a thousand years is like a day” (New Testament 2 Peter 3:8) My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra the Göteborg Symphony Orchestra and the Oslo Philharmonic Orchestra to be premiered at the millenium 2000. The subtitle AT THE END OF THE DAY can be understood literally or it can mean “when all is added up”. However in my opinion nothing ever quite adds up there is always “something” missing any ending will be provisional ... This symphony appears to end only a few minutes into the first movement the first passage as the music fades away to almost-silence after a start of flying colours. But then there is still “something” a small motive (first heard in the initial sound-waves) which reappears hesitant but persistent and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next until all the voices become obsessed with the same phrase a see-saw motive based on thirds. This section evolves into almost martial ferocity when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony emplyoing instruments that I have never used before: double-bass tuba double-bass trombone double-bass clarinet and bass flute). The second movement the second passage apparently takes off where the first passage ended but now the events are more ambiguous and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia the characteristic baroque bass-variation. Without a break follows the third and last passage in a
129.99 GBP - Sold by Musicroom UK
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Per Nørgård: Symphony No. 5: Orchestra: Score
Orchestra
Wilhelm Hansen
Full Score-Full orchestra score for Per Nørgård's Symphony No. 5 (1987-90 rev...
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Full Score-Full orchestra score for Per Nørgård's Symphony No. 5 (1987-90 rev.1991). Manuscript copy. Programme note: My 5th Symphony was commissioned by the Danish Radio Symphony Orchestra and premiered on December 6th 1990 by and dedicated to the Danish Radio Symphony Orchestra and conductor Esa-Pekka Salonen. After the premiere in 1990 I decided to revise the beginning (and only the beginning) of the work. The first pages of the score were discarded and about 20 seconds of new music was written in the summer of 1991. The new and final versionwas premiered on 1st of May 1992. The symphony progresses without pauses between movements often in several layers of tempo with mutual ´golden section´proportions. The listener´s experience of form in the work will therefore depend on the directions of his own attention. But so far as overall divisions are concerned four sections (perhaps five) - running into each other - can be traced: an expansive cascading introduction a kind of scherzo an chaconne-like adagio and a kind of finale again with the phenomenon of ´cascades´ as a main idea. However as the course is from time to time thrown into chaos by convulsive twitching and crises other experiences of form are opened out within a spectrum from wild to cautious from dramatic to contemplative in a universe of tempi which can suggest the title of a book of poems by the Danish Michael Strunge (1958-1986): ´Velocity of life.´ A listener described the symphony as “a walk with a fire-breathing dragon” and a reviewer described it with words like “a pacifist in times of war”. Anyway words and programme note are – as Carl Nielsen said about titles – only “road signs” for personal experiences in the area of music itself. Per Nørgård
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Wolfgang Amadeus Mozart: Die Entführung Aus Dem Serail: Orchestra: Score
Orchestra
Barenreiter
German singspiel in three acts-?I know for a fact that the Emperor is proposing ...
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German singspiel in three acts-?I know for a fact that the Emperor is proposing to mount a German opera in Vienna and that he is making every effort to find a young Kapellmeister who understands German has talent and is capable of striking out on a new path. [...] I think it would be a good thing for me provided of course that the pay is good. If the Emperor will give me a thousand gulden I will write a German opera for him.?Thus Mozart in a letter of 10 11 January 1778 from Mannheim to his father Leopold. He continued by asking his father to ?write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won?t take meon any other terms then let him try me with an opera. After that he can do what he likes for all I care.?Urtext of the New Mozart EditionFull score (BA4591-01) vocal score (BA4591-90) and study score format 22.5 x 16.5cm (TP311) available for salePerformance material available for hire (BA4591-72)
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Pelle Gudmundsen-Holmgreen: Incontri: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Incontri for Orchestra (2010) by Pelle Gudmundsen-Holmgreen. Commissioned by The...
