avec des exemples (Séries complètes) à 2, 3 et 4 parties. Par KOECHLIN CHARLES. Precis Des Règles Du Contrepoint is a book written by Charles Koechlin in five chapters. Focusing on the counterpoint, this volume highlights all the rules related to it. It features both lessons and examples with comments, to help with understanding. The chapters are: I. Definition et Règles generales / Definition and general rules II. Contrepoint à deux parties / Counterpoint in two parts III. Contrepoint à trois parties / Counterpoint in three parts IV. Contrepoint à quatre parties / Counterpoint in four parts V. Appendice / Appendix & focus on Gregorian songs and tunes This theory book is definitely one of the most useful ones for any composition that includes counterpoints or for any composer who would like to use them in future works. Charles Koechlin (1867-1950) was a French composer, professor and writer. He composed numerous symphonies and symphonic poems, some instrument and orchestra, orchestral and chamber works as well as some songs./ Théorie / Théorie

Jazz Theory & Workbook is designed for all instrumentalists eager to understand how the jazz standards they play and improvise over are constructed. It is also a great resource for arrangers and composers seeking new writing tools. While some of the musical examples are Pianistic this book is not exclusively for Keyboard players.In this structured method every new concept is clearly presented and explained put in context with one or more musical examples and then consolidated with a set of written exercises. In addition the book is progressive beginning with a comprehensive presentation of intervals and culminating with an in-depthreview of the synthetic modes.Although jazz is based essentially on a vertical progression of chords linear mechanisms also determine this style of music and add to its musical expressivity. The aim of this book is to present these two complementary approaches in both a vertical and a horizontal study of jazz harmony.

From basic musical concepts to harmonizing a melody Volume 2 contains more tools to get you started in this field.Enric Herrera attended classical studies of harmony counterpoint fugue composition orchestration and piano at the Conservatory of the Lyceum and the Conservatorio Superior de Música de Barcelona.

This two CD set contains over two hours of recorded ear training exercises with aural instruction before each exercise. Starts with basics and gradually increases in difficulty. The aural exercises are summarised in the 20 page booklet with all answers listed.New revised book contains transposed parts for C B Flat and E Flat instruments to allow you to play along.

In book four Theory Of Music Made Easy students are introduced to the alto clef double sharps and double flats more complex key signatures and ornamentation. Sections are interspersed with revision chapters covering several topics to consolidate what has been learned both in this book and in the preceding ones. Topics covered take students up to the ABRSM Grade 4 test.

This book will take students through the topics required for the mandatory ABRSM Grade 5 exam building upon the information covered in the preceding books and tackling subjects in an organised and logical way. It introduces the subjects of transposition irregular time signatures chord sequences and cadences.

Guidelines On Technical Terms And Musical Devices Used In Musical Compositions Grades 6 to 8 contains more terms which are not found in Guidelines on Identifying Music Scores.This book explains these terms with examples taken from original works to highlight the explanations. Some exercises (with answers given) are available to test the reader's abilities.