Sheet music for John Harle's Lookout!. This is a full score for Children’s Voices Mixed Chorus Soprano Saxophone Double Bass and Keyboard.Lookout! was written for TheFolkestone Futures Choir and was realised by The Sidney de Haan Research Centre for Arts and Health Canterbury Christ Church University at the invitation of Folkestone Triennial 2014 with a grant from the Creative Foundation.The piece incorporates lyrics by the poet Tom Pickard.'Lookout! is a set of five songs written for the Folkestone Futures Choir for FolkestoneTriennial 2014. Within the culture of songs written for'Complaints Choirs' the lyric material is drawn from actual notes made by the residents of Folkestone about living in their town - its beauty its community spirit - and of course its drawbacks.It has been purposely written to beable to be rehearsed and performed on a minimum of rehearsal time as the logistics of large-scale community events means that the singers and musicians often come together only on the day of performance.The accompanyinginstrumental parts are straightforward the role of the saxophone line being tosupport the vocal line most of the time. Future performances of the work could involvearrangement of the musical material for other instrumental forcesor simply a keyboard or pianoaccompaniment.' - John Harle

Music: Ariel Ramirez. Spanish liturgical text: Osvaldo Catena Alejandro Mayol Jesus Gabriel Segade. English text: Louise Dobbs. Arrangement for chorale: Père Jésus Gabriel Segade. Instrumentation: Piano or Harpsichord Guitar Double-Bass Percussions (3) 2 Tenor Drums 2 Tom-Tom Triangle Jingles Small Gong Temple Wood Blocks Snare Drum Brushes.

Vocal score-Bob Chilcott's Nidaros Jazz Mass for SATB choir and Piano with optional Bass and Drum Kit.The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and innovative setting of the Latin Missa brevis. With a gentle Kyrie funky Gloria ballad-like Sanctus laid-back Benedictus and passionate Agnus Dei this work breathes new life into familiar words perfectly combining the contemporary with the ancient.The stylistic Piano part can be played as written or serve as a guide and an optional Bass and Drum Kit part is available separately for jazz trio accompaniment. Ideal for all mixed-voicechoirs the Nidaros Jazz Mass will make a groovy and soulful addition to any concert programme.This work was originally commissioned in a version for upper voices by the Nidaros Cathedral Girls' Choir of Trondheim Norway.

Columba Canticles by Laurence Roman is a 41 minute long piece for Narrator SATB Chorus Uillean pipes Harp String Orchestra (Violins I & II Violas Cellos Double basses).I. Kyrie The Choir VestryII. Gloria in ExcelsisIII. The Chapter HouseIV. The Nave The Bell TowerV. SanctusVI. Sunday School Agnus Dei

Commissioned by the New London Chamber Choir and Spitalfields Music and first performed by the New London Chamber Choir and the London Sinfonietta conducted by the composer at the Spitalfields Music Summer Festival ShoreditchChurch London on 13th June 2011.Text by Gerrard Winstanley Ensemble consists of:Clarinet in BbAlto Saxophone (doubling Soprano Saxophone)Tenor SaxophoneBassClarinetViolinViolaDouble BassAmplified GuitarPiano 

Uses: General Music Appreciation ConcertScripture: Psalm 66:4; James 5:13; Psalm 96:1Leaping joyfully from the score this music of unbridled energy calls the world to jubilant praise. Masterfullyamalgamating classic sacred poetry along with words from the Psalms this general use anthem is equally at home in the sanctuary or concert hall. Whether done with piano alone with brass and percussion or with the fullorchestration you will ignite the spirit of song in a bright new way with this amazing composition. Available separately: SATB SSAA StudioTrax CD (Accompaniment Split-Trax Performance) Brass & Percussion parts FullOrchestration CD-ROM (Score & parts for Flute 1&2 (Fl. 2 dbl. Piccolo) Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Timpani Percussion 1&2 Harp Piano Violin 1&2 Violin Cello DoubleBass). Duration: ca. 2:39.

