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Ode To Death Op. 38 For SATB And Orchestra
Choral SATB
SATB, Orchestra
Novello & Co Ltd.
Work for SATB Chorus and Orchestra. Revised by Colin Matthews in 1973 in consult...
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Work for SATB Chorus and Orchestra. Revised by Colin Matthews in 1973 in consultation with Imogen Holst. Words by Walt Whitman. / Scores
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For St Cecilia Op. 30
Choral SATB
SATB, Orchestra
Boosey and Hawkes
Following the publication of Francis Jackson's organ reduction of Finzi's Requie...
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Following the publication of Francis Jackson's organ reduction of Finzi's Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has created reductions of the full orchestra accompaniments to two more of Finzi's choral works. These reductions broaden the reach of these works to choirs which do not wish to present the works with orchestra, as with other standards from the sacred repertoire such the Requiems of Fauré and Duruflé. The reductions sympathetically recreate the orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedal coupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each performance. The scores are user-friendly, in landscape format and with at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full. The reductions are fully compatible with the published piano vocal scores of the respective works which the singers will use. For St Cecilia, Ceremonial Ode for tenor solo, chorus and orchestra - words by Edmund Blunden. The original work was commissioned by the St Cecilia's Day Festival Committee for the 1947 celebration of music's patron saint. The ceremonial mood is established with fanfares, and the sonorous sweep of the choral writing reflects Finzi's admiration for Parry and Elgar. The 'catalogue' of saints, shared between the soloist and chorus, are deftly delineated: St Valentine, St George, St Dunstan, St Swithin and St Cecilia herself. In rapt stillness, the English composers of the past - Merbecke, Byrd, Dowland and Purcell - are summoned. To close, Finzi creates a festal summation with exultant counterpoint and the saint's name pealing around the chorus. / Choeur Mixte (SATB) Et Orchestre
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In Terra Pax Op. 39
Choral SATB
SATB, Orchestra
Boosey and Hawkes
Following the publication of Francis Jackson's organ reduction of Finzi's Requie...
(+)
Following the publication of Francis Jackson's organ reduction of Finzi's Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has created reductions of the full orchestra accompaniments to two more of Finzi's choral works. These reductions broaden the reach of these works to choirs which do not wish to present the works with orchestra, as with other standards from the sacred repertoire such the Requiems of Fauré and Duruflé. The reductions sympathetically recreate the orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedal coupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each performance. The scores are user-friendly, in landscape format and with at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full. The reductions are fully compatible with the published piano vocal scores of the respective works which the singers will use. / Choeur Mixte (SATB) Et Orchestre
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Orff Carl - Carmina Burana - Soloists , Mixed Choir , Children's Choir And Orchestra
Choral SATB
SATB, Orchestra
Schott
Cantiones profanae Instrument : soloists (STBar), mixed choir (SATB), children'...
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Cantiones profanae Instrument : soloists (STBar), mixed choir (SATB), children's choir and orchestra Type : choral score Nombre de Pages : 72 Carl Orff's masterpiece composed in 1936 undoubtedly is one of the best-known musical creations throughout the world. By popular request, we now publish a comprehensive choral score uniting all choral parts in one volume of excellent quality and print. This choral score complements the hitherto available choral parts (ED 4920-01 and -02) presenting female and male voices in separate editions, as well as the piano score ED 2877. The new choral score makes rehearsing and studying this extraordinary work much easier for every singer and music lover. Content : Fortuna Imperatrix Mundi: 1. O Fortuna - 2. Fortune plango vulnera - I Primo vere: 3. Veris leta facies - 4. Omnia sol temperat - 5. Ecce gratum - Uf dem anger: 6. Tanz - 7. Floret silva - 8. Chramer, gip die varwe mir - 9. Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe - 10. Were diu werlt alle min - II In Taberna: 11. Estuans interius - 12. Olim lacus colueram - 13. Ego sum abbas - 14. In taberna quando sumus - III Cour d'amours: 15. Amor volat undique - 16. Dies, nox et omnia - 17. Stetit puella - 18. Circa mea pectora - 19. Si puer cum puellula - 20. Veni, veni, venias - 21. In trutina - 22. Tempus et iocundum - 34. Dulcissime - Blanziflor et Helena: 24. Ave formosissima - Fortuna Imperatrix Mundi: 25. O Fortuna
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Der Erste Ton, Musik Zur Declamation (Wev B.2) - Hymne In Seiner Ordnung Schafft Der Herr (Wev B.8) Wev B.2 U. Wev B.8
Choral SATB
SATB, Orchestra
Schott
La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz...
