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Choral SSATB
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Lyrics only (18)
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Saxophone and Orchestra (18)
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Saxophone Ténor et Piano (18)
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Medium Voice (17)
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Choeur SSATB et Basse Continue… (14)
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Livre Musical (13)
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Voix Mixtes SAB et Piano (11)
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Quatuor A Vent (11)
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Bass Trombone and Piano (10)
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Solistes SAB, Choeur SATB, 4 F… (10)
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Solistes et Choeur SSATTB, 2 V… (10)
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Paroisse, Choeur SATB, 2 Tromp… (10)
Solistes STBarB, Choeur SATB, … (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
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Melody line, Piano (10)
Soprano Saxophone (10)
Guitar, Orchestra (10)
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Clavier (10)
Guitare Tablatures Classique e… (10)
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Choral Soprano solo, SATB, Key… (10)
Choral SAATTBB A Cappella (10)
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2 Flûtes A Bec Soprano Et Pia… (10)
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Flûte à Bec et Piano (10)
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Tout Instrument (10)
Choral SSATBB (10)
Flute and String Quartet (9)
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Choeur De Jeunes (Mez/SMezA) A… (9)
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Baryton ou Tuba Basse Continue… (9)
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2 Oboes and English horn (9)
Soprano voice, Organ (9)
2 Violons Solo, 2 Violons, Alt… (9)
2 Violons, Violoncelle Et Orch… (9)
Trompette, Cordes Et Basse Con… (9)
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Solistes SATB, Choeur SATB, Fl… (9)
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Clavecin, Flûte Traversière,… (9)
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Choeur Mixte (SATB) Avec Solo … (9)
Solistes, Choeur SATB, 2 Flût… (9)
Voice and Big Band (9)
Solo A, Choeur SATB, Timbales,… (9)
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Soli (SAB), Choeur Mixte (SATB… (9)
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Tuba en Do et Piano (9)
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Choeur De Chapelle, Choeur Mix… (9)
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Violon, Ensembles de Cordes et… (9)
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Choeur D'Enfants (SSA) Et Pian… (9)
Tenor Banjo (9)
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Lieblich Und Schöne Sein Ist Nichts (SCHEIN JOHANN HERMANN)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Israelsbrünnlein. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Isr...
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Aus: Israelsbrünnlein. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB
5.30 EUR - Sold by LMI-partitions
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3 Schöne Dinge Sind (SCHEIN JOHANN HERMANN)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann ...
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Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB
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Ist Nicht Ephraim Mein Teurer Sohn (SCHEIN JOHANN HERMANN)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann ...
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Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament./ Répertoire / Choeur SSATB
4.80 EUR - Sold by LMI-partitions
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Die Mit Tränen Säen (SCHEIN JOHANN HERMANN)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann ...
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Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament./ Répertoire / Choeur SSATB
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3 Motets Op. 38/3
Choral SSATBB
Boosey and Hawkes
/ Choeur Mixte (SSATBB) A Cappella
8.40 EUR - Sold by LMI-partitions
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Pop Choir Classics : Abba - Thank You For The Music
Choral SSATB
Bosworth
Published in 1978, the Swedish pop group ABBA released as a B-side, Thank You Fo...
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Published in 1978, the Swedish pop group ABBA released as a B-side, Thank You For The Music, originally created as part of the mini-musical 'The Girl With The Golden Hair' and was initially only played live. This unaccompanied SSATB arrangement by Carsten Gerlitz features 10 vocal scores of this evergreen hit. / Choeur Mixte (SSATB)
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Christopher Tin: Baba Yetu (from Sid Meier's Civilization IV): Mixed Choir a
Choral SSATBB
Hal Leonard
from Sid Meier's Civilization IV. Translated from the words of the Lord's Prayer...
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from Sid Meier's Civilization IV. Translated from the words of the Lord's Prayer. this Grammy-winning 2005 composition from the fourth entry in the award-winning video game franchise Civilization is a watershed moment in video game composition. Becoming the first piece of video game music to ever be even nominated for a Grammy, this epic piece is presented for the first time at Hal Leonard. The Closer Look pane on this product page contains pronunciation guides and an introduction to the language of Swahili by linguist and Kiswahili expert Peter M. Mhunzi.
14.25 GBP - Sold by Musicroom UK
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Magnificat Pour Soprano Et Choeur Mixte SSATB A Cappella
Français
Choral SSATB
SSATB, Organ
Delatour France
Le chant d'action de grâces de la Vierge Marie dans l'Evangile de Luc a inspir...
