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VIOLA
Piano and Orchestra
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
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Tenor Saxophone (150)
Opera (145)
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Music Theory (99)
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Biography (38)
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Piano Quintet: piano, violin, … (31)
Voice, Guitar (31)
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Musical Awakening (26)
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Clavecin (22)
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Livret (20)
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Trio ou Quatuor à Cordes (20)
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2 Violas (duet) (20)
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Clavier Electronique et Ligne … (19)
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Voix et Orchestre à vent (18)
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Snare drums (18)
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Flute, Basso continuo (17)
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Set de Cordes (17)
Big band (17)
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Voix Mixtes SAB et Piano (17)
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Voice and Orchestra (16)
Guitare Electrique (16)
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Piano, Voice, Guitar tablature… (16)
Scores (16)
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Pennywhistle (15)
High voice (15)
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Fac-similé (15)
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3 Violons, Instruments à Cord… (14)
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Flûte Traversière, Violon, I… (14)
Piano, Guitar (duet) (14)
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Soprano Saxophone and Piano (14)
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Voix et Ensemble Instrumental (13)
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Flute Quartet: 4 flutes (13)
Choral CD (13)
ENS::Ensemble (13)
Flûte Traversière, Clarinett… (12)
String Quartet : 4 violas (12)
Solistes SATB, Choeur SATB, 2 … (12)
Violon, Violoncelle, Alto et C… (12)
Treble (Alto) Recorder, Basso … (12)
Violin, Guitar (duet) (12)
Children choir, Piano (12)
Solistes (SATB), Choeur Mixte … (12)
1 Piano, 6 hands (12)
Harp, Flute (duet) (12)
Solistes SBar, Choeur SATB, 2 … (11)
Children choir, Instruments (11)
Accordion - Piano, Voice, Guit… (11)
Solistes ATB, Choeur SATB, Tro… (11)
Medium Voice (11)
Solistes SATB, Choeur SATB, Fl… (10)
String Trio: 2 violins, cello (10)
Solistes SATB, Choeur SATB, Fl… (10)
Paroisse, Choeur SATB, 2 Tromp… (10)
Solistes STBarB, Choeur SATB, … (10)
Lute (10)
Matériel D'Orchestre (10)
Solistes SATB, Choeur SATB, 2 … (10)
Horn and Orchestra (10)
Educatif (10)
Bass Trombone and Piano (10)
Oboe and Orchestra (10)
Violin, Viola (duet) (10)
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Recorder Quartet (10)
CD (10)
2 Trumpets (duet) (10)
Solistes SST, Choeur SATB/SATB… (9)
Solistes SATB, Choeur SATB, 3 … (9)
Choral, Orchestra (9)
Solistes SATB, Choeur SATB, 2 … (9)
Flute Trio: 3 flutes (9)
Violon, Ensembles de Cordes et… (9)
DVD concert (9)
Soli (T (Evangelist), B (Jesus… (9)
Soli (SAB), Choeur Mixte (SATB… (9)
Flute, Cello, Piano (trio) (9)
Voix, Flûte à Bec et Percuss… (9)
Marimba (9)
Flûte à Bec et Piano (9)
Brass ensemble, Percussion (9)
Viola da Gamba (9)
2 Violins, Piano (9)
Flute ensemble (9)
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Accordion ensemble (8)
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Harp, Voice (8)
Choeur SATB, 2 Cors, Violon So… (8)
