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ORCHESTRA
VIOLA
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Solistes SATB, Choeur SATB, 2 … (2)
English horn, Piano (2)
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Rapport Critique (2)
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STRING ENSEMBLE (2)
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OB/ORCH::Oboe, Orchestra (2)
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Voice Soprano, Cello (2)
Cor en Fa (2)
2 Guitars (duet) (2)
Guitar, Bassoon (2)
Ténor Solo, Violon Solo, SATB… (2)
Book (2)
Soli Et Choeur SATB Sans Accom… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Baryton Solo, Choeur et Orches… (2)
Soli/Choeur SATBB Sans Accompa… (2)
Solistes SATB, Choeur SATB, 2 … (2)
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3 Trombones (trio) (2)
MANDA::Mandola (2)
Cor Anglais (Hautbois), Trompe… (2)
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Flute and Guitar (2)
Solistes SATB, Choeur SATB, (4… (2)
Cornet and Piano (2)
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Concert Band/Harmonie et Solo (2)
Piano, Orchestre (2)
Partition Et Parties (2)
Solistes SATB, Choeur SATB, 2 … (2)
Xylophone (2)
Quatuor à Cordes et Orchestre… (2)
Organ, Strings (2)
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Petit Orchestre Ou Voix Et Pet… (2)
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Oeuvres complètes (1)
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Violoncelle, Basse et Accompag… (1)
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Béla Bartók: Viola Concerto Op. Posthumous: Viola: Instrumental Work
Viola and orchestra
Boosey and Hawkes
This is a fantastic work in the concert repertoire for Solo Viola with its lyri...
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This is a fantastic work in the concert repertoire for Solo Viola with its lyrical integrity and virtuosic passages this truly is an exciting Concerto for Viola and Orchestra. This version is for Viola with Piano reduction.The solo viola part is also included on a separate insert and has been edited by William Primrose.
29.99 GBP - Sold by Musicroom UK
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Schichten (ALSINA CARLOS ROQUE)
Chamber Orchestra
[Sheet music]
Suvini Zerboni
per orchestra da camera. Par ALSINA CARLOS ROQUE. / Répertoire / Orchestre de C...
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per orchestra da camera. Par ALSINA CARLOS ROQUE. / Répertoire / Orchestre de Chambre
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I Thank You God (BYSTROM BRITTA)
Chamber Orchestra
[Score]
Wilhelm Hansen
Par BYSTROM BRITTA. Feather Music (2020) composed by Britta Byström for chamber...
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Par BYSTROM BRITTA. Feather Music (2020) composed by Britta Byström for chamber orchestra. To Ensemble Pluma. Commissioned by Ensemble Pluma, with support from Dansk Komponistforening and the William Demant Foundation./ Répertoire / Orchestre de Chambre
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Music from Encanto (MIRANDA LIN-MANUEL)
String Orchestra
Hal Leonard
Par MIRANDA LIN-MANUEL. Your orchestra (and audience!) will love the catchy musi...
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Par MIRANDA LIN-MANUEL. Your orchestra (and audience!) will love the catchy music from Disney's big hit featuring Latin rhythms. / Date parution : 2022-05-17/ Recueil / Ensemble de Cordes
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What's Going On (GAYE MARVIN / LONGFIELD ROBERT (Arr)
String Orchestra
[Score and Parts]
Hal Leonard
Par GAYE MARVIN / LONGFIELD ROBERT (Arr.). Though initially written over 50 year...
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Par GAYE MARVIN / LONGFIELD ROBERT (Arr.). Though initially written over 50 years ago, Marvin Gaye's plea for peace and understanding is a message that still resonates strongly and needs to be heard. This arrangement for string orchestra by Robert Longfield maintains the original's easy cool and R
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Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin &
Violin, Viola and Orchestra
[Score]
Barenreiter
E flat major-There is no reference to the origin occasion or a performance of t...
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E flat major-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
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Georg Friedrich Händel: Concerto Grosso In G Major Op.6 No.1: Orchestra: Part
Viola
Barenreiter
Viola Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Co...
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Viola Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-part string orchestra and Cembalo continuo. Originally published in 1739 they were written to be played during performances of Handel's oratorios and odes and are amongst the finest examples in the genre of Baroque Concerto Grosso.
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Baba Yetu (TIN CHRISTOPHER)
String Orchestra
[Score and Parts]
Hal Leonard
Par TIN CHRISTOPHER. The well-known melody from the video game Civilization IV i...