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Le chant d'action de grâces de la Vierge Marie dans l'Evangile de Luc a inspiré en 2001 à Gérard Hilpipre ce motet pour choeur à 5 voix (SSATB), La voix de soprano-solo en émerge aux moments les plus chargés d'émotion ou d'extase visionnaire, L'ensemble de la composition combine une écriture polyphonique soignée et l'originalité du style propre à l'auteur au service de l'expression religieuse la plus intense, / Choeur Mixte
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Sleepsong
Choral SSATBB
Novello & Co Ltd.
Sleepsong is a rich, Celtic-inspired song for choirs looking to test their abili...
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Sleepsong is a rich, Celtic-inspired song for choirs looking to test their abilities with a new and exciting challenge. Released by Secret Garden in 2005, the song was written by Brendan Graham and Rolf Løvland who also penned the Westlife hit, You Raise Me Up . This beautiful and peaceful choral version has been arranged by Desmond Earley for six part chorus with Soprano solo. It was first performed by UCD Choral Scholars on April 19 2012. The piece is perfect for choruses looking to take their singing forward, with specific directions for staggered breathing throughout offering an added challenge for ensembles. Although designed to be sung A Cappella, the arrangement includes a piano reduction for easy rehearsal. / Choeur SSATBB
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Pop Choir Classics : The Beatles - With A Little Help From My Friends
Choral SSATB
Bosworth
This unaccompanied SSATB choral arrangement of The Beatles classic With A Little...
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This unaccompanied SSATB choral arrangement of The Beatles classic With A Little Help From My Friends by Carsten Gerlitz includes 10 vocal scores to allow mixed choirs to sing this paean to friendship.One of The Beatles' most popular compositions, it was composed for Ringo Starr to sing, and therefore needed to have just five notes in the melody to accommodate his limited vocal range. The song inspired a number of famous cover versions, most notably Joe Cocker's at Woodstock. / Choeur Mixte (SSATB)
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Richard Allain: A Wedding Blessing: SSATB: Vocal Score
Choral SSATB
Novello & Co Ltd.
A wedding anthem for mixed voices SSATB setting the text of Richardâ??s broth...
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A wedding anthem for mixed voices SSATB setting the text of Richardâ??s brother Thomas.
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Messe brève
Choral SSATB
SSATB, Organ
[Sheet music]
Symétrie
Par CASTAGNET YVES. J?ai composé cette messe dans les premières années de ma ...
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Par CASTAGNET YVES. J?ai composé cette messe dans les premières années de ma présence à Notre-Dame, avant la création de l?association Musique sacrée à Notre-Dame de Paris et la restructuration de la maîtrise sous sa forme actuelle. La maîtrise existait déjà, bien sûr ; on enseigne en effet le chant en ce lieu depuis le Moyen-Âge, à l?époque où la cathédrale était encore en construction, il y a plus de 850 ans. À la fin des années 1980, la maîtrise était bien différente de ce qu?elle est devenue maintenant. Elle était alors dirigée par le chanoine Jehan Revert, maître de chapelle, qui fut pour moi un véritable guide, et dont la mémoire restera toujours dans le c?ur des musiciens de Notre-Dame. C?est donc à cette époque que j?ai composé cette messe qui fut à la fois ma première composition et ma première ?uvre liturgique. Elle est volontairement très courte, d?où son titre, pour répondre du mieux possible aux contraintes liturgiques. Elle est aussi le reflet de mon profond attachement à ce lieu unique et tellement inspirant pour le jeune musicien que j?étais alors. Yves Castagnet / Date parution : 2024-01-10/ Répertoire / Ch?ur Mixte SSATB et Orgue
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Johann Kuhnau: Der Gerechte kommt um: SATB
Choral SSATB
SSATB, Orchestra, Basso continuo
[Sheet music]
Carus Verlag
Adaptation of the motet 'Tristis est anima mea' attributed to Johann Kuhnau. Th...
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Adaptation of the motet 'Tristis est anima mea' attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun into which movements by various other composers including Bach and Telemann were also later inserted. According to the research of Diethard Hellmann editor of this edition the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea' which then was adapted ? most likely by Bach ? with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun into which movements by various other composers including Bach and Telemann were also later inserted. From the research of Diethard Hellmann editor of this edition the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea' which then was adapted?most likely by Bach?with a new text and the addition of insturmental parts.
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Si Tú Sueñas
English
Choral SSATB
SSATB, Piano
Boosey and Hawkes
Cette amusante, rapide salsa a été créé comme un morceau de fusion, mêlant ...
