Robert Schumann's Das Paradies Und Die Peri Op. 50 composed for mixed choir SATB and Piano accompaniment.

Instrument : mixed choir (SATB), soloists (TBar) and orchestra Type : choral score Nombre de Pages : 22

The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably sometime before 23 September 1777.It is scored for Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Trombone (3) Violin (2) Basses (Double bass Bassoon) Organ.Full score vocal score & performance material (BA5344) are available for sale.

Lieder der Vergänglichkeit for three soloists (SMezBar), mixed choir and orchestra. Par PENDERECKI KRZYSZTOF. The form of this work is not so much based on the classical symphony, but is closer to a song cycle structure which has now grown to include 13 movements for choir and orchestra. The Romantic characteristics and form of the 8th Symphony are both reminiscent of Gustav Mahler’s choral symphonic works and his Lied von der Erde. Krzysztof Penderecki here extends and augments his expressive musical material, for example through cluster techniques and glissandi, possibilities which he has been systematically exploring since the 1950s. He has compiled the texts from poetry by Eichendorff, Rilke, Brecht, Kraus, Hesse, Goethe, Bethge and von Arnim on the theme of ’forests and trees’, which has long been close to his heart as demonstrated by his private arboretum near Luslavice (’my personal Ithaca’) containing over 1500 species of trees./ Répertoire / Solistes, Choeur et Orchestre

Nativity Oratorio for Soloists, Chorus, Children's Chorus, and Orchestra / soloists, mixed choir, children's choir and orchestra

for vocal soloists or SATB choir and orchestra or reduced orchestra Also available for full orchestra only. This tender and much-loved work was composed in 1938 in honour of Sir Henry Wood. It was written for 16 soloists and orchestra but may also be sung by four soloists and chorus, or by mixed-voice chorus. This beautifully presented edition includes an introduction by Michael Kennedy. Forces or Category Vocal soloists/SATB

The Fall of Lucifer was commissioned for the Silver Jubilee of the Tilford Bach Festival with funds provided by the Arts Council of Great Britain. The first performance was given on 13 May 1977. This work is a setting of thefirst play of the Chester Mystery Cycle a cycle of 25 plays dating from the late 14th century. Arranged for Solo Bass (Baritone) Countertenor Tenor and mixed voice choir SATB. Includes piano accompanimnet. Duration 26minutes.

/ S, S, A, T, B, 5 Parties Mixtes, 2 Clarinettes, Grosse(s) Caisse(s), Instruments A Cordes Et Basse Continue

Edition : Piano Reduction/Vocal Score; Urtext Edition Editor : Federhofer, Hellmut;Federhofer-Königs, Renate Binding : stapled Instrumentation : Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Orchestra, Basso continuo Kyrie Sancta Maria Salus infirmorum Regina angelorum Agnus Dei

Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Dido and Aeneas?, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcell and his librettist Nahum Tate, who combined an overriding tragic theme with masterfully inserted comic episodes. Long believed to have been conceived in 1689 for a performance at a ?School for Young Gentlewomen?, scholars have debated the origins of ?Dido? in recent decades, a process hampered by the lack of early musical sources. This edition addresses these challenges and evaluates the earliest sources that reproduce the opera in its surviving form. Surprisingly, these date from the 1770s and 80s, some ninety years after the work was written. Three key manuscripts ? now held at the Bodleian Library in Oxford (UK), at Tatton Park Library which is a National Trust property near Manchester (UK), and at the Wakayama Prefectural Library (Japan) - were all copied from the same original, most likely a handwritten score from 1704 which reappeared in the early 1770s, only to disappear again. This is the first 'Dido' edition based on the Tatton Park manuscript as the main source. It was produced during the second half of the 18th century by Philip Hayes, one of England's most prominent musicians. He was known in musicology for his meticulous copies of Purcell's music, often from the autograph manuscripts. The Bodleian and Wakayama manuscripts are presented in a new light and their role in this edition has been reassessed accordingly. - Urtext edition based for the first time on the Tatton Park manuscript as the main source - Informative Foreword (Eng/Ger) on the genesis, transmission, reception and performance practice - Complete facsimile reproduction of the Chelsea libretto / Date parution : 2023-06-01/ Répertoire / Solistes, Choeur Mixte et Orchestre