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La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz '. Le succès sans précédent de cet opéra éclipsé tous ses autres travaux et a contribué à leur chute de plus en plus dans l'oubli . Certains travaux tels que , Preciosa ', , Oberon , et , Euryanthe ' , les ouvertures, concertos en solo et sonates pour piano , des lieder et chambre oeuvres jouissent d'une grande popularité et ont été largement connus en Allemagne et à l'étranger aussi tard que la deuxième moitié de la 19ème siècle . Cependant , toute chance d'une renaissance de Weber et influentoeuvre considérable a été perdu dans les années 1920 , quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, y compris Wilhelm Kempff , Hans Pfitzner , Max von Schillings , Fritz Stein et Richard Strauss - a échoué après le troisième volume .Depuis , il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber , mais que ce genre de projet , il aurait fallu la collaboration de chercheurs des deux côtés de la frontière inter- allemande , la situation politique après 1945 n'était pas propice à une telle entreprise . Négociations approfondies ont conduit aux premières mesures concrètes dans les années 1980 . L'intention , dès le début , était de placer l'oeuvre de Weber dans son contexte, et ne pas se séparer de sa production musicale de son travail influent comme un écrivain , critique et organisateur dans le domaine musical , mais de publier ses compositions avec ses lettres, journaux et d'autres la production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales , littéraires et pratiques .Depuis la réunification des deux - groupes de travail allemands concernés - à la Staatsbibliothek zu Berlin , et au Séminaire Musikwissenschaftliches , Detmold / Paderborn - ont coopéré sur l'édition complète des oeuvres musicales ( c. 45 volumes de la série 10 : sacré musique - cantates , des odes et des autres travaux occasionnels- oeuvres scéniques , lieder et des oeuvres vocales - oeuvres orchestrales , musique de chambre , musique pour piano - réductions pour piano - Miscellanea , arrangements et orchestrations , des oeuvres d' attribution douteuse ) . Les journaux (6-8 vol.) Sont édités à Berlin et les lettres (8-10 vol.) Et d'autres écrits ( 2 vol. ) À Detmold .Cette édition complète vise à constituer une base fiable de débat scientifique , ainsi que pour la pratique de la performance authentique de la musique de Carl Maria von Weber . Conforme aux normes d'éditions historico-critiques récentes , le matériau textuel sera basé sur les sources authentiques disponibles , accompagnés par une documentation détaillée de la genèse et une liste de variantes pour chaque travail . L'importance musicologique des travaux sera évaluée en les plaçant dans leur contexte historique , la présentation de leur genèse , l'histoire et les commentaires critiques . Les lettres , les écrits et les journaux seront considérés comme interdépendants et pertinente à l'autre dans les commentaires , donc les lecteurs devraient bénéficier d'une foule de renseignements concis et renvois . / Choeur Mixte (SATB) Et Instruments Divers
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Children, go where I send thee (MURPHY RYAN)
Choral SATB
SATB, Orchestra
[Set of Parts]
Oxford University Press
Par MURPHY RYAN. for SATB chorus and orchestra This joyous arrangement of a trad...
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Par MURPHY RYAN. for SATB chorus and orchestra This joyous arrangement of a traditional spiritual for choir and orchestra is propelled by a light swing tempo. The mood grows more and more euphoric with each succeeding stanza of text, and the uplifting music surges towards an opulent conclusion. / Date parution : 2021-12-09/ Répertoire / Choeur SATB et Orchestre
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Stabat Mater Chant/Piano
Choral SATB
SATB, Orchestra
[Sheet music]
Novello & Co Ltd.
For SATB soli, SATB chorus and orchestra, with English words adapted by William ...
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For SATB soli, SATB chorus and orchestra, with English words adapted by William Bell.Vocal score with piano accompaniment. Latin and English text. / Chant Et Piano / 96 pages / Partition
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Building Of The House, The (Chorus Part) (BRITTEN BENJAMIN)
Choral SATB
SATB, Orchestra
[Sheet music]
Faber Music Limited
Par BRITTEN BENJAMIN. Scored for SATB chorus and orchestra, The Building of the ...
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Par BRITTEN BENJAMIN. Scored for SATB chorus and orchestra, The Building of the House was written for the inaugural concert of the new Maltings concert hall, Snape at the 20th Aldeburgh festival./ Répertoire / Chorale
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Triptych (Vocal Score)
Choral SATB
SATB, Orchestra
Novello & Co Ltd.
Cantata for string orchestra and chorus. Triptych represents the concatenation a...
