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Danse Macabre And Havanaise (SAINT-SAENS CAMILLE)
Orchestra
[Sheet music]
Dover Publications
Par SAINT-SAENS CAMILLE. Two of Saint-Saens most popular works appear together i...
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Par SAINT-SAENS CAMILLE. Two of Saint-Saens most popular works appear together in this affordable volume. First composed in a song form Danse Macabre was later rewritten as a symphonic poem. It is important to remember that risque music was considered more daring and controversial than today and audiences at its 1875 debut were resistant to its unconventional charms, but it eventually became a crowd pleaser. Havanaise is among the most challenging of violin and orchestra pieces, but a standard showpiece in the repertoire of every serious violinist. Based on the Cuban dance, Habanera, the 1887 work features a languid mood, highlighted by bursts of virtuoso activity. This volumecontains the full score for violin and orchestra of both these magnificent pieces./ Répertoire / Orchestre
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Symphonic Poems (SAINT-SAENS CAMILLE)
Orchestra
[Sheet music]
Barenreiter
Conducteur Avec Couverture Rigide. Par SAINT-SAENS CAMILLE. With his four works ...
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Conducteur Avec Couverture Rigide. Par SAINT-SAENS CAMILLE. With his four works 'Le Rouet d'Omphale”, 'Phaéton”, 'Danse macabre” and 'La Jeunesse d'Hercule”, composed between 1872 and 1877, Camille Saint-Saëns decidedly put himself in the tradition of Hector Berlioz, who heralded a new epoch with his 'Symphonie fantastique” premiered in France 1830, as well as the symphonic poems by Franz Liszt, who established the term for this genre in Germany. During Saint-Saëns' lifetime the four 'Poèmes symphoniques” had become part of the repertoire all around the globe. They were recorded numerously - but the piece to hold its ground in the concert halls until today is 'Danse macabre” alone. The critical first editions which are currently issued as part of the 'oeuvres complètes instrumentals” afford the opportunity for new interpretations based upon reliable sources. / Date parution : 2019-09-06/ Répertoire / Orchestre
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The Keening
Orchestra
Boosey and Hawkes
Scored for large orchestra The Keening was only the second of MacMillan's orches...
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Scored for large orchestra The Keening was only the second of MacMillan's orchestral works, written between 1985-87 when he was a student of John Casken at the University of Durham. The composer explains that 'keening' is a form of vocal lament associated with mourning, found in folk traditions of Ireland, northern Scotland and other cultures. Much of this work is based on the Gaelic lament tune 'Great is the Cause of My Sorrow', often known as 'Murt Ghlinne Comhann' (The Lament for Glencoe).This 25-minute score was withheld by the composer until 2010, and it received its first performance in 2014, with the BBC Scottish Symphony Orchestra under the composer's direction. A significant addition to the orchestral repertoire by one the leading composers of today. / Orchestre
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Gran Partita (MOZART WOLFGANG AMADEUS)
Orchestra
Barenreiter
Serenade für 13 Instrumente. Par MOZART WOLFGANG AMADEUS. An announcement in th...
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Serenade für 13 Instrumente. Par MOZART WOLFGANG AMADEUS. An announcement in the Wiener-Zeitung read: “Concert. Today [23 March 1784] Herr [Anton] Stadler Sr. , presently in the service of His Majesty the Emperor, will hold a concert for his own benefit at the Royal Imperial National Court Theatre in which, among other select pieces, he will present a grand work for wind-band of a quite special character, composed by Herr Mozart. ” That this was almost certainly four movements from the present Serenade in B-flat major, K. 361, is suggested by an account of the occasion published some months later, which states, “Today I heard a composition by Herr Mozart in 4 movements for wind ensemble. . . comprising 13 instruments: 4 horns, 2oboes, 2 bassoons, 2 clarinetts, 2 basset horns and a contrabass viol. . . . ” Much music of the serenade-divertimento-cassation-Nachtmusik type was written in a light style and intended for social occasions rather than formal concerts. In such a context K. 361 is striking for its seriousness of artistic content, its length (seven movements lasting nearly an hour), and its extended instrumentation (most wind-band music of the period calls for five to eight or nine players, not thirteen). If the work was not conceived in the first instance as a concert work, its potential as such must have been recognized early on by Mozart or Stadler. - Urtext of the New Mozart Edition - Parts (BA5331-22) and study score format 22. 5 x 16. 5cm (TP312) available for sale/ Répertoire / Partition de Poche
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Carmen Suite N.1/2 Full Score (BIZET GEORGES)
Orchestra
[Sheet music]
Dover Publications
Par BIZET GEORGES. Incredible as it seems today, Bizet's opera Carmen was coolly...
