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CORNET
Flute and Piano
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Vision II (THAT)
Flute and Piano
[Sheet music]
Transatlantiques
Par THAT. French/ Répertoire / Flûte Traversière et Piano
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Sonata For Flûte And Piano (Audio Edition)
Flute and Piano
[Sheet music + Audio access]
Chester
This is an updated edition of Francis Poulenc's 1957 work Sonata For Flute And P...
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This is an updated edition of Francis Poulenc's 1957 work Sonata For Flute And Piano, edited by Carl Schmidt. Featuring the full score and separate Clarinet part, this exclusive edition also includes a download card, giving you instant online access to demonstration and accompaniment tracks.After having begun a Sonata for Flute as early as 1952, questions arose over whether Poulenc would be able to complete this work on top of his various other compositions at the time. The piece was, thankfully, finally finished after being commissioned by Harold Spivacke, the Chief of the Music Division of the Library of Congress, for a festival in honour of Elizabeth Coolidge. The world premiere, at Poulenc's request, took place at the Strasbourg Music Festival, performed by renowned flautist Jean-Pierre Rampal, while the American premiere took place in the Coolidge Auditorium at the Library of Congress. This new edition includes an extensive introduction to the piece, a detailing of the different sources that were used, and the inherent difficulty of compiling such an edition as this, all in English, French and German. Furthermore, an in-depth discussion of the problems of authority, as well as a vast number of critical notes is included, giving a true sense of the care and attention that has gone into producing this new edition of Poulenc's Sonata For Flute And Piano. At all points, Schmidt has aimed to reproduce an authoritative and accurate score that is at once playable and a reflection of what Poulenc himself may have intended.What makes this edition of Sonata For Flute And Piano really special is the unique download card that provides exclusive online access to demonstration and accompaniment audio tracks. Professionally-recorded by renowned flautist Michael Cox and pianist Huw Watkins, the demonstration track allows you to hear exactly how the piece as a whole should sound, before the independent Piano-only track lets you take the place of the flautist in your very own performance. This is a unique opportunity for flautists to learn from an authoritative score, and play along to a special backing track, with a work that, since its premiere, has become one of the most frequently-performed and well-loved works in the Flute repertoire.For flautist fans of Francis Poulenc, lovers of Les Six, or just players with a proclivity for stunning music, this edition of Sonata For Flute And Piano has been a long-time coming, and now it's available in this unique edition with accompanying download card. / Flûte Et Piano
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Romania! Fantasy For Flûte And Piano
Flute and Piano
Hal Leonard
In preparation for Carol Wincenc's landmark Naumburg Award Recital at New York's...
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In preparation for Carol Wincenc's landmark Naumburg Award Recital at New York's Lincoln Center, she asked composer Daniel Paget to create a work drawn from the world of wonderful Romanian folk music for nai, or panpipes. The result was Romania!, Fantasy for Flute and Piano, a duet suggestive of both the nai and the cimbalom (hammered dulcimer). The work is a brilliant tip-of-the-hat to Wincenc's Austro-Hungarian heritage and her inner tzigane-style temperament. Great care has been taken to select dynamics and articulations that allow the phrases to make the best use of the flute's capabilities, given the rich harmonic language typical of this part of the world. Filled withmeltingly beautiful lyricism and dazzling technical gestures, this new edition is bound to bring years of enjoyment to all those who have it. In preparation for Carol Wincenc's landmark Naumburg Award Recital at New York's Lincoln Center, she asked composer Daniel Paget to create a work drawn from the world of wonderful Romanian folk music for nai, or panpipes. The result was Romania!, Fantasy for Flute and Piano, a duet suggestive of both the nai and the cimbalom (hammered dulcimer). The work is a brilliant tip-of-the-hat to Wincenc's Austro-Hungarian heritage and her inner tzigane-style temperament. Great care has been taken to select dynamics and articulations that allow the phrases to make the best use of the flute's capabilities, given the rich harmonic language typical of this part of the world. Filled withmeltingly beautiful lyricism and dazzling technical gestures, this new edition is bound to bring years of enjoyment to all those who have it. / Date parution : 1905-07-10/ Recueil / Flûte Traversière et Piano
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Sonata
Flute and Piano
-
Intermediate
Barenreiter
Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in...
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Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.After Franck's death in 1890 the original publisher of the Sonata, the Parisian house Julien Hamelle, announced an arrangement of the work for flute in 1910. However it has not been possible to locate any copy of this publication. That the flute version of Franck's Sonata has found a permanent place in the chamber music repertoire is primarily the achievement of Jean-Pierre Rampal who frequently performed his own arrangement of the work.There were no idiomatic violin techniques to overcome, and the cantabile solo part, with its broadly arched melodies, seems perfectly natural on a wind instrument. The present flute arrangement largely adopts the original violin part unchanged, merely transposing those passages that go beneath the flute's range. In such cases the change of register begins early enough to avoid disruptions to the melodic line and the musical context. The balance between the solo instrument and the (unaltered) piano accompaniment remains intact. The edition is rounded off by an informative text on the genesis and reception history of the sonata (Ger/Fr/Eng). / Flûte Et Piano
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Sonate (26') Pour Flûte Et Piano
Français
Flute and Piano
Leduc, Alphonse
Contemporary Japanese composer, Yuko Uebayashi moved to Paris in 1998. Uebayashi...
