All 5 sonatas for cello and piano, and 3 sets of variations on themes by Mozart and Handel. Basic works of the cello repertoire carefully reproduced from the authoritative complete-works edition published by Breitkopf & Härtel. Inexpensive source for studying 8 major works of the chamber music repertoire. Cello Sonata No. 1 in F Major, Op. 5, No. 1 (dedicated to King Friedrich Wilhelm II) I: Adagio sostenuto-Allegro II: Allegro vivace Cello Sonata No. 2 in G Minor, Op. 5, No. 2 (dedicated to King Friedrich Wilhelm II) I: Adagio sostenuto ed espressivo-Allegro molto più tosto presto II: Rondo Cello Sonata No. 3 in A Major, Op. 69 (dedicated to Baron Ignaz von Gleichenstein) I: Allegro, ma non tanto II: Scherzo III: Adagio cantabile-Allegro vivace Cello Sonata No. 4 in C Major, Op. 102, No. 1 (dedicated to Countess Marie von Erdödy) I: Andante-Allegro vivace II: Adagio-Tempo d'Andante-Allegro vivace Cello Sonata No. 5 in D Major, Op. 102, No. 2 (dedicated to Countess Marie von Erdödy) I: Allegro con brio II: Adagio con molto sentimento d'affetto-Allegro-Allegro fugato Twelve Variations on See, the Conqu'ring Hero Comes, from Handel's Judas Maccabaeus, WoO 45 (dedicated to Princess Christiane von Lichnowsky) Twelve Variations on Ein Mädchen oder Weibchen, from Mozart's Die Zauberflöte, Op. 66 Seven Variations on Bei Männern, welche Liebe fühlen, from Mozart's Die Zauberflöte, WoO 46 (dedicated to Count Johann Georg von Browne)

A practice guide for the modern cellist. Par SHERRY FRED. A Grand Tour of Cello Technique is a thought-provoking practice guide, enabling cellists at all levels to develop their own style through an exploration of different ways of fingering and bowing. The book not only helps cellists improve their playing, but also promotes an understanding of musical art, through nine stimulating chapters. With a particular emphasis on music of the 20th and 21st centuries, and its connections with earlier music, Fred Sherry takes the reader on a voyage of discovery of the art and science of cello technique, informed by music ranging from Bach all the way through to Berio.Fred Sherry has introduced audiences on five continents and all fifty UnitedStates to the music of our time for more than five decades. He has had close working relationships with Charles Wuorinen, Lukas Foss, Oliver Knussen, Elliott Carter, Milton Babbitt, Toru Takemitsu, Chick Corea, Pierre Boulez, Mario Davidovsky and others whose works he has premiered and recorded. He has been soloist and 'sideman' on hundreds of commercial and esoteric recordings: his discography ranges from Schütz, Bach, Mozart, Beethoven and Brahms through Schoenberg and Stravinsky to the 20th and 21st century works written for him. He is a member of the cello faculty of The Juilliard School, the Mannes College of Music and the Manhattan School of Music. A Grand Tour of Cello Technique is a thought-provoking practice guide, enabling cellists at all levels to develop their own style through an exploration of different ways of fingering and bowing. The book not only helps cellists improve their playing, but also promotes an understanding of musical art, through nine stimulating chapters. With a particular emphasis on music of the 20th and 21st centuries, and its connections with earlier music, Fred Sherry takes the reader on a voyage of discovery of the art and science of cello technique, informed by music ranging from Bach all the way through to Berio. Fred Sherry has introduced audiences on fivecontinents and all fifty United States to the music of our time for more than five decades. He has had close working relationships with Charles Wuorinen, Lukas Foss, Oliver Knussen, Elliott Carter, Milton Babbitt, Toru Takemitsu, Chick Corea, Pierre Boulez, Mario Davidovsky and others whose works he has premiered and recorded. He has been soloist and and lsquo - sideman and rsquo - on hundreds of commercial and esoteric recordings - his discography ranges from Sch and uuml - tz, Bach, Mozart, Beethoven and Brahms through Schoenberg and Stravinsky to the 20th and 21st century works written for him. He is a member of the cello faculty of The Juilliard School, the Mannes College of Music and the Manhattan School of Music. / Pédagogie / Etude / Violoncelle

