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Tema E Variazioni Op. 5B (CALLIGARIS SERGIO)
Piano Trio: piano, violin, cello
[Score and Parts]
-
Intermediate
Ricordi
Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris ...
(+)
Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Violon, Violoncelle et Piano
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Chanson de nuit
String Quartet: 2 violins, viola, cello
Schott
8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Ros...
(+)
8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Rose' and the classical era in 'An die Musik', Kember moves forward to the twentieth-century with this thoughtfully chosen collection for string quartet. The Schott String Quartet Series With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer', which features original compositions, each book contains original arrangements of well known themes, which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance./ Recueil / Quatuor à Cordes
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Chanson de matin
String Quartet: 2 violins, viola, cello
Schott
8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Ros...
(+)
8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Rose' and the classical era in 'An die Musik', Kember moves forward to the twentieth-century with this thoughtfully chosen collection for string quartet. The Schott String Quartet Series With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer', which features original compositions, each book contains original arrangements of well known themes, which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance./ Recueil / Quatuor à Cordes
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Sonata Op. 39 (1997)
Viola, Piano
-
Intermediate
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Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Ros...
(+)
Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Alto et Piano
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5 Argentinean Folk Pieces
Français
Flute, Viola and Piano
Billaudot
This short suite, much inspired by Bartók's Six Romanian Folk Dances, is based ...
(+)
This short suite, much inspired by Bartók's Six Romanian Folk Dances, is based on traditional dances and songs of Argentina. Although the original rhythms and melodies are often transformed by the use of contemporary techniques, the piece preserves the authentic spirit of each of these folk forms.Zamba de Vargas, a well known folk song, refers to a battle in Argentina between two armies of gauchos during the civil wars of the nineteenth century.Ojos Azules (Blue Eyes) is an introspective lament for lost love of Quichua origin (Northwest of Argentina). It was first collected by musicologist Leda Valladares.Both the Milonga and the Valsecito Criollo, (folk forms which developed in rural areas and then made it to the outskirts of Buenos Aires at the turn of the century) are original themes written by me based on my own personal understanding of the genre.Lastly, the Baguala is inspired on a transcription documented by Isabel Aretz which was reproduced in Las Canciones Folklóricas de la Argentina and published by Instituto Nacional de Musicología of Buenos Aires in 1969.Commissioned by and dedicated to the Minnesota Sinfonia and to its Music Director, Jay Fishman. / Flûte, Alto Et Piano
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Tema E Variazioni Op. 5A (CALLIGARIS SERGIO)
Clarinette, Violoncelle et Piano
[Score and Parts]
-
Intermediate
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Per Clarinetto, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligar...
(+)
Per Clarinetto, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Clarinette, Violoncelle et Piano
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Chopiniana con delizia (HERDZIN KRZYSZTOF)
Quintette avec Piano
PWM (Polskie Wydawnictwo Muzyczne)
Par HERDZIN KRZYSZTOF. Chopiniana con delizia is a very interesting music projec...
(+)
Par HERDZIN KRZYSZTOF. Chopiniana con delizia is a very interesting music project. Sometimes it is difficult to draw the line where Chopin ends and Herdzin begins. The artist engages in a kind of a dialogue with the 19th-century creator. By using Chopinesque motifs, by ‘filtering’ phrases of the genius composer through his sensitivity and experience of a 21st-century artist, Herdzin has created a work that provokes me to pose the following question: what kind of music would Fryderyk Chopin write if he were to live in the present day? [...] Jakub Stankiewicz, fragment of preface, translated by Zaneta Pniewska / Date parution : 2022-11-08/ Répertoire / Quintette avec Piano
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String Quartet #8 (Score) (SIMPSON ROBERT)
String Quartet: 2 violins, viola, cello
[Sheet music]
Faber Music Limited
Par SIMPSON ROBERT. '. . .the quartet is a highly distinctive work, a welcome ad...
(+)
Par SIMPSON ROBERT. '. . .the quartet is a highly distinctive work, a welcome addition to Simpson's significant contribution to the British twentieth-century string quartet.'Trevor Bray, Music and Letters Vol. 68, 3 April 1989/ Répertoire / Quatuor à Cordes
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Rêves De Jacob (MILHAUD DARIUS)
Hautbois, Violon, Alto, Violoncelle et Contrebasse
Heugel
Par MILHAUD DARIUS. French composer and teacher, Darius Milhaud (1892-1974) was ...
