First edition of the original version for Orchestra. Urtext based on the Complete Works of Gabriel Fauré.Large format orchestral parts (25.5 x 32.5 cm)Bärenreiter?s new scholarly-critical edition of Gabriel Fauré?s evergreen the Pavane Op.50 has been edited by Robin Tait as part of the Complete Works of Gabriel Fauré. The popularity of the work is mostly attributed to its many arrangements but the original version for Orchestra is being published here for the first time. Shortly after completing the Orchestral work Fauré began work on a version for Choir which was actually premiered before the Orchestralversion.This Bärenreiter edition offers conductors and Orchestras a reliable Urtext edition of the Pavane?s original Orchestral version which will surely enhance symphonic concert programmes everywhere.

Suite for Orchestra-In 1918 Gabriel Fauré then 73 years old received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell?arte. The four-movement orchestral suite Op.112 consisting of Ouverture Menuet Gavotte and Pastorale combines previously unpublished parts of this stage music. The Pastorale of 1919 was Fauré?s last composition for orchestra the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The Op.112 orchestral suite demonstrates how the composer now older and more experienced reworked and improved his earliermusic.This scholarly-critical edition of the four-movement Masques et Bergamasques Op.112 is based on Gabriel Fauré The Complete Works Volume IV/2.First Urtext edition Based on Gabriel Fauré The Complete WorksScore and orchestral parts in a large format (25.5 x 32.5 cm) available for sale

Suite for Orchestra-In 1918 Gabriel Fauré then 73 years old received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell?arte. The four-movement orchestral suite Op.112 consisting of Ouverture Menuet Gavotte and Pastorale combines previously unpublished parts of this stage music. The Pastorale of 1919 was Fauré?s last composition for orchestra the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The Op.112 orchestral suite demonstrates how the composer now older and more experienced reworked and improved his earliermusic.This scholarly-critical edition of the four-movement Masques et Bergamasques Op.112 is based on Gabriel Fauré The Complete Works Volume IV/2.First Urtext edition Based on Gabriel Fauré The Complete WorksScore and orchestral parts in a large format (25.5 x 32.5 cm) available for sale

In 1918 Gabriel Fauré, then 73 years old, received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell?arte. The four-movement orchestral suite Op.112, consisting of Ouverture, Menuet, Gavotte and Pastorale, combines previously unpublished parts of this stage music. The Pastorale of 1919 was Fauré?s last composition for orchestra, the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The Op.112 orchestral suite demonstrates how the composer, now older and more experienced, reworked and improved his earlier music. This scholarly-critical edition of the four-movement Masques et Bergamasques Op.112 is based on Gabriel Fauré The Complete Works, Volume IV/2. First Urtext edition Based on Gabriel Fauré The Complete Works Score and orchestral parts in a large format (25.5 x 32.5 cm) available for sale

Suite for Orchestra-Incidental music with the famous 'Sicilienne'Fauré wrote ?Pelléas et Mélisande? in 1898 originally as incidental music to Maurice Maeterlinck?s like-named play. After the premiere and subsequent performances he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.In December 1912 the four-movement version of ?Pelléas et Mélisande? was finally premiered. The additional movement the Sicilienne was taken from the third interlude of the incidental music. This delightful piece would later become one of Fauré?s mostpopular compositions and now exists in countless arrangements.Bärenreiter?s new scholarly-critical edition of the four-movement orchestral suite ?Pelléas et Mélisande? Op.80 is based on ?Gabriel Fauré The Complete Works? Volume IV/2 which appeared in 2016.First Urtext edition Based on ?Gabriel Fauré The Complete Works?Score and orchestral parts available for sale (BA7895)

Suite for Orchestra-Incidental music with the famous 'Sicilienne'Fauré wrote ?Pelléas et Mélisande? in 1898 originally as incidental music to Maurice Maeterlinck?s like-named play. After the premiere and subsequent performances he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.In December 1912 the four-movement version of ?Pelléas et Mélisande? was finally premiered. The additional movement the Sicilienne was taken from the third interlude of the incidental music. This delightful piece would later become one of Fauré?s mostpopular compositions and now exists in countless arrangements.Bärenreiter?s new scholarly-critical edition of the four-movement orchestral suite ?Pelléas et Mélisande? Op.80 is based on ?Gabriel Fauré The Complete Works? Volume IV/2 which appeared in 2016.First Urtext edition Based on ?Gabriel Fauré The Complete Works?Score and orchestral parts available for sale (BA7895)