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Solistes SATB, Choeur SATB, 4 … (8)
Solo A, Timbales, Percussions … (8)
Solistes SATB, Choeur SATB, 2 … (8)
Solistes SSA, Choeur SATB, 2 F… (8)
Violon, Instruments à Cordes … (8)
Saxhorn or Euphonium (8)
Symphonic Band (8)
Choeur SSATB, 2 Hautbois, 2 Vi… (8)
Voix Et Orchestre A Vent (8)
Petit Orchestre: Récitant, So… (8)
Violin, Basso continuo (8)
Clarinet Ensemble (8)
2 Flutes, Piano (8)
Quintette avec Piano (8)
:: (8)
Piano Quartet: piano, 2 violin… (8)
Saxophone and Orchestra (8)
Opéra (8)
Conga (8)
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Flûte Traversière Clarinette… (7)
Violoncello, Basso continuo (7)
Soprano voice, Orchestra (7)
Piano, Percussion et Harpe (7)
Flute, Violin, Piano (7)
Accordéon Et Orchestre (7)
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Soli (SATB), Choeur Mixte (SAT… (7)
Soli (ATB), Choeur Mixte (SATB… (7)
Choeur (SATB) et Brass Band (7)
Soli (ATB), Choeur Mixte (SATB… (7)
Flûte Traversière Violon et … (7)
Violoncelle, Alto et Violon (7)
2 Choeurs Mixtes (SATB Et SATB… (7)
Soli (SATB), Chor (SATB/SATB) … (7)
Choeur SSATB, 2 Cornets à Bou… (7)
Treble (Alto) Recorder, Piano (7)
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Djembe (7)
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Streichorchester (7)
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Test d'Ecoute (6)
Bass Trombone (6)
Soli (SATB), Chor (SATB) und K… (6)
Klavier und Orchester (6)
Choeur Mixte (SATB), Soli Et O… (6)
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Trombone ensemble (6)
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Orchester (6)
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3 Parties Solo, Choeur Et Orch… (6)
Viola and orchestra (6)
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Choeur SATB, 2 Violons, Violon… (6)
Solo S, 2 Violons, Alto et 2 V… (6)
Choeur SATB, 2 Violons, Violon… (6)
Bass Clarinet (6)
Solistes SS, Choeur SATB, 2 Vi… (6)
Hohe Stimme, Melodie-Instrume… (6)
Motet (6)
Clarinette, Viola and Piano (t… (6)
Cajon (6)
Percussions Diverses (6)
Soprano, 4 Parties Mixtes 2 Tr… (6)
Pocket, Study conductor (6)
Trombone en Clé de Sol (6)
Quintette à Cordes (6)
Percussion, Piano (duet) (6)
Chamber Music (6)
3 Recorders (trio) (6)
Big Note Piano (6)
Percussions (6)
Baritone Saxophone (6)
Soprano, Piano (6)
Lyrics only (5)
Clarinet, Violin, Cello, Piano… (5)
Flute Quartet: Flute, Violin, … (5)
Choeur Mixte (SATB), Orchestre… (5)
2 Flûtes Traversières, Instr… (5)
Score (5)
Cordes (5)
Tenor Banjo (5)
Choeur SS (SA), 2 Violons et B… (5)
Soli (SATB), Choeur Mixte (SAT… (5)
3 Saxophones (trio) (5)
Solistes SA (TBar), Choeur SS … (5)
Soli (SSAATB), Choeur Mixte (S… (5)
2 Flûtes Traversières, Instr… (5)
Cloudlifter (5)
Soli (SATB), Chor (SATB) und O… (5)
Paroles (5)
Autoharp (5)
Quatuor (5)
Woodwind Quintet (5)
4 Guitars (Quartet) (5)
Violin, Horn and Piano (5)
Trombone en Clé de Fa (5)
Clarinette, Alto et Piano (5)
Voice Mezzo-Soprano, Orchestra… (5)
Solistes SATB, Choeur SATB, 2 … (5)
3 Clarinets (trio) (5)
Brass ensemble, Organ (5)
Mariachi (5)
Lap Steel Guitar (5)
Opéra Full Score (5)
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Livre Musical (5)
S, A, A, T, B, Choeur Mixte A … (4)
Guitare ou Luth (4)
Choeur SA Et Piano (4)
Clarinette, Violon, Violoncell… (4)
Quintette de Cuivres (4)
Flûte Traversière, Hautbois,… (4)
Organ, Percussion (4)
Batterie et Percussions (4)
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Solo S (T), Flûte à Bec F1 (… (4)
Ensemble d'Altos (4)
Violon, Alto, Violoncelle et C… (4)
Trio (4)
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Hautbois et Harpe (4)
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Orchestre à Cordes, Guitare e… (4)
Flûte A Bec Soprano, Cordes E… (4)
Voix et Brass Band (4)
Alto, Cordes Et Basse Continue… (4)
