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La
VIOLA
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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Flûte Traversièreou Piccolo,… (32)
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Saxophone en Mib et Piano (32)
Lyrics only (32)
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Clavier Ou Piano (31)
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Ocarina (29)
Flûte Traversière Violoncell… (29)
Trompette ou Cornet à Pistons… (29)
Balalaika (29)
Recorder, Guitar (duet) (29)
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Tenor (29)
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Trombone, Organ (28)
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Variétés françaises (28)
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Flûte Traversière, Alto et V… (28)
Flûte à Bec F1, Violon et Ba… (28)
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Flûte à Bec, Guitare et Musi… (28)
Plectrum Orchestra (28)
Instruments Acoustiques (28)
2 Trompettes (duo) (28)
Euphonium en Clé de Fa Do ou … (27)
SATB, (4 InstrumentS Basse et … (27)
2 Cornets (27)
Voice, String Quartet (27)
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Concert Band ou Harmonie et Cl… (27)
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Ukulélé Soprano (26)
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
(+)
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate- Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
(+)
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate- Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
(+)
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate- Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
(+)
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate- Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
(+)
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate- Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Score
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
[Sheet music]
Barenreiter
Bach's original setting of the Magnificat in E-flat major written for Christmas ...
(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Part
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
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Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Part
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
Barenreiter
Bach's original setting of the Magnificat in E-flat major written for Christmas ...
(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Part
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
Barenreiter
Bach's original setting of the Magnificat in E-flat major written for Christmas ...
(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Parts
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
Barenreiter
Bach's original setting of the Magnificat in E-flat major written for Christmas ...
(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Vocal
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Part
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
Barenreiter
Bach's original setting of the Magnificat in E-flat major written for Christmas ...
(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
(+)
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
(+)
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
(+)
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
(+)
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
(+)
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
(+)
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
(+)
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Nicolai Mass-The name of the “Missa Sancti Nicolai” refers to the co...
(+)
Nicolai Mass-The name of the “Missa Sancti Nicolai” refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas. It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work. As with the “Great Organ Mass” these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can beperformed. Urtext from the Haydn Complete Edition Performable in both versions Full score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
(+)
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
(+)
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Johann Sebastian Bach: Magnificat In D major BWV243: Mixed Choir: Part
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
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Basso continuo Organ-The 2nd version with the 4 inserts from the E-flat major v...
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Basso continuo Organ-The 2nd version with the 4 inserts from the E-flat major version (transposed into D major).- Urtext of the New Bach Edition- Full Score (BA5103) vocal score (BA510390) and study score format 22.5 x 16.5cm (TP2) available for saleBarenreiter Urtext:In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest inmusicological research.For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Vocal Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for...
(+)
The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Creation Mass in B-flat Major Hob.XXII: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was com...
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was composed and first performed during the last decade of Haydn's life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt on the occasion of the nameday of Princess Maria Hermenegild. The nickname 'Creation' stems from Haydn's incorporating into the Gloria movement (at the words 'Qui tollis peccata mundi') a quotation from Adam and Eve's duet in his oratorio The Creation.- Full score (BA4656-01) performance material (BA4656) and vocal score (BA4656-90) available for sale- Urtext from Joseph Haydn Werke G. Henle Verlag
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Franz Joseph Haydn: Creation Mass in B-flat Major Hob.XXII: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was com...
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was composed and first performed during the last decade of Haydn's life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt on the occasion of the nameday of Princess Maria Hermenegild. The nickname 'Creation' stems from Haydn's incorporating into the Gloria movement (at the words 'Qui tollis peccata mundi') a quotation from Adam and Eve's duet in his oratorio The Creation.- Full score (BA4656-01) performance material (BA4656) and vocal score (BA4656-90) available for sale- Urtext from Joseph Haydn Werke G. Henle Verlag
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Franz Joseph Haydn: Creation Mass in B-flat Major Hob.XXII: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was com...
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was composed and first performed during the last decade of Haydn's life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt on the occasion of the nameday of Princess Maria Hermenegild. The nickname 'Creation' stems from Haydn's incorporating into the Gloria movement (at the words 'Qui tollis peccata mundi') a quotation from Adam and Eve's duet in his oratorio The Creation.- Full score (BA4656-01) performance material (BA4656) and vocal score (BA4656-90) available for sale- Urtext from Joseph Haydn Werke G. Henle Verlag
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Franz Joseph Haydn: Creation Mass in B-flat Major Hob.XXII: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was com...
(+)
Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was composed and first performed during the last decade of Haydn's life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt on the occasion of the nameday of Princess Maria Hermenegild. The nickname 'Creation' stems from Haydn's incorporating into the Gloria movement (at the words 'Qui tollis peccata mundi') a quotation from Adam and Eve's duet in his oratorio The Creation.- Full score (BA4656-01) performance material (BA4656) and vocal score (BA4656-90) available for sale- Urtext from Joseph Haydn Werke G. Henle Verlag
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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