The Path to Mastery and Individuality (For All Instruments). Imagine if you could HEAR a musical phrase, VISUALIZE its layout on your instrument by seeing and feeling the fingerings and/or embouchure in your mind's eye, KNOW the names of the notes as well as the degrees of the key and FEEL the dynamics you want to include. All simultaneously, in a millisecond, and without moving a muscle ... and in any key! Welcome to the twelve-key approach for all instruments and levels. Twelve-key practice applies the latest breakthroughs in brain biomechanics to facilitate technical mastery. Practicing in all twelve keys has never been sequenced or taught through the lens offered within these pages. The exercises in this book span a number of styles,brain skills and practice technique - all presented using a kaleidoscopic learning style. Julie Lyonn Lieberman's previous eight books and six DVDs have garnered rave reviews from a wide array of music magazines as well as renowned musicians from aroudn the world. Imagine if you could hear a musical phrase, Visualize its layout on your instrument by and ldquo - seeing and rdquo - and and ldquo - feeling and rdquo - the fingerings and/or embouchure in your mind's eye, know the names of the notes as well as the degrees of the key and feel the dynamics you want to include. All simultaneously, in a millisecond, and without moving a muscle ... and in any key! Welcome to the twelve-key approach for all instruments and levels. Twelve-key practice applies the latest breakthroughs in brain biomechanics to facilitate technical mastery. Practicing in all twelve keys has never been sequenced or taught through the lens offered within these pages. The exercises in thisbook span a number of styles, brain skills and practice technique and ndash - all presented using a kaleidoscopic learning style. Julie Lyonn Lieberman's previous eight books and six DVDs have garnered rave reviews from a wide array of music magazines as well as renowned musicians from around the world. Julie's and ldquo - Twelve-Key Practice and rdquo - takes you on a journey to freedom one step at a time and before you know it, you begin to experience that wonderful feeling of making music instead of just recreating someone else's music. You will become the well-rounded musician which is what we all aspire to be. and ndash - Jamey Aebersold, jazz saxophonist and educator, publisher of Aebersold Play-Alongs Mastering an instrument and ndash - or a tune, scale, or riff and ndash - in all twelve keys remains the ultimate standard of fluency. Why? Because it works. When comprehensive knowledge combines with ease, comfort, and flexibility, your anxieties disappear, your ears become open and receptive, and you are ready for any collaborative situation. Julie Lyonn Lieberman has created a remarkably organized, stylistically diverse, and holistic path for developing your ears, eyes, and fingers. By constantly changing variables and adding new layers, your mind remains active and receptive as it grows ever more capable and ndash - even in the / Formation musicale / Etude / Tout Instrument

Le premier des quatre paquets 3-CD et propose des titres adossés des sélections du Volume 1 de la sixième édition de The Real Book Play-Along, édition européenne. / Instruments En Sib, Instruments En Mib, Instruments En Do Et Instruments À Basse

Lyrics included. These are tunes everyone has heard and every musician should know. The names of the composers and lyricists read like a musical Hall of Fame. Nineteen tunes from the cream of the golden age of songwriting in America. You’ll find there’s “No Greater Love” in your play-a-long collection! Rhythm section includes Hal Galper, piano; Steve Gilmore, bass; Bill Goodwin, drums. Don’t Blame Me - Blue Moon - Laura - On The Trail - Just Friends - Without A Song - Spring Is Here - Star Eyes - Once In A While - Invitation - Over The Rainbow - My Secret Love - Stompin’ At The Savoy - On Green Dolphin Street - You Stepped Out of A Dream - No Greater Love - I Left My Heart In San Francisco - The Shadow of Your Smile

Jazz Play-Along Vol.33. Par SHORTER WAYNE. Niveau intermédiaire et avancé Wayne Shorter a été voté le meilleur compositeur dans les sondages Down Beat pendant des années et à juste titre. Voici une collection de ses plus célèbres chansons depuis les années soixante et soixante-dix. Cet ensemble contient certains des plus beaux mélodiques et harmoniques véhicules utilisés dans les bandes de Art Blakey et les bandes de Davis dont Wayne faisait partie depuis de nombreuses années. L'expérience vous-même génie de composition impressionnante de Wayne. Section rythmique comprend Kenny Barron, piano - Ron Carter, basse - Adam Nussbaum, batterie. / Rép International / Recueil / Tout Instrument