Flute, Viola and Piano (4)
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High Voice, Piano Accompanimen… (4)
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Flûte Traversière (Piccolo),… (4)
Trio avec Piano (4)
Clarinette, 2 Violons, Alto et… (4)
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Alto, Violon et Violoncelle (4)
Ensemble à VentCuivres (SSATB… (4)
Trumpet , Piano (4)
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Saxophone ensemble (4)
Choeur Mixteor (SATB), Orchest… (4)
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2 Violons, Alto, Hautbois, Cor… (4)
Trumpet and Guitar (4)
Trompette, Piano, Instruments … (4)
VCE/PF::Voice, Piano (4)
Orchestre D'Harmonie avec Soli… (4)
Trio A Vent-Bois (4)
Flute, Violoncello (4)
Soli [AT] et Orchestre (4)
Clarinette, Piano, Violon et V… (4)
3 Violons, Bas Viol et Basse C… (4)
Flute, Violin, Cello and Piano… (4)
Piano, 2 Violons, Alto, Violon… (4)
Quatuor à Cordes et Electroni… (4)
Lyrics & Chords (4)
Oboe, Guitar (duet) (4)
Saxophone, Clarinet (duet) (4)
Violon 2 (4)
4 Instruments à Vent (4)
Accordion, String(s) (4)
Travaux Pour Choeurs (4)
Soli (SATB), Choeur Mixte (SAT… (4)
2 Bassoons (duet) (4)
Baryton, Trombone et Piano (4)
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Ensemble (4)
Flûte Traversière hautbois o… (4)
3 Guitars (trio) (4)
Flûte Traversière, Clarinett… (4)
Flûte Traversière, Clarinett… (4)
Hautbois, Basson et Piano (4)
Soli (SATB), Gemischter Chor (… (4)
Clarinette, Violoncelle et Pia… (4)
Piano, Guitar (Chords) (4)
Choeur Mixte (SSATB) Et Instru… (4)
Soli (SATB), Choeur Mixte (SAT… (4)
English horn, Piano (4)
2 Oboes (duet) (4)
Harmonie (4)
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Violon, Piano et Vibraphone (4)
Flute, Piano Trio (bass, drum,… (4)
Brass Band et Percussions (4)
Handbells (4)
Solistes SATB, Choeur SATB, 2 … (4)
Flûte Traversière Cordes et … (4)
Voix Et Orchestre (4)
Trompette ou Bugle et Piano (4)
Dobro (4)
Timpani (4)
Soprano voice, Organ (4)
Oboe, Flute (4)
Bongos (4)
String Trio: 2 violins, viola (4)
Electric bass, Drums (4)
Guitare et Voix (4)
Voix Hautes (4)
Piano Trio: mixed chamber inst… (4)
Solistes STBB, Choeur SATTBB, … (3)
Cello, Organ (3)
Violin, Viola and Orchestra (3)
ENS::Ensemble d'cole (3)
2 Harpes (3)
2 Flûtes Traversières, 2 Hau… (3)
String quartet: 4 violins (3)
Choeur et Orchestre (3)
Voix et Piano Réduction (3)
Flute, Harp en Piano (3)
Choeur Mixte (SSATB) et Instru… (3)
Choeur SSATTB et Basse Continu… (3)
Trombone and Orchestra (3)
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Piano, Violon et Cor ou Alto o… (3)
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3 Solistes, Choeur Et Orchestr… (3)
Trombone, Organ (3)
Bass Clarinet, Piano (3)
T-shirt (3)
Flute, Viola and harp (3)
Oboe and String quartet (3)
Solistes SATTB, Choeur SSATTBB… (3)
Partition D'Orchestre (3)
Solo à (B), Choeur SATB, Paro… (3)
Choeur d'Enfants 1 Partie, Par… (3)
Flute, Viola (duet) (3)
Harp, Orchestra (3)
Cello, Guitar (duet) (3)
Horn, Trumpet, Trombone (trio)… (3)
Organ and Brass Quartet (3)
VLN/VLC/CONT::Violin, Cello, C… (3)
Descant (Soprano) Recorder, Ba… (3)
String trio (3)
Baryton (3)
Flûte traversière (3)
Baryton ou Tuba en Clé de Sol… (3)
Voix et Orff-Instruments (3)
Flûte à Bec Alto ou Flûte T… (3)
Fake Book (3)
Choral SSAB, Piano (3)
Voix solo - piano (3)
Ligne Mélodique, Paroles Et A… (3)
Organ, Trumpet (duet) (3)
Piano et Clavier (3)
Baryton ou Tuba et Brass Band (3)
Choral SATTB (3)
Harpsichord and Strings (3)
Solistes, SATB et Orchestre (3)
3 Oboes (3)
SAB (3)
3 Parties Solo, Choeur Et Orch… (3)
Guitare (Fingerpick) (3)
Choeur SATB et Orchestre (3)
Viole de Gambe (3)
Vocal duet (3)
Voix Basses (3)
2 Recorders, Basso continuo (t… (3)
Cello, Doublebass, Piano (trio… (3)
Violon I (3)
Choeur Mixte, Piano et Orchest… (3)
