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CORNET
Double Bass
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Giovannino: Sonata In F Major: Viola: Instrumental Album
Double Bass
[Sheet music]
Yorke Edition
For Violone-Very little is known about the two sonatas which appear here in thei...
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For Violone-Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata Violino e Violoncino … di Giovannino del Violone. Giovannino (=Little or Young John) musthave been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that are known today (see Dart
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Rodney Slatford: Time Pieces for Double Bass Volume 2: Double Bass:
Double Bass
ABRSM Publishing
Time Pieces For Double Bass Volumes 1 and 2 contain well-crafted arrangements an...
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Time Pieces For Double Bass Volumes 1 and 2 contain well-crafted arrangements and original compositions presented in chronological order from the sixteenth century right up to the present day.Pieces feature on the ABRSM Double Bass syllabus at Grades 1-6 (Volume 1: Grades 1-3 Volume 2: Grades 4-6) and are an invaluable source of repertoire for study in contrasting styles from Louis Couperin to Giles Swayne and William Byrd to Gavin Bryars. The arrangements have been designed to cover the note ranges and keys of the early grades.
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Antonio Scarlatti: Three Sonatas: Double Bass: Instrumental Album
Double Bass
Hal Leonard
Alessandro Scarlatti (1660 – 1725) was an Italian Baroque composer especi...
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Alessandro Scarlatti (1660 – 1725) was an Italian Baroque composer especially famous for his operas and chamber cantatas. He is even considered the founder of the Neapolitan school of opera. Scarlatti's music forms an important link between the early Baroque Italian vocal styles of the 17th century with their centres in Florence Venice and Rome and the Classical school of the 18th century. His legacy was carried further by his two composer sons Domenico Scarlatti and Pietro Filippo Scarlatti. Three Sonatas For Double Bass are slightly simplified in this arrangement to be tackled by intermediate players (Grade 4-6) of the DoubleBass and the Piano. The Baroque tunes and rhythms will help to advance playing abilities in a highly enjoyable way.
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Giovanni Bottesini: Method for Double Bass Part 1: Double Bass: Study
Double Bass
[Score]
Yorke Edition
Out of print for most of the 20th century this method comprises some 200 valuab...
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Out of print for most of the 20th century this method comprises some 200 valuable progressive studies newly edited for a four stringed instrument with revised fingering and modern notation. ABRSM Double Bass Syllabus.
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Emile Ratez: Characteristic Pieces Book 1: Double Bass: Instrumental Album
Double Bass
[Sheet music]
Recital Music
Composed in France over a century ago these three short pieces are ideal for th...
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Composed in France over a century ago these three short pieces are ideal for the intermediate bassist. The style is lyrical tonal and approachable offering interesting study or concert repertoire with lively supportive and effective accompaniments. Parade is lively and rhythmic remaining in bass clef throughout; Cantabile is melodic and dramatic offering cantabile and musical challenges in equal measure and Menuet Varie has lyrical and rhythmic contrasts and is the most challenging of the three. Ratez was a fairly prolific composer and these pieces were dedicated to M. Charpentier Professor of Double Bass at the Paris Conservatoire. These piecesare popular with students and teachers alike.
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Studi (tratti dal \ Metodo per contrabbasso\ )
Double Bass
[Sheet music]
Ricordi
Revisione di Piermario Murelli. Par BOTTESINI GIOVANNI. Giovanni Bottesini (1821...
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Revisione di Piermario Murelli. Par BOTTESINI GIOVANNI. Giovanni Bottesini (1821-1889) is certainly the most famous of all double bass virtuosi; his compositions are an essential pillar of the literature on this instrument. His Metodo, published in 1870 by Ricordi, is remarkable for the exceptional beauty of its studies which, with effectiveness, good taste and imagination, develop an extraordinarily modern pedagogical vision. For this reason, on the bicentenary of the composer\'s birth, it seems most opportune to re-propose the studies in the method, appropriately fingered according to the current system, which is different from the one used in Italy in the mid-19th century. These short pieces not only help the student to acquire an excellent technique in a short time, but they are also extremely useful to better understand the instrumental language of Bottesini; in particular the second part, constitutes an excellent propaedeutic base for the study of his famous pieces./ Etude / Contrebasse
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F. Keyper: Rondo Solo: Chamber Ensemble: Instrumental Album
Double Bass
[Sheet music]
Yorke Edition
Double bass and cello. A light-hearted 18th century virtuoso duo. Ideal companio...
