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Ward
CORNET
High voice, Piano
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English Edwardian Partsongs (BRIDGE FRANK / GERMAN EDWARD / HOLST GUSTAV / STAN)
High voice, Piano
[Sheet music]
Faber Music Limited
Par BRIDGE FRANK / GERMAN EDWARD / HOLST GUSTAV / STAN. A collection of English ...
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Par BRIDGE FRANK / GERMAN EDWARD / HOLST GUSTAV / STAN. A collection of English Edwardian Partsongs, which comprises of works from Stanford, Holst, Bridge, German, Wood, Warlock for accompanied upper voice choir. Â The Choral Programme Series is a well-established programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles. / Choral Music, Miscellaneous / Recueil / Voix Hautes et Piano
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Edward Elgar: When The Spring Comes Round (High Voice And Piano): High Voice:
High voice, Piano
[Sheet music]
Novello & Co Ltd.
When The Spring Comes Round?(original title in French: Quand nos bourgeons se ro...
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When The Spring Comes Round?(original title in French: Quand nos bourgeons se rouvriront) is a song for solo Soprano Voice part of a staged recitation with orchestra ?Une voix dans ledésert? (A Voice in the Desert) written by the English composer?Edward Elgar?in 1915. The words are by the Belgian poet Émile Cammaerts and were translated into English by his wife Tita Brand.?In this Novello edition the orchestra part has been transcribed into a Piano accompaniment.Many of Sir Edward Elgar?s works have entered the British and international classicalconcert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations the Pomp and Circumstance Marches concertos for Violin and Cello and two symphonies. He was appointed Master of the King's Musick in 1924.
8.99 GBP - Sold by Musicroom UK
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Two Songs after Friday Afternoons (HOWARD EMILY)
High voice, Piano
Peters
Par HOWARD EMILY. Two Songs after Friday Afternoons by Emily Howard is a 5-minut...
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Par HOWARD EMILY. Two Songs after Friday Afternoons by Emily Howard is a 5-minute work for children?s choir and piano. With texts by Selma Dimitrijevic the two songs are called 1. Big Bums 2. Pi (A Pie?) / Date parution : 2022-04-12/ Répertoire / Voix Haute et Piano
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30 Spirituals: High Voice: Vocal Album
High voice, Piano
[Sheet music + CD]
Schirmer
Never before available in high and low voice versions this new edition of Johns...
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Never before available in high and low voice versions this new edition of Johnson's classic spiritual arrangements features new music engravings Johnson's original preface and notes on the pieces a guide to modified Englishtexts for the spirituals and a CD of piano accompaniments recorded by Laura Ward.
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Franz Schubert: 15 Selected Songs - High Voice: Vocal and Piano: Vocal Album
High voice, Piano
[Sheet music + Audio access]
Hal Leonard
With diction lessons recorded by Irene Spiegelman German diction coach at the M...
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With diction lessons recorded by Irene Spiegelman German diction coach at the Metropolitan Opera and piano accompaniments recorded by Laura Ward this collection of the most often taught Brahms songs is an excellent introduction to lieder.
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Gabriel Fauré: 50 Songs High Voice: Vocal Solo: Mixed Songbook
High voice, Piano
[Sheet music]
Hal Leonard
A substantial edition of art song literature edited by Laura Ward and Richard Wa...
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A substantial edition of art song literature edited by Laura Ward and Richard Walters. Historical notes are included for each song and a line by line English translation for study.
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Franz Schubert: Lieder - Volume 5: Voice: Vocal Album
High voice, Piano
[Sheet music]
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Advanced
Barenreiter
Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schu...
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Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch?s Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. The firsteleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg?s ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104 /Lied aus der Ferne D 107 (1st version) / Lied aus der Ferne D
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Johannes Brahms: Johannes Brahms: 15 Selected Songs: Vocal and Piano: Vocal
High voice, Piano
[Sheet music + Audio access]
Hal Leonard
With diction lessons recorded by Irene Spiegelman German diction coach at the M...
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With diction lessons recorded by Irene Spiegelman German diction coach at the Metropolitan Opera and piano accompaniments recorded by Laura Ward this collection of the most often taught Brahms songs is an excellent introduction to lieder. The diction for each song is recorded twice: first recited as an actor would speak it showing flow of the language and mood followed by a slow deliberate lesson allowing time for the student to repeat each line. This experienced language coach adapts the ?R? in German in the slow versions as recommended for classical singers. She is also very sensitive to liaisons between wordsounds in the musical settings.
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Josquin des Prés: Favorite German Art Songs - Volume 2: Vocal Solo: Vocal
High voice, Piano
Hal Leonard
The Vocal Library-This collection is a follow-up to Favorite German Art Songs. A...
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The Vocal Library-This collection is a follow-up to Favorite German Art Songs. As before 12 of the most often sung lieder are included here in clean engravings. Each book comes with a CD with piano accompaniments recorded by Laura Ward andinstructive pronunciation lessons recorded by a native German speaker. The CD also contains computer software that allows for transposition and tempo adjustment. This collection is sure to be used by singers at all levels fromhigh school contest soloists to collegiate singers and professionals.
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Benjamin Britten: The Red Cockatoo And Other Songs: Voice: Vocal Album
High voice, Piano
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Intermediate
Faber Music Limited
This collection brings together nine of Britten's previously unpublished songs ...
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This collection brings together nine of Britten's previously unpublished songs written over a period of 25 years from 1935 onwards. Many were originally intended to be part of song-cyles but were cut during the final revisions. This edition includes a helpful introduction and information regarding each song. This edition for High Voice and Piano.
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E.J. Moeran: Two Songs: High Voice: Score
High voice, Piano
[Sheet music]
Chester
Ernest J Moeran (1894-1950) was an English composer who followed the tradition ...