Voice (3)
Cor en Fa (3)
Guitar and Bass Tablatures, Ch… (3)
Trombone or Euphonium (3)
Chœur Mixte [SATB] et Orchest… (3)
Recorder, Guitar (duet) (3)
Bass Flute (3)
Trompette et Concert Band ou H… (3)
Brass Quartet: 4 horns (3)
2 French horns (duet) (3)
Harpsychord (2)
Choeur SATB/SATB et Basse Cont… (2)
Clavier et Clavier Electroniqu… (2)
Baritone Saxophone, Piano (2)
Trombone ou Tuba et Piano (2)
Soprano, Mezzo-Soprano, Baryto… (2)
Clarinet, Trumpet (duet) (2)
Cello, String Bass (duet) (2)
Choeur (SA), 2 Violons et Bass… (2)
Double bass, Orchestra (2)
Voix Moyenne et Orchestre (2)
SOP/BAR/ENS::Soprano, Baritone… (2)
Soli, Gemischter Chor 1 & 2, … (2)
REC::Treble Recorder (2)
Tambours (2)
Soprano (2)
2 Flûtes Traversières et Bas… (2)
Voix et Harpe ou Piano (2)
2 Claviers (2)
2 Ukulélés (2)
Choeur d'Enfants et Petit Orch… (2)
Carte Postale (2)
Piccolo, Piano (2)
Ensemble de Bassons (2)
SSATTB (2)
Flute, Bassoon (duet) (2)
8 Trombones (2)
4 Parties Mixtes, Instruments … (2)
Choral SATB, Keyboard (2)
Clarinette, 2 Violons, Alto e… (2)
Violin, Organ (2)
3 Guitares Cubaines Tablatures… (2)
1 à 3 Voix d'Hommes (2)
Choeur SATB et Violon (2)
2 Flûtes A Bec (SA/ST) Et Pia… (2)
Ensemble de Cuivres et Percuss… (2)
Guitare Fingerpicking (2)
Guitare Classique et Fingerpic… (2)
Piano Quintet: mixed chamber i… (2)
Choeur Mixte et Orchestre (2)
Flûte à Bec Alto et Instrume… (2)
Soli (STB), Chor (SATB), Orch… (2)
Piccolo (2)
Vibraphone and Marimba (2)
Timbales (2)
Choeur Mixte et Ensemble (2)
Clarinette (Trompette) Et Pian… (2)
Choeur D'Hommes (TBB) Et Piano… (2)
Oboe, Organ (2)
Brass Quartet: 2 trumpets, 2 t… (2)
Trumpet ensemble (2)
Jeux de Bâtons (2)
BAR/STR QUARTET::Baryton, Quat… (2)
Solo Piano (2)
Balalaika (2)
Solistes SB, Choeur SATB, Picc… (2)
2 Cornets et Piano ou Orgue (2)
LOW VCE/PFA::Low Voice, Piano … (2)
Madrigaux (2)
Soprano, SATB et Orchestre (2)
28 à 67 Joueurs (2)
Voix, Flûte à Bec et Orff-In… (2)
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Konzertante Werke Op. 32 Wev N.15
Piano and Orchestra
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre
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Philip Glass: Piano Concerto No.2: Piano: Score
Piano and Orchestra
[Sheet music]
-
Intermediate/advanced
Dunvagen Music Publishers
Internationally renowned minimalist Philip Glass composed this Piano concerto in...
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Internationally renowned minimalist Philip Glass composed this Piano concerto in the traditional three-movement form. The first movement titled ‘The Vision’ is classic Glass with a steamroller quality that suggests the immensedrive and ambition the two explorers needed to draw on for their journey into the wilderness. At the beginning of the second movement the theme in the solo Indian Flute musically represents the name ‘Sacajawea’ the ShoshoneIndian mother and guide who assisted the explorers on their way for whom the movement is named.The final movement entitled ‘The Land’ is an exploration of expansiveness both of the land that was being explored but also of thegeologically expanded time over which the landscape has evolved and the great changes that followed Lewis and Clark’s journey.This concerto is designated as part of The Concerto Project recording series started by Glass in theyear 2000 currently in four volumes and including eight concerti.American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as aminimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small andlarge ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
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Sergei Prokofiev: Piano Concerto No.2 In G Minor Op.16: Piano: Study Score
Piano and Orchestra
Boosey and Hawkes
Interestingly there are two different versions of Prokofiev’s second pian...
