The Books of 1705-6 and 1724-This three volume edition is the first complete edition of the keyboard works of Jean-Philippe Rameau to incorporate all the printed collections of harpsichord music published under his supervision as well as his clavier arrangement of Les Indes Galantes (In book 3 - BA6583).It also includes many new insights into performance practice (e.g. the handling of repeat signs in the original prints) and presents the music entirely in modern clefs. The result is a reliable and unique edition for today’s performers that does full justice to recent findings in historical performance practice.For the first time all accidentals and expressionmarks are reproduced exactly as they appear in the sources. All of Rameau’s written comments a key source on performance practice are reproduced in the original French with translations into German and English.Rounding off the edition are instructive facsimiles and a detailed preface in which the editor the celebrated harpsichordist and conductor Siegbert Rampe discusses the sources editorial method and important aspects of performance.Complete scholarly-critical Urtext edition in modern clefsIncludes the latest findings in performance practiceIncludes Rameau’s written comments and explanations in the original and in translations in English and GermanIdeal format (24.3 x 31 cm)

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this tenth volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The tenth volume, comprising Sonatas 458-506,includes the popular and recognisable Sonata in F minor (K. 466). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royalfamilies, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. / Clavecin / Heugel

facile - easy - leicht-Italian composer Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day and it is for this reason that this first volume of Selected Sonatas is indispensable to performers of the genre. Originally composed for the Harpsichord Organ or early Pianoforte the sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music considering that he spent much of his working life in the service of the Spanish and Portugueseroyal families. The first volume of Selected Sonatas compiled by Kenneth Gilbert includes many of the popular and recognised sonatas. Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day so much so that he was employed in the service of two royal families his sonatas are composed with much experience understanding and expertise creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this eighth volumeis indispensable to performers of the genre.Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations toremote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royalfamilies.The eighth volume, comprising Sonatas 358-407, includes the popular and recognised Sonatas in B minor (K. 377) and E major (K. 380). Bearing in mind that Domenico Scarlatti was a highly competentand popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essentialaddition to the repertoire of all Keyboard players of the Baroque genre. / Clavecin / Heugel

This edition of Harpsichord Music features the three volumes composed by Jean-Philippe Rameau: “Livre de Piece de clavecin” “Pieces de Clavessin” and “Nouvelle suite de Pieces de clavecin”. The second and third volumes are divided into 2 parts each and the whole book has a total duration of 2 hours and 10 minutes (22 minutes for the first book 52 and 53 minutes for the following ones). For upper intermediate and above level. Harpsichord Music has a baroque style as most of the music byJean-Philippe Rameau (1683-1764) who was one of the most famous composers of that era. Hereplaced Lully' as the main composer of the Opera.

This first volume of Harpsichord Work by Jacques Duphly is the first of a series of two which includes the two parts of Volume 1. Featuring 19 pieces this work for Harpsichord was reviewed and edited by Françoise Petit. With a preface in French English and German that sets the context of the work and presents the composer this first book offers a set of pieces for intermediate players. With simple rhythms it includes few accidental alterations and some arpeggios. Jacques Duphly (1715-1789) was a French organist who was living during the period of Jean-Jacques Rousseau.

A cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to offer performers works that satisfy clear critical and musicological criteria. This anthology includes twelve harpsichord sonatas carefully selected from among those written by ten of the most important eighteenth-century Italian composers of keyboard music.

Each one of Bach?s Six Partitas features seven great single movements predominantly in the sequence: Präludium Allemande Courante Sarabande [two free dances] Gigue. These partitas canjustifiably be described as Bach?s ?ultimate? cycle of suites. As regards the artistic and manual demands it goes far beyond its ?English? (HN 100) and ?French? (HN 71) siblings that are also frequently played. It is nocoincidence that Bach only had these six partitas printed (1731) and what is more as ?Opus 1?.

English Suites BWV 806-811-These six suites for keyboard are thought to have been the earliest set that Bach composed. Available here is a highly accurate Urtext edition of J.S. Bach's English Suites BWV 806-811 as edited with critical commentariesby Rudolf Steglich and fingered by Hans-Martin Theopold.