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Ernest J Moeran (1894-1950) was an English composer who followed the tradition of R. Vaughan Williams and John Ireland by collecting preserving and using many folk songs mainly from Norfolk Suffolk and Ireland.First published in 1924 Two Songs are both set for High Voice with Piano accompaniment. The first The Bean-Flower is a setting of a poem by Dorothy L. Sayers (1893-1957) which recallsthe scent of the Hawthorn which made the writer fall in love. The second is called Impromptu In March and is a setting of a poem by Doreen A. E. Wallace (1897-1989) a more cheery affair which looks forward tothe coming of Spring.
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Franz Schubert: Lieder Volume 6: Voice: Vocal Album
High voice, Piano
Barenreiter
Hohe Stimme / High Voice-Based on the New Schubert Edition.Newly engraved clear...
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Hohe Stimme / High Voice-Based on the New Schubert Edition.Newly engraved clearly presented musical layout.Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger).Includes English translations of lieder texts by Richard Wigmore.The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With Nachtgesang (D 119) and Trost in Tränen (D120) Schubert turns to the Strophenlied in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe.Schubert during this period an assistant teacherat his father?s school orientated himself towards the so-called Berliner Liederschule particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.Also available:Medium Voice & Piano BA 9126Low Voice & Piano BA 9146
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Ian Venables: Song Album: High Voice: Vocal Album
High voice, Piano
[Sheet music]
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Intermediate/advanced
Thames Publishing
A special collection of songs for High Voice and Piano by the Liverpudlian compo...
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A special collection of songs for High Voice and Piano by the Liverpudlian composer Ian Venables featuring significant settings of a wide variety of texts. The set is introduced by Graham Lloyd who provides a generous and detailed description of the origins and intentions behind each song. With poems by writers as varied as Tennyson Jennifer Andrews Edward Thomas ad Theodore Roethke the settings are also hugely varied in style and mood moving from meditative and gentle to passionate and life-affirming.A rich and unusual source of repertoire for the accomplished performer.
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Gerald Finzi: Oh Fair To See op. 13b: High Voice: Vocal Album
High voice, Piano
Boosey and Hawkes
7 Songs-Oh Fair To See is one of several volumes of songs by Gerald Finzi. This ...
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7 Songs-Oh Fair To See is one of several volumes of songs by Gerald Finzi. This edition is for High Voice and Piano and includes settings of poems by Thomas Hardy Christina Rossetti Edward Shanks Ivor Gurney Edmunds Blunden and Robert Bridges.
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Wolfgang Amadeus Mozart: Complete Songs for High Voice & Piano: Voice: Vocal
High voice, Piano
[Sheet music]
Barenreiter
Mozart's lieder reveal him to be a dramatist in miniature. Even if he failed to ...
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Mozart's lieder reveal him to be a dramatist in miniature. Even if he failed to cultivate this genre systematically he nevertheless directed his creative powers toward the lied at all stages of his career. His first effort (now lost) was written at the age of six or seven and he took up the genre again and again at irregular intervals down to the final year of his life. None the less Mozart usually chose to write a lied only when there was a special occasion for doing so. Even the preface to the firt complete edition of his lieder published in 1799 by Breitkopf & Härtel refers to them as 'occasional pieces' as does the Leipzig Allgemeine Musikalische Zeitung inthe same year. Mozart himself doubtless regarded these ingenious little works as 'pieces for friends' and was not disposed to think of them as particularly significant. Urtext of the New Mozart Edition Singing score with piano reduction English translations of the texts
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James Burton: The Lost Words: Upper Voices and Piano/Organ: Vocal Score
High voice, Piano
Peters
for Upper Voices and Orchestra. The Lost Words by composer James Burton takes it...
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for Upper Voices and Orchestra. The Lost Words by composer James Burton takes its inspiration and text from the award-winning ?cultural phenomenon? and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children?s dictionary. Both the book and Burton?s 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or ?spell?, magically brought to life in Burton?s music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton?s piece was co-commissioned by the Hallé Concerts Society for the Hallé Children?s Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children?s Choir, of which Burton is founder and director. The Hallé Children?s Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic.
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The Boosey Voice Coach
High voice, Piano
Boosey and Hawkes
The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-...
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The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text'), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies. Singing in GERMANGerman can seem like an awkward language to sing - there are just too many consonants! And there are lots of regional differences in accent: is there a 'correct' pronunciation? What exactly is an Umlaut? Why is 'ss' sometimes written 'ß' and does it make a difference? This book addresses all these points and more, giving singers the confidence to approach repertoire in German. / Voix Haute Et Piano
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Edward German: Dream O' Day Jill: High Voice: Vocal Work
High voice, Piano
[Sheet music]
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Intermediate
Braydeston Press
In F-Dream O' Day Jill is a delightful song from German's Tom Jones for Voice w...
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In F-Dream O' Day Jill is a delightful song from German's Tom Jones for Voice with Piano Accompaniment. This version is for High Voice in F.
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Edward Elgar: Torch In A for High Voice: High Voice: Instrumental Work
High voice, Piano
[Sheet music]
Novello & Co Ltd.
Torch In A for High Voice
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William Bolcom: Theatrical Songs - High Voice And Piano: Vocal Solo: Vocal Album
High voice, Piano
[Sheet music]
Edward B. Marks Music Company
51 songs for theatre by William Bolcom arranged for High Voice and Piano.
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Is She Not Passing Fair? #3/3 In G
High voice, Piano
Boosey and Hawkes
/ Voix Elevée(s) Et Piano
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Where Corals Lie Op. 37/4
High voice, Piano
Boosey and Hawkes
/ Voix Elevée(s) Et Piano
17.60 EUR - Sold by LMI-partitions
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