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Cette amusante, rapide salsa a été créé comme un morceau de fusion, mêlant salsa de New York avec urbaine funk, et tel que décrit par les compositeurs 'un morceau hip Latino.' Le texte est touchante à propos de la puissance des rêves, écrit en utilisant à la fois l'anglais et espagnol. / Choeur SSAB Et Piano
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Richard Allain: Lullay mine liking: Mixed Choir: Vocal Score
Choral SSATB
SSATB A Cappella
Novello & Co Ltd.
Scored for unaccompanied SSATB and SATB choirs this works was commissioned by W...
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Scored for unaccompanied SSATB and SATB choirs this works was commissioned by Westminster School London.
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Ich Freue Mich Im Herren (SCHEIN JOHANN HERMANN)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Tonalit...
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Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Tonalité : a-Moll - Horn, Paul (Arr.) - Scandrett, Robert (Trad.) - #14 / Psaumes / Répertoire / Choeur SSATB
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Gerald Finzi: Seven Poems of Robert Bridges op. 17/5: SATB: Vocal Score
Choral SSATB
Boosey and Hawkes
No. 5 Nightingales-Nightingales is a beautiful song for 5-part mixed voices (SSA...
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No. 5 Nightingales-Nightingales is a beautiful song for 5-part mixed voices (SSATB) a cappella taken from Gerald Finzi's settings of Seven Poems of Robert Bridges.
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Ezekiel saw the Wheel: SATB: Vocal Score
Choral SSATB
Boosey and Hawkes
Spiritual-A traditional spiritual arranged for SSATB choir a cappella by Stephe...
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Spiritual-A traditional spiritual arranged for SSATB choir a cappella by Stephen Hatfield.
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Missa A 5 Vocibus (ECCARD JOHANNES)
Choral SSATB
[Sheet music]
Carus Verlag
Par ECCARD JOHANNES. Gattungen: Messen, lateinisch, Motetten - Langue : Latin / ...
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Par ECCARD JOHANNES. Gattungen: Messen, lateinisch, Motetten - Langue : Latin / Messe / Répertoire / Choeur SSATB
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Madrigali A Cinque Voci (Venezia 1589)
Choral SSATB
Ut Orpheus
8. Clorind'Hai Vinto/ Recueil / 5 Voix (SSATB)
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Henri Duparc: La vie antérieure: Mixed Choir: Vocal Score
Choral SSATB
SSATB, Piano
Carus Verlag
The harmonic turns and piano configurations in La vie ant?rieure ??? the ???form...
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The harmonic turns and piano configurations in La vie ant?rieure ??? the ???former life??? ??? seem almost exuberantly lyrical. At the beginning the archaic sounds and words of the male choir conjure up a dream world that is soon flooded with the power of the waves and the rich polyphonic harmony of the choir and the piano. With the outcry ???C???est l? que j???ai v?cu!??? [I have lived there] which expresses the fervent yearning to return to a past life the collective desperately reinforces the longing for the past. Once more the women???s choir conjures up this lost paradise in an undulating soft sound before the desolate sadness is pierced by the power of the music of the piano postlude creating a moment that is completely in the present.
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Jonathan Dove: Arion and the Dolphin: Mixed Choir: Vocal Score
Choral SSATB
Peters
Music runs through the story of Arion which begins with a singing competition i...
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Music runs through the story of Arion which begins with a singing competition in Sicily. Arion wins the prize and this puts his life in danger: his newfound wealth excites the greed of the sailors who are supposed to be bringing him back to Corinth and they threaten to kill him. They allow Arion to sing one last song and the power of his singing attracts dolphins to the ship. At the end of his song he jumps overboard and one of the dolphins carries him to safety. So Arion’s musical gift gets him into trouble but it is also his salvation. The idea of being rescued by a music-loving dolphin is very appealing. In Robert Graves’account of the myth the dolphin could not bear to be parted from Arion and accompanied him back to court where “it soon succumbed to a life of luxury.” However Herodotus says that after his rescue and return to Corinth Arion failed to return the dolphin to the sea and it died there. Apollo placed the dolphin among the stars and next to it Arion’s lyre in recognition of his musical skill. This is one of the mythical explanations of the origins of the constellations Delphinus and Lyra. It seems natural to sing a story that has singing at its heart. When I was asked by the Nicholas Berwin Charitable Trust to write a choral work for Making Music something that would be within reach of many choirs and involve children this story struck me as ideal: the men of the chorus could be the bloodthirsty sailors and the women could create an atmosphere of mystery for the arrival of the dolphins represented by children’s voices. There would be one solo voice: Arion the marvellous singer. Andrew Fardell the conductor who was advisor to this commission had suggested that I might use the same instrumentation as a popular arrangement of Orff’s Carmina Burana a work that as well as using children’s chorus features a solo countertenor. I thought the magical otherworldly quality of this
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Richard Dering: Factum Est Silentium: Mixed Choir: Vocal Score
Choral SSATBB
SSATBB A Cappella
Chester
Respond For Michelmas for six voices.