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Incontri for Orchestra (2010) by Pelle Gudmundsen-Holmgreen. Commissioned by The Danish National Symhony Orchestra / DR. Parts are for hire: hire@ewh.dk Preface / Programme Note INCONTRI is a kind of orchestral prelude presenting some of the orchestra’s timbral possibilities. The timbres of the instrument groups emerge either clear on their ownor in various blends. There are no doublings between the three main groups – winds strings and percussion – each group maintains its own individual character evenduring the encounters; as in a forest where different kinds of birds continuetheirterritorial song without yielding or altering their signals.The joint musical project is not unlike a Baroque concerto grosso not only in theway the form plays the groups off against each other but also in the musical language itself. I have previously written a concerto grosso which I called ”Jungle Baroque” becauseof its savage and wild sounds. The same thing can be said about INCONTRI – bydegrees. Pelle Gudmundsen-Holmgreen
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Fraternité (HENZE HANS WERNER)
Orchestra
[Study Score / Miniature]
Schott
Air pour l'orchestre. Par HENZE HANS WERNER. In October of 1997, I received an i...
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Air pour l'orchestre. Par HENZE HANS WERNER. In October of 1997, I received an invitation from New York Philharmonic Music Director Kurt Masur asking me to contribute a musical message for the coming millennium. Maestro Masur's letter read 'My dream would be to have you provide us with a work lasting from 10 to 15 minutes that could both stand on its own or perhaps be combined with musical messages with other composers which we might compile for a full evening's concert.' I welcomed the opportunity to bring one of six unique perspectives to this collective exploration of the meanings of the new millennium, and it is my hope that the Multi-Arts Production Fund will chose to support the New York Philharmonic's 'Messages for the Millennium' project. My Millennium Message, Fraternité, Air for Orchestra, can best be described as a quiet and placid work in which all the instruments of the orchestra are as one ... and sing in praise of harmony and peace. - Hans Werner Henze/ Répertoire / Orchestre
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Poul Ruders: Listening Earth - A Symphonic Drama for Orchestra: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchest...
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Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra conducted by David Robertson 29th November 2002.3 Flutes 1st and 2nd also Alto Flutes in G 3rd also Piccolo3 Oboes 3rd also Cor Anglais in F3 Clarinets in Bb 3rd also Bass Clarinet in Bb3 Bassoons 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion four playersPlayer 1 - Vibraphone Glockenspiel Water Chime Bell Tree Japanese Wood Blocks Cymbal (Suspended) TamTam (Medium)Player 2 - Triangle Tubular Bells Crotales Marimba Chinese CymbalPlayer 3 - TamTam (Large) Java Gong(Large very low) Bell Lyra (Handheld) Sizzle CymbalPlayer 4 - Bass Drum Glockenspiel Xylophone1 Harp1 Piano also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama a one- movement composition in four parts based on the work by two writers Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English a classical scholar essayist poet and politician but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems nature paintings I was immediately convinced when I carne across the Addison hymn that here was exactly what I wanted to use as my major source of inspiration for this piece commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety but have chosen the following 3 excerpts all acting as mottos for the first three sections of the piece thus turning the piece into a straightforward tonepoem in the classical
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Olivier Messiaen: Et Exspecto Resurrectionem Mortuorum: Orchestra: Study Score
Français
Orchestra
[Study Score / Miniature]
Leduc, Alphonse
Composed in 1964 Et Exspecto Resurrectionem Mortuorum is a religious piece by O...
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Composed in 1964 Et Exspecto Resurrectionem Mortuorum is a religious piece by Olivier Messiaen which title means “And I wait for the resurrection of the dead”. Commissioned by André Malraux this orchestra lasts approximately 35 minutes and was written for the commemoration of the dead in the world wars. It features five movements: I. 'Des profondeurs de l'abîme je crie vers toi Seigneur: Seigneur écoute ma voix!' II. 'Le Christ ressuscité des morts ne meurt plus; la mort n'a plus sur lui d'empire.' III. 'L'heure vient où les morts entendront la voix du Fils deDieu...' IV. 'Ils ressusciteront glorieux avec un nom nouveau -- dans le concert joyeux des étoiles et les acclamations des fils du ciel.' V. 'Et j'entendis la voix d'une foule immense...' This is the conductor's score which includes all parts. Olivier Messiaen (1908-1992) was a French Organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsongs including the Bird Catalogue in 7 volumes and the Treatise on rhythm colour and ornithology in 7 volumes.
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Olivier Messiaen: Saint Francois d'Assise - Act II 5.: Opera: Score
Français
Orchestra
[Sheet music]
Leduc, Alphonse
L'Ange musicien-Saint François D'Assise is an opera in 3 acts by Olivier Messi...