Jazz Play-Along Volume 22. Par SHORTER WAYNE. Outils pédagogique pour tous les jazzmen. Séléction de 10 classiques arrangés pour les instruments en Bb, Eb et C. Les parties piano et basse sont détachables. Sur le CD vous trouverez deux versions de chaque thème : une avec tous les instruments et une autre sans la partie solo. / Niveau : Intermédiaire / Rép International / Recueil / Tout Instrument

Le premier des quatre paquets 3-CD et propose des titres adossés des sélections du Volume 1 de la sixième édition de The Real Book Play-Along, édition européenne. / Instruments En Sib, Instruments En Mib, Instruments En Do Et Instruments À Basse

Jazz Play-Along Vol.94. Cet ensemble est pour tous ceux qui recherchent une bonne collection de Bop favoris, classiques du Jazz et des normes bien connus - très bien ce que vous pouvez rencontrer sur un concert typique. La section rythmique All-Star est un des meilleurs dans l'entreprise. Cet ensemble a un ohottest les articles de rythme jamais enregistré pour une Aebersold play-a-long - vous devriez * pas * Miss It! James Williams, piano - Christian McBride, basse - Jeff 'Tain' Watts, batterie. / Rép International / Recueil / Tout Instrument

Par GRIFFIN MICHAEL. This clear and well organised text is suitable for students of arranging and composition, and for classically trained musicians wishing to further grasp the simple logic of jazz harmony. Essential understandings: - Triad structures and inversions - How to select chords - chord symbols - Simple but effective voicing formulae - The circle of 4th progressions, - Extensions to the 9ths and dominant 13ths, and altered 5ths and 9ths. Included in the 107 pages are comprehensive explanations, examples, exercises and solutions. For school students, the course can be started in year 9 and worked through to year 13. 'This book certainly delivers. Mr. Griffin does a superb job giving clear and concise steps that students should take when approaching the task of harmonizing a melody. The book is laid out in a clean, easy-to-understand format. Mr. Griffin is obviously a gifted teacher, and has developed a book that would be a great resource for any music teacher or student interested in understanding and implementing more complex theory/harmony concepts.' - Natalie Wickham, Music Matters, USA. 'Particularly good for A Level pupils composing in a pop and jazz style. The material gradually increases in difficulty and there are a lot of useful exercises to be completed by students”- Music teacher, UK. 'Excellent resource which will save teachers hours of preparatory work. Useful for a general understanding of options when harmonising in composition. An essential part of KS5 harmony work which goes beyond the common chords and progressions. Very professionally set out.”- ZigZag Education, UK./ Méthode / Tout Instrument

Pour une utilisation avec tous les Bb, Eb et C instruments, le Jazz Play-Along Series est l'outil d'apprentissage ultime pour tous les musiciens de jazz. Avec des feuilles musicien respectueux de plomb, queues de mélodie et d'autres split-piste choix sur le CD inclus, ce premier paquet de son genre permet d'apprendre à jouer du jazz plus facile que jamais.POUR UNE ETUDE, chaque morceau comporte une piste scission avec: cue Melody · avec style propre et de l'inflexion · · Les professionnels des pistes rythmiques Chorus solo o partie basse amovible · partie de piano amovible.Pour les performances, chaque morceau possède également: · Un montant supplémentaire de piste pleine d'accompagnement stéréo (pas de mélodie) · Les choeurs supplémentaires pour le solo. / Tout Instrument

Jazz Play-Along Vol.74. Une douzaine de normes plus beaux du monde dans le Jazz Latin populaire style. Un départ rafraîchissant des styles swing et bossa typiques qui ont dominé le Jazz dans le passé. La section rythmique authentique comprend Mark Levine, Piano - David Beloss - Harold Muniz et John Santos, diverses percussions. / Rép International / Recueil / Tout Instrument