Bwv 1007-1012. Par BACH JOHANN SEBASTIAN. Urtext edition with articulation markings - Soft-cover performing edition When you think cello, you think of Bach?s immortal cello suites. The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer?s autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation andphrasing being particularly ambiguous. At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike. This new edition, based on volume 4 of the New Bach Edition ? Revised (NBArev), now completes Bärenreiter?s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day. The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ?This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer. ? - Urtext edition with articulation by the editor on the basis of intensive source comparison - Musical text identical/ Répertoire / Violoncelle

Position Pieces for Cello, Book 2 fills the pedagogical gap between the first book of Position Pieces and the two Thumb Position for Cello books in that it covers the fifth, sixth, and seventh positions. Position Pieces for Cello, Book 2 systematically introduces ways to find the correct location of each position and also to understand the various finger patterns required. As with Mr. Mooney's other books, this is accomplished in an enjoyable and creative manner through the use of cello duets. With titles like Surfing Cellos, Jumping Flea, and The Happy Certified Public Accountant, these pieces are really fun for students to play! This book will prove to be an indispensable tool for intermediate level cello students.

A minor - VC/BC - cello and basso continuo (harpsichord/piano); cello (viola da gamba) ad lib. editor: Ruf, Hugo composer: Marcello, Benedetto Éditeur: Schott Music Série: Cello Library Difficulté: Intermediate pages: 20 Die sechs Sonaten von Benedetto Marcello (1686-1739) gehören neben denjenigen von Antonio Vivaldi zu den bekanntesten Barockkompositionen für Violoncello und Basso continuo. Schon zu Lebzeiten des zu seiner Zeit durchaus berühmten Komponisten wurde die Sammlung in den wichtigen europäischen Musikmetropolen London, Paris und Amsterdam in Drucken angeboten. Auch wenn es einige unbequeme Griffverbindungen in diesen Sonaten gibt, die daher rühren dürften, dass Marcello mit einem fünfsaitigen, um eine e’-Saite ergänzten Cello rechnete, so sind sie doch von moderater Schwierigkeit und gehören zu den Standardwerken des Violoncellounterrichts.

Par CLARKE GENE. Hymns Made Easy for Cello is a collection of favorite traditional hymns with guitar accompaniment, suitable for church, teaching or recreational settings. The material includes cello parts and bowing indications in first position, with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Violin and Hymns Made Easy for Viola. Hymns Made Easy for Cello is a collection of favorite traditional hymns with guitar accompaniment, suitable for church, teaching or recreational settings. The material includes cello parts and bowing indications in first position, with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Violin and Hymns Made Easy for Viola. / Niveau : Facile / Musique religieuse / Date parution : 2019-05-27/ Recueil / Violoncelle

Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. For more than three decades the ‘Sassmannshaus Tradition’ has been the household name for excellence in beginner string methods in German-speaking countries. More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success. On the back of this success story Bärenreiter has now published the four books for Cello in a newly adapted version for today’s English speaking children. What makes this Cello method so unique? The leading German Cello method now available in English. - Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children. - Note reading is emphasised from the first lesson, encouraging ensemble playing from the very beginning. - Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing. - Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form./ Méthode / Violoncelle

Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. For more than three decades the ‘Sassmannshaus Tradition’ has been the household name for excellence in beginner string methods in German-speaking countries. More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success. On the back of this success story Bärenreiter has now published the four books for cello in a newly adapted version for today’s English speaking children. What makes this Cello method so unique? - The leading German Cello method now available in English. - Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children. - Note reading is emphasised from the first lesson, encouraging ensemble playing from the very beginning. - Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing. - Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form./ Méthode / Violoncelle