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L'Ange musicien-Saint François D'Assise is an opera in 3 acts by Olivier Messiaen. This volume is part of the edition that includes the books with the full Orchestra scores as well as the explanations analysis and comments of each tableau. It is focused on the “Act II 5. L'Ange musicien” which describes the appearance of the “Musician Angel” to Saint Francis. This tableau is introduced by St Francis on his knees next to the cave. Three themes stand out in the opening of this tableau: the Decision the Joyce and the Calling. Some bird songs can be heard and the Angel appears in the light with a Viol and a bow. TheAngel Musician plays alongside some birds and leave St Francis fainting. He is soon joined by Brother Léon Brother Massée and Brother Bernard who try to help him. The last theme played is the Joyce one with some notes on the Viol while the tableau finishes with the three Brothers looking at the sky. Based on the life of Saint Francis of Assisi this opera is set in Italy and is composed divided as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French Organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsongs including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.
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Olivier Messiaen: Saint Francois d'Assise - Act II: Opera: Score
Français
Orchestra
[Sheet music]
Leduc, Alphonse
Saint Francois D'Assise is an opera in 3 acts by Olivier Messiaen. This volume ...
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Saint Francois D'Assise is an opera in 3 acts by Olivier Messiaen. This volume is part of the edition that includes the books with the full Orchestra scores as well as the explanations analysis and comments on each tableau. It is focused on the “Act II Tableau 4. L’Ange voyageur” which describes the appearance of the “Traveller Angel” to Saint Francis. This tableau is introduced by each of the themes of Brothers Leon Élie and Bernard and the theme of Philemon the bird. It opens as the Brothers are confronted to the Angel but don’t recognise him straight away except for BrotherBernard who reacts wisely. The Angel then requests to talk to Father Francis and the tableau finishes introducing the following part: “Act II Tableau 5. L’ange musicien”. Within this tableau 4 birdsong can be heard that is reminiscent of Messiaen's 'Bird Catalogue' collection. Based on the life of Saint Francis of Assisi this opera is set in Italy and is composed as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.
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Magnus Lindberg: Corrente No.2: Orchestra: Score
Orchestra
[Score]
Chester
Orchestral work commissioned by the BBC and premiered by the BBC Symphony Orche...
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Orchestral work commissioned by the BBC and premiered by the BBC Symphony Orchestra under the direction of Andrew Davis The Barbican Hall November 1992.Quoting Lindberg: 'After having written a Piano Concerto in 1991preceded by three works for different orchestral effectives (Kinetics Marea and Joy) I felt that I had come to an end with a certain musical expression and also compositional technique. All these works were based upon anextended chaconne principle with chord chains cycling around undergoing constant transformation and being articulated in a very gestural way. The musical paradox and evidently also the challenge was the discrepancy between abrick-like method expressed in a world of gestures (with all difficulties involved in conceiving music out of phrases) aiming at a continuity in terms of progression and development.After the Piano Concerto in the autumn of1991 I strongly felt that I couldn't continue in that direction anymore. I started to work on a project called Corrente for 16 players as a study for the full orchestra version entitled Corrente II.In order to bring theharmonic and rhythmic world closer to each other I abandoned the chaconne principle and based the harmony on different scale aggregates. By combining these scales and by filtering or by enhancing them with additional pitchesbased on more acoustically oriented views of the scales by considering them as partials of virtual fundamentals I was able to work in a rich harmonic world without actually having to do harmonic transformations and progressions.The rhythmic material was based on pattern figures with a rather kaleidoscopic approach of repetition and variation.By combining these pattern figures and scales aggregates I wanted to give the musical expression a 'narrative'sense of streams and directions moving around in different orchestral constellations.Corrente II for symphony orchestra is based on the same material as the piece for chamber orchestra. As the timbral palette and the mass
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John Williams: Music from the Star Wars Saga: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Hal Leonard
I. The Asteroid Field (4:50) II. Parade of the Ewoks (4:10) III. Cantina Band (2...
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I. The Asteroid Field (4:50) II. Parade of the Ewoks (4:10) III. Cantina Band (2:15) IV. Here They Come (2:15) V. Luke and Leia (4:45) VI. The Forest Battle (4:05) (Total performance time - ca. 24 minutes)
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John Williams: Music from the Star Wars Saga: Orchestra: Part
Orchestra
[Score]
Hal Leonard
Deluxe Score-I. The Asteroid Field (4:50) II. Parade of the Ewoks (4:10) III. Ca...