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Par BIZET GEORGES. Incredible as it seems today, Bizet's opera Carmen was coolly received at its 1875 premiere at the Paris Opera-Comique; critics condemned its subject matter as lurid and its music as overly Wagnerian. Now hailed as the composer's supreme achievement, this colourful, passionate work continues to delight listeners around the world with its emotional, atmospheric music and the originality of its conception./ Répertoire / Orchestre
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Spectacles De Fontainebleau 1753 (RAMEAU JEAN-PHILIPPE)
Orchestra
[Score]
Barenreiter
Symphonies. Par RAMEAU JEAN-PHILIPPE. The heroic pastoral Daphnis et Eglé was p...
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Symphonies. Par RAMEAU JEAN-PHILIPPE. The heroic pastoral Daphnis et Eglé was performed only once, on 29 October 1753, for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today. Our complete edition (BA 8862) is based on Rameau's autograph manuscript, a copy of the separate parts, and the libretto published by Ballard in 1753. A comparison of the sources reveals two versions of the work: the original version and the one revised for Fontainebleau, whereby the differences lie mainly in the final divertissement. This edition recommends the Fontainebleau version—which is actually more complete in its musical form, in particular with its overture and two ariettas—but alsoreconstructs the original state of the final divertissement (presented in the appendix) before it was revised. Here we present the instrumental numbers from both operas for concert performance. Based on the first scholarly-critical edition, published as part of “Opera Omnia Rameau Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites Published with performance material on hire/ Répertoire / Orchestre
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Matthäus-Passion (BACH JOHANN SEBASTIAN)
Orchestra
[Study Score / Miniature]
Barenreiter
Par BACH JOHANN SEBASTIAN. Version of 1736 (final version) Bach ?s St. Matthew P...
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Par BACH JOHANN SEBASTIAN. Version of 1736 (final version) Bach ?s St. Matthew Passion passed through several stages in its progress towards its final form, stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas?s Church, Leipzig, in a version of which the copy made by Bach ?s son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version, which may probably be dated 1736, and on which the present edition is based. - Study score format 22. 5 x 16. 5cm - Urtext of the New Bach Edition -Full score, performance material (BA5038), vocal score (BA5038-90) and study score (TP196) available for sale/ Répertoire / Partition de Poche
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Jonas Kaufmann. Tenor (VOIGT THOMAS)
Orchestra
[Book]
Barenreiter
Par VOIGT THOMAS. „Der begehrteste Tenor der Welt', „the greatest tenor of t...
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Par VOIGT THOMAS. „Der begehrteste Tenor der Welt', „the greatest tenor of today', „der neue König der Tenöre' - unter den Topstars der Opernwelt nimmt Jonas Kaufmann seit Jahren eine Sonderstellung ein. 2010, zu seinem Bayreuther Debüt in Hans Neuenfels' legendärer „Lohengrin'-Inszenierung, erschien erstmals sein Buch-Porträt, in dem er ausführlich über die Licht- und Schattenseiten seines Berufes sprach und das von Kritik und Fans gleichermaßen gefeiert wurde. In der erweiterten Neuausgabe reflektiert der Sänger nun auch die letzten Jahre seiner künstlerischen Entwicklung. Nicht nur seine jüngsten Erfahrungen auf der Opernbühne und im Konzertsaal, sondern auch seine Begegnungen mit anderen großen Künstlern, sein Verhältnis zu Verdi und Wagner und seine Beschäftigung mit Tenor-Hits der Tonfilm-Ära kommen hier zur Sprache. Die neue Ausgabe enthält u.a. Beiträge von Plácido Domingo und Jürgen Kesting sowie attraktive, teils bisher unveröffentlichte Fotos. - Eine der meist verkauften Sängerbiografien der letzten Jahre - Aktualisiert und um wichtige Beiträge und attraktive Fotos ergänzt Der Autor Thomas Voigt ist freier Autor, Journalist und Filmemacher. Als renommierter Opern- und Sängerexperte ist er meist für Rundfunk und Fernsehen tätig- seine publizistische Tätigkeit wurde mit der „Gottlob-Frick-Medaille in Gold' ausgezeichnet. / Livre / Livre
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Zoroastre - RCT 62 A-B Symphonies (RAMEAU JEAN-PHILIPPE)
Orchestra
[Score]
Barenreiter
Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the...
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Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the version of 1756. Opera in five acts. Rameau’s revised version of his opera “Zoroastre”, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today’s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau’s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime „Hymne à la Lumière“, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with “Zoroastre” the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck’s opera reform by many years. Here we present the instrumental numbers for concert performance. - Based on the first scholarly-critical edition, published as part of “Opera Omnia Rameau” - Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites - Published with performance material on hire / Date parution : 2022-11-08/ Répertoire / Orchestre
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Symphony In F Minor Hob. I: 49 (JOSEF STOIBER FRANZ)
Orchestra
[Score]
Barenreiter
La Passione . Par JOSEF STOIBER FRANZ. Haydn’s Sturm und Drang symphonies avai...