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Double bass and cello. A light-hearted 18th century virtuoso duo. Ideal companion for Rossini's Duetto. Easy cello part. 'Charming for an advanced player who has command of the upper register' Director and Teacher USA.Grade: 8
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Carl Ditters von Dittersdorf: Concertos 1 And 2: Double Bass: Instrumental Album
Double Bass
[Sheet music]
Yorke Edition
In D major. A reliable edition of two standard classics with original cadenzas. ...
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In D major. A reliable edition of two standard classics with original cadenzas. The 18th century manuscripts have been closely researched; cuts and alterations made by previous editors have been fully restored enabling authentic performance on period instruments if desired. Grade: Advanced
19.95 GBP - Sold by Musicroom UK
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Vanhal: Divertimento Sol Mafeur: Violin: Instrumental Album
Double Bass
[Sheet music]
Yorke Edition
Violin viola and bass. Anamazing piece of musical research enabled this work to...
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Violin viola and bass. Anamazing piece of musical research enabled this work to be assembled from autographs surviving in Prague Bologna Vienna and Paris. Vintage Vanhal published here for the first time; five short movements in best late 18th century style. Score and parts.Grade: Moderate
12.50 GBP - Sold by Musicroom UK
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Three Afterimages (STANCZYK MARCIN) (STANCZYK MARCIN)
Double Bass
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par STANCZYK MARCIN. In the mid-twentieth century, Wladyslaw Strzeminski painted...
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Par STANCZYK MARCIN. In the mid-twentieth century, Wladyslaw Strzeminski painted a series of solaristic pictures entitled Powidoki swiatla (?Afterimages of light?), illustrating the optical impressions triggered by gazing at the sun. They can be observed when we look at the sun and then suddenly turn our eyes to a white sheet of paper. We then see a reflection of the light ? a trail in blue, contrasting with the yellow. The reflection of the notes in this work are their harmonics. The three movements are formed from the relationship between the fundamental pitches and their overtones. The first is built on the principle of the mutual contrast between the sounding ?light? and its ?afterimages?. In the second movement, the transitions between the ?lights? and their ?afterimages? are smooth, while in the third, the juxtaposing of fundamentals and overtones is initially smooth, but then alters in the direction of the contrast from the beginning of the work. / Date parution : 2022-12-12/ Répertoire / Contrebasse
18.20 EUR - Sold by LMI-partitions
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La Contrebasse Dans L'Orchestre Vol.2 (MASSARD DANIEL)
Français
Double Bass
[Sheet music]
Combre
Par MASSARD DANIEL. 33 composers, from Bach to Ravel, are brought together in th...
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Par MASSARD DANIEL. 33 composers, from Bach to Ravel, are brought together in this 2nd volume of La Contrebasse dans l'Orchestre. With this selection of composers, Daniel Massard hopes to acquaint students with various styles ranging from the baroque period to the 20th century. Instructive information has been added to the presentation of each piece, as well as the degree of difficulty./ Méthode / Contrebasse
39.60 EUR - Sold by LMI-partitions
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Tzigane (RAVEL MAURICE)
Double Bass
[Sheet music]
Barenreiter
Par RAVEL MAURICE. In 1922 Maurice Ravel heard the young Hungarian violin virtuo...
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Par RAVEL MAURICE. In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane”. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane” and both versions remain a 'must” for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane” from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D'Aranyi's fingering/ Répertoire / Contrebasse
11.10 EUR - Sold by LMI-partitions
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