SKU: AP.24643S
UPC: 038081276175. English.
This beautiful arrangement of a favorite Irish folk song utilizes colorful scoring and features solos for alto saxophone, flute and trumpet. This gorgeous melody is also known (with a different set of words) as The Groves of Blarney, and was featured in a popular 19th-century opera, Martha, by German composer Friedrick von Flotow. Great for developing tone quality, blend, balance and independence, this work will be a treasured addition to your young band library for years to come. This title is available in MakeMusic Cloud.
SKU: CF.CPS100
ISBN 9780825870668. UPC: 798408070663.
Explosive ensemble phrases and aggressive percussion accompaniment accentuate the opening of Pacheco Pass, a dynamic new composition from established composer Alan Lee Silva. Divided into three sectionsùfast, slow, fastùthe piece begins with a noble brass melody, transitions to a tender slow movement featuring woodwind solos, and reprises the opening brass melody.
SKU: CL.012-3697-75
Dramatic and powerful, Legend of the Ancient Hero tells the musical story of a warrior in ancient times who risked his life to save his country from being conquered. Benjamin Yeo is a talented young composer from Singapore who has combined exciting rhythmic elements and a contrasting lyrical section that will make this programmatic work the highlight in your band concert, contest or festival performances! Solos for flute, trumpet and saxophone also provide opportunities to feature the best in your band. Simply exceptional!
About Gems of the Concert Band
A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith
SKU: CL.012-3902-75
One of the most dramatic selections ever presented for band, Andrea Chenier has been a staple of mature and professional bands for over a century. This intense and exciting work includes some of the most passionate moments from the Italian opera into a breathtaking tour de force for mature bands. Prominently featuring bel-canto solos for euphonium and cornet/trumpet, the gorgeous melodies and dramatic musical climaxes will both thrill and excite performers and audiences alike. This striking new arrangement includes full score, and is carefully re-orchestrated to be more idiomatic to the wind band medium. Not for the faint-of-heart, and musically challenging, Andrea Chenier is ideal for experienced bands, and is not to be missed!
SKU: CL.CTS-7712-01
A delightful three-movement work to show off the bandâ??s skill at playing different styles. The first movement marked Tarantella, includes an asymmetric 9/8 measure and a woodwind fugato. Nocturne features solos for flute, oboe and alto saxophone. Rondo begins with a fierce percussion section soli throughout the movement, and a reflection of developmental material from the Nocturne shows up in this movement as well. A challenging work, but your group will learn several musical concepts. A concert band classic.
SKU: AP.33831S
UPC: 038081394961. English.
Jolly Old St. Nick is the perfect fit for your young band's winter concert, often the first performance of the year. The familiar holiday tune, set in a light and airy fashion, is heard throughout the band and includes brief solos for each section. This confidence-building arrangement was scored to work well with smaller bands or those without ideal instrumentation, and to prepare easily in a minimum amount of rehearsals.
SKU: HL.4003237
UPC: 884088668983. 10.5x14 inches.
Commissioned by the Oregon Symphonic Band in Portland, Bridge of the Gods is a dramatic three-movement symphonic poem presenting the colorful legend told by the Native American Klickitatst about the origins of the volcanic mountains of the Cascade range and legendary bridge. The first movement “Saghalie” pays tribute to the powerful chief of all gods and is based on a majestic fanfare theme. The 2nd movement captures the beauty of the maiden “Loowit” with haunting flute and english horns solos accompanied by soft chanting voices. The final movement “Tanmahawis” utilizes stark clusters, jagged melodic fragments and rhythmic percussive energy as it depicts the destruction of the mighty bridge. Duration: 8:50Recorded by the Oregon Symphonic Band – Michael Burch-Pesses, conductor
SKU: MH.1-59913-064-5
ISBN 9781599130644.
I wrote Galloping Ghosts (A Ragtime March) to conclude a concert of my chamber music in New York City on October 28, 1986. It is the final part of a work called Rags for Divers Players. This work was written to show the variety possible within the standard rag form. I used all the players available for the finale -- two violins, viola, cello, bass, flute, oboe, clarinet, horn, bassoon, and piano. Since this is a rather unusual instrumental combination and not easy to reassemble, I decided to rescore the work for concert band. Galloping Ghosts is written in a standard march form but incorporates many of the syncopations found in ragtime. The uniquely American music called ragtime traces its history to African rhythms brought over by slaves. Over the years this music became welded to European musical forms such as the quadrille and the march. Drums and banjos and the minstrel tradition lent a special flavor, and from all these elements ragtime slowly evolved within the largely unknown black subculture of the late 19th century. In the late 1890's it emerged as a fully developed form in the classic piano solos of Scott Joplin (1869-1917). Joplin's 1899 hit, Maple Leaf Rag, was an overnight sensation and brought ragtime worldwide fame. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 and 2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 3 Bb Bass and Bb Contrabass Clarinet, 2 Bassoon 1 and 2, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Cornet 1, 3 Bb Cornet 2, 3 Bb Cornet 3, 2 Horn 1 and 2 in F, 2 Horn 3 and 4 in F, 4 Trombone 1 and 2, 4 Bass Trombone, 2 Baritone (B.C.), 2 Baritone (T.C.), 4 Tuba, 1 String Bass, 1 Timpani, 1 Xylophone, 3 Percussion 1, 3 Percussion 2.