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Par TIN CHRISTOPHER. The well-known melody from the video game Civilization IV is exquisitely captured in this G major string orchestra arrangement by Robert Longfield. Based on a Swahili translation of the Lord\'s Prayer, this arrangement is simplified enough to make it accessible while retaining the intricate rhythms of the original. Your students will love playing this infectious tune, which was the first piece of video game music to receive a Grammy! / Date parution : 2022-09-14/ Répertoire / Ensemble de Cordes
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Music from Stranger Things (O'LOUGHLIN SEAN (Arr) (O'LOUGHLIN SEAN (Arr)
String Orchestra
Hal Leonard
Par O'LOUGHLIN SEAN (Arr.). This engaging string orchestra medley from the hit t...
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Par O'LOUGHLIN SEAN (Arr.). This engaging string orchestra medley from the hit television show Stranger Things uses the eerie main theme as bookends framing songs from the 1980s by Journey, Metallica, The Clash, and Kate Bush that feature prominently in the show. Both contemporary and nostalgic, this is sure to be a hit with your students and their parents! / Date parution : 2023-03-11/ Répertoire / Ensemble de Cordes
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Elegia In 3 Tempi (ZAFRED MARIO)
Alto ou 2 Violes et Piano
[Score]
Ricordi
Per Viola E Orchestra (1964) - Riduzione Per Viola E Pianoforte. Par ZAFRED MARI...
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Per Viola E Orchestra (1964) - Riduzione Per Viola E Pianoforte. Par ZAFRED MARIO. / Musique contemporaine / Date parution : 1905-06-06/ Répertoire / Alto ou 2 Violes et Piano
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Ernest Bloch: Suite Hebra?que: Violin: Instrumental Work
Viola and orchestra
Schirmer
Study Score No. 71-For Viola/Violin solo and orchestra.
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Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin &
Violin, Viola and Orchestra
Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...
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There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
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Waiting On A Miracle (from Encanto) (MIRANDA LIN-MANUEL)
String Orchestra
[Score and Parts]
Hal Leonard
Par MIRANDA LIN-MANUEL. Written in the traditional triple-meter bambuco style of...
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Par MIRANDA LIN-MANUEL. Written in the traditional triple-meter bambuco style of Colombia, this arrangement for string orchestra by Robert Longfield captures the main character\'s yearning to be more like the rest of her family while maintaining her unique identity. The infectious melody and rhythm will leave the audience members singing this melody as they leave the performance! / Date parution : 2022-09-14/ Répertoire / Ensemble de Cordes
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Schon Lacht Der Holde Fruehling K. 583 (MOZART WOLFGANG AMADEUS)
Viola
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Le 'Köchel' indique toujours l'autographe d'air de...
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Par MOZART WOLFGANG AMADEUS. Le 'Köchel' indique toujours l'autographe d'air de Mozart tant apprécié, mais a étiqueté 'manquantes' depuis 1964. La 'Neue Mozart Ausgabe-' n'était donc plus en mesure de prendre en considération. Maintenant, cependant, le manuscrit a réapparu et a été utilisé comme une source authentique pour cette nouvelle édition (1997). préface 'Eine Aria in die Oper, der von Balbier Seviglien. Für MADAME Hoffer. 2 Violini, viole, 2 Clarinetti, 2 Fagotti, 2 Corni e Bassi. Schon lacht Frühling der Holde.' Cette entrée dans le catalogue de Wolfgang Amadeus Mozart travail manuscrite se trouve sous la date du 17 Septembre 1789. Toutefois, étant donné que la performance prévue d'un accord allemand de Barbier de Paisiello a été apparemment abandonné, Mozart semble avoir mis de côté la pièce sans l'achever. Josepha Hofer (née Weber), le plus jeune soeur Constanze Mozart, était d'avoir chanté cet air, destiné à Rosina. En tant que membre de la Freihaustheater Schikaneder, elle a chanté la Reine de la Nuit à la première représentation de la Flûte enchantée. En plus de la partie vocale, le score fragmentaires ne contient que la ligne de basse ainsi que des répliques instrumentales pour une orchestration avenir. La version de l'éditeur orchestralement complété, délivré par le même éditeur, est basé sur le manuscrit autographe conservé à la Österreichische Nationalbibliothek à Vienne. Cette autographe a été redécouvert qu'en 1988. Nous avons poursuivi nos efforts pour fournir un son mozartien dans la réalisation instrumentale de la partition tout en préparant cet arrangement pour soprano, clarinette et piano. Depuis la première clarinette tisse à plusieurs reprises autour de la partie de soprano dans thr version orchestrale, il semblait parfaitement naturel producc l'arrangement actuel. En outre, il apportera inévitablement à l'esprit de Franz Schubert Der Hirt auf dem Felsen (même clé, section du milieu en sol mineur). Nous tenons à remercier la Österreichische Nationalbibliothek à Vienne pour mettre des copies de la source à notre disposition. Franz Beyer Munich, printemps 1997/ Répertoire / Alto
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Quarteto In Dis Op. 3/1
Chamber Orchestra
Doblinger
2Vl Va Vc / Musique De Chambre
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Goehr Alexander - Endsong Op.61 - Viola And Piano
Viola, Piano
Schott
Six Pieces Klavierauszug mit Solostimme - VA/KL - viola and orchestra composer:...
