100 Hymns for Flute and Guitar is a collection of all-time favorite hymns arranged for flute solo with suggested written chordal accompaniment.Fingerstyle guitar and strum styles are indicatedon each solo and capo chords are shown where appropriate. Other chordal instrumentalists can also use the written material. The repertoire spans centuries and represents a wonderful assortment of solos which may be used aspreludes or offertories throughout the various seasons in the church year.

Flute And Guitar Duets For Any Occasion. A unique collection of duets, which will provide a wide ranging selection of high-quality music to flautists and guitarists. Pieces include well-known classics, lesser-known yet captivating pieces and some original compositions. The accompanying recording allows the listeners to hear both parts simultaneously, to facilitate learning the pieces. It also allows for either of the instruments to be turned off completely so that an individual instrumentalist can use the recording as their playing partner. The guitar part for each piece is written in several ways to accommodate players of all abilities. Standard notation is provided for classically trained guitarists, tablature is also provided, and each piece includes simplified chord names along with a suggested strum.

'Un Petit Jazz' arranged for Flute and Guitar or Descant/Treble Recorder and Guitar.

Par IGNACIO CERVANTES. Sélectionnez ' Danses cubaines ' par le compositeur cubain du XIXe siècle Ignacio Cervantes (1847-1905). Cervantes respecté la forme binaire établie par son prédécesseur, Manuel Saumell, mais il était le romantisme de danses de Cervantès qui distingue la dernière phase évolutive de la ' contradanza '. Ils ont été conçus par Cervantes comme ' une page dans l'album du siècle romantique '. Ce groupe de danses cubaines ont été à l'origine écrit pour le piano et arrangé ici pour les flûte et guitare en notation standard uniquement avec arrachement des sections distinctes pour guitare et flûte. / Niveau : Intermédiaire à Avancé / Latin American - Duets / Recueil / Guitare et Flûte Traversière

Malcolm Arnold wrote this little fantasy in the early 1960s as a present for his children Katharine and Robert to play together. Even as a miniature it has many of the hallmarks of the Arnold style: the evocative melodic writing together with the occasional dark dissonance. It was written at a time when Arnold was deeply into film music; indeed in the famous film 'Whistle Down the Wind' the main theme is also for flute/piccolo and is not entirely dissimilar to that found in this fantasy.