The Snowman is a beautifully composed piece for the traditional Christmas time film of the same title. The composer Howard Blake takes the music through the cold wintery sky, floating blissfully as if it was all a dream.The sheet music is beautifully arranged for a string quartet. The perfect addition to anyones festive collection. / Quatuor A Cordes

Score Parties. Par PASEK BENJ / PAUL JUSTIN (Arr. GROGER ANTHONY). The Greatest Showman est certainement l?une des comédies musicales les plus populaires de ces dernières années. La performance hallucinante de Hugh Jackman dans le rôle principal et la musique émouvante ont fait très rapidement de ce film un Classique. L?arrangement du titre « The Greatest Show » par Anthony Gröger pour quatuor à cordes est tout simplement époustouflant./ Répertoire / Quatuor à Cordes

Seven arrangements from the Disney hit movie Moana penned by Lin-Manuel Miranda are included in this collection for instrumentalists. Each book features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound. Songs include: How Far I'll Go - I Am Moana (Song of the Ancestors) - Know Who You Are - Shiny - We Know the Way - Where You Are - You're Welcome. / Alto

for flute/alto sax. Par JOHOW JOACHIM. Le recueil All Time Klezmers s´inspire des danses et des chants juifs joués par les klezmorim : de la beauté lyrique de la Hora à l'exubérance du Freilach. Certaines pièces possèdent une deuxième voix optionnelle qui peut être utilisée pour jouer en duo ou pour varier le contexte thématique dans le cas d'un passage avec reprise. Ce recueil contient uniquement les parties d'accompagnement de piano de l'ensemble des pièces presentées dans All Time Klezmers pour flûte ou saxophone alto. / Niveau : Intermédiaire / Recueil / Flûte Traversière, Saxophone Alto et Piano

Par HOWARD EMILY. Dualities by Emily Howard is a contemporary work for an Ensemble of 14 players. The work is an expression of the fascination with the juxtaposition of extremes and explores relationships between emotion and reason, constructivism and spontaneity, complexity and simplicity. The resultant musical structure is an accumulation of transitions between contrasting soundworlds. Dualities was commissioned by Ensemble 10/10, the Contemporary Music Group of the Royal Liverpool Philharmonic who gave the first performance on 5 October 2005 at the Eleanor Rathbone Theatre, University of Liverpool. / Date parution : 2023-03-11/ Répertoire / Ensemble

This is Howard Blake's timeless classic The Snowman arranged for String Quartet, with optional narration. This is the Full Score, a performance of which lasts around 26 minutes. / Quatuor A Cordes

Howard Blake est Walking In The Air du film d'animation de Noël bien-aimé The Snowman, arrangé pour quatuor à cordes par le compositeur lui-même en 2010. / Quatuor A Cordes

Arrangeur: Howland. Par MAHLER / HOWLAND. First Mvmt. Symphony #5/ Répertoire / 3 Trompettes, 2 Cors, 3 Trombones et Tuba

Par FAURE GABRIEL / HOWAT. Le Premier Quintette de Gabriel Faure (1845-1924) pour deux violons, alto, violoncelle et piano. L'edition critique de Roy Howat propose, en plus de la precision des differentes parties, des solutions d'interpretation de ce quintette./ Répertoire / 2 Violons, Alto, Violoncelle et Piano

Par HOWELLS HERBERT. Score and Parts./ Répertoire / Violon, Alto, Violoncelle et Piano

Nouvelle collection play-along disponible ! 15 tubes presentes avec une demo professionnelle et des pistes d'accompagnement pour que vous puissiez jouer et sonner comme un pro ! Titres inclus : Evermore - Into the Unknown - It's All Right - Remember Me (Ernesto de la Cruz) - Speechless - Try Everything - You're Welcome - et bien d'autres. L'acces aux fichiers audio se fait en ligne a l'aide du code qui se trouve a l'interieur du recueil et peut tre ecoute ou telecharge. Les fichiers audio comprennent un PLAYBACK , un lecteur audio multifonctionnel qui vous permet de ralentir l'audio, de definir des boucles, de changer de tonalite et de faire un panoramique a gauche ou a droite.
The Ballad Of The Lonesome Cowboy (from TOY STORY 4)
Evermore (from BEAUTY AND THE BEAST)
How Does A Moment Last Forever (from BEAUTY AND THE BEAST)
How Far I'll Go (from MOANA)
Into The Unknown (from FROZEN 2)
It's All Right (featured in SOUL)
Lava (from LAVA)
Lead The Way (from RAYA AND THE LAST DRAGON)
Never Too Late (from THE LION KING 2019)
The Place Where Lost Things Go (from MARY POPPINS RETURNS)
Remember Me (Ernesto de la Cruz) (from COCO)
Speechless (from ALADDIN)
Touch The Sky (from BRAVE)
Try Everything (from ZOOTOPIA)
You're Welcome (from MOANA)
/ Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD

Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music. My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach’s D minor violin partita and the finale of Brahms’s Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern. My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl/ Répertoire / Quatuor à Cordes