SKU: HL.49030531
ISBN 9790220123696. 8.5x11.75x0.072 inches. Latin.
SKU: HL.48181442
Lajtha Missa Pro Choro Mixto Et Organo Op 54 Organ Performance Scores.
SKU: HL.49017835
ISBN 9790001148672. UPC: 884088566845. 7.5x11.0x0.108 inches. Latin.
Rota's Mass for choir and organ is published in two editions: for three-part mixed choir and for four-part male choir, each with organ. The organ part is identical in both editions. As a consequence, it is possible to perform the work with varying choir ensembles. The mass, with Latin text, is suitable both for amateur choirs and performance in small churches or concert halls.
SKU: HL.49019726
ISBN 9790001187985. 8.25x11.75x0.067 inches. German.
'Valet will ich dir geben - Du arge, falsche Welt' Based on the sacred poem of Valerius Herberger and written in the style of Melchior Teschner's chorale melody, the French composer Naji Hakim (*1955) wrote a moving work for choir and organ. The five chorale variations lead from heavenly joy in the choral parts to a charming setting for solo organ; then Hakim moves on to a setting for a cappella choir and a canon for soprano and alto with organ accompaniment. The expressive work ends with a lively toccata which is complemented by an expressive adagio in the middle.
SKU: BT.PWM12910
SKU: ST.H449
ISBN 9790220221286.
A well-known teacher and compiler of Stainer & Bell's Opera Gala series, John Norris has created Wedding Gala with an ear to giving church organists a mix of favourites and exciting discoveries to brighten the routine of music for the service of holy matrimony. No album would be complete without the traditional wedding music of Mendelssohn and Wagner, and it can be found here in this collection alongside other classics of the wedding repertoire by Jeremiah Clarke, Bach and Handel. But there's also a thoroughly contemporary leavening, with arrangements of Sydney Carter's One More Step and Lord of the Dance, both firm favourites, plus Musorgsky's Pictures at an Exhibition and Charpentier's Prelude, adding a note of splendour. But the real bonus is for lovers of English music, with Elgar's Chanson de Matin and 'The Call' from the Five Mystical Songs by Ralph Vaughan Williams, seldom found in comparable collections. And there's also a rare new discovery: the ravishing Chosen Tune by Herbert Howells, transcribed from his Three Pieces for violin and piano, Op. 28, and available as an organ piece for the first time. Each piece is comprehensively registered by the arranger, and the collection as a whole will be welcomed by all organists of intermediate standard as a source of new material not only for liturgical use but also for recitals.
SKU: SU.80200912
I. Floral Prelude on Leucanthemum Vulgare; II. Floral Prelude on Zehenspitzen durch die Tulpen; III. Floral Prelude on La Rose Jaune 14 page book Published by: Dunstan House Composer's Note: Organ preludes are frequently heard in religious services as well as organ recitals, but are commonly based on the tunes of hymns or chorales. Adapting the prelude form to tunes of a more secular nature introduces some slightly irreverent humor into the mix. These are called floral preludes rather than choral preludes because each of the tunes includes the name of a flower either in its title or its lyric (Daisy, Daisy give me your answer, do; Tiptoe Through the Tulips, and The Yellow Rose of Texas).
SKU: HL.48181042
UPC: 888680868949. 9.0x12.0x0.088 inches.
The Glorious Bodies, by Olivier Messiaen is a composition that exhibits his Roman Catholic faith. Written for organ in 1939, it is a mix between Indian music and Gregorian Plainsong. This first volume includes the first three pieces of the whole composition: 1. Subtilite des Corps Glorieux, 2. Les eaux de la Grace and 3. L'ange aux parfums. This piece is divided in 7 sections: 1. Subtilite des Corps Glorieux 2. Les eaux de la Grace 3. L'ange aux parfums 4. Combat de Mort et de la Vie 5. Force et agilite des Corps Glorieux 6. Joie et clarte des Corps Glorieux 7. Le Mystere de la Sainte-Trinite. Olivier Messiaen (1908-1992) was a French organist and composer passionate about ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the Bird Catalogue in 7 volumes and the Treatise on Rhythm, Colour and Ornithology in 7 volumes.
SKU: LO.70-2154S
ISBN 9780787764081.
This volume of organ pieces by Edward Landin combines a mix of hymn-based and original works, including three psalm preludes based on scripture. Landin's engaging and personal style results in music that is natural to play and enjoyable to hear.
SKU: LO.70-2429L
ISBN 9780787778132.
James Michael Stevens has created appealing organ arrangements of ten classic hymns of praise. Featuring each hymn melody very prominently and directly, and with a mix of moods across them, these easy pieces can provide material for preludes, offertories, and postludes throughout the church year.