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Par MILHAUD DARIUS. French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded, Jacob's Dreams being no exception. Milhaud 's compositions are influenced by jazz and polytonality, as exemplified in Jacob's Dreams. Composed in 1949, Jacob's Dreams is a dance suite, written for Oboe, Violin, Viola, Cello and Double Bass. It is an alternative, exciting suite, based on the dreams of Jacob in the Bible and made up of five movements; 1) Jacob's Pillow, 2) The first dream (the angel's ladder), 3) Prophecy, 4) Second dream(fight with the dark angel and benediction), and 5) Israel (Hymn). Milhaud makes use of variation in articulation, complex rhythms, chromaticism, accidentals, harmonics, altering tempos, variation in dynamics and a wide tessitura, amongst other aspects. Milhaud 's Jacob's Dream is essential to all advanced ensembles seeking modern and exciting repertoire./ Répertoire / Hautbois, Violon, Alto, Violoncelle et Contrebasse
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Golliwogg's Cakewalk (BIRTEL WOLFGANG)
Trio avec Piano
[Score and Parts]
Schott
from Children's Corner. Par BIRTEL WOLFGANG. The famous Golliwogg’s Cakewalk i...
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from Children's Corner. Par BIRTEL WOLFGANG. The famous Golliwogg’s Cakewalk is the final piece from Debussy's cycle Children’s Corner which consists of 6 miniatures for piano, written for his daughter in the years 1906-1908. The style corresponds to that of ragtime, a dance which was in vogue around the turn of the century. In the middle section, he parodies several times the beginning of the opera Tristan and Isolde by Richard Wagner with whom Debussy had a rather ambiguous relationship. The present arrangement now allows musicians to play the popular movement in a version for piano trio./ Répertoire / Trio avec Piano
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Beneath the Starry Sky (BELLA MATE)
Basson, Violoncelle et Piano ou 2 Violoncelles et
[Sheet music]
EMB (Editio Musica Budapest)
for bassoon, violoncello and piano or two violoncellos and piano. Par BELLA MATE...
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for bassoon, violoncello and piano or two violoncellos and piano. Par BELLA MATE. A special piece - a special story: In 2020, a renowned architect approached a composer to create a new piece of music for his daughter's wedding, which the happy father could give to the young couple as a wedding present. In earlier eras of private patronage, such a story would have been natural, but in the 21st century it is an odd story. The composition subtly alludes to the occasion: against the background of the piano, a duet of two instruments tells the story of a serene love (the piece can either be performed with a bassoon and a violoncello, or with two violoncellos). Máté Bella, who moves at home among different musical styles, shapes the song of lovers longing for each other in a way reminiscent of barcarolas sung by Venetian gondoliers. / Date parution : 2022-09-27/ Répertoire / Basson, Violoncelle et Piano ou 2 Violoncelles et
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Strygekvartetter / String Quartets (LANGGAARD RUED)
String Quartet: 2 violins, viola, cello
Wilhelm Hansen
Par LANGGAARD RUED. Rued Langgaard (1893-1952) is one of the most important Dani...
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Par LANGGAARD RUED. Rued Langgaard (1893-1952) is one of the most important Danish composers of the 20th century. He has, however, only acquired this status many years after his death. Langgaard was an eminent musical talent, but with his romantic and symbolist view of art, he ended up as an outsider in an era when the trend-setting Musical life of the time was dominated by Carl Nielsen?s sober and modern attitude. / Date parution : 2022-04-01/ Recueil / Quatuor à Cordes
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String Quartet No. 4 (LERDAHL FRED)
String Quartet: 2 violins, viola, cello
[Score and Parts]
Schott
Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissione...
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Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music. My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach’s D minor violin partita and the finale of Brahms’s Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern. My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl/ Répertoire / Quatuor à Cordes
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String Quartet F sharp minor op. 28 (SENFTER JOHANNA)
String Quartet: 2 violins, viola, cello
[Score and Parts]
Schott
Par SENFTER JOHANNA. The composer Johanna Senfter (1879 1961) from Oppenheim con...