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Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes
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Building Of The House, The (Study Score) (BRITTEN BENJAMIN)
Choral SATB
SATB, Orchestra
[Sheet music]
Faber Music Limited
Par BRITTEN BENJAMIN. Scored for SATB chorus and orchestra, The Building of the ...
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Par BRITTEN BENJAMIN. Scored for SATB chorus and orchestra, The Building of the House was written for the inaugural concert of the new Maltings concert hall, Snape at the 20th Aldeburgh festival./ Répertoire / Conducteur
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Credo Rv 591 (VIVALDI ANTONIO)
Choral SATB
SATB, Orchestra
[Study Score / Miniature]
Ricordi
Par VIVALDI ANTONIO. For SATB Chorus and Orchestra. English and Latin Text. / Me...
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Par VIVALDI ANTONIO. For SATB Chorus and Orchestra. English and Latin Text. / Messe / Répertoire / Voix
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Maxwell Davies S. - Orkney Saga V - Chorale
Choral SATB
SATB, Orchestra
Schott
Westerly Gale in Biscay, Salt in the Bread Broken / choir (SATB) and orchestra
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Requiem C Minor
Choral SATB
SATB, Orchestra
-
Intermediate
Barenreiter
Cherubini owes his fame as a church composer primarily to the 'Requiem in C mino...
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Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with 'spartitino? (additional instruments written in by hand) but also the first edition and a copyist's manuscript.Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).- Cherubini's well-known Requiem in a definitive Urtext edition- Bilingual Foreword (Eng/Ger)- Idiomatic, uncluttered piano reduction / Conducteur
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The King Shall Rejoice Hwv 260
Choral SATB
SATB, Orchestra
Barenreiter
Handel Coronation Anthems in Urtext editions for the first time'Zadok the Priest...
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Handel Coronation Anthems in Urtext editions for the first time'Zadok the Priest?(BA 10258) and 'The King shall rejoice?(BA 10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king's anointment, HWV 260 his actual coronation.Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for large choir and orchestra, it comes as no surprise that motifs from 'Zadok the Priest? have found their way into the official hymn of the UEFA Champions League.The present editions by the authoritative Handel scholar Stephan Blaut are the first to offer these two anthems based on the Urtext from the 'Halle Handel Edition?.- Bilingual Forewords (Ger/Eng)- Idiomatic piano reductions- Based on the Halle Handel Edition / Conducteur
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Requiem C Minor
Choral SATB
SATB, Orchestra
[Part]
Barenreiter
Cherubini owes his fame as a church composer primarily to the 'Requiem in C mino...
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Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with 'spartitino? (additional instruments written in by hand) but also the first edition and a copyist's manuscript.Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).- Cherubini's well-known Requiem in a definitive Urtext edition- Bilingual Foreword (Eng/Ger)- Idiomatic, uncluttered piano reduction / Ensemble A Vent
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Requiem C Minor
Choral SATB
SATB, Orchestra
[Solo Part]
Barenreiter
Cherubini owes his fame as a church composer primarily to the 'Requiem in C mino...
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Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with 'spartitino? (additional instruments written in by hand) but also the first edition and a copyist's manuscript.Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).- Cherubini's well-known Requiem in a definitive Urtext edition- Bilingual Foreword (Eng/Ger)- Idiomatic, uncluttered piano reduction / Violon I
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Hear The Angels Sing
Choral SATB
SATB, Piano
Peters
Hear the Angels Sing is a collection of 24 Christmas carols composed and arrange...
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Hear the Angels Sing is a collection of 24 Christmas carols composed and arranged by Jonathan Rathbone for choir and small orchestra. Primarily intended for choral society carol concerts, the selection includes both concert pieces and classic congregation/audience-participation carols. Requiring only minimal rehearsal, this collection provides a highly practical means of delivering a full choir and orchestra carol concert or service within a sensible budget.24 arrangements of favourite carolsScored for SATB and small orchestra (minimum 13 players), including woodwind, brass, percussion and stringsCan also be performed with piano or organ accompanimentOrchestral scores and parts available separately for hire (contact: rentals.uk@editionpeters.com) / Choeur Mixte (SATB) Et Piano
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Carols For Choirs 1 (JACQUES REGINALD / WILLCOCKS DAVID)
Choral SATB
[Sheet music]
-
Easy
Oxford University Press
Fifty Christmas Carols. Par JACQUES REGINALD / WILLCOCKS DAVID. 50 chants de NoÃ...
