for C Flute-Bettyian Roulade is an advanced solo flute piece premiered at the 2012 National Flute Convention in honor of Betty Mather the famed flute pedagogue. The word roulade originates from the French word rouler that means to roll. This piece features rouladian passages that combine overblown arpeggios tremolos and harmonics. Listen to an audio recording at www.PianoAdventures.com/roulade

Mizzy Mccaskill (Arngd-Edtd). Par MC CASKILL MIZZY. Speak English ? Cette collection de compositions populaires pour les flûte illustre les styles musicaux français à la fin du XIXe siècle et au début du XXe siècle. Des informations écrites sur les compositeurs et les styles musicaux français soient incluses comme accompagnements de clavier. Les pièces comprennent des pièces populaires et agréables de Debussy, Satie, Fauré, Boisdeffre, Saint-Saëns. Sur le CD, un locuteur natif de français présente toutes les oeuvres dans le livre, pour vous aider à apprendre la prononciation correcte de la composers' noms et marques de performance. Jouer avec les pistes d'accompagnement au piano pour toutes les pièces dans le livre. Pistes d'accompagnement reflètent les nuances dans le tempo, phrasé et articulation utilisés par des artistes professionnels. Toutes les oeuvres sont fixés à un tempo de performance et peuvent être utilisés dans le cadre de la pratique, de studio ou de récital. / Niveau : Intermédiaire / Classic - Solos / Recueil / Flûte Traversière

sur 'Obéron' de C. M. von Weber 'Les classiques de la flûte' n° 76 (rév. Marcel Moyse)-Les Classiques De La Fl?te No.76. Composed by Jules Demersseman (1833-1866) ?Grande Fantaisie De Concert Op. 52 has been reviewed by the French flautist Marcel Moyse. Written for Flute and Piano it is based on 'Ob?ron' by Weber and would fit players with advanced skills and abilities and strong endurance. Part of the series Flute Classics this piece number 76 is among those adapted by P. Taffanel Ph. Gaubert M. Moyse and others. Grande Fantaisie De Concert?starts with the Piano alone soon joined by the Flute. The main theme does not start before the top ofthe second page of the Flute score which is then followed by variations and the finale.

A collection of Händel's best sonatas for flute (or violin) and piano brimming with his characteristic classical elegance and charm. Featuring as your accompanist the famed New York Philharmonic pianist Harriet Wingreen these delightful sonatas are now digitally remastered for unbelievable sonic brilliance! Contains a high-quality music score featuring the solo flute (or violin) part printed on ivory paper; and a compact disc containingdigitally remastered stereo accompaniments to each sonata.

Nocturne-Score and parts for Bernstein's nocturne for flute percussion and piano.

To be played solo whilst moving about the Stage. If piano Accompaniment is needed the Pianist may use No.1 No.3 and No.4 from '4 Preludes for Strings' (for solo flute in G (or flute and piano)

Les classiques de la flûte n° 9 (arr. pour flûte et piano et rév. : Philippe Gaubert)-from 'L'Europe Galante' (for flute and piano)

Les classiques de la flûte n° 26 (transcr. : Gaubert / acc. piano : G. Catherine)

A cheerful suite lyrical and full of freshness. 3 movements. Scoring: Flute/Piano. Performance Level 7 or 7.'This suite for Flute and Piano is in three movements and it is delightful. It will suit players from about Grade 5 (ABRSM) standard. The Piano part is very approachable for the intermediate standard player.'         - Flutewise

Short Repertoire or Concert Pieces for Flute and Piano-Tasty Tunes is a collection of short repertoire or concert pieces forthe developing instrumentalist. The descriptive titles such as JellyCopters Dough Raises Me A Cream Tease and Cornish Pastichehelp conjure the mood of the music and act as a stimulus for theperformer. With a mixture of styles and tempi these piecesrepresent a worthwhile challenge for players of grades three tofive standard. Pieces may be performed individually or combinedin any number to create a suite - or perhaps a sweet? Although themusic is approachable and light in character it provides importantand technical musical experience. Enjoy playing and wet youraudience’s appetite! A separate pianoaccompaniment part isincluded with this book.

Carl Philipp Emanuel Bach's Sonata in A minor for solo Flute constitutes a counterpart to the partita of his father Johann Sebastian in the same key. Created in 1747 but unpublished until 1763 it heralds the sentimental style of a new era compared to the ca. 30 years older work of his father. The edition is based on the first edition which is hidden among Piano works by C. Ph. E. Bach and other composers in the anthology 'Musikalisches Mancherley'. A separate edition also published in 1763 proved to be an offspring of the first edition with identical musical text and could be eliminated as source for the edition. But the edition wasalso based on a late 18th-century copy from the Giedde Collection in Copenhagen which is of great significance to the Flute literature. Although it also seems to go back to the first edition it nevertheless turns out to be a contemporary corrective to deficiencies of the first edition in some passages. The practical performance notes of the Kuijken pupil Susanne Schrage not only come close to the musical text by means of the Flute method of Bach's Berlin fellow composer Johann Joachim Quantz but also analyse relevant chapters of 'Versuch über die wahre Art das Clavier zu spielen' by C. Ph. E. Bach himself thus providing interpretational aids right from the composer's perspective.

Flute-A further selection of arrangements for flute and piano of themes from some of the world's most popular classics as featured in the hugely successful recording compilations.

A collection of favourite encores selected and transcribed by James Galway for Flute with Piano accompaniment. Includes 'Annie's Song' Faure's 'Berceuse' from the Dolly Suite and the first movement of W.A Mozart's 'Piano Sonata in C'.