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Deluxe Score-I. The Asteroid Field (4:50) II. Parade of the Ewoks (4:10) III. Cantina Band (2:15) IV. Here They Come (2:15) V. Luke and Leia (4:45) VI. The Forest Battle (4:05) (Total performance time - ca. 24 minutes)
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Kongen Af Himmelby - Demo: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Kongen Af Himmeby-Demo/Utopiaville-Demofor Symphony Orchestra (2009). The Utopia...
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Kongen Af Himmeby-Demo/Utopiaville-Demofor Symphony Orchestra (2009). The Utopiaville-Demo is commissioned by Finn Schumacker for The Odense Symphony Orchestra. Repertoire operas occationally have orchestral suites: Bits and pieces of overture interlude etc. tied up in a bouquet of 'schönste Tränen'. Contemporary opera usually wither after the first season so the focus is on getting people to come and have a sniff before it's too late. Consequently it seemed obvious to me to start making orchestral excerpts from my operas that are meant to be played before the premiere (and after please); I call them 'operatrailers' when they're substantial enough to be considered independent works and 'opera demos' when they're relatively short and more appetizer-ish. The Utopiaville-Demo is a fast-and-furious cinemascope 3D THX-demo for my chamber opera 'The King ofUtopiaville' which is sort of a mix between a reversed revolutionary opera (reversed because it's about a revolutionthat flops) and a rhythm'n blues theatre concert. The opera takes place on the remote tropical island of Honga-Tonga where a mayor form Europe is taking a much needed holiday as far away as possible from his home town Utopiaville. The mayor desperately needs to get away:He has overstepped his authority blatantly and broken every rule of law he felt like in order to create a modern liberalistic society where sanitation medicare hospitals schools the police and all other public institutions are sold to private investors and then leased back by the public - that way noone will ever have to pay taxes because everything finances itself the mayor says and in order to keep reality at a safe distance he drinks massive amounts of insanely expensive french claret all in the best interest of the inhabitants of Utopiaville of course.Honga Tonga can't get any further away from Waikiki Beach: It looks something like the 1933 version of
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Olivier Messiaen: Saint Francois d'Assise -Act III 7. Les stigmates: Opera:
Français
Orchestra
[Sheet music]
Leduc, Alphonse
Saint François D'Assise is an opera in 3 acts by Olivier Messiaen. This volume...
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Saint François D'Assise is an opera in 3 acts by Olivier Messiaen. This volume is part of the edition that includes the books with the full Orchestra scores as well as the explanations analysis and comments of each tableau. It is focused on the “Act 3 Tableau 7. Les stigmates” which tells of the moment when Saint Francis receives the stigmata which proves that God approves his status of Saint. This tableau is happening when Saint Francis is alone in a cave in Verna. The music with a choir depicts a feeling of anxiety until the Choir interprets the voice of the Christ. Saint Francis is then hit by some lightfrom a cross that appeared to him in the exact same places where the Christ was hit by the Stigmata. The Orchestra is really strong on that tableau and depicts one of the most important moments of the opera Based on the life of Saint Francis of Assisi this opera is set in Italy and is divided as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was first played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French Organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the Bird Catalogue in 7 volumes and the Treatise on rhythm colour and ornithology in 7 volumes.
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Claude Debussy: La Mer: Orchestra: Miniature Score
Orchestra
Eulenburg
3 Symphonic Sketches-'Maybe you don't know that I was intended for the fine care...
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3 Symphonic Sketches-'Maybe you don't know that I was intended for the fine career of a sailor…' was what Debussy wrote in a letter in which he tells about his work on La Mer. His passion for the sea remained despite his different career and brought him to compose the three symphonic sketches for orchestra. The initially conservative criticism of La Mer which can probably be attributed to the difference in style compared to the successful work 'Pelléas' could be reversed through a performance directed by Debussy in 1908 with overwhelming success.
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Olivier Messiaen: Ascension: Orchestra: Score
Orchestra
[Sheet music]
Leduc, Alphonse
This edition of L'Ascension for Orchestra by Olivier Messiaen is the conductor...
