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CORNET
Flute and Piano
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The Carnival of Venice: Flute and Accomp.: Instrumental Album
Flute and Piano
Southern Music Ltd
Giulio Briccialdi (1818-1881) was born in Terni Italy in the Papal States and s...
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Giulio Briccialdi (1818-1881) was born in Terni Italy in the Papal States and studied flute with his father until the age of 14. Following the passing of his father Briccialdi moved to Rome where he studied composition and was appointed to the Accademia di Santa Cecilia as flute teacher. He would ultimately go on to teach flute to Italian royalty including the king's brother. He also toured as a performer throughout Europe and America and finally settled in London becoming a director of the flutemaking firm Rudall and Rose. During this time he was responsible for several mechanical developments which are still in use today notably the B-flat lever. Outside ofBriccialdi's important contributions to flute instrument making this virtuoso arrangement of the popular theme would become one of his most enduring legacies. This exclusive edition of Carnival of Venice (Il Carnevale di Venezia) for flute and piano is edited arranged and performed by Sir James Galway.
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Camus: Chanson et badinerie pour flute: Flute: Instrumental Work
Flute and Piano
Leduc, Alphonse
Composer Pierre Camus (1885-1948) is little known today. However his Chanson an...
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Composer Pierre Camus (1885-1948) is little known today. However his Chanson and Badinerie is a sublime addition to the Flute's repertoire and proves to be an exciting yet challenging piece for performers. Camus' piece for Flute and Piano accompaniment is in two movements. Chanson (Song) is composed in 6/8 meter and reflects French romantic characteristics in its use of lyrical melodies use of the lower register of the Flute and chromaticism. The Badinerie contrasts with this with a faster tempo 2/4 meter chordal Piano accompaniment and scalic semiquaver flourishes. All of theseelements combine in Camus' Chanson and Badinerie to make for an exciting addition to the advanced flautist's repertoire.
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Romantic Flutist Chopin (CHOPIN FREDERIC)
Flute and Piano
[Sheet music]
Carl Fischer
10 Waltzes And Nocturnes. Par CHOPIN FREDERIC. World-renowned flutist, Robert St...
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10 Waltzes And Nocturnes. Par CHOPIN FREDERIC. World-renowned flutist, Robert Stallman says, 'Chopin transports us into a realm of mystery, of peace, and celestial beauty.' Robert Stallman has long made it his mission to expand the flute repertoire with apt transcriptions, gratifying flutists everywhere, and has emerged as the preeminent editor and arranger of flute music active today. Stallman's The Romantic Flutist draws from Chopin's piano music in a unique compilation of Waltzes and Nocturnes arranged for flute and piano./ Répertoire / Flûte Traversière et Piano
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Dona Gilliam: Hymns For Flute And Piano Made Easy: Flute: Instrumental Album
Flute and Piano
[Sheet music + Audio access]
-
Easy
Mel Bay
With this collection of easy-to-play hymns for the Flute you can practice your ...
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With this collection of easy-to-play hymns for the Flute you can practice your favourite hymns with an accompanist at home at a service or in the studio. Hymns For Flute And Piano Made Easy is acollection of fifteen traditional hymns arranged for solo Flute with Piano accompaniment. This collection includes the hymns: A Mighty Fortress is Our God All Glory Laud and Honor Amazing Grace Christ the Lord is RisenToday and more. The Flute score includes both the hymn tune and an easy descant part that will add variety to the performance setting. The online recording contains two accompaniment tracks for each hymn; the first isplayed on Piano and the second on Pipe Organ. The collection is perfect for the flutist who wishes to play familiar hymns in the church setting.
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Mark Tanner: Cornish Pastiche: Flute: Instrumental Album
Flute and Piano
-
Easy
Spartan Press
Grades 1 - 4-As I sit myself down to write this brief foreword I ask myself can...
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Grades 1 - 4-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the
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Johann Joachim Quantz: Concerto in G: Flute: Instrumental Work
Flute and Piano
Fentone Music
Johann Joachim Quantz was born in Germany in 1697 and went on to become a flauti...
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Johann Joachim Quantz was born in Germany in 1697 and went on to become a flautist composer writer on music and flute maker. His music embraced the late Baroque / early Classical style and he wrote over 300 concertos for flute of which the Concerto in G remains the most popular today.
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Concertino Op. 107
Flute and Piano
Schott
The great talent of Cécile Chaminade (1857-1944) showed very early: At the age ...
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The great talent of Cécile Chaminade (1857-1944) showed very early: At the age of 12, she published her first composition. Georges Bizet, a friend of the family, predicted her great future. After her successful debut as a pianist in Paris in 1877, she began busy concert activities as a solo pianist, chamber musician and conductor in many European countries as well as in the USA and Canada.Although many of her compositions became bestsellers during her lifetime, they are almost all missing in the concert programmes of today. Only the Concertino for flute and orchestra Op. 107 is still performed regularly. The demanding piece was written in 1902 as a competition piece at the Paris Conservatoire - initially still with piano accompaniment. The orchestral version was composed by Chaminade two years later.The piece begins with a wide melody and then turns into a virtuoso solo section which is followed by a cadenza. The piece ends with the initial theme as recapitulation and a coda. / Flûte Et Piano
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Various: What else can I play - Flute Grade 2: Flute: Instrumental Album
Flute and Piano
-
Easy
Faber Music Limited
A collection of pieces all carefully selected and arranged to provide supplemen...