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Par SENFTER JOHANNA. The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leipzig, first privately, then in his composition class at the conservatoire and valued her 'extraordinary compositional talent'. The strict teacher more and more became a committed promoter of the works by Johanna Senfter. For a period of 50 years, the composer concerned herself with the string quartet genre, from Quartet No. 1 in D minor Op. 4, composed shortly after the turn of the century, to the sixth and last Quartet in C minor Op. 115 which was performed for the first time in 1960, one year before her death. The Quartet in F sharp minor Op. 28 is her second quartet which was premiered in Darmstadt on 5 November 1922. In this work, as in later works, Senfter combined traditional form models – here Baroque movements like gavotte, saraband, gigue – with expressive, late Romantic musical language. The work, consisting of six short movements, may without doubt be regarded as a valuable addition to the quartet repertoire./ Répertoire / 2 Violons, Alto et Violoncelle
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A Festival Of Violin and Fiddle Styles For Viola
Viola
[Sheet music + Audio access]
Hal Leonard
Book with Audio and Video Access. Preface by Jay Ungar, composer of Ashokan Fare...
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Book with Audio and Video Access. Preface by Jay Ungar, composer of Ashokan Farewell. A Festival of Violin and Fiddle Styles presents 23 styles and is chock full of right- and left-hand techniques, exercises, and advice designed to help violinists, violists and cellists step into inclusive, 21st century skills as well as repertoire. This jam-packed book includes tips from an incredible array of multi-genre and roots-specific players including: Jay Ungar, Bruce Molsky, Darol Anger, Mark Wood, Aly Bain, Roby Lakatos, Don Roy, Calvin Vollrath, Paul Anastasio, and more. Styles include old-time, bluegrass, Cajun, Franco-American, western swing, blues, swing, pop/rock, Irish, Scottish, Shetland Islands, Cape Breton,Hungarian, Ukrainian, Klezmer, Roma, Calentano, Galician, Afro-Cuban, tango, Swedish, Bollywood, Quebecois, and Metis. Online audio includes playing examples of all the fiddle tunes in the book, followed by background music so you can continue to play on your own. Videos include expert instruction on fiddle techniques like bowing, slurs, slides, vibrato, and ornamentation. / Pédagogie / Recueil / Alto
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Piano Trios on Stage (AUTEURS DIVERS / BROOKER DAVID (Arr)
Violon Ou Flûte, Violoncelle Et Piano
[Sheet music]
Universal Edition
Intermediate-level arrangements of well-known Classical and Romantic works. Par ...
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Intermediate-level arrangements of well-known Classical and Romantic works. Par AUTEURS DIVERS / BROOKER DAVID (Arr.). In his preface to 'Piano Trios on Stage”, the arranger, David Brooker, reminds us that, just as the string quartet, the piano trio has always been one of the pillars of chamber music. In the 19th and early 20th century, it was almost like the later invention of the gramophone record, allowing larger works, in arrangement, as well as lighter pieces to be presented to small audiences, often as background music. David comments that string players have plenty of easy material to introduce them to the pleasure of making music with other instrumentalists but when it comes to piano parts these are usually written or arranged with a teacher or more advanced student in mind. David sets out to rectify that imbalance and his arrangements aim to put all three players on an equal footing. Of easy to intermediate standard, they are ideal for violinists, cellists and pianists who are now ready to try their hand at proper chamber music. The music is fun and instantly recognizable, drawing on Grieg's 'Peer Gynt”, Tchaikovsky's 'Nutcracker” and Leopold Mozart's 'Musical Sleigh Ride”./ Recueil / Violon Ou Flûte, Violoncelle Et Piano
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Sonatas In F Minor And E-Flat Major For Viola And Piano Op. 120
Viola, Piano
Barenreiter
Brahms had already announced his ?retirement' from composition when in the sprin...
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Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted viola parts to his two sonatas. In any case the viola and clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms' authorship of the viola parts. They include important differences from the clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas' origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Alto Et Piano
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Elégie Op. 30 For Viola And Piano
Viola, Piano
G. Henle
The peripatetic life and career of the Belgian composer Henry Vieuxtemps anticip...
