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CORNET
Bass Clarinet, Piano
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Sextuor (21)
Baritone Ukulele (21)
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Saxhorn en Sib (21)
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Arioso And Humoreske, Op. 9, No. 1 and 2 (WEISSENBORN JULIUS)
Bass Clarinet, Piano
Metropolis Music Publishers
Par WEISSENBORN JULIUS. German bassoonist and pedagogue Julius Weissenborn is kn...
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Par WEISSENBORN JULIUS. German bassoonist and pedagogue Julius Weissenborn is known primarily as an author and composer of method and etude books familiar to all bassoonists. However, he also composed a number of solo works, including a collection of pieces in his Opus 9, for bassoon and piano. The first two works of this opus, Arioso and Humoreske, pair so well together that they are often performed together as a single piece, something slow and lyrical, followed by something quicker and technical. And it just so turns out that with a relatively simple transposition, they are perfectly suited for the bass clarinet. In this edition, for each movement, the piano part has been transposed down a whole-stepto better accommodate the bass clarinet. German bassoonist and pedagogue Julius Weissenborn is known primarily as an author and composer of method and etude books familiar to all bassoonists. However, he also composed a number of solo works, including a collection of pieces in his Opus 9, for bassoon and piano. The first two works of this opus, Arioso and Humoreske, pair so well together that they are often performed together as a single piece, something slow and lyrical, followed by something quicker and technical. And it just so turns out that with a relatively simple transposition, they are perfectly suited for the bass clarinet. In this edition, for each movement, the piano part has been transposed down a whole-stepto better accommodate the bass clarinet./ Répertoire / Clarinette Basse et Piano
26.70 EUR - Sold by LMI-partitions
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Deuxieme Solo (BOURDEAU EUGENE)
Bass Clarinet, Piano
Metropolis Music Publishers
Par BOURDEAU EUGENE. Eugene Bourdeau came from a family of bassoonists and event...
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Par BOURDEAU EUGENE. Eugene Bourdeau came from a family of bassoonists and eventually became the professor of bassoon at the Paris Conservatory from 1891 to 1922. Though not well-known as a composer, he composed three solos for bassoon, consisting of a a variety of styles. The Deuxieme (Second) Solo, composed for the 1907 concours of the Paris Conservatory, is in three sections: a stately introduction, a slow middle section, and a brisk allegretto. Originally in the key of B minor/D major, the entire piece has been transposed up one half-step, to better accommodate the range of the bass clarinet, as well as to make it a more comfortable key.Eugene Bourdeau came from a family of bassoonists and eventually became the professor of bassoon at the Paris Conservatory from 1891 to 1922. Though not well-known as a composer, he composed three solos for bassoon, consisting of a a variety of styles. The Deuxieme (Second) Solo, composed for the 1907 concours of the Paris Conservatory, is in three sections: a stately introduction, a slow middle section, and a brisk allegretto. Originally in the key of B minor/D major, the entire piece has been transposed up one half-step, to better accommodate the range of the bass clarinet, as well as to make it a more comfortable key./ Répertoire / Clarinette Basse et Piano
26.70 EUR - Sold by LMI-partitions
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ALEA PUBLISHING GOTTSCHALK ARTHUR - SONATA FOR BASS CLARINET AND PIANO
Bass Clarinet, Piano
Alea Publishing
Sonata for Bass Clarinet and Piano was commissioned by virtuoso former Houston S...
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Sonata for Bass Clarinet and Piano was commissioned by virtuoso former Houston Symphony clarinetist Richard Nunemaker, and takes full advantage of his prodigious technique and the instrument's extraordinary range. Although the sonata is traditional in its structure - with three movements whose tempi are ordered as fast, slow, fast - it is highly original in its musical content.
The first movement draws upon two rather disparate sources for its material - Dizzy Gillespie's bebop standard Salt Peanut , and Frank Zappa's art-rock masterpiece Eric Dolphy Memorial Barbeque , hence the title, Salt Peanut Memorial Barbeque. The second movement uses a technique much, much older, that of the isorhythmic motet. The piano accompaniment has a talea of five rhythmic events serving a color of four pitch events. The clarinet cantillates a monody against this that is comprised primarily of the pitches not displayed in the accompaniment; hence the title Motet - Ancient Incantations. The third movement is a bebob and boogie-woogie tour-de-force for the two instruments, at once paying homage to Eric Dolphy and to one of the great songs of his era, Green Dolphin Street , and hence the title, Green Dolphy Street Boogie. / Partitions classique / Bois / Clarinette / ALEA PUBLISHING
24.50 EUR - Sold by Woodbrass
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Punkte Linien Zickzach (GUBAIDULINA SOFIA)
Français
Bass Clarinet, Piano
[Sheet music]
Chant du Monde
Par GUBAIDULINA SOFIA. / Répertoire / Clarinette Basse et Piano
38.10 EUR - Sold by LMI-partitions
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Concertino, Op. 12 (DAVID FERDINAND)
Bass Clarinet, Piano
Metropolis Music Publishers
Par DAVID FERDINAND. Although Ferdinand David is mostly known as a composer for ...
