Nocturne Et Saltarello by George Enescu are a splendid duo of pieces for Cello and Piano accompaniment and have been set for the ABRSM Cello Syllabus Grade 7.

Par DYSON GEORGE. First performed at the 1936 Three Choirs Festival in Hereford by Thelma Reiss (cello) and the London Symphony Orchestra, conducted by the composer. / Date parution : 2022-09-07/ Répertoire / Violoncelle (ou Alto) et Piano

for Cello and Piano-George A. Speckert has arranged the loveliest Argentine tangos for Cello with Piano accompaniment. Among them are such classics as El choclo gems by Eduardo Arolas and Rosendo Mendizabal and lesser known titles such as El d a que me quieras by Carlos Gardel simple but effective for the cellist concise and stylistically apt for the pianist.The arranger George A. Speckert is a composer writer and teacher in the field of multimedia productions and e-learning. He gained a reputation with simple but sonorous arrangements for variable string ensembles.- The loveliest tangos for Cello and Piano.- Effective recitalpieces.Contents:Pantaleon; Libertango [Astor Piazzolla]El Enrerriano [Rosendo Mendizábal]Odeon [Ernesto Nazareth]Derecho viejo [Eduardo Arolas]El choclo [Ángel Villoldo]El d a que me quieas [Carlos Gardel]

Bach's Six Suites for Cello solo. This version has been edited by George Pratt based on the previous Percy Such edition and is set for the Trinity College examinations Grades 7/8.

A collection of pieces that pay tribute to Gershwin's unique melodic genius which gave us such gems as Embraceable You Summertime I Got Rhythm 'S Wonderful and Lady Be Good. These and other favourites are arranged here as impressive Cello solos with Piano accompaniment. This book includes a separate Cello part.

Buxton Orr’s fantasies on famous themes are expert explorations of their source work rendered as brilliant new composition as is the virtuoso A Carmen Fantasy. It is equally demanding and rewarding in both parts. The composer also arranged it for Orchestra.British composer Buxton Orr was best known for his film and television scores particularly for the Hammer horror films and for a successful one-act opera The Wager. Upon becoming a professor at the Guildhall School of Music he founded their Contemporary Music Ensemble and was later conductor of the London Jazz Composer’s Orchestra.