Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano

'Faust? stands for the composer Gounod himself, who was torn between the expression of excessive sensuality and a deep spirituality which he was searching for in his Catholic faith. As such, in this most important musical setting of Goethe's drama, the work was given a deeply personal interpretation. With a detailed Foreword (Fr/Eng/Ger) this new edition presents the genesis of the work with its various, during Gounod's lifetime, completely sung versions.The main version of our edition was performed at the Paris Opéra on 3 March 1869. However, simple cross references in the score enable a reconstruction of the earlier and later stages of this work for performance. Rounding off this publication is a critical edition of the libretto. All available sources are described and the Critical Commentary provides information about any changes made to the individual numbers.The two earlier Faust versions with spoken dialogue will be included in a separate volume within this series (in preparation, BA 8714). / Opéra

Par IBANEZ / CURSA. Nueva metodología de Lenguaje Musical que de una forma atractiva, sencilla y ordenada introduce al alumno progresivamente y de una forma lúdica en esta materia. En este primer libro se abordan temas fundamentales como la 'preescritura musical', la nesu silencio, las corcheas en grupos de dos, la blanca y su silencio, el puntillo aplicado a la blanca y a la negra y la redonda, así como los compases 2/4, 3/4 y 4/4. En el aspecto melódico, se llega progresivamente hasta la escala, tratando aspectosos de la clave de Fa. Cada curso tiene un libro del profesor y un libro del alumno siendo la paginación exactamente la misma para ambos. El libro del profesor contiene además, la parte del alumno con las respuestas correctas que éste debe escribir dea que el profesor no tiene que manejar dos libros. Las fichas de trabajo del alumno, perforadas y facilmente extraibles por si el profesor considera oportuno corregirlas individualmente, consiguen los objetivos que se marcan en cada bloque./ Solfège/Formation Musicale / Opéra Théorique ou Didactique