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Interestingly there are two different versions of Prokofiev’s second piano concerto the first written between 1912 and 1913 the second written in 1923. However during the Russian Civil War the original manuscript of the Concerto was destroyed in a fire in Prokofiev’s apartment in St. Petersburg. In 1923 he recreated the score from memory effectively composing the second edition of the work which was very different. Prokofiev wrote to a friend: I have so completely rewritten the second concerto that it might be considered the fourth (his third piano concerto having been written in the meantime).At the time of composition the concerto's wild temperamentleft some exalted whereas others were horrified by the jarring and at the time futuristic sound. Today however it is generally recognised as a masterpiece and is one of the most virtuosic works in the piano concerto repertoire.Available here is the Hawkes Pocket Score edition (No.877) of Prokoviev’s virtuosic Piano Concerto No.2 in G minor Op.16 and is ideal for study and perusal usage.
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Frédéric Chopin: Concerto In E Minor Op. 11: Piano: Score
Piano and Orchestra
PWM (Polskie Wydawnictwo Muzyczne)
Historical Version-Characterised by an extensive in terms of Chopin's concert p...
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Historical Version-Characterised by an extensive in terms of Chopin's concert pieces orchestral part. The melody here is less ornamented and more fluid the sketch of the cantilena very noble and clear the highly virtuosic element is exposed but not to the extent of overwhelming the logic of the design. Critical source-edition edited by Jan Ekier and Pawe Kami ski based on manuscripts copies approved by Chopin himself and first editions. Its purpose is to present the works of Chopin in authentic form. The present score is composed of parts from the first edition. The concert version of the score recreated by taking into consideration also other sources which present Chopin`s intention constitutes volume 33 B VIIIa. The Concerto in an authentic arrangement for one piano makes up volume 13 A XIIIa. The version with the second piano containing the reduction of the orchestra part forms volume 30 B VIa. The historical scores are purer with regard to editorial interference yet contaminated by the involvement in the sources of foreign hands. The historical scores show that which for various reasons Chopin agreed to have published.
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Sergei Rachmaninov: Piano Concertos Nos. 1 And 2: Piano: Score
Piano and Orchestra
[Score]
Boosey and Hawkes
The Boosey Masterworks Library is a truly fantastic collection of popular works ...
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The Boosey Masterworks Library is a truly fantastic collection of popular works from the orchestral repertoire presented in clearly notated and meticulously documented scores.This volume presents the full orchestral score of Rachmainov’s first two piano concertos which remain ever popular in the concert pianist’s repertoire the second piano concerto even more so. The first two piano concertos frame a prolonged period of self-examination and doubt in Rachmaninov’s life his earlier works were not received with great acclaim. However his resurgence as a composer on the international concert platform was brought about by his composition of thePiano Concerto No.2 in C Minor Op.18 which since its first performance remains one of the most important and popular works in the repertoire. This full orchestral score is a wonderful resource for study and perusal purposes and is clearly presented making it easy to read and follow.Note that the revised version (written in 1917) of the first piano concerto is that which is presented in this score.
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Antonín Dvo?ák: Piano Concerto In G Minor Op.33 (Full Score): Piano: Score
Piano and Orchestra
[Sheet music]
Barenreiter
g-moll Op. 33 B. 63-Composed in 1876 Dvorák’s only piano concerto has be...
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g-moll Op. 33 B. 63-Composed in 1876 Dvorák’s only piano concerto has been overshadowed by his other two concertos for violin and violoncello respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883 which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert vanSteijn decided instead to present the version by Karel Šolc. - New Urtext edition of Dvorák’s only piano concerto - Foreword by Dvorák scholar David R. Beveridge (Eng/Cz/Ger) - Commentary on performance practice by Czech pianist Ivo Kahánek (Eng/Cz/Ger) - Piano reduction by Karel Šolc adapted to fit this new edition - Full score (BA10420) and two-piano reduction (BA10420-90) available for sale - Performance material (BA10420-72) available for hire
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Ludwig van Beethoven: Piano Concerto No.4 In G Op.58: Piano: Score
Piano and Orchestra
Barenreiter
For Pianoforte And Orchestra-With numerous corrections.Piano reduction with a se...