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Par DAVID FERDINAND. Although Ferdinand David is mostly known as a composer for a couple of his instrumental works, namely a Concertino for Trombone, and this Concertino, Op. 12 for bassoon, perhaps he should be most well-known as the violinist who premiered the Violin Concerto of Felix Mendelssohn in 1845. He was appointed as concertmaster of the Gewandhaus Orchestra in Leipzig when Mendelssohn, a childhood friend, became the principal conductor in 1835. This Concertino for bassoon also exists in a version for viola, and now subsequently this edition for bass clarinet. It is a fun solo in two parts, first an aria-like melody, followed by a technical 'Presto agitato.' The key has been kept the same asthe original version, and although it is preferred to perform with an extended range instrument, indications are made for adapting it to a standard range bass clarinet. Although Ferdinand David is mostly known as a composer for a couple of his instrumental works, namely a Concertino for Trombone, and this Concertino, Op. 12 for bassoon, perhaps he should be most well-known as the violinist who premiered the Violin Concerto of Felix Mendelssohn in 1845. He was appointed as concertmaster of the Gewandhaus Orchestra in Leipzig when Mendelssohn, a childhood friend, became the principal conductor in 1835. This Concertino for bassoon also exists in a version for viola, and now subsequently this edition for bass clarinet. It is a fun solo in two parts, first an aria-like melody, followed by a technical 'Presto agitato.' The key has been kept the same asthe original version, and although it is preferred to perform with an extended range instrument, indications are made for adapting it to a standard range bass clarinet./ Répertoire / Clarinette Basse et Piano
32.00 EUR - Sold by LMI-partitions
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Capriccio, Op. 14 (WEISSENBORN JULIUS)
Bass Clarinet, Piano
Metropolis Music Publishers
Par WEISSENBORN JULIUS. German bassoonist and pedagogue Julius Weissenborn is kn...
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Par WEISSENBORN JULIUS. German bassoonist and pedagogue Julius Weissenborn is known primarily as an author and composer of method and etude books familiar to all bassoonists. However, he also composed a number of solo works, including this Capriccio, Op. 14. Not only is the piece educational to the player, but it is also quite entertaining to the audience. Similar to the Premier Solo of Eugene Bourdeau, the Capriccio is often regarded as somewhat of a secondary solo, good for students before they move on to the 'real' repertoire. However, it is a well thought-out and fun piece, and is perfectly suited for the bass clarinet. In this edition, the piano part has been transposed down a whole-step (toB-flat major), to better accommodate the bass clarinet. In addition, there are two solo parts included, one for extended range bass clarinet (to low C), and for standard range bass clarinet (to low E). German bassoonist and pedagogue Julius Weissenborn is known primarily as an author and composer of method and etude books familiar to all bassoonists. However, he also composed a number of solo works, including this Capriccio, Op. 14. Not only is the piece educational to the player, but it is also quite entertaining to the audience. Similar to the Premier Solo of Eugene Bourdeau, the Capriccio is often regarded as somewhat of a secondary solo, good for students before they move on to the 'real' repertoire. However, it is a well thought-out and fun piece, and is perfectly suited for the bass clarinet. In this edition, the piano part has been transposed down a whole-step (toB-flat major), to better accommodate the bass clarinet. In addition, there are two solo parts included, one for extended range bass clarinet (to low C), and for standard range bass clarinet (to low E)./ Répertoire / Clarinette Basse et Piano
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Romance, Op. 51 (SAINT-SAENS CAMILLE)
Bass Clarinet, Piano
Metropolis Music Publishers
Par SAINT-SAENS CAMILLE. Camille Saint-Saëns composed this Romance, Op. 51, in ...
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Par SAINT-SAENS CAMILLE. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary./ Répertoire / Clarinette Basse et Piano
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Cheminement (WEBER ALAIN)
Français
Bass Clarinet, Piano
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Intermediate/advanced
Delatour France
Par WEBER ALAIN. La clarinette parcourt par phrases mélodiques successives l'é...