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Six Pieces Klavierauszug mit Solostimme - VA/KL - viola and orchestra composer: Goehr, Alexander Éditeur: Schott Music Ltd., London pages: 122 A suite of six pieces, rather than a concerto, Schlussgesang - endsong in English - was sketched in a few weeks in Jerusalem in 1993, interrupted for the composition of Arianna and then taken up again and completed in 1996. Schlussgesang is written for a medium-sized orchestra accompanying the soloist. It was commissioned by the BBC. First performance by Tabea Zimmermann and the BBC Symphony Orchestra conducted by Oliver Knussen at the 1997 Aldeburgh Festival. Contenu - I Prelude - II Intermezzo Es blendet uns die Mondnacht... - III Introduzione Aber unter allem ist das Feuer... - IV Weinender Trapezkünstler - V ...kein Gedanke, nur ruhiger Schlaf (in Memoriam Oliver Messiaen) - VI Wir wurden aus dem Paradies vertrieben, aber zerstört wurde es nicht.
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Six préludes (DEBUSSY CLAUDE / LOUVIER ALAIN (Arr)
Français
Flute and Strings Trio
[Sheet music]
Billaudot
Par DEBUSSY CLAUDE / LOUVIER ALAIN (Arr.). Pour l'adorateur de Debussy que je su...
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Par DEBUSSY CLAUDE / LOUVIER ALAIN (Arr.). Pour l'adorateur de Debussy que je suis depuis la plus rendre enfance, toucher à ces merveilles que sont les Préludes de Claude Debussy fut un cas de conscience. Le séduisant quatuor avec flûte, avec son trio à cordes, permet à un orchestrateur de métier d'infin ies nuances et dégradés : quatre instruments virtuoses, souvent polyphoniques, aux nombreuses irisations de timbre... Cependant, nous n'avons aucun modèle chez Debussy lui-même d'un tel travail, sinon son Quatuor à cordes (très antérieur) et sa Sonate pour flûte, alto et... harpe ! Sans ajouter une harpe (qui possède l'étendue du piano), impossible d'imaginer La Cathédrale Engloutie ou La Terrasse des audiences du clair de lune ... les résonances graves du piano, si poétiques, quasi magiques, ne pourraient être traduites par quatre instruments non résonants. J'ai donc dû choisir peu de Préludes, ne voulant pas trahir Debussy. Après une écoute intérieure très exigeante, et en me permettant, à la rigueur, quelques brèves octaviations de l'extrême-grave du piano, je me suis limité à six, trois dans chaque livre: 1er livre : - Des Pas sur la neige (n° 6) - La Sérénade interrompue (n° 9) - Minstrels (n° 12) 2e livre: - Bruyères (n°5) - Hommage à Sir Pickwick PPMPC (n° 9) - Canope (n° 10) Très vite, j'ai compris que partir du son-piano était une erreur; il valait mieux imaginer le Debussy des années 1910 orchestrant ces pièces pour une grande formation (du type Ibéria ou Jeux), puis réduire pour un petit orchestre de quatre instruments. D'où l'emploi de batteries (même à la flûte), de trémolos, de doublures étranges pour simuler les timbres absents, créer des illusions de polyphonie, si prisées des orchestrateurs français. J'espère n'en avoir pas abusé; j'ai essayé de mettre dans ces transcriptions toute l'imagination - tous les sons improbables - que Debussy aurait lui-même recherchés. Alain WlMER/ Répertoire / Flûte et Trio à Cordes
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Schnebel Dieter - Versuche I-iv - Study Score
String Quartet: 2 violins, viola, cello
Schott
Studienpartitur - STP - I: for Strings and Percussion - II: for String Quartet o...