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This edition of L'Ascension for Orchestra by Olivier Messiaen is the conductor’s edition. This religious work lasts approximately 27 minutes and is divided into four parts. I. Majesté du Christ demandant sa gloire à son père (Saint John’s Gospel) II. Alléluïas sereins d’une âme qui désire le ciel (Ascension Mass) III. Alléluïa sur la trompette Alléluïa sur la cymbale (Psalm 46) IV. Prière du Christ montant vers son père (Saint John’s Gospel) This piece also exists for Solo Organ. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on Rhythm Colour and Ornithology' in 7 volumes.
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Johann Friedrich Fasch: Concerto in D Minor: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Metropolis Music Publishers
Johann Friedrich Fasch (1688 - 1758) was a prolific composer who composed a vari...
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Johann Friedrich Fasch (1688 - 1758) was a prolific composer who composed a variety of cantatas concertos symphonies and other chamber music. Although none of the music was published during his lifetime much of his instrumental music was later published and is still frequently performed today. The only known composition of his for lute is this Concerto in D Minor in three movements: Allegro moderato Andante and Un poco allegro. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lutetablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass Johann Friedrich Fasch (1688 - 1758) was a prolific composer who composed a variety of cantatas concertos symphonies and other chamber music. Although none of the music was published during his lifetime much of his instrumental music was later published and is still frequently performed today. The only known composition of his for lute is this Concerto in D Minor in three movements: Allegro moderato Andante and Un poco allegro. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lutetablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass
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Esa-Pekka Salonen: Insomnia For Orchestra: Orchestra: Score
Orchestra
[Score]
Chester
In the words of the composer 'Insomnia was written between March and November 20...
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In the words of the composer 'Insomnia was written between March and November 2002. Technically speaking it is a set of variations based on a harmonic model separated by a Ritornello-like section which is essentially a pedalpoint on the note e. The sound of Insomnia is darker and deeper than that of some of my other orchestral works. I decided to add a quartet of Wagner Tubas to the brass section for the very particular sonority only these rare andweird instruments can produce.'
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Chorale and Tribute: Orchestra: Study Score
Orchestra
[Sheet music]
Boosey and Hawkes
Chorale (2001 02) for orchestra is a kind of musical meditation on the chorale...
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Chorale (2001 02) for orchestra is a kind of musical meditation on the chorale Es ist genug from Bach?s cantata O Ewigkeit du Donnerwort itself a harmonisation of J R Ahle?s 1662 hymn. Nick Kimberley?s preface outlines the context of the Bach original and refers to Alban Berg?s use of the chorale in his Violin Concerto almost 300 years later. In contrast to both of these works Lindberg?s Chorale has no extra-musical agenda. The composer explains that he took the harmonic structure of the chorale and embedded it in his own harmonies. ?I make an analogy with the rise and fall of the tide. When the tide is in the sea-bed is invisible; but when the tidegoes out you see the rock formation on the sea-bed.?Tribute is a short show-piece for full orchestra composed in 2004 as a gift to celebrate the 20th anniversary of Esa-Pekka Salonen?s debut with the Los Angeles Philharmonic.
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The Beatles: Love Is All You Need (A Tribute to the Beatles): Orchestra: Score &
Orchestra
[Score and Parts]
Hal Leonard
(A Tribute to The Beatles )-Master arranger Bruce Healey brings us a spectacular...
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(A Tribute to The Beatles )-Master arranger Bruce Healey brings us a spectacular showcase of pop music's greatest act with 13 memorable songs each given a new creative treatment in this stunning symphonic arrangement. Includes: All My Loving All YouNeed Is Love Blackbird Can't Buy Me Love Come Together Day Tripper Here Comes The Sun If I Fell Lady Madonna Let It Be Ob-La-Di Ob-La-Da Something and Yesterday.
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The Orchestral World'S Treasures 50 Scores: Orchestra: Study Score
Orchestra
[Score]
-
Advanced
Eulenburg
To celebrate the completion of the Eulenburg Audio Score publishing project all...
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To celebrate the completion of the Eulenburg Audio Score publishing project all 50 volumes are now available in a presentation box. With the help of Eulenburg Audio Score professional amateur and student musicians can familiarize themselves with the works by reading and listening at the same time. Each score contains an informative preface in English and German providing a brief introduction to each work with information on its genesis creation and reception. The Series is an anthology in 50 volumes offering you a treasury of the most famous orchestral works of the baroque classical and romantic repertoire. Each volume consists of a clearly-presentedand authoritative score an informative preface detailing the biographical and creative background and a CD of the complete work. Press Reviews:â??This beautifully presented multimedia collection will be invaluable to students teachers and music-loversâ? Mary Nemet Stringendo (Australian String Teacherâ??s Association) Magazine. â??I enthusiastically recommend this series of scores they are very affordable to music students indeed to anyone and are ideal for anyone reluctant to invest in both a score and recording.â? David Floyd Sheet Music Review.