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Par WEBER ALAIN. La clarinette parcourt par phrases mélodiques successives l'étendue de l'instrument. Passant en son début du souffle au son, l'oeuvre s'anime par la suite à travers l'emploi de traits et de staccatos rapides. L'écriture pianistique procède par grappes d'agrégats, ne relevant d'aucun système d'écriture préétabli. C'est une improvisation continuelle dans la recherche de sonorités acoustiques. De niveau supérieur, l'oeuvre pourra être utilisée comme pièce de travail, de concours ou pour le concert. / Niveau : Assez Difficile / Contemporain / Date parution : 2009-05-25/ Répertoire / Clarinette Basse et Piano
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Concerto En La Mineur
Français
Bass Clarinet, Piano
[Sheet music]
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Advanced
Billaudot
Pour clarinette basse en sib et piano.Original pour basson, cordes et clavecin. ...
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Pour clarinette basse en sib et piano.Original pour basson, cordes et clavecin. Adaptation : Michel Bontoux Degré : difficile (8) Durée : 8 mn 30 s / Clarinette Et Piano / niveau : Avancé / Partition
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Ballade Pour Clarinette Basse (Cl B + Piano)
Français
Bass Clarinet, Piano
[Sheet music]
Martin, Robert
Composée par Cadée Jean-Louis la partition Ballade pour Clarinette Basse (cl b...
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Composée par Cadée Jean-Louis la partition Ballade pour Clarinette Basse (cl b piano) est éditée par les célèbres éditions françaises Robert Martin sous la référence SL10284.De ce fait, si vous êtes un grand amateur de Clarinette et encore plus de Clarinette vous trouverez dans cette pièce tout ce que vous cherchez. Alors plus que quelques clics et cette partition vous appartiendra!!! / Clarinette / Partition
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Quintette Pour Clarinette Basse En Sib Et Quat A Cordes - Red
Français
Bass Clarinet, Piano
[Score and Parts]
Billaudot
Référence unique par son ISBN 9790043062615 cette partition musique de Dondeyn...
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Référence unique par son ISBN 9790043062615 cette partition musique de Dondeyne Désiré n'est autre que QUINTETTE POUR CLARINETTE BASSE EN SIB ET QUAT A CORDES - RED qui a été composée pour Clarinette Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Billaudot. La référence catalogue de cette oeuvre est GB6261. / Clarinette Et Piano / Partition
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Vesuvio (PROUST PASCAL)
Bass Clarinet, Piano
[Score and Parts]
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Intermediate
FLEX Editions
Par PROUST PASCAL. Un caractère de feu à donner à cette pièce pour les instr...
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Par PROUST PASCAL. Un caractère de feu à donner à cette pièce pour les instrumentistes d'un niveau déjà avancé... - Pascal PROUST - Une pièce pour un début de Cycle II. - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Clarinette Basse 1 Piano - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 3 mn 30 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal PROUST - / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Clarinette Basse et Piano
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Song Sweet Sorrow Bass.Clar Pf (PRESSER WILLIAM)
Bass Clarinet, Piano
[Sheet music]
Theodore Presser Co.
Par PRESSER WILLIAM. / Répertoire / Clarinette Basse et Piano
10.40 EUR - Sold by LMI-partitions
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Sonate Op. 41 (SCHOECK OTHMAR)
Bass Clarinet, Piano
[Sheet music]
Breitkopf & Härtel
Klar, Klav. Par SCHOECK OTHMAR. / Répertoire / Clarinette Basse et Piano
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Brahms J. - Sonate Op.38 Mi Mineur - Clarinette Basse and Piano
Français
Bass Clarinet, Piano
IMD Arpeges
Arrangement J.M. Volta
33.30 EUR - Sold by Woodbrass
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Sonata (PRINZ ALFRED)
Bass Clarinet, Piano
Andel Music
Par PRINZ ALFRED. / Répertoire / Clarinette Basse et Piano
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A Song Before Sunset (DECANCQ RAYMOND)
Bass Clarinet, Piano
Andel Music
Par DECANCQ RAYMOND. / Répertoire / Clarinette Basse et Piano
10.20 EUR - Sold by LMI-partitions
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La Soledad (BROSSE DIRK)
Bass Clarinet, Piano
[Sheet music]
Metropolis Music Publishers
Par BROSSE DIRK. / Répertoire / Clarinette Basse et Piano
20.00 EUR - Sold by LMI-partitions
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