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Studienpartitur - STP - I: for Strings and Percussion - II: for String Quartet or Strings - III: for Chamber Ensemble (and Voice ad libitum) - IV: for Orchestra composer: Schnebel, Dieter Éditeur: Schott Music pages: 92 Contenu - I. Analysis - II. Stücke - III. Fragment - IV. Composition
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James MacMillan: Viola Concerto: Viola: Score and Parts
[Sheet music]
Boosey and Hawkes
Commissioned by the London Philharmonic Orchestra Luzerner Sinfonieorchester B...
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Commissioned by the London Philharmonic Orchestra Luzerner Sinfonieorchester Bergen Philharmonic Orchestra and Adelaide Symphony Orchestra and first performed in 2013 by Lawrence Power with the LPO conducted by Vladimir Jurowski. Cast in three contrasting movements this work is expressive energetic and highly virtuosic culminating in a breathless Allegro pitting the soloist against the orchestra. A major addition to the canon of concertante works by James MacMillan and to the Viola repertoire in general. Full orchestra materials available on hire. Suitable for advanced standard performers.
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Cheryl Frances-Hoad: The Dreams That Fly From Me: String Quartet: Score
String Quartet: 2 violins, viola, cello
Cadenza Music
Cheryl Frances-Hoad's The Dreams That Fly from Me for solo String Quartet and St...
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Cheryl Frances-Hoad's The Dreams That Fly from Me for solo String Quartet and String Orchestra. Score. 'The Dreams That Fly From Me is a ten minute work for solo string quartet and string orchestra. It is in two movements (one slow one fast) that are played without a break. I spent ten years at the Yehudi Menuhin School (a specialist music school for string and piano) growing up so this piece cannot help but be strongly influenced by the music I played in the school orchestra during this time. In particular the work is influenced by Elgar’s Introduction and Allegro Strauss’s Metamorphosen (fortwenty-three solo strings) and Tippett’s Concerto for Double String Orchestra although the harmonic language of the piece (which is essentially very jazzy) helps to obscure these musical references. In terms of extra musical inspiration the work was inspired by a poem by Ivan Goll called Bloodhound which includes the lines “Catch the dreams that fly off from me.... And savage the ankles of my fleeting angel” I was inspired by the idea of a “fleeting angel” which at a time when I had been having difficulties composing seemed very poignant: the angel of the poem seemed to be a poetic representation of my inspiration. The Dreams That Fly From Me was premiered by the Szymanowsky Quartet and the Northern Sinfonia (Bradley Creswick director) at Hovingham Hall on the 28th July 2013 as part of the 2013 Ryedale Festival.' - Cheryl Frances-Hoad
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Classic Hits: Violin & Viola: Score
Violin, Viola (duet)
Barenreiter
In Classic Hits For Violin And Viola well-known melodies from the Baroque Clas...
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In Classic Hits For Violin And Viola well-known melodies from the Baroque Classical and Romantic period are arranged by Vladimir Bodunov for Violin and Viola. Both players are of equal standing the role of soloist and accompanist changing constantly. The arrangements stand out for their fidelity to the original works.The arranger Vladimir Bodunov is a versatile musician from Belarus. He performs throughout Europe as a soloist in orchestras and particularly in duo with his wife Marta Danilkovich.
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Wolfgang Amadeus Mozart: String Quartets Volume 1: String Quartet: Parts
String Quartet: 2 violins, viola, cello
G. Henle
This volume brings together Mozart?s youthful attempts at this later so central ...
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This volume brings together Mozart?s youthful attempts at this later so central genre of the string quartet: the astonishing ?Lodi Quartet? K. 80 by the only fourteen-year-old composer, the three ?Quartet-Divertimenti? K. 136?138 which are also readily played by chamber orchestras, and Mozart?s first true string-quartet cycle K. 155?160 which was composed during his third (north-)Italian journey in 1772/73. Mozart?s cleanly written scores of all the compositions have been preserved so that the edition stands on a secure foundation. In his informative commentary, Wolf-Dieter Seiffert, the experienced Mozart editor at G. Henle Publishers, devotes a separate, comprehensive explanatory section to the well-known articulation problem ?dot or wedge?. The Armida Quartet provided artistic input for this edition.