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The peripatetic life and career of the Belgian composer Henry Vieuxtemps anticipated the European concept almost prophetically in the 19th century. The best example is his Elégie of 1848: written in St. Petersburg, it celebrated its greatest triumphs in Paris, was printed in Offenbach am Main, and enthusiastically reviewed in London. Critics were quick to note the expressive contrasts as well as the bravura style of the coda, which was 'elegant and at the same time brilliant?. Following the publication of the Sonata op. 36 (HN 577), the Elégie op. 30 now takes its place among Vieuxtemps' viola works for the first time in an Urtext edition. Tabea Zimmermann was once again entrusted with the bowings- the preface was written by the Vieuxtemps specialist Marie Cornaz. / Alto Et Piano
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Quintett (WALTER BRUNO)
Quintette avec Piano
Universal Edition
The score (UE 35757) also serves as the piano part.. Par WALTER BRUNO. Better kn...
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The score (UE 35757) also serves as the piano part.. Par WALTER BRUNO. Better known as one of the foremost conductors of the 20th century, Walter also found a place in contemporary composition in Vienna in the early part of the 1900s. Of particular importance is the Quintet, which was premiered by the Rosé Quartet, with the composer at the piano, and described as a resounding success. Universal Edition was an early publisher of Walter works, and they are pleased to publish this first edition of the Quintet, in cooperation with the Bruno Walter estate at the University of Music and Performing Arts of Vienna. For advanced performers./ Répertoire / Quintette avec Piano
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Stabat Mater (CAFARO PASQUALE) (CAFARO PASQUALE)
Soprano, Alto, Cordes et Basse Continue
[Score and Parts]
Vigormusic
Par CAFARO PASQUALE. Pasquale Cafaro, born in S. Pietro in Galantina in 1715; he...
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Par CAFARO PASQUALE. Pasquale Cafaro, born in S. Pietro in Galantina in 1715; he was directed by his family to 'scientific' studies (science of law) but soon abandoned them for musical ones. He then entered the Conservatorio della Pietà de' Turchini as a son at the age of 18, almost as an adult. His main teacher was one of the greatest musicians of the 18th century, Leonardo Leo, who immediately recognized the young man's talent. He remained at the 'Pietà' for a long time as a pupil first and then as a mastricello; finally, on the master's death, he deservedly succeeded him. / Date parution : 2023-06-01/ Répertoire / Soprano, Alto, Cordes et Basse Continue
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Sonate N01 (MILHAUD DARIUS)
Viola, Piano
[Sheet music]
Heugel
Par MILHAUD DARIUS. 1st Sonata was written by Darius Milhaud and is based on ano...
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Par MILHAUD DARIUS. 1st Sonata was written by Darius Milhaud and is based on anonymous tunes of the XVIII century and was dedicated to Germain Prevost. Initially composed for Viola and Orchestra, this score features the Viola and Piano scores. It is composed of four distinct parts: 1. Entree 2. Française 3. Air 4. Final Fairly difficult, this Sonata can be used for recitals and contests by upper-intermediate players. Born in 1892, Darius Milhaud became a professor at the Paris Conservatoire after the WWII, and composed a wide musical repertoire. One of thecharacteristic of the music he composed was its polytonality and its numerous influences (mainly French Provence, Jazz, South American and Jewish)./ Répertoire / Alto et Piano
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Stabat Mater (CAFARO PASQUALE) (CAFARO PASQUALE)
Soprano, Alto, Cordes et Basse Continue
Vigormusic
Par CAFARO PASQUALE. Pasquale Cafaro, born in S. Pietro in Galantina in 1715; he...
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Par CAFARO PASQUALE. Pasquale Cafaro, born in S. Pietro in Galantina in 1715; he was directed by his family to 'scientific' studies (science of law) but soon abandoned them for musical ones. He then entered the Conservatorio della Pietà de' Turchini as a son at the age of 18, almost as an adult. His main teacher was one of the greatest musicians of the 18th century, Leonardo Leo, who immediately recognized the young man's talent. He remained at the 'Pietà' for a long time as a pupil first and then as a mastricello; finally, on the master's death, he deservedly succeeded him. / Date parution : 2023-06-01/ Répertoire / Soprano, Alto, Cordes et Basse Continue
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String Quartet In C Minor (Score) (VAUGHAN WILLIAMS RALPH)
String Quartet: 2 violins, viola, cello
[Sheet music]
-
Intermediate
Faber Music Limited
Par VAUGHAN WILLIAMS RALPH. Quartet in C Minor is in four movements with a total...