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Contemporary Japanese composer, Yuko Uebayashi moved to Paris in 1998. Uebayashi 's works have been met with much success in both Japan and France, Sonata for Flute and Piano being no exception. Flautist Jean Ferrandis described Uebayashi 's works as 'gems that, although they are so different, they yet belong to the same world, a world of vivacity, dreams, tenderness, humour, and one that is subtly contradicted by vehemence, virtuosity, melancholy and sorrow.' Sonata for Flute and Piano is made up of four movements with a typical performance lasting around 26 minutes. Sonata for Flute and Piano is modern in style, exploiting tonality, rhythm and the ensemble, making this a sublime addition to the advanced repertoire of the instrument. / Flûte Traversière Et Piano
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You Must Remember This…
Flute and Piano
Universal Edition
Ten Old Favourites In Easy To Intermediate-Level Arrangements. Ten wonderful arr...
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Ten Old Favourites In Easy To Intermediate-Level Arrangements. Ten wonderful arrangements, by James Rae, of some of the best known and well-loved melodies from 20th Century light music. 'You Must Remember This” is the title of this collection and you certainly will remember hits like 'Misty”, 'As Time Goes By” and 'Give my Regards to Broadway”. These easy to intermediate arrangements for flute include a piano accompaniment that teachers will find eminently manageable and there are chord symbols - maybe your guitarist friend could join in! They have been set in comfortable keys for the flute so that you can concentrate on bringing out your best tone and fully interpret these evergreen classics. Great pieces for teaching, concerts or just simple enjoyment and, once you have mastered them, you can go on to James Rae's earlier collections, including 'Take Ten” (UE16576) and 'Blue Flute” (UE19763) and many more. / Niveau : Facile à Difficile / Recueil / Flûte Traversière et Piano
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Sonatine (GAUBERT)
Flute and Piano
[Sheet music]
Heugel
Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the F...
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Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Sonatina being no exception. After a prominent career as a flautist with the Paris Opera, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Sonatina for Flute and Piano, which is made up of two movements, the second being a homage to Schumann. Addressing many technical features including flourishing semiquaver passages, a wide range, lyricism, intervals, chromaticism and complex rhythms, Sonatina is a challenging yet riveting and stirring piece for aspiring flautists./ Répertoire / Flûte Traversière et Piano
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Märchenbilder op. 113 (SCHUMANN ROBERT)
Flute and Piano
Universal Edition
The Flute Collection. Par SCHUMANN ROBERT. Remarks in his household books indica...
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The Flute Collection. Par SCHUMANN ROBERT. Remarks in his household books indicate that Robert Schumann (1810–1856) composed the Märchenbilder (Fairy-Tale Pictures) for piano and viola (or violin) op. 113 in just four days between 1st and 4th March, 1851, in Düsseldorf. Schumann only gradually came to the title Märchenbilder. The four pieces are unified by their shared opus number and keys (D minor, F major, D minor, D major), but the first edition published them in two volumes (Vol. 1: Nos. 1 and 2; Vol. 2: Nos. 3 and 4). Clearly, the Märchenbilder op. 113 do not need to be performed as a group but can be played in pairs or individually. The present arrangement is based upon the viola part. The viola's ambitus, when transposed up an octave, matches that of the flute. Solutions from the violin part have also been used on occasion. The double stops in the second piece were, for example, already simplified in the violin version. At such points the violin part provides a model for further simplifications in the flute part. A later, corrected edition of the first print served as the source of the current edition./ Répertoire / Flûte Traversière et Piano
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2 Esquisses N01 Soir Sur La Plaine Flûte Et Piano (GAUBERT)
Flute and Piano
[Sheet music]
Heugel
Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the F...
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Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Two Sketches being no exception. After a prominent career as a flautist with the Paris Opera, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Two Sketches for Flute and Piano, which is made up of two movements. The first of these, Night on thePlain, conveys many technical features, including flourishing semiquaver passages, a wide range, lyricism, intervals, chromaticism and complex rhythms. Night on the Plain from Two Sketches is a challenging yet exciting piece for aspiring flautists./ Répertoire / Flûte Traversière et Piano
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2 Esquisses N02 Orientale Flûte Et Piano (GAUBERT)
Flute and Piano
[Sheet music]
Heugel
Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the F...
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Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Deux Esquisses being no exception. After a prominent career as a flautist with the Paris Opera, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Deux Esquisses for Flute and Piano, which is made up of two movements. The secondof these, Oriental, conveys many technical features including flourishing semiquaver passages, a wide range, lyricism, intervals, chromaticism and complex rhythms. Oriental from Deux Esquisses is a challenging yet exciting piece for aspiring flautists./ Répertoire / Flûte Traversière et Piano
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Aus Liebe Will Mein Heiland Sterben (BACH JOHANN-SEBASTIAN)
Flute and Piano
Alry Publications
Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1...
