Cantata for the Sundays after Trinity. Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Cantatas For The Sundays After Trinity - Medium Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas have remained very popular to the present day. These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice. Each series spreads the works over three volumes accompanied byseparate parts for solo instrument and continuo. The cantatas follow the order of the liturgical year, beginning with the Christmas season and continuing with Easter and Trinity. Being practically minded, Telemann arranged the ambitus of the vocal parts so that the cantatas for medium voice are ‘also suitable for an ordinary alto or bass’. Similarly, the solo instruments are suitable for Violin, Oboe, Recorder or Flute. - Interesting solo cantatas for use in church services. - Urtext from the Telemann Edition. - Separate parts for instrument and continuo./ Répertoire / Voix Moyennes

Mittlere Stimme / Medium Voice. Par SCHUBERT FRANZ. Alle Schubert-Lieder In Neuer Praktischer Ausgabe. Urtext Der Neuen Schubert-Ausgabe. Hrsg Walther Dürr/ Répertoire / Voix Moyennes

Singers will cherish these powerful solo arrangements by Mark Hayes, Jay Althouse, Philip Kern, Greg Gilpin, and other fine Alfred arrangers. Including favorite traditional spirituals like 'Deep River,' 'Sit Down Servant,' 'Witness,' and 'Down in the Valley to Pray,' this inspirational collection is essential to every solo singer's library. Fresh contemporary arrangements that sing and play well, available in medium high and medium low editions, with or without the accompaniment CD. / Voix Moyennes

Singers will cherish these powerful solo arrangements by Mark Hayes, Jay Althouse, Philip Kern, Greg Gilpin, and other fine Alfred arrangers. Including favorite traditional spirituals like 'Deep River,' 'Sit Down Servant,' 'Witness,' and 'Down in the Valley to Pray,' this inspirational collection is essential to every solo singer's library. Fresh contemporary arrangements that sing and play well, available in medium high and medium low editions, with or without the accompaniment CD. / Voix Moyennes

Par PEGLER HEIDI / KEMP N.J.. The ability to sing in foreign languages is a much-needed skill for singers, but few vocal training resources tackle this aspect comprehensively in one book. With this in mind, ABRSM examiners and professional singers Heidi Pegler and Nicola-Jane Kemp have written The language of song, a graded series of songbooks that provide classic song repertoire, carefully selected to develop the vital skills required to sing in a foreign language. An invaluable resource for all singing students and teachers, each song gives both a literal and poetic translation of each text, a detailed pronunciation guide using the International Phonetic Alphabet (IPA) guide and background information on the songs as well as technical and musical teaching points. The accompanying CD provides the text for each song spoken by a native speaker - expert language consultants who specialise in coaching singers - as well as a recording of each song accompaniment by international pianist Iain Harrington. Not just ideal for those taking graded singing exams, these are invaluable for singers of any age exploring international song repertoire up to university and college level. Learn to sing this wonderful foreign language repertoire confidently and effectively and celebrate the Language of Song! / Niveau : Moyen / Recueil / Chant et Piano

This authoritative, new edition of the world's most loved songs and arias draws on original manuscripts, historical first editions and recent research by prominent musicologists to meet a high standard of accuracy and authenticity. Includes fascinating background information about the arias and their composers as well as a singable rhymed translation, a readable prose translation and a literal translation of each single Italian word.

Cantata for the Sundays after Trinity. Par TELEMANN GEORG PHILIPP. / Répertoire / Voix Moyennes

Voici une partition musicale pour Chant/Vocal/Choeur et plus spécialement pour Voix Moyennes que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est Vocalise Etudes N0014 a été composée par le célèbre compositeur Dukas/Hettich. C'est l'éditeur Leduc sous la référence AL13806 qui a les droits pour éditer cette partition. / Voix Moyennes / Partition

Mark has once again contributed his substantial talent to create a highly useful collection for concert, contests, recitals, and worship. / Voix Moyenne(s)

La partition Vocalise Etude N0020 (Piece En Forme De Habanera Voix Moyennes a été composée pour Chant/Vocal/Choeur. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Chant/Vocal/Choeur / Partition

Par BOULANGER. Melodies recueil pour voix moyenne. Par Boulanger N aux editions Leduc. Partition / Livre de chansons pour Piano et voix / Répertoire d'Examen / Répertoire / Voix Moyenne et Piano

A student of Gabriel Fauré and Louis Verne at the Paris Conservatoire, Nadia Boulanger (1887-1979) owes her aura to an exceptional teaching career spanning nearly 75 years, during which she trained the most illustrious musicians, from Copland to Glass not to forget Bernstein or Gardiner. In the past few years, her creative work, long considered negligible, has finally been escaping from oblivion thanks to the untiring work of the Centre Nadia et Lili Boulanger, directed by Alexandra Laederich. It is at her instigation that the publication of Nadia Boulanger's songs has continued in chronological order: after a first collection (HA 9725) devoted to the youthful works brought out during her lifetime by the publisher Hamelle, the second volume, presented here, exclusively features unpublished works. First of all, it contains three Romantic mélodies in German on poems by Heine ? a surprising choice given that the composer felt more attracted by Symbolist poetry. This is attested to by the other songs in the collection, on verses by Paul Verlaine, Maurice Maeterlinck and Georges Delaquys, three poets who were part of the literary pantheon of Nadia and her sister Lili. One will discover treasures of refinement and sensitivity in their musical settings. Ach! die Augen sind es wieder (Heinrich Heine) Heures ternes (Maurice Maeterlinck) La Mer (Paul Verlaine) Le beau navire (Georges Delaquys) O schwöre nicht! (Heinrich Heine) Was will die einsame Thräne (Heinrich Heine)