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Par VAUGHAN WILLIAMS RALPH. Quartet in C Minor is in four movements with a total duration of about 25 minutes. The opening Allegro is Dvorák-ish in its lyricism, though there is a darker, more brooding atmosphere towards the close. It is tempting to detect a hint of folk-song in the theme of the Andantino, played by the Viola, but that may be stretching hindsight too far. The movement has a wistful melancholy that carries over into the following Intermezzo, a song-like episode containing some of the most virtuosic writing in the work. The last movement is a theme and six variations with a fugal ending. The theme is ballad-like with a suggestion of 18th-century elegance. Modality creeps into the second Adagio variation and there is rhythmic exhilaration in the succeeding Presto. What can be admired in this attractive quartet is its conciseness. This String Quartet was his first major composition of any kind. / Niveau : Intermédiaire / Répertoire / Quatuor à Cordes
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STRING QUARTET NO. 1 OP. 7 (BARTOK BELA) (BARTOK BELA)
String Quartet: 2 violins, viola, cello
[Sheet music]
G. Henle
Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and ...
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Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and 1940, are 20th-century milestones of the genre. His First String Quartet is closely linked to his unhappy love for the violinist Stefi Geyer, to whom he sent the initial measures of its first movement in early 1908 with the remark: ?My song of death?. When he completed all three movements of the work a year later, he had, according to his friend and colleague Zoltán Kodály, written himself ?back into life?. In this First Quartet, Bartók combines late-Romantic sounds with elements of the folk music that had since 1905 been a source of increasing interest to him. This definitive edition, supervised by Bartók scholar László Somfai, is the first-ever Urtext edition of this work. It takes into account both manuscript and printed sources, as well as letters and notes by the composer in which he recorded matters such as modifications to tempo markings. The Henle edition thus offers a musical text edited to the highest scholarly standards, with fascinating information on the work?s compositional history and performance practice. Sensible page turns and cue notes help to make this edition a real ?must have?. / Date parution : 2023-05-06/ Répertoire / Quatuor à Cordes
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Tzigane
Viola
Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...
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In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Alto
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String Quartet In C Minor (Parts) (VAUGHAN WILLIAMS RALPH)
String Quartet: 2 violins, viola, cello
[Sheet music]
Faber Music Limited
Par VAUGHAN WILLIAMS RALPH. 'Quartet In C Minor' is in four movements with a tot...
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Par VAUGHAN WILLIAMS RALPH. 'Quartet In C Minor' is in four movements with a total duration of about 25 minutes. The opening Allegro is similar in style to Dvorak in its lyricism, though there is a darker, more brooding atmosphere towards the close. It is tempting to detect a hint of folk-song in the theme of the Andantino, played by the viola, but that may be stretching hindsight too far. The movement has a wistful melancholy that carries over into the following Intermezzo, a song-like episode containing some of the most virtuosic writing in the work. The last movement is a theme and six variations with a fugal ending. The theme is ballad-like with a suggestion of 18th-century elegance. Modality creeps into the second Adagio variation and there is rhythmic exhilaration in the succeeding Presto. What can be admired in this attractive quartet is its conciseness. This String Quartet was his first major composition of any kind./ Répertoire / Trio ou Quatuor à Cordes
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STRING QUARTET NO. 1 OP. 7 (BARTOK BELA) (BARTOK BELA)
String Quartet: 2 violins, viola, cello
[Sheet music]
G. Henle
Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and ...
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Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and 1940, are 20th-century milestones of the genre. His First String Quartet is closely linked to his unhappy love for the violinist Stefi Geyer, to whom he sent the initial measures of its first movement in early 1908 with the remark: ?My song of death?. When he completed all three movements of the work a year later, he had, according to his friend and colleague Zoltán Kodály, written himself ?back into life?. In this First Quartet, Bartók combines late-Romantic sounds with elements of the folk music that had since 1905 been a source of increasing interest to him. This definitive edition, supervised by Bartók scholar László Somfai, is the first-ever Urtext edition of this work. It takes into account both manuscript and printed sources, as well as letters and notes by the composer in which he recorded matters such as modifications to tempo markings. The Henle edition thus offers a musical text edited to the highest scholarly standards, with fascinating information on the work?s compositional history and performance practice. Sensible page turns and cue notes help to make this edition a real ?must have?. / Date parution : 2023-05-06/ Répertoire / Quatuor à Cordes
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String Quartets Op. 112 And 153 (SAINT-SAENS CAMILLE)
String Quartet: 2 violins, viola, cello
[Sheet music]
Barenreiter
Conducteur Ba 10927 et Ba 10928. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's...