Commissioned by the Hickory NC Choral Society for their 35th anniversary season Dan Forrest's Requiem For The Living is scored for mixed choir with solos for boy soprano and/or mezzo-soprano soprano & tenor. The instrumentation is available for large orchestra or chamber ensemble. Combining both liturgical and non-liturgical texts in some cases the traditional texts are slightly re-arranged for contextual emphasis. This powerful five movement work projects a wide range of meaningful expression from a biting essay on the vanity and pain of existence to a plea for mercy and a celebration of eternal light. The work standsalone - but would be especially moving for all saints Good Friday or even Palm Sunday. Movements: Introit - Kyrie Vanitas Vanitatum Agnus Dei Sanctus Lux Aeterna 3. Instrumentations available on rental only: 1. Full orch. (HMB265a): 2 flutes 2 oboes 2 bb clarinets 2 bassoons 2 horns (or 1-4: if performing with a large choir horn lines may be doubled by a second player on each part) 2 bb trumpets 2 trombones bass trombone or trombone 3 tuba percussion (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt.)(or other low drum) timpani (3) (one player) harp strings (min. Suggested count 4.4.2.2.1) full score. 2. Chamber version (HMB265b) - flute oboe horn in f (optional) combined percussion (one player: timpani suspended cymbal crash cymbal triangle glockenspiel crotales (bowed) snare drum low tom-tom (optional) (or other low drum) harp violin cello organ full score. 3. Expanded chamber version (HMB265c) - flute oboe horn in f(opt.) percussion from full orchestra version (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt. or other low drum) timpani (3) from full orchestra version (1 player) harp strings from full orchestra version

Gathered from our most successful seasonal cantatas this compilation of beloved carols is designed to work as choral anthems or for choir and congregational corporate singing. Erase the boundaries between loft and pew by bringingthe church body together in the embrace of time-tested Christmas and Advent selections. Fully orchestrated by Brant Adams these arrangements will lift your sanctuary singing to new heights. Congregants sing along while the choiradds power depth and harmonic color. The final verses of these Christmas standards are among some of the most inspiring passages you will ever experience. These arrangements will be used year after year for ?Hanging of theGreen? gatherings ?Lessons and Carol? services or for festival hymn singing during the holidays. Available separately: SATB Listening CD Preview Pack (Book/CD Combo) Orchestration CD-ROM (Score and Parts forFlute 1

C'est un spirituel original avec une touche de la traditionnelle je veux être prêt. C'est frais et chantante, avec une solide écriture de la pièce. Et juste quand vous pensez que la mélodie originale excitant est à sa fin, le dispositif démarre à la vitesse supérieure avec une section a cappella avec les basses et beaucoup de claquements de mains et, enfin, une section double-temps qui conduit à une finition brillante. Comprend deux solos 8-mesure, un pour la voix basse et un pour une grande voix. Grand pour montrer votre groupe dans les concours et les décisions. / Choeur Mixte (SATB)

W.A Mozart's Mass In C Minor K.427/417a as edited and reconstructed by Philip Wilby for two Sopranos Tenor and Bass soloists and double SATB Choir with Piano reduction by Michael Pilkington.

Anthony Milner's 'The Harrowing of Hell' is written for double choir with tenor and bass soli. Commissioned by the BBC in 1956.

Full Score Only. Instrumentation Available (Hmb145b):Picc 2Fl 2Ob 2CL 2Bsn Contra Bsn 4Hn 2Tpt 3Tbn Tuba Violin I-II Viola Cello Contra Bass 2Hp 3Timp Organ String Count (12 12 8 6 4) Included In Instrumentation.Regarding The Harp Brahms Specifically Stated: 'At Least Doubled'This Set Of Orchestra Parts Includes Two For The Harp.Although The Standard String Set Of Parts Is (12 10 8 6 4) BrahmsScoring For Violin II Indicates It Should Be Of Equal StrengthWith Violin I. Therefore Two Additional Violin II Parts AreIncluded.