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For Pianoforte And Orchestra-With numerous corrections.Piano reduction with a separate solo Piano part.The autograph to Beethoven?s Piano Concerto No. 4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon; the copyist?s manuscript of the score with Beethoven?s own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript.Though no new sources have been available for this new edition numerous editorial emendations which have prevailed in all previous editions (evenUrtext editions) have now been corrected.Thus this new Bärenreiter Urtext edition presents Beethoven?s famous work in the clarity which it deserves.
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Poul Ruders: Piano Concerto No.2: Piano: Score
Piano and Orchestra
[Score]
Wilhelm Hansen
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned ...
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Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Solo Piano part: WH31129CProgramme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonorous treasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing forone of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts. The marking 'Avanti Risoluto' (Forward with Resolve) is a bit of an understatement. It is a full throttle no hold barred ride -
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Hans Abrahamsen: Left Alone: Piano: Score
Piano and Orchestra
[Sheet music]
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Intermediate/advanced
Wilhelm Hansen
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen ...
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Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans
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Maurice Ravel: Concerto: Piano: Score
Piano and Orchestra
Barenreiter
for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist a...
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for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework’s evolution from Ravel’s autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part. The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25.5 x 32.5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work’s history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale.
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Ludwig van Beethoven: Piano Concerto No.4 In G Op.58: Piano: Parts
Piano and Orchestra
[Score]
Barenreiter
With numerous corrections.Piano reduction with a separate solo Piano part.The au...
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With numerous corrections.Piano reduction with a separate solo Piano part.The autograph to Beethoven?s Piano Concerto No. 4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon; the copyist?s manuscript of the score with Beethoven?s own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript.Though no new sources have been available for this new edition numerous editorial emendations which have prevailed in all previous editions (evenUrtext editions) have now been corrected.Thus this new Bärenreiter Urtext edition presents Beethoven?s famous work in the clarity which it deserves.
48.00 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Piano Concerto No.4 In G Op.58: Piano: Parts
Piano and Orchestra
[Part]
Barenreiter
With numerous corrections.Piano reduction with a separate solo Piano part.The au...
(+)
With numerous corrections.Piano reduction with a separate solo Piano part.The autograph to Beethoven?s Piano Concerto No. 4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon; the copyist?s manuscript of the score with Beethoven?s own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript.Though no new sources have been available for this new edition numerous editorial emendations which have prevailed in all previous editions (evenUrtext editions) have now been corrected.Thus this new Bärenreiter Urtext edition presents Beethoven?s famous work in the clarity which it deserves.
5.00 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Piano Concerto No.4 In G Op.58: Piano: Parts
Piano and Orchestra
[Part]
Barenreiter
With numerous corrections.Piano reduction with a separate solo Piano part.The au...
(+)
With numerous corrections.Piano reduction with a separate solo Piano part.The autograph to Beethoven?s Piano Concerto No. 4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon; the copyist?s manuscript of the score with Beethoven?s own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript.Though no new sources have been available for this new edition numerous editorial emendations which have prevailed in all previous editions (evenUrtext editions) have now been corrected.Thus this new Bärenreiter Urtext edition presents Beethoven?s famous work in the clarity which it deserves.
5.00 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Piano Concerto No.4 In G Op.58: Piano: Parts
Piano and Orchestra
[Part]
Barenreiter
With numerous corrections.Piano reduction with a separate solo Piano part.The au...
(+)
With numerous corrections.Piano reduction with a separate solo Piano part.The autograph to Beethoven?s Piano Concerto No. 4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon; the copyist?s manuscript of the score with Beethoven?s own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript.Though no new sources have been available for this new edition numerous editorial emendations which have prevailed in all previous editions (evenUrtext editions) have now been corrected.Thus this new Bärenreiter Urtext edition presents Beethoven?s famous work in the clarity which it deserves.
5.00 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Concerto No. 3 in C minor: Piano: Score
Piano and Orchestra
Barenreiter
for Pianoforte and Orchestra op. 37-Beethoven’s Piano Concerto No.3 is t...
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for Pianoforte and Orchestra op. 37-Beethoven’s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation dynamics and pedal markings are for the most part absent. However Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with which Beethoven placed slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation dynamics and notes. Inparticular the orchestral parts have been corrected for the first time since Beethoven’s lifetime.Piano reduction with a separate solo Piano part.A must for pianists orchestras and Beethoven scholars.
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