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Fifty Christmas Carols. Par JACQUES REGINALD / WILLCOCKS DAVID. 50 chants de Noël Orchestrations pour plusieurs des chants de cette collection sont disponibles à la vente ou de location sous les orchestrations titres Carol trois et cinq chants de Noël. Huit Chants pour cuivres pour les 5 et 8 cuivres partie (pour accompagner des chants des chorales de chants de 1 et Carols for Choirs 2) sont également en vente. Reginald Jacques est né en 1894 à Ashby-de-la-Zouch, Leicestershire et a étudié au Collège de la Reine, à Oxford, où il devint plus tard organiste et directeur de la musique en 1926. Reginald Jacques a également été chef d'orchestre de la Société d'Oxford Orchestra de 1930 à 1936. De 1931 à 1960, il a été chef du Choeur Bach de Londres. En 1936 il fonda sa propre orchestre Jacques, qu'il a dirigé jusqu'en 1960. En 1954, il a été fait Commandeur de l'Ordre de l'Empire britannique. Il mourut en 1969. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassent la musique chorale, orchestrale et instrumentale, et il a édité ou co-édité plusieurs anthologies chorale dont quatre pour des volumes de Carols chorales avec Sir David Willcocks et l'Oxford Choral Classics série. De 1975 à 1979, il a été directeur de la musique au Clare College, et en 1981 il a formé son propre choeur, les Cambridge Singers. Il partage maintenant son temps entre la composition et la conduite et est recherché comme un chef d'orchestre invité pour le leader mondial des chorales et orchestres. Né en 1919, David Willcocks a commencé sa carrière musicale comme choriste à l'Abbaye de Westminster, plus tard, remportant des bourses à Clifton College et King 's College, Cambridge. Après son service de guerre, il a été élu Fellow du Collège King, et plus tard devint organiste de Salisbury et de cathédrales de Worcester, alors que la conduite des Three Choirs Festival à Worcester. Willcocks retourné à Kings College, à Cambridge en tant que Directeur de la Musique de 1957-1974, avec la première collection de ses arrangements dans le Carols pour les séries chorales d'édition en 1961. Il a été Directeur de la Musique du Royal College of Music de 1974-1984, et a été anobli en liste de la Reine du Jubilé d'argent de spécialisation en 1977. Willcocks a également mené le Bach Choir pendant 38 ans, prend sa retraite en 1998. Sir David conserve un calendrier chargé de concerts et d'enregistrements, y compris les récentes visites aux Etats-Unis, au Canada et en Europe. / Niveau : Facile / Recueil / Chant
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And There Was Light (MARTIN JOSEPH M)
Choral SATB
Hal Leonard
Par MARTIN JOSEPH M.. This cantata is a celebration of light. Filled with time-h...
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Par MARTIN JOSEPH M.. This cantata is a celebration of light. Filled with time-honored carols and expressive original songs, this work will dazzle and inspire. The first half of the cantata is dedicated to hopeful prophecies associated with the coming Light of the World. With the birth of Jesus, the second part moves forward to declare the tidings of great joy and is crowned with an opportunity for the congregation to join in singing, Joy to the World. Brant Adams and Robert Sterling shine as orchestrators of this truly festive work. Glorious! Songs include: A Festive Call to Christmas, Celebration of Light, Come, Golden Light, Dazzling Joy, Beautiful Name, Dreamer of Stars, Angel Song, Silver and Shadows, Joyous Carols of Christmas. Score and Parts for Full Orchestra (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn, 1-2, tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download. Score and Parts for Consort (fl, cl, tpt 1-2, tbn, perc, kybd str) available as a Printed Edition and as a digital download./ Répertoire / SATB
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John Rutter - Blow Blow Thou Winter Wind - Vocal Score
Choral SATB
SATB, Piano
-
Easy
Oxford University Press
John Rutter Blow, blow, thou winter wind Vocal score Forces or Category: SATB ...
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John Rutter Blow, blow, thou winter wind Vocal score Forces or Category: SATB (with divisions) & piano/small orchestra Orchestration: 2fl, hp, harpsichord, strings John Rutter Anniversary Edition for SATB (with divisions) and piano or small orchestra This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's cycle of six choral settings with small orchestra When Icicles Hang.
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Lobgesang (MENDELSSOHN-BARTHOLDY FELIX)
Choral SATB
[Sheet music]
Carus Verlag
Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his...
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Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one understands by this that first the instruments give praise in their own way, and then the chorus and the individual voices. ' Mendelssohn's Lobgesang, Op. 52 (Symphony No. 2) for SATB and Orchestra. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one understands by this that first the instruments give praise in their own way, and then the chorus and the individual voices. ' / Musique religieuse / Répertoire / Solistes SST, Choeur SSAATB, 2 Flûtes Traversières
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Messe De Requiem Op. 48
Choral SATB
Barenreiter
The ' Messe de Requiem? is probably the internationally best-known and most freq...