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Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question./ Répertoire / Flûte Traversière et Piano
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A Walk In An Irish Garden (GALWAY JAMES)
Flute and Piano
Hal Leonard
Arrangeur: David Overton. Par GALWAY JAMES. This collection of songs were writte...
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Arrangeur: David Overton. Par GALWAY JAMES. This collection of songs were written and arranged for Sir James Galway as concert pieces by David Overton, his longtime arranger. They are all based to some extent on traditional Irish Melodies. The first three are contrasting tunes: 'Spinning Song,” the beautiful slow melody 'She moved through the fair,” and the more up-tempo 'Star of the County Down.” These were so successful in the original flute and piano version, as printed here, that Overton was requested to write versions for strings and for orchestra, which were equally successful and have formed a regular part of Galway's concert repertoire. 'Badinereelerie” is more light-hearted work, first written for Sir James Galway in 1984. Since then, he has played it countless times as printed here, and in a version for flute and orchestra. The surprising mixture of Bach (and Handel and others) with reels and Irish traditional tunes, and even a few English traditional tunes thrown in for good measure, has delighted audiences all over the world. The piece's rousing conclusion includes an optional switch to penny whistle, a practice that Galway writes, 'I have always taken advantage of.”/ Recueil / Flûte Traversière et Piano
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Maritana Fantasy: On V. Wallace's Opera (LETHIERE CHARLES)
Flute and Piano
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Intermediate/advanced
Hal Leonard
Arrangeur: James Galway. Par LETHIERE CHARLES. Charles Le ThiÚre's Maritana Fan...
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Arrangeur: James Galway. Par LETHIERE CHARLES. Charles Le ThiÚre's Maritana Fantasy is a lyrical and dramatic work along the lines of the famous Fantaisies of Paul Taffanel and Francois Borne. It is based on themes from the three act opera Maritana, the first of six operas composed by William Vincent Wallace. The plot, which is often cited as the inspiration for Gilbert and Sullivan's comic opera, The Yeoman of the Guard, tells the story of Don Caesar, an imprisoned man who weds a woman while awaiting execution. He escapes to search for his bride in disguise, and soon realizes that she is the gypsy street singer he'd first heard in the public square, the beautiful Maritana. This exclusive edition has been carefullyedited by Sir James Galway, and includes helpful performance and breathing advice from the world-renowned flute artist and teacher. Charles Le Thi and eacute - re's Maritana Fantasy is a lyrical and dramatic work along the lines of the famous Fantaisies of Paul Taffanel and Francois Borne. It is based on themes from the three-act opera Maritana, the first of six operas composed by William Vincent Wallace. The plot, which is often cited as the inspiration for Gilbert and Sullivan's comic opera, The Yeoman of the Guard, tells the story of Don Caesar, an imprisoned man who weds a woman while awaiting execution. He escapes to search for his bride in disguise and soon realizes that she is the gypsy street singer he'd first heard in the public square, the beautiful Maritana. This exclusive edition has been carefullyedited by Sir James Galway and includes helpful performance and breathing advice from the world-renowned flute artist and teacher. / Niveau : 4 / Opéra-opérette / Répertoire / Flûte Traversière et Piano
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Sondheim For Classical Players (SONDHEIM STEPHEN)
Flute and Piano
[Sheet music + Audio access]
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Intermediate
Hal Leonard
12 Selections from Sondheim Musicals. Par SONDHEIM STEPHEN. This collection feat...
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12 Selections from Sondheim Musicals. Par SONDHEIM STEPHEN. This collection features intermediate-level arrangements for flute and piano accompaniment in a range flattering to the flute. The music has been edited with added dynamics, articulations and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano. Includes separate pull-out solo part. Songs include: Agony · Anyone Can Whistle · The Ballad of Sweeney Todd · Children Will Listen · Green Finch and Linnet Bird · Johanna · Night Waltz · Not While I'm Around · Pretty Women · Send in the Clowns · Sunday · With So Little to Be Sure Of. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard. / Niveau : Moyen / Recueil / Flûte Traversière et Piano
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Sonate N03 (GAUBERT)
Flute and Piano
[Sheet music]
Heugel
Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the F...
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Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, Sonata No. 3 being no exception. After a prominent career as a flautist with the Paris Opera, he was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Sonata No. 3, which was published in 1934. Addressing many technical features, including flourishing semiquaver passages, a widerange, emotion, intervals, chromaticism and complex rhythms, Sonata No. 3 is a challenging yet riveting and stirring piece for aspiring flautists./ Répertoire / Flûte Traversière et Piano
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Sonate N02 (GAUBERT)
Flute and Piano
[Sheet music]
Heugel
Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the F...
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Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, Sonata No. 2 being no exception. After a prominent career as a flautist with the Paris Opera, he was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Sonata No. 2 which premiered in 1925. Addressing many technical features, including flourishing semiquaver passages, a wide range, emotion, intervals, chromaticism and complex rhythms, Sonata No. 2 is a challenging yet riveting and stirring piece for aspiring flautists./ Répertoire / Flûte Traversière et Piano
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