Suite for Orchestra-Incidental music with the famous 'Sicilienne'Fauré wrote ?Pelléas et Mélisande? in 1898 originally as incidental music to Maurice Maeterlinck?s like-named play. After the premiere and subsequent performances he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.In December 1912 the four-movement version of ?Pelléas et Mélisande? was finally premiered. The additional movement the Sicilienne was taken from the third interlude of the incidental music. This delightful piece would later become one of Fauré?s mostpopular compositions and now exists in countless arrangements.Bärenreiter?s new scholarly-critical edition of the four-movement orchestral suite ?Pelléas et Mélisande? Op.80 is based on ?Gabriel Fauré The Complete Works? Volume IV/2 which appeared in 2016.First Urtext edition Based on ?Gabriel Fauré The Complete Works?Score and orchestral parts available for sale (BA7895)

Carus 70.301/10 which is part of the material associated with this piece can be used as the choral score. Gabriel Fauré composed the Cantique de Jean Racine in 1865 the prizewinning work for the completion of his musical training. The composer expanded the original scoring for choir and organ by adding a string accompaniment; the version with orchestra was first performed in 1906. As a text Fauré chose a French adaptation by Jean Racine of the Latin hymn ?Consors paterni luminis.? The Cantique already displays the characteristics of an expressive choral setting typical for Fauré as well as the finely worked out orchestral accompaniment and together with the Requiem composed considerably later it is among the most popular works of the composer.

Par RHEINBERGER JOSEF GABRIEL. Rheinberger's concert overtures are completely beholden to the tradition of the genre established at least since the 1820s. The spread of this genre was favored in equal measure by the growth of bourgeois musical culture and the overwhelming model of Beethoven's nine symphonies, which sowed a certain perplexity and discouragement among composers of the next generation and led them to turn increasingly to the smaller single-movement genre in their orchestral music. Soon a generic distinction arose between two types of overture. One was the autonomous overture, whose character results from its specific introductory function. Rheinberger's Academic Overture follows in thissame line of tradition. The other type was the overture with subject-matter, in which the romantic inclination to recreate extra-musical material in music found an expecially fruitful field of exploration. Having originated as the opening item of an opera or play, the overture had, after all, long been accustomed to accommodating the contents of the work that followed. The concert overture on an extra-musical subject is in turn associated in particular with the works of Felix Mendelssohn Bartholdy. Rheinberger too, closely modeled his opp. 11 and 110 on Mendelssohn's overtures./ Répertoire / Orchestre

Pique König-Lilalu (Stars In Your Eyes) by Gabriel Ruiz and Pique K?nig by Gunter Fuhlisch for Salon Orchestra. Score and parts for the following instruments:C-instrument (chord symbols and text); Guitar; Drums; 1/2/3. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text)

A Cantata for Christmas-From John Leavitt comes this elegant cantata for Christmas set up in the form of a classic Lessons and Carols service. A colorful tapestry of beautiful sounds this major work has great variety in its scope and style. Whether presented with piano or John's chamber orchestration the sensitive writing will showcase the artful approach of a master arranger making this compilation of carols and readings a thoughtful choice for churches universities and community choruses. Highly recommended! Songs include: Veni Veni Emmanuel: People Look East: The Angel Gabriel: He Is Born the Divine Christ Child: Resonet in laudibus: What Sweeter Music: Tomorrow Shall Be My Dancing Day: WeThree Kings of Orient Are: Sing Noel Alleluia! Score and Parts (fl 1-2/pic ob cl 1-2 bn perc 1-3 timp hp vn 1-2 va vc db) available as a Printed Edition and as a digital download.

One of America's most historic moments was accompanied by this very unique work composed especially for the occasion and performed by a quartet of America's finest artists – Yo-Yo Ma Itzhak Perlman Anthony McGill andGabriela Montero. Maestro Williams has rescored his monumental work into a dramatic movement for string orchestra – a stunning display of emotion musical power and grace. An advanced level piece for mature groups.

Two superb strikingly original works by one of the most gifted composers of the French School: Pelléas et Mélisande Op. 80 a suite for orchestra written after Fauré's incidental music for the drama by Maurice Maeterlinck; and the enormously popular Pavane Op. 50 one of the most performed short orchestral works in the repertoire.Reprint of the J. Hamelle & Cie. Paris n.d. editions.