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Conducteur Ba 10927 et Ba 10928. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a titan of the genre: Joseph Haydn. Saint-Saëns' string quartets appear here for the first time in a scholarly-critical edition. It is also the first edition to contain the original version of the Finale to String Quartet No. 2 in score and parts. An informative Introduction is included in the study score to complete this volume of important French chamber music, based on the Urtext from 'Camille Saint-Saëns - Complete Edition of the Instrumental Works”./ Répertoire / Quatuor à Cordes
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Sinfonie (RICCI FRANCESCO PASQUALE)
2 Violons, Alto, Hautbois, Cor et Basse Continue
-
Intermediate
Ricordi
Ed. Critica A Cura Di Matteo Giuggioli. Par RICCI FRANCESCO PASQUALE. Francesco ...
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Ed. Critica A Cura Di Matteo Giuggioli. Par RICCI FRANCESCO PASQUALE. Francesco Pasquale Ricci straddled two worlds: Italy, his homeland, where he received his education and where he had his first professional experiences, and Europe, which would be the stage of his bold artistic affirmation and the consolidation of a vast and complex network of personal relationships. Ricci’s European excursion, occasionally interrupted by visits to Italy, lasted sixteen years. While not as lengthy as that of many of his countrymen and ending, unlike the careers of many Italians, with a definitive return to the land of his birth, his European travels were no less important for his career. Thanks to this experience, Ricci was able to establish an internationalreputation and find, on a personal level, the stimulus and the occasions to bring to maturity his personality as a composer, filled with the aspirations and contradictions typical not only of artists, but of all creative men of his time. In this critical edition, 12 symphonies have been chosen in order to illustrate characteristics and general problems related to the entire corpus of these works. The Archivio della Sinfonia Milanese series is intended to bring together the symphonic repertoire in eighteenth-century Lombardy to encourage experts to study it, musicians to perform it and draw the attention of a wider audience. In particular, the series intends to publish the major works by progressive, European-oriented composers of the period from Milan or who were active there and in the Lombardy area, giving pride of place to compositions which have not yet been published in our time. / Niveau : Intermédiaire / Musique contemporaine / Date parution : 1905-07-09/ Répertoire / 2 Violons, Alto, Hautbois, Cor et Basse Continue
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Quintette A Cordes N02 (MILHAUD DARIUS)
2 Violons, Alto, Violoncelle et Contrebasse
Heugel
Par MILHAUD DARIUS. Composed in 1952, String Quintet No. 2 is an alternative, ex...
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Par MILHAUD DARIUS. Composed in 1952, String Quintet No. 2 is an alternative, exciting String Quintet for 2 Violins, Viola, Cello and Double Bass. Milhaud makes use of variation in bowings, complex rhythms, chromaticism, altering tempos, double stops, harmonics, variation in dynamics and a wide tessitura, among other aspects. Milhaud`s String Quintet No. 2 is essential to all advanced String Quintets seeking modern and exciting repertoire. French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th Century as a member of 'Les Six'. His compositions remain highly regarded, String Quintet No. 2 being no exception. Milhaud 's compositions are influenced by jazz and polytonality, as exemplified in String Quintet No. 2, which is the second of four String Quintets by the composer. Composed in 1952, String Quintet No. 2 is an alternative, exciting String Quintet for 2 Violins, Viola, Cello and Double Bass. Milhaud makes use of variation in bowings, complex rhythms, chromaticism, alteringtempos, double stops, harmonics, variation in dynamics and a wide tessitura, among other aspects. Milhaud 's String Quintet No. 2 is essential to all advanced String Quintets seeking modern and exciting repertoire./ Répertoire / 2 Violons, Alto, Violoncelle et Contrebasse
84.60 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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