Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic setting of the offertory “Terra tremuit” was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 [Vulgata 75], with their vivid description of the earth trembling and falling silent are Eberlin’s basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word “tremuit”. The Resurrection is depicted musically by ascending figures at the words “dum resurgere”. An Alleluia concludes the work./ Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic setting of the offertory “Terra tremuit” was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 [Vulgata 75], with their vivid description of the earth trembling and falling silent are Eberlin’s basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word “tremuit”. The Resurrection is depicted musically by ascending figures at the words “dum resurgere”. An Alleluia concludes the work./ Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of the 'Spaur Mass' may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's 'important' church works. With regard to scoring, the 'Spaur Mass' belongs to the category of the 'missa solemnis', but its brevity and its stylistic character belong far more to the 'missa brevis'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of the 'Spaur Mass' may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's 'important' church works. With regard to scoring, the 'Spaur Mass' belongs to the category of the 'missa solemnis', but its brevity and its stylistic character belong far more to the 'missa brevis'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,