Trompeten-Ouvertüre-The Overture in C major the so-called “Trumpet Overture” with its brass fanfare was composed in 1826 and a second version with considerable revisions was made in 1833 for performances in D?sseldorf and London.The Overture in C major was first published posthumously in 1867.Christopher Hogwood’s Urtext edition takes into account both Mendelssohn’s autograph now held in the Biblioth?que nationale in Paris which has two endings as well as the London manuscript copy made for the performance there in 1834; this manuscript contains three separate trombone parts in Mendelssohn’s hand. ?The newB?renreiter edition presents the work as found in Mendelssohn’s autograph for the first time. ?Christopher Hogwood also documents the development of the overture with facsimiles from the 1826 version. Full score & parts (BA9052) available for sale

Shadings was commissioned for The American Composers Orchestra UnSafe series and premiered at Zankel-Carnegie Hall._x001A_In Laura Schwendinger's Shadings richly scored shimmering music ebbed and swirled in tandem with a series of enigmatic photographs projected above the orchestra. The photographs were taken in Japan by the composer's cousin Leni Schwendinger who also designed evocative lighting to complement the images._x001A_- Review by Vivian Schweitzer in The New York Times

Suite for Orchestra-Incidental music with the famous 'Sicilienne'Fauré wrote ?Pelléas et Mélisande? in 1898 originally as incidental music to Maurice Maeterlinck?s like-named play. After the premiere and subsequent performances he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.In December 1912 the four-movement version of ?Pelléas et Mélisande? was finally premiered. The additional movement the Sicilienne was taken from the third interlude of the incidental music. This delightful piece would later become one of Fauré?s mostpopular compositions and now exists in countless arrangements.Bärenreiter?s new scholarly-critical edition of the four-movement orchestral suite ?Pelléas et Mélisande? Op.80 is based on ?Gabriel Fauré The Complete Works? Volume IV/2 which appeared in 2016.First Urtext edition Based on ?Gabriel Fauré The Complete Works?Score and orchestral parts available for sale (BA7895)

Suite for Orchestra-Incidental music with the famous 'Sicilienne'Fauré wrote ?Pelléas et Mélisande? in 1898 originally as incidental music to Maurice Maeterlinck?s like-named play. After the premiere and subsequent performances he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.In December 1912 the four-movement version of ?Pelléas et Mélisande? was finally premiered. The additional movement the Sicilienne was taken from the third interlude of the incidental music. This delightful piece would later become one of Fauré?s mostpopular compositions and now exists in countless arrangements.Bärenreiter?s new scholarly-critical edition of the four-movement orchestral suite ?Pelléas et Mélisande? Op.80 is based on ?Gabriel Fauré The Complete Works? Volume IV/2 which appeared in 2016.First Urtext edition Based on ?Gabriel Fauré The Complete Works?Score and orchestral parts available for sale (BA7895)

Suite for Orchestra-Incidental music with the famous 'Sicilienne'Fauré wrote ?Pelléas et Mélisande? in 1898 originally as incidental music to Maurice Maeterlinck?s like-named play. After the premiere and subsequent performances he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.In December 1912 the four-movement version of ?Pelléas et Mélisande? was finally premiered. The additional movement the Sicilienne was taken from the third interlude of the incidental music. This delightful piece would later become one of Fauré?s mostpopular compositions and now exists in countless arrangements.Bärenreiter?s new scholarly-critical edition of the four-movement orchestral suite ?Pelléas et Mélisande? Op.80 is based on ?Gabriel Fauré The Complete Works? Volume IV/2 which appeared in 2016.First Urtext edition Based on ?Gabriel Fauré The Complete Works?Score and orchestral parts available for sale (BA7895)

5 Sehr Einfache Stücke F. Variable Besetzung - Mittelstimme In F (Horn) - Extrastimme. Par RADANOVICS MICHAEL. In the Streets of Aracajú / Take a Ride on Your Chrome-Horse / In the Shadow of an Olive Grove / Hot Broth / When the Moon Smiles / Niveau : Facile / Répertoire / Orchestre

For Orchestra With Solo Clarinet In B-Flat-Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)

For Orchestra With Solo Clarinet In B-Flat-Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)

This study score is based on the Complete Critical Edition of the Works of Leo? Janá ek. The principal source is the first edition but the editor has also consulted the handwritten sources and extant proofs. The edition opens with a new Foreword by Ji Zahrádka.- 20th century repertoire piece now available in study score.- Based on the Complete Critical Edition of the Works of Leo? Janá ek vol. D/7.- New Foreword by Ji Zahrádka (Cz/Eng/Ger).The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format.The Barenreiter Urtext Study Scores format 16.5 x 22.5cm areideal for musical analysis rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout.In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!

Bärenreiter Urtext Paperback-Dvo ák's Symphony No. 7 In D Minor Op.70. Foreword by Dvo ák scholar Smaczny (Cz/Eng/Ger)Dvo ák?s Seventh Symphony was commissioned by the Royal Philharmonic Society in August 1883 and premiered in London on 22 April 1885 conducted by the composer himself. Two months later Dvo ák shortened the second movement by about 40 bars. The work was published by Simrock in this form in 1885.In 2013 Bärenreiter published the score and orchestral parts in a first scholarly-critical edition of Dvo ák?s Seventh Symphony (BA 10417). It is now being issued as a study score. The editor Jonathan Del Mar hasalready won international acclaim for his editions of the Dvo ák Cello Concerto (BA 9045) as well as of works by Beethoven and Elgar. He has taken every source into account including the extant correspondence.Like the score and parts this study score presents the original version of the second movement in the appendix. A new foreword has been added by Dvo ák scholar Jan Smaczny.

Score-Jean Berger's Short Overture For Strings (2 Violins Viola Cello Bass).This score takes approximately 5 minutes to perform. It was written with the purpose of enlarging the repertoire ofstring music that - while not without challenge- could yet be played and performed by an amateur group. The emphasis is on the word 'amateur'. Hence all dynamic and tempo indications ought to be interpreted flexibly and should beadapted to the needs and the level of the technical proficiency nof the performing ensemble.

Mark David Boden's Shadows of a Changing Land for Orchestra.Shadows of a Changing Land takes inspiration from a book of photography by Peter Freeman depicting the Lake District National Park. I was particularly drawn to Freeman s use of n

This work is in the nature of an orchestral epilogue to the same composer's two sets of songs the words of which are taken from Mr A.E. Housman's poem A Shropshire Lad.

Facsimile of the autograph score in the British Library London-The first performance of George Frideric Handel???s oratorio ???Messiah??? on 13 April 1742 in Dublin aroused unqualified rapture. A newspaper report a few days later declared that it combined ???the Sublime the Grand and the Tender???. Its success has remained undiminished ever since and the ???Messiah??? has taken its place in musical life.In 2009 to mark the 250th anniversary of Handel???s death the British Library and B?renreiter joined forces and made the autograph score of the ???Messiah??? available to the public in a meticulously reproduced lavishly published facsimile.The renowned Handel scholar Donald Burrows introduces the characteristics of Handel???smanuscript describes the history of the work???s composition and explains the differences between later versions of the ???Messiah??? as reflected in the conducting scores. A two-page sketch from the Fitzwilliam Museum Cambridge completes the publication.Facsimile of the autograph in the British Library. 282 2 pages of facsimile and 55 pages of introduction (English/German/Japanese) half-linen hardback

Saul og David is the first of the two operas by the Danish composer Carl Nielsen. The four-act libretto tells the Biblical story of Saul's jealousy of the young David taken from the Book of Samuel. Danish/German version in 2 hardback scores.