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La Passione . Par JOSEF STOIBER FRANZ. Haydn’s Sturm und Drang symphonies available in Urtext editionsScore and performance material on sale available in an enlarged formatHaydn’s Sturm und Drang symphonies along with the London symphonies belong to his most popular works today. The Sturm und Drang symphonies contain not only masterpieces like the recently published Farewell Symphony (No. 45, BA 10971) and the Maria Theresia Symphony (No. 48, BA 10972), but also gems such as La passione (No. 49). The publication of this symphony presents a continuation of the collaboration between Bärenreiter and the Henle publishing company in the areas of large vocal compositions, operas and symphonic works. La passione is based onthe Henle Complete Edition of the Works of Joseph Haydn and is published with a full score and performing material on sale in a large format./ Répertoire / Orchestre
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Guglielmo Tell Full Score (ROSSINI GIOACHINO)
Orchestra
[Sheet music]
Dover Publications
Par ROSSINI GIOACHINO. Aside from The Barber Of Seville, most of Rossini's thirt...
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Par ROSSINI GIOACHINO. Aside from The Barber Of Seville, most of Rossini's thirty-nine operas are revived only rarely today. The overtures to his operas, however, are another matter entirely. Evergreen in their appeal, many remain popular mainstays of orchestral repertoires worldwide, loved by audiences for their elegance, lively rhythms and beautiful melodies. This volume contains five of the most admired of Rossini's operatic overtures, reprinted from authoritative full-score editions. / Opéra-opérette / Répertoire / Orchestre
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Symphony #5 C Minor Op. 67 Editor: Jens Dufner
Orchestra
G. Henle
Beethoven is presumed to have completed his 5th Symphony in early 1808- today, i...
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Beethoven is presumed to have completed his 5th Symphony in early 1808- today, it is one of the most famous works of classical music of all. Its nickname 'Fate Symphony? was given to it posthumously by Beethoven's biographer Anton Schindler- a title which no longer plays a role in modern-day Beethoven scholarship. Based on the recently published musical text of the Beethoven Complete Edition and supplied with a new preface by editor Jens Dufner, one of the most vibrant and stimulating orchestral works of the standard repertoire is now available in a practical format for travel, study or the concert hall. / Conducteur De Poche
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Sämtliche Kantaten, 19 Bände Im Versand-Schuber (BACH JOHANN SEBASTIAN)
Orchestra
[Study Score / Miniature]
Barenreiter
19 Bände im Versand-Schuber. Par BACH JOHANN SEBASTIAN. Awarded with the German...
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19 Bände im Versand-Schuber. Par BACH JOHANN SEBASTIAN. Awarded with the German Music Edition Prize 'Best Edition' 2008. Johann Sebastian Bach: Sämtliche Kantaten, Motetten, Choräle und Geistliche Lieder. The complete cantatas, chorales and motets in study editions in 19 volumes. This special edition exclusively offers the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. It is well presented on high quality paper and has a durable sewn binding. A MUST for everyone who is passionate about Bach´s music! No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sunday and festival of the church year, as well as for numerous secular occasions such as council inaugurations, school and university celebrations and royal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. Bärenreiter?s unique edition, which encompasses more than 11, 000 pages, includes all cantatas together with the motets, chorales and sacred songs in the Urtext of the ?New Bach Edition? (NBA Series I and III). As a special extra, the recently rediscovered aria ? Alles mit Gott und nichts ohn ? ihn ? is also included. Only available here is an additional volume with an introduction (German/English) by Christoph Wolff and an index. The Barenreiter study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices! Barenreiter presents the Complete Cantatas, Chorales and Motets in a handy, readable and affordable paperbackformat. The special ediion of 19 volumes (including an index) exclusively offers the authoritative musical text of these masterworks. Each volume is printed on high quality paper and has a durable sewn binding A must for everyone who is passionate about Bach's music. These scores are the last word in Bach scholarship and an extraordinary publishing achievement / Mottet / Répertoire / Partition de Poche
704.20 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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Saint-saens Camille - Le Carnaval Des Animaux - Conducteur + Cd
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This work is among today's most popular works by Saint-Saëns who, at first, did...
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This work is among today's most popular works by Saint-Saëns who, at first, did not even want to publish it as he feared for his reputation. In this work, Saint-Saëns parodies his colleagues Offenbach (turtle) and Berlioz (elephant), among others.
16.30 EUR - Sold by Woodbrass
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On order
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