(+)
A collection of pieces all carefully selected and arranged to provide supplementary material for today's young flautists. Each piece offers suggestions and guidelines to breathing dynamics and tempo together with technical tips performance notes and a simple but effective piano accompaniment. Contains a variety of musical styles ranging from folk and classical through to showtunes and popular songs.
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Various: What else can I play - Flute Grade 3: Flute: Instrumental Album
Flute and Piano
-
Easy
I.M.P.
A collection of pieces all carefully selected and arranged to provide supplemen...
(+)
A collection of pieces all carefully selected and arranged to provide supplementary material for today's young flautists. Each piece offers suggestions and guidelines to breathing dynamics and tempo together with technical tips performance notes and a simple but effective piano accompaniment. Contains a variety of musical styles ranging from folk and classical through to showtunes and popular songs.
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Various: What else can I play - Flute Grade 4: Flute: Instrumental Album
Flute and Piano
-
Intermediate
Faber Music Limited
A collection of pieces all carefully selected and arranged to provide supplemen...
(+)
A collection of pieces all carefully selected and arranged to provide supplementary material for today's young flautists. Each piece offers suggestions and guidelines to breathing dynamics and tempo together with technical tips performance notes and a simple but effective piano accompaniment. Contains a variety of musical styles ranging from folk and classical through to showtunes and popular songs.
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Various: What else can I play - Flute Grade 1: Flute: Instrumental Album
Flute and Piano
-
Beginner
Faber Music Limited
A collection of pieces all carefully selected and arranged to provide supplemen...
(+)
A collection of pieces all carefully selected and arranged to provide supplementary material for today's young flautists. Each piece offers suggestions and guidelines to breathing dynamics and tempo together with technical tips performance notes and a simple but effective piano accompaniment.
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Gabriel Grovlez: Sérénade: Flute: Instrumental Album
Flute and Piano
[Sheet music]
-
Intermediate/advanced
Spartan Press
From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively ...
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From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively called 'Fancies' originally written for piano in 1915.Gabriel Marie Grovlez (1879-1944) was born in Lille Northern France in 1879 and died in war-torn Paris in 1944. From among his teachers who include Gédalge and Lavignac Fauré must surely rank as his strongest influence and this is readily heard in his small but significant oeuvre of solo piano pieces as well as his music for stage and chamber ensembles. Interestingly most of the piano music was published over a period of around a dozen years (1907-1919) and in the lull between these works and his Impressions (two pieces) of 1934 Grovlez wascompositionally preoccupied with songs and chamber pieces many of which languish patiently on the shelf awaiting a wholehearted appraisal. There is as well as his notable penchant for elegance and poetical lyricism a considerable wit to enjoy too (take Les nes The Donkeys from L'Almanach aux images for example) and indeed the fact that Grovlez's middle years were spent fulfilling the duties of assistant conductor and choir leader of the Opéra-Comique seems especially revealing of the man's musical personality and capacity for successfully intertwining serious and less serious genres.Grovlez was quite a cosmopolitan character; besides making a notable mark in his native country (he was latterly a professor of chamber music at the Paris Conservatoire) he travelled to the United States and Africa as well as across Europe. Although we tend to remember Grovlez today for his influence primarily as a composer in the mould of Fauré or Debussy bringing a quirky quality to some of his writing more than occasionally reminiscent of Poulenc it was as a conductor that Grovlez initially made an impact. Moreover we should not overlook the fact that he gave the inaugural performances of some highly treasured works by the likes of Ravel (Ma Mère l'Oye) and Fauré (Dolly Suite) a piano duet which has earned an especially important
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Fingerprints: Flute: Instrumental Album
Flute and Piano
[Sheet music]
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Easy
Faber Music Limited
Expand your musical scope and your performance repertoire in new worlds of expre...
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Expand your musical scope and your performance repertoire in new worlds of expression with a special selection of 14 contemporary works all written by some of today's celebrated composers.Here's your chance to learn some music by real living composers - not just those only known by their surnames who dies long ago! The musical styles are diverse and exciting from elements of ragtime and dance to a sombre and gently sad melody and each piece features a full Piano accompaniment. ...Perhaps you might even be inspired to start composing some new music of your own!
8.99 GBP - Sold by Musicroom UK
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Unbeaten Tracks: Flute: Instrumental Album
Flute and Piano
Faber Music Limited
The 'Unbeaten Tracks' series has made a profound mark on the music world with it...
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The 'Unbeaten Tracks' series has made a profound mark on the music world with its volumes of specially commissioned pieces for intermediate-level players. The eight pieces in this volume are written in a kaleidoscopic mix of styles by some of today's most talented composers and are undoubtedly destined to become standard repertoire. There are also small 'Biopics' about each composer. These give titbits of information about the composer's inspiration and intention for their piece and offer musicians a greater insight into the music.
9.99 GBP - Sold by Musicroom UK
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