SKU: AP.19512S
UPC: 038081177984. English.
Jingle Bell percussion takes us strait into Good King Wenceslas in this fun holiday arrangement by John Kinyon. Next, a stirring rendition of Silent Night segues into an energetic version of Deck the Halls-complete with snare drum solos! Simple and easy to put together, A Christmas Salute should have a place on your next winter concert!
SKU: CF.BPS120
ISBN 9781491152065. UPC: 680160909568.
An exceptionally clever idea, to combine the standard bugle calls into an easy march for beginning students. It is something they already know, and can be successful on right away. We are delighted to welcome composer/educator Chris Ferguson to the Carl Fischer catalog. He brings a wealth of experience working with beginners that has translated into this wonderful new march for young students.Reveille March is inspired by the bugle calls found throughout military history.The “Reveille†call is the signal used to awaken the troops for morning roll call and accompanies the raising of the flag. At the conductor’s discretion, the soli sections (measures 29 and 37) may also be performed as solos in reference to the traditional solo bugle call.“To the Color†(measure 49) is used to signal the end of a soldier’s day. It is also used when a full band is not available to render honors and commands all the same courtesies as our National Anthem.
SKU: HL.35019440
UPC: 888680004514. 8.5x11.0x0.042 inches.
SKU: YM.GTW01101395
ISBN 9784636110524. 8.25 x 11.75 inches.
New Sounds in Brass is a series for concert bands that collects arrangements of various musical genres, including Studio Ghibli, Disney, anime titles, and J-Pop, arranged by the best ensemble arrangers in Japan. This collection features four particularly popular pieces composed for Hayao Miyazaki's animated films from the works of renowned Japanese composer and maestro Joe Hisaishi. The first half opens with the delightful and lively The Village in May and the charming stroll of Hey Let's Go from My Neighbor Totoro. The second half transitions into the melancholy and leisurely sounds of Day of the River from Spirited Away and the wistful Departure from Kiki's Delivery Service. Arranged by Kazuhiro Morita Duration: 7 minutes and 30 seconds Difficulty: ★★★ Solos: Oboe, Flute Ensemble: 1st Flute (1), 2nd Flute & Piccolo (1), Oboe (1), Bassoon (1), Clarinet in E-flat (1), 1st Clarinet in B-flat(3), 2nd Clarinet in B-flat(3), Bass Clarinet in B-flat(1), 1st Alto Saxophone in E-flat(1), 2nd Alto Saxophone in E-flat(1), Tenor Saxophone in B-flat(1), Baritone Saxophone in E-flat(1), 1st Trumpet in B-flat(1), 2nd Trumpet in B-flat(1), 1st Horn in F (1), 2nd Horn in F (1), 1st Trombone (1), 2nd Trombone (1), Euphonium (1), Bass in C (1), String Bass (1), Drums (1), Glockenspiel (1), Vibraphone & Xylophone (1)Medley: The Village in May, Hey Let's Go, Day of the River, and Departure.
SKU: BT.DHP-1094773-215
9x12 inches. English-German-French-Dutch.
The title Saxophones in the Light describes what the piece does - it puts not one, not two, but three of your saxophones into the limelight! At the same time Harm Evers also manages to bring out the best in your concert band. This exciting and inventive piece will give all your musicians a chance to shine. Der Titel Saxophones in the Light ist quasi eine Gebrauchsanweisung für dieses fröhliche neue Solostück aus der Feder von Harms Evers. Es heißt nämlich wörtlich übersetzt: Saxophone ins Licht“ und rückt drei Saxophonisten ins rechte Licht - das Rampenlicht - und zeigt darüber hinaus auch das begleitende Blasorchester von der besten Seite. Come indica il titolo, Saxophones in the light è un brano luminoso che permette a tre sassofonisti di mettersi in evidenza. L’accompagnamento orchestrale è curato e sottolinea la trama solistica.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version