Par BAY WILLIAM. Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event.This book presents 100 arrangements of favorite Christmas carols and advent hymns for violin solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the violin. The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year. / Niveau : Intermédiaire / Musique religieuse / Recueil / Flûte Traversière et Guitare

Brief tuneful melodies arranged for intermediate flutists and guitarists from early American (1817) popular music. Written in standard notation these delightful arrangements feature collections of popular melodies from that eraas well as airs and dances. In keeping with performance practice of the traditional music played during this time these arrangements are organized into sets of pieces as they may have been performed during this era. The setsinclude jigs slow airs and marches as well as melodies that were popular from the continent. These arrangements are appropriate both for background music as well as public concert performance. The arrangements are derived froma book of flute melodies entitled ?Riley?s Flute Melodies.? Published in 1816 and 1817 this book was possibly used as jazz musicians use lead sheets to develop spontaneous arrangements of pieces depending upon the occasion andthe musicians at hand. The guitar arrangements were modeled upon existing guitar practice during that time and use idiomatic guitar devices such as pizzicato and harmonics to provide an imaginative underpinning for the melodies.Many of the arrangements give equal treatment to both the guitar as a harmonic and melodic instrument.

Work for Flute and Guitar commissioned by Clive Conway and Gerald Garcia.Anthony Payne: 'As a passionate Elgarian for most of my musical life I was fascinated by the prospect of writing something which reflected or somehowincorporated his Memorial Chimes written for the Loughborough Carillon a piece moreover which I did not know although I pride myself on an intimate acquaintance with the greater part of his output. My own style is a far cryfrom that of the English late-romantics which I so love but I have recently discovered how to relate to their music in more than just spiritual and emotional particulars and in Spring's Shining Wake I produced a gloss of Delius'In a Summer Garden finding equivalents in my vocabulary for each of that work's procedures somethings approaching the original closely and sometimes shadowing it from afar.p>When I saw the Elgar I immediately realised that thiskind of approach was out of the question. For one thing it is quite a short piece and frankly it is not one of the master's great inspirations. It does however possess one characteristically haunting phrase and I saw how Icould draw it within my own harmonic and textural orbit not the sort of idea to base a work on but a happy little discovery such as one often makes during the course of composing a work.I accordingly set out to write a shorttone poem which somehow draws together the sonorous 'objets trouvés' which float into the mind during intense contemplation of a still landscape memories of the past (the Elgar) intimations of magic in the wind sudden intenseperceptions of the cosmic forces of which we form such an insignificant part ominous vibrations borne on the air from some other existence.

For Guitar and Flute Plus Percussion-Here is a collection of Latin masterpieces arranged for flute guitar and percussion. From the fabled Granada and Franþois Borne's rousing Fantasy on Themes from Bizet's Carmen to Brasilian superstar Celso Machado's magnificent Suite Popular Brasileira and Astor Piazzolla's Libertango there is a wealth of thrilling music for every flutist. Listen to virtuosi Katarzyna Bury and Christian Reichert perform these classic pieces in a complete reference recording. Then you take Mr. Richert's place alongside Mr. Reichert and the percussionist for a Latin music-fest that you will never forget! Bravo! Includes a newly engraved authoritative printed solo part and a compact disccontaining a complete version with soloist in digitally recorded stereo then a digital stereo version of the accompaniment minus the soloist. Performed by Christian Reichert guitar Accompaniment: Katarzyna Bury flute Jochen Hank percussion

for Flute and Guitar-Through the centuries the Christmas season has inspired composers poets lyricists and hymn writers to apply their craft in devotion to this event. This book presents 100 arrangements of favorite Christmas carols andadvent hymns for flute solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the flute. Where appropriate capo chords are shown. The author has alsoindicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughoutthe various seasons in the church year.

Flute And Guitar Duets For Any Occasion. A unique collection of duets, which will provide a wide ranging selection of high-quality music to flautists and guitarists. Pieces include well-known classics, lesser-known yet captivating pieces and some original compositions. The accompanying recording allows the listeners to hear both parts simultaneously, to facilitate learning the pieces. It also allows for either of the instruments to be turned off completely so that an individual instrumentalist can use the recording as their playing partner. The guitar part for each piece is written in several ways to accommodate players of all abilities. Standard notation is provided for classically trained guitarists, tablature is also provided, and each piece includes simplified chord names along with a suggested strum.

Malcolm Arnold wrote this little fantasy in the early 1960s as a present for his children Katharine and Robert to play together. Even as a miniature it has many of the hallmarks of the Arnold style: the evocative melodic writing together with the occasional dark dissonance. It was written at a time when Arnold was deeply into film music; indeed in the famous film 'Whistle Down the Wind' the main theme is also for flute/piccolo and is not entirely dissimilar to that found in this fantasy.

Par SCOTT ANDY. Paquito pays homage to the brilliant composer/saxophonist/clarinetist Paquito D'Rivera. It is a fast salsa, based around a two-three clave pulse that comes in at about 3 minutes duration. This arrangement for Flute