The twelve Capricci op. 25 by the cello virtuoso and composer Alfredo Piatti, who performed with the likes of Liszt and Mendelssohn Bartholdy, are a must for all advanced cello players. Sir Yehudi Menuhin compared them to the Cello Suites by J. S. Bach, referring to these two works as the 'Old and New Testament? of cello literature. Our Urtext edition of the Capricci (HN 746) - the first ever of its kind - is now available as a practical study edition and should be on every cellist's shelves! And for those who wish to put the 'Old Testament? alongside it, the Bach Suites can also be found in our catalogue (HN 9666). / Violoncelle

Suzuki Cello School Vol 2, Cello Part, Revised Edition. Book and CD. Features the pieces - Long Long Ago; May Time; Minuet No 1; Minuet No 3; Chorus from Judas Maccabaeus; Hunters' Chorus; Musette from English Suite; March in G; Theme from Witches' Dance: Tonalisation - the Moon over the Ruined Castle; The Two Grenadiers; Gavotte; Bourree. This title contains pieces featured on the Trinity College London Grade 4 Cello Syllabus 2016-2019.

Studies play an important role in musical instrument training. Gerhard Mantel's new edition Etüden üben (Practising studies) (3 volumes) complements his previous successful book Cello üben' (ED 8714). The basics of cello technique are worked on in selected studies, with the focus being not only on the ability to learn a technically and musically oriented text within a reasonable time but also on the solution of certain problems typical of the cello. Vol. 1 covers aspects ranging from the orientation on the fingerboard via changes of position, vibrato and trills to changes of strings and double stops. Vol. 2 deals with fingerings, whole-bow stroke, dynamics, articulation and types of bowing, among others. The final volume contains studies on legato, arpeggios, chords, martellato, staccato, spiccato and changes of rhythm. The accompanying volume of commentaries (for all three volumes) describes in detail the methodological practising processes.

Par FEASTER HALLEY. New cello students nearly always start in first position aided by finger tapes or guides for accurate finger placement. As they advance, they are expected to learn to shift out of first position, but the focus is on the movement of the shift rather than on note locations or pitch accuracy.In this book, author and versatile cellist Halley Feaster introduces a step-by-step approach to understanding each position, leading to thorough comprehension of the cello fingerboard and a more confident and well-rounded player.Together with its engaging video component, Cello Position Handbook shows advanced beginners and intermediate students what notes are available in each of 12 positions. Short exercises and excerpts are provided for practice in each location, ultimately enabling fluid performance without excessive shifting.On completion of this volume, students will be familiar with what notes are available in each position and be able to move comfortably between them while expanding their repertoires. Includes access to online video. / Date parution : 2022-06-08/ Etude / Violoncelle

Par SUZUKI SHINICHI. Suzuki Cello School: Cello Part Volume 5 contains 5 classical pieces for Cello. For the student: This volume is part of the worldwide Suzuki method of teaching. The companion recording should be used along with this publication. A Piano accompaniment book is also available for this material. For the teacher: In order to be an effective Suzuki teacher, ongoing education is encouraged. Each regional Suzuki association provides teacher development for its membership via conferences, institutes, short-term and long-term programs. In order to remain current, you are encouraged to become a member of your regional Suzuki association, and, if not already included, the International Suzuki Association. For the parent: Credentials are essential for any Suzuki teacher you choose. We recommend you ask your teacher for his or her credentials, especially those related to training in the Suzuki method. The Suzuki Method experience should foster a positive relationship among the teacher, parent and child. / Pédagogie / Méthode / Violoncelle

Par BLACKWELL KATHY / DAVID. for cello Cello Time Runners is the second book in the popular Cello Time series, which is enjoyed by students and teachers all over the world. It contains Kathy and David Blackwell's trademark attractive and engaging compositions that appeal to learners of all ages. / Date parution : 2024-02-16/ Recueil / Violoncelle