SKU: LO.70-2473L
ISBN 9780787789442.
James Michael Stevens presents a captivating collection of ten well-known Christmas carols arranged for organ. Featuring each melody prominently and with a mix of moods across the settings, these accessible pieces serve as ideal choices for preludes, offertories, and postludes during the Christmas season.
SKU: LO.70-2480L
ISBN 9780787789510.
Lynn Arthur Koch has chosen a mix of both familiar and lesser-known Advent and Christmas hymns for the settings in this book. Several tunes are folk melodies drawn from the famous Oxford Book of Carols. With a duration of two minutes or less per piece, they can be seamlessly combined into suites, providing an ideal solution for occasions when longer preludes are needed.
SKU: GI.G-9138
UPC: 785147913863.
These sturdy hymns of praise will help set the tone for festive worship. They are especially suited for prelude use, but can be used at any time. Each theme has four variations. They can be played individually or as a complete performance. Powell’s creative treatment of each hymn provides a clear voicing of the tune followed by an intriguing mix of tempi, time signatures, and textures that will enhance any celebration.
SKU: AU.9798889833031
ISBN 9798889833031. 9 x 12 inches.
With great variety and creative sparkle, Mark Sedioâs fourth volume in the Come and Praise series offers several short pieces ideal for hymn introductions or interludes along with some alternate hymn harmonizations. Also included are three extended hymn tune variations and his original piece Scherzo Piccolo, which is a light and rhythmically charming piece. Extremely useful with a great mix of tunes and styles.
SKU: BR.EB-9306
ISBN 9790004187708. 12 x 9 inches.
This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles.
SKU: BR.EB-9415
ISBN 9790004188897. 12 x 9 inches.
SKU: BR.EB-9305
ISBN 9790004187692. 12 x 9 inches.
This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. Contains the Critical Commentary of the subvolumes I/1 and I/2.
SKU: BR.EB-9304
ISBN 9790004187685. 12 x 9 inches.
This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. The corresponding Critical Commentary is contained in Volume I/2 (EB 9305).
SKU: LM.C05360
ISBN 9790230353601.
Libera me, Domine (3 voix mixtes (STB) et orgue) - Miserere Mei (4 voix mixtes et orgue).
SKU: CA.1804800
ISBN 9790007032036.
SKU: FZ.5930
ISBN 9790230659307. 23.50 x 31.50 cm inches.
This facsimile of an original by Lambert Chaumont is part of our French classical music collection. Edition : Liege, 1695. Preface by Jean Saint-Arroman: notation - table of ornaments - ornamentation Du melange des jeux et du mouvement propre a chaque espece de verset - Explication des marques qui servent aux agrements (table). This organ book contains pieces close to the style of Nivers, a text about mixing genres, a treatise on accompaniment, and a method for tuning the harpsichord. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Conservatory Library of Liege (Belgium). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: HL.48184798
UPC: 888680846664. 9.0x12.0x0.052 inches.
Written by J. S. Bach and arranged by Maurice Durufle for Organ, ?Chorale: Jesus bleibet meine Freude? (Jesus, que ma joie demeure) is the tenth movement extract of the ?Rejoice yourself, my soul?, the cantata BWV 147. Part of the expanded version composed for the feast of Visitation, it was added to the main Cantata in 1923. This religious piece is quite difficult and features the use of: - Swell: Oboe 8? - Choir: Bourdons 16? 8? Principal 8? Octave 4? Fifteen 2? Mixture - Great: Bourdon 8? - Pedals: Bourdons 16? 8? .
SKU: HL.48184750
UPC: 888680842642. 9.0x12.0x0.092 inches.
ââ¬ÅShort Suite is an exciting and majestic suite in four parts for Organ. Composed by Jean Langlais, a French composer who contributed prolifically to the Organ repertoire, these pieces require the use of pedals and could be practised by upper intermediate / advanced players. The sections are: 1. Grands Jeux ? 3?30 2. Cantilène ? 6?00 3. Plainte ? 5?05 4. Dialogue sur les mixtures 3?20ââ¬Â.
SKU: HL.49019853
ISBN 9790001177726. UPC: 841886023093. 9.0x12.0x0.63 inches.
SKU: HL.14007173
8.25x11.75x0.17 inches.
In this collection, the composers have attempted to provide pieces that display the individual tone-colours of the modern organ. Works of this nature are scarce, but their value, particularly for the recital, is considerable. This contrasted set could well be played as a group in one programme.
SKU: CA.1804100
ISBN 9790007031992.
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