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Wolfgang Amadeus Mozart: String Quartets Volume 1: String Quartet: Study Score
String Quartet: 2 violins, viola, cello
G. Henle
Italian Quartets Salzburg Divertimenti. This volume brings together Mozart?s yo...
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Italian Quartets Salzburg Divertimenti. This volume brings together Mozart?s youthful attempts at this later so central genre of the string quartet: the astonishing ?Lodi Quartet? K. 80 by the only fourteen-year-old composer, the three ?Quartet-Divertimenti? K. 136?138 which are also readily played by chamber orchestras, and Mozart?s first true string-quartet cycle K. 155?160 which was composed during his third (north-)Italian journey in 1772/73. Mozart?s cleanly written scores of all the compositions have been preserved so that the edition stands on a secure foundation. In his informative commentary, Wolf-Dieter Seiffert, the experienced Mozart editor at G. Henle Publishers, devotes a separate, comprehensive explanatory section to the well-known articulation problem ?dot or wedge?. The Armida Quartet provided artistic input for this edition.
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Edward Elgar: Chanson de Nuit Op. 15 No. 1: String Quartet: Score & Parts
String Quartet: 2 violins, viola, cello
Fentone Music
Sir Edward Elgar was born in Worcester in 1857. Until the outstanding success of...
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Sir Edward Elgar was born in Worcester in 1857. Until the outstanding success of the 'Enigma' Variations in 1899 he was considered a 'provincial' composer - and a largely self taught one at that.In the earlier part of Elgar's career as a composer he wrote several short pieces which became very popular indeed. Chanson de nuit is one such the second of a pair (Chanson de Matin the other being) which carried his name far and wide before his larger orchestra works appeared. It was published in several versions at once: for string orchestra for small orchestra for violin and piano and so on - so it is almost impossible to say with any degree of certainty which was theoriginal version. This arrangement makes a useful addition to the repertoire for string quartet.
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Donald Miller: Music From Around The World For Solo and Ensemble: Viola:
Violin, Viola (duet)
[Sheet music]
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Easy
Mel Bay
Viola-Violn-Many selections in this volume are unique and until now have been in...
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Viola-Violn-Many selections in this volume are unique and until now have been inaccessible to the string ensemble repertoire. These pieces are intended for multiple strings for performance in the classroom as well as performance in concerts.Several players may be used on each part. Whenever possible every effort was made to keep the viola and violoncello/double bass parts melodic rather than simply filling in the various harmonic chord progressions. The pieces maybe performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the piano accompaniment is not necessary.The string ensemble series meets all standards for ASTA with NSOA (American String Teachers Association/National School Orchestra Association) and Suzuki Association of the Americas Inc. Free piano accompaniment AND ensemblescore downloads are available for use with this title.
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Søren Nils Eichberg: Endorphin - Concerto Grosso: String Quartet: Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
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Intermediate/advanced
Wilhelm Hansen
Version For String Quartet And String Orchestra (Solo Parts)-Solo quartet parts ...
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Version For String Quartet And String Orchestra (Solo Parts)-Solo quartet parts for Endorphin - Concerto Grosso for String Quartet and Chamber Orchestra (or String Orchestra) by Søren Nils Eichberg (2011/2016).
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Søren Nils Eichberg: Endorphin - Concerto Grosso: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Version For String Quartet And String Orchestra (Score)-Endorphin - Concerto G...
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Version For String Quartet And String Orchestra (Score)-Endorphin - Concerto Grosso - Version for String Quartet and String Orchestra by Søren Nils Eichberg (2011/2016). Originally written for String Quartet and Chamber Orchestra.
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String Quartets (RAFF JOSEPH JOACHIM)
String Quartet: 2 violins, viola, cello
[Sheet music]
Breitkopf & Härtel
No. 1 d minor op. 77 and No. 2 A mejor op. 90. Par RAFF JOSEPH JOACHIM. He had b...
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No. 1 d minor op. 77 and No. 2 A mejor op. 90. Par RAFF JOSEPH JOACHIM. He had been there as Franz Liszt?s assistant since 1850 and had made a name for himself in the city?s art scene now he embarked on new paths. He already composed his second Quartet in A major, op. 90, in Wiesbaden, the spa town that was to become his home for 21 years. The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff?s intensive confrontation with Richard Wagner?s music during the Weimar years. In his chamber music, the composer wanted to achieve progress ?in an inherently historical way? and ?toground the individual substance in existing forms,? as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Müller brothers? renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim. / Date parution : 2021-11-25/ Répertoire / Quatuor à Cordes
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