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Love Is All You Need (A Tribute to the Beatles): Orchestra: Score
Orchestra
Hal Leonard
(A Tribute to The Beatles)-Master arranger Bruce Healey brings us a spectacular ...
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(A Tribute to The Beatles)-Master arranger Bruce Healey brings us a spectacular showcase of pop music's greatest act with 13 memorable songs each given a new creative treatment in this stunning symphonic arrangement. Includes: All My Loving All YouNeed Is Love Blackbird Can't Buy Me Love Come Together Day Tripper Here Comes The Sun If I Fell Lady Madonna Let It Be Ob-La-Di Ob-La-Da Something and Yesterday.
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Franz Joseph Haydn: Symphony No. 100 In G: Orchestra: Miniature Score
Orchestra
Eulenburg
London No. 12-Joseph Haydn's 'Eulenburg Pocket Score' is the result of his secon...
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London No. 12-Joseph Haydn's 'Eulenburg Pocket Score' is the result of his second trip to England in 1794. This work is one of the still popular from the series of the so-called '12 London Symphonies' (Hob. 1/93 - Hob. 104).The work characterized by musical finesse and various sonic stimuli has the following four movements: I. Adagio - Allegro - II. Allegretto (C major) - III. Menuet: Moderato - IV. Presto. The somewhat unusual epithet 'military symphony' refers essentially to the second and the fourth movement ('Allegretto' and 'Presto') in which the instrumentation is enriched by timpani triangle cymbals and bass drum and thereby the evokes the impression of amilitary band. A 'trumpet signal' especially set in the second movement led to such a characterization. On the value and importance of this G major Symphony the following article from the Allgemeine Musikalische Zeitung of April 1799 reveals: 'It is a little less learned and easier to grasp than some of the other's newest works but new ones Ideas just as rich as they. Perhaps the surprise in music can not be furthered than it is here by the sudden collapse of full Janissary music in the minor of the second movement-since until then one has no suspicion that these Turkish instruments are attached to the symphony. But here too not only the inventive but also the prudent artist shows. Nevertheless the Andante is nevertheless a whole: for in all the pleasing and easy things that the composer in order to infer from the idea of his coup deceitfully brought it into the first part of it it is nevertheless arranged and worked in a march.' The 'Military Symphony' was premiered on March 31 1799 in London.
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Carl Nielsen: Symphony No.4 'The Inextinguishable' Op.29: Orchestra: Score
Orchestra
Carl Nielsen Edition
This is the full score for Carl Nielsen's Symphony No. 4 The Inextinguishable ...
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This is the full score for Carl Nielsen's Symphony No. 4 The Inextinguishable the composer's most popular and most frequently recorded and performed work. Although Carl Nielsen's Symphony No. 4 was completed in 1916 and although it prominently features a thundering duel between timpani the composer did not write this work in response to World War I. Instead it is a noisy energetic thrusting paean to the inextinguishability of life itself. And as music like life in this instance is inextinguishable the four intricately interlinked movements are played without a break. In this work can be heardthe influences of Brahms Dvorak Sibelius and others all transformed by Nielsen's creative spirit. The symphony ends in grand Romantic style with a triumphant finale wherein the jagged two-note and three-note themes of the beginning are conquered by the songlike theme of the third movement. CN00013A is the parts to accompany this full score.
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Snehvides Spejl - Operatrailer: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Composer's Program Note Repertoire operas occationally have orchestral suites: B...