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The ' Messe de Requiem? is probably the internationally best-known and most frequently performed work by Gabriel Fauré . The composer's first version was limited to just five movements and small-scale forces with low strings, harp and organ. The work was then expanded several times culminating in the version for large orchestra of 1900. This orchestral version forms the basis of this edition.Despite its comparatively long period of gestation, the Requiem forms a stylistic unity. Unlike other requiem settings, the composer foregoes any theatrical gestures in this work. A restrained dynamic range together with graceful melodic writing for both soloists and choir give the work a gentle and optimistic character.The choral score just as the vocal score are based on the volume of the Complete Works of Gabriel Fauré (BA 9461) published in 2010. It is important to note that this choral score is also compatible with the first small-scale version as well as the second chamber orchestra version.- High-quality Urtext edition based on the 'Complete Works of Gabriel Fauré?- First systematic evaluation of all sources- Based on the large orchestral version of 1900- Choral score suitable for all versions of the Requiem / Choeur Mixte (SATB)
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4 Choral Seasons (PANUFNIK ROXANNA)
Choral SATB
Peters
Par PANUFNIK ROXANNA. Four Choral Seasons for double choir and orchestra by Roxa...
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Par PANUFNIK ROXANNA. Four Choral Seasons for double choir and orchestra by Roxanna Panufnik. Four Choral Seasons for double choir and orchestra by Roxanna Panufnik./ Répertoire / SATB
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STABAT MATER (DVORAK ANTONIN) (DVORAK ANTONIN)
Choral SATB
SATB, Piano
Carus Verlag
Par DVORAK ANTONIN. Antonin Dvorák?s impressive Stabat Mater for soloists, chor...
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Par DVORAK ANTONIN. Antonin Dvorák?s impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer?s sacred works. Some painful experiences in 1875 his first daughter died, and in 1877 he lost two other children in quick succession may have led to Dvorák?s preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-publishedarrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation. / Date parution : 2023-06-02/ Répertoire / Choeur Mixte SATB et Piano
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Petite Messe Solennelle
Choral SATB
Barenreiter
The 'Petite Messe solennelle? is the finest work of Rossini's late years. He com...
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The 'Petite Messe solennelle? is the finest work of Rossini's late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet -Will for the consecration of her private chapel, where the work received its first performance in March 1864. Together with the 'Stabat mater?, the mass is one of the composer's mostimportant sacred works.The unusual instrumentation with two pianos and harmonium is entirely in keeping with the Neapolitan keyboard tradition of the 18th century which was cultivated in France in Rossini's day. It forms a distinct contrast to the style of large-scale sacred compositions as written by, for example, Liszt and Bruckner. Rossini explained that he wrote the later orchestral version of the work dating from 1867 out of concern that if he did not do this, other composers might orchestrate the mass too heavily in later arrangements.- Choral score based on the Urtext of the series 'Works of Gioachino Rossini?- Supplements the already existing material available to this work / Choeur Mixte (SATB)
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O Saving Victim
Choral SATB
Novello & Co Ltd.
An inspiring selection of new works from a range of contemporary composers, the ...
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An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. O Saving Victim was completed on 16th March, 2003, and was premiered by the choir of St Mary's Church, Goochland, VA, directed by Hope Armstrong Erb. The solo lines in this piece should blend with the rest of the chorus as much as possible. In large choirs, the solo lines in bars 21-22 and 26-30 may be sung by a pair or small group of people to preserve balance. This does not apply to the unaccompanied solos in bar 30-35. Zachary Wadsworth's 'vivid, vital, and prisimatic' music has established him as one of the leading composers of his generation, especially among those writing vocal, choral and operatic works. As winner of the 2011 King James Bible Composition Award, Wadsworth's anthem Out of the South Cometh the Whirlwind was performed by the choir of Westminster Abbey in the presence of Queen Elizabeth II. Other recent honours include awards from the American Academy of Arts and Letters, ASCAP, and the American Composers Forum, and performances by the Washington National Opera Chorus, Boston Metro Opera, Long Leaf Opera, the Buffalo Philharmonic Orchestra, and the Atlanta Philharmonic Orchestra. Wadsworth's music is widely broadcast and distributed, with a recent commission from Choir and Organ magazine, and frequent airings on the BBC, NPR and CBC. / Choeur SATB
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