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John Tavener: The Fool (Chorus Part): Mixed Choir: Vocal Score
Choral SSATBB
[Sheet music]
Chester
Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint ...
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Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint the highest of all who discards everything for Christ's sake. He discards all convention all decency all wealth actual and spiritual and turns himself into a figure of fun - defying all acceptable behaviour - and all religious decency. He stands in the square and lets down his trousers - he stuffs himself with food on Good Friday - he gets drunk - he 'appears'to fornicate wildly. There is a faint possibility (in not the highest of 'Fools') of gaining worldly popularity by such flagrant denial of all moral behaviour. Can such behaviour be too interesting? The true fool however embraces all of this and also (unseen) shrinks before the face of his God. By his behaviour he plucks out all hypocrisy false piety and corruption. He is a figure much needed in our times!!! The way I have tried to tacklethis extraordinary subject is to show him in seven stages from an obscene huge fat traditional clown who is drunk fornicating etc. through a stumbling frail agonized figure to a sallow-faced gaunt business man in a formalsuit staring at an empty glass. Having first revered him then mocked him the 'people' while they get drunk and jabber away at 'Christmas' and at the Feast of Feasts 'Easter' are no longer aware of him. But the audience seeshim - a tiny ragged scrap of mortality lying in a corner and faintly so faintly the voice of the Fool the true Fool for Christ's sake sings above the ribald crowd. 'He has given His life'. The Gogmagogs are the 'people' 'priests' 'singers' etc. and one male singer who can 'create' or 'uncreate' this vast role (singing and acting miming etc.) John Tavener Arranged for SSATBB chorus. Date of composition 2000. Chorus part only.
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Dietrich Buxtehude: Membra Jesu nostri: Mixed Choir
Choral SSATB
SSATB, Piano
[Sheet music]
Carus Verlag
For Passion in 1680 Dieterich Buxtehude composed his largest work in the style o...
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For Passion in 1680 Dieterich Buxtehude composed his largest work in the style of an oratorio the cantata cycle Membra Jesu nostri and he dedicated it to his friend the Swedish Court Music Director Gustav Düben. In each of the seven separate cantatas which in principle follow the scheme ?instrumental introduction ? choral movement with biblical texts ? vocal soli (aria) with a sacred text from the Middle Ages ? repetition of the choral movement ? the feet knees hands side chest heart and face of the crucified Christ are interpreted allegorically. The original scoring for strings in No. VI ('Ad Cor') consists of a consort of five gambas. If this group of instruments isnot available then violins I/II can be substituted for gamba I/II and the gamba V parts can be played by the violone (the music for these substitute parts is contained in each respective parts) so that in this case only two gambas (III IV) are needed. For such a performance only two copies of the Gamba performance score (Carus 36.013/16) are required.
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Alec Roth: I Will Move Thee: Mixed Choir: Vocal Score
Choral SSATB
[Vocal Score]
Peters
This 5 minute anthem for choir SSATB setting a text by George Herbert was comm...
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This 5 minute anthem for choir SSATB setting a text by George Herbert was commissioned by the Dean and Chapter of The Cathedral and Abbey Church of St Alban to mark the 900th anniversary of the consecration of the Norman Abbey performed at Solemn Evensong 18 October 2015.
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Stephen Hatfield: Virgin Mary had a baby boy: SATB
Choral SSATB
Boosey and Hawkes
Traditional Trinidad Carol-SSATB. Hatfield S
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James Whitbourn: Annelies: Soprano & SATB: Vocal Score
Choral SSATB
SSATB, Piano
Chester
Annelies is the first adaptation of the diary of Anne Frank into a large-scale c...
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Annelies is the first adaptation of the diary of Anne Frank into a large-scale choral work. It brings to life the diary written by Annelies Marie Frank between 1942 and 1944 when she and her family hid in the backof an Amsterdam warehouse. Scored for Soprano soloist and SATB chorus with Piano reduction this vocal score can be used for both the chamber and orchestral versions of the work.
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Now Comes The Dawn
Choral SSATB
Bote and Bock
Brett Dean a écrit cette courte atmosphérique Christmas Carol, sur la base d'u...
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Brett Dean a écrit cette courte atmosphérique Christmas Carol, sur la base d'un poème de Richard Watson Gilder pour le choeur de la célèbre roi and rsquo - s College de Cambridge où, justement, elle fut jouée pour la première fois le réveillon de Noël 2007. / Choeur Mixte (SSATB)
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