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Composer's Program Note Repertoire operas occationally have orchestral suites: Bits and pieces of overture interlude etc. tied upin a bouquet of 'schönste Tränen'. Contemporary opera usually wither after the first season so the focusis on getting people to come and have a sniff before it's too late. Consequently it seemed obvious to meto start making orchestral excerpts from my operas that are meant to be played before the premiere (andafter please); I call them 'opera trailers' when they're substantial enough to be considered independent works and 'opera demos' when they're relatively short and moreappetizer-ish. SNOW WHITE'S MIRROR is a full scale two act dramatic opera written for the Danish National Opera. The opera is a modern re-telling for grown-ups of the brothers Grimm's fairy tale: Snow White is a self-centered teenage narcissist and the villain of the opera; she ends up loosing everyone but herself either because she kills them or because they decide they can't stand being around her anymore. But apparently she's o.k. with that...The music is intended for a large audience: it's basically pop music done with all the craftmanship of aclassical composer who's equally at home with large scale symphonic form avantgarde technique opera singing - and modern pop. The Trailer is in three movements. It contains three sections of the opera; the prelude an interlude close to the beginning of the second act and the final scene but one. It's a gloomy sort of trailer starting out in grand title sequence style moving on to a decidedly odd piece where Snow White find her way to the dwarfs (who're creepy junkies doing pornography to get money to buy dope) and ending in kind of an eerie rejection mood: Everyone still alive walks out on Snow White singing 'skin as white as snow hands red with blood soul as black as ivory'.(NM 2010)
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Above All: Orchestra: Parts
Orchestra
Integrity Music
Above All features 12 powerful songs that are sure to find a place in any Palm S...
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Above All features 12 powerful songs that are sure to find a place in any Palm Sunday Easter or Communion service. This collection is ideal for choirs ensembles and student choirs and the songs can be performedindividually or in four mini-musicals leading up to Easter. As a finale the DVD Accompaniment Trax features powerful visuals for the last three songs. Titles include: O Wondrous Love The Glories of Calvary Lord of Life andLove Above All Behold the Lamb. For All You've Done O Mighty Cross I Will Glory in the Cross All the Earth Will Sing Your Praises God So Loved Saved the Day My Redeemer Lives. Orchestration includes score and parts forFlute Oboe Clarinet Trumpet 1 2 3 Horn Trombone 1 2 3 Percussion 1 2 Violin Viola Cello String Bass Rhythm (Piano/Guitar/Bass). Instrumentation varies. SATB Listening CD CD Accompaniment Trax (Split) DVDAccompaniment Trax Orchestration CD 10-Pack CD Preview Pack also available.
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Joseph M. Martin: Appalachian Winter: Orchestra: Parts
Orchestra
Shawnee Press
From the composer of Festival of Carols and The Winter Rose comes a cantata that...
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From the composer of Festival of Carols and The Winter Rose comes a cantata that celebrates the legacy of early American carols and hymnody. Composed in the spirit of folk music the cantata combines traditionalsounds with more rustic elements creating a blend that is fresh and pleasing. Popular American carols like Away In a Manger and O Little Town of Bethlehem dance with traditional spirituals such as Children GoWhere I Send Thee and Go Tell It on the Mountain. Sacred Harp tunes are re-tooled for Advent and stand alongside new versions of Shaker hymns and Appalachian melodies. Thoughtful narration weaves the movements togetherin a meaningful tapestry of song and Scripture. Two orchestral options are available allowing maximum flexibility in performance. A full line of support products is also available. Available separately: SATB CD-ROM FullOrchestration (Score
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Joseph M. Martin: Affirmation of Life from Rose of Calvary: Orchestra: Parts
Orchestra
Shawnee Press
From the best-selling cantata The Rose of Calvary comes the grand finale avail...
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From the best-selling cantata The Rose of Calvary comes the grand finale available for the first time as an individual octavo. A rousing conclusion to any Easter or life-affirming worship event. This hymn montage joinsclassic hymns “I Know That My Redeemer Lives ” “When I Survey the Wondrous Cross ” and others to proclaim the risen Christ with unbounded joy. Brant Adams' orchestration is brilliant!
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Pepper Choplin: Blessed Is He: Orchestra: Parts
Orchestra
Shawnee Press
Excitement and anticipation build throughout this triumphant Palm Sunday anthem ...
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Excitement and anticipation build throughout this triumphant Palm Sunday anthem as the crowd waits in charged expectation for Jesus's arrival in Jerusalem. “Look in the distance!...What do you see?...I heard Messiah iscoming!...Could it be he?” Questions and speculations mount as the long-awaited Christ approaches. “I see it clear...He is here!” Harmony bursts out of the unison “wonderings” to announce the arrivalof Messiah. Blessed Is He is majestic yet dance-like inviting all to join the celebration. From Pepper Choplin's best-selling cantata Once Upon a Tree this electrifying processional is a must for Palm Sunday.
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