Cantata for the First Sunday of Advent. Par BACH JOHANN SEBASTIAN. Nun komm, der Heiden Heiland BWV 62 Cantata for the First Sunday of Advent Bach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm, der Heiden Heiland', a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata, typical of Bach's late creative period, incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements. Urtext of the New Bach Edition Performance material (BA10062), Vocal score (BA10062-90) & study scoreformat 22. 5 x 16cm (TP1062) available for sale/ Répertoire / Partition de Poche

Cantata for the Sunday Jubilate. Par BACH JOHANN SEBASTIAN. Weinen, Klagen, Sorgen, Zagen (Weeping, crying, sorrow, sighing) BWV 12 Cantata for the Sunday Jubilate These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach's output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sunday and festival of the church year, as well as for numerous secular occasions such as council inaugurations, school and university celebrations androyal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. - Performance material vocal score & study score available for sale/ Répertoire / Partition de Poche

Par DEBUSSY CLAUDE. One of the most influential composers of the 20th century, Debussy overturned traditional concepts of form, harmony, rhythm, and orchestral coloration. Among his most popular works are the compositions in this volume, Prelude A ' L'Apres-Midi D'Un Faune and the Three Nocturnes, Clouds, Festivals and Sirens. The Nocturnes are described as 'exquisite, evocative models of Impressionism' and are all fantastic examples of the expressiveness and character of music from this period. These important compostitions, in Dover Miniature Score format, are reproduced from authoritative early editions./ Répertoire / Partition de Poche

Par BACH JOHANN SEBASTIAN. Jauchzet Gott In Allen Landen - Praise Ye God Throughout Creation BWV 51. Cantata for the 15th Sunday after Trinity. The solo cantata “Jauchzet Gott In Allen Landen”, written around 1730 for the 15th Sunday after Trinity, is one of Bach ’s best-known cantatas. The scoring for solo Soprano, Trumpet, Strings and Continuo is unique amongst Bach ’s cantatas and has parallels with Italian composers of the period. The enduring popularity of the work is due to the clear and succinct formal structure and not least to the virtuoso Trumpet part and Soprano arias, in which the soloists can demonstrate their total mastery. The cantata ispublished in a Vocal score based on the “New Bach Edition” with an idiomatic straightforward Piano reduction by Martin Focke. - Famous work with a festive instrumental sound. - Urtext based on the “New Bach Edition”. - Clear straightforward Piano reduction. - Study score (TP1051) performance material (BA10051) & Vocal score (BA10051-90) available for sale./ Répertoire / Partition de Poche

Par BACH JOHANN SEBASTIAN. Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts, placed at the end of the score, to give a dramataic representation of the Nativity. Although the later D major version is most often performed today, this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition./ Répertoire / Partition de Poche

Par ROSSINI GIOACHINO. This study score is based on the critical edition of “ The Barber Of Seville ” edited by Patricia B. Brauner and published in 2008 as part of the series “Works of Gioachino Rossini”. But who needs a new critical edition of “ The Barber Of Seville ”? The opera has been performed in theatres throughout the world since 1816 and has never been absent from the repertoire. There are two reasons for a critical new edition: firstly, none of the early editions satisfy modern demands for a scholarly-critical edition. Secondly, there is a wealth of previously unpublished material relating to this opera, of great interest to both scholars andperformers. Thus the famous overture, which Rossini had already used in his earlier opera “Aureliano in Palmira”, differs noticeably from earlier editions in many places. The new edition enables performers to perform the overture either in its original scoring (as in “Aureliano in Palmira”), which includes two Flutes, two Oboes and Timpani, or in the scoring for the subsequent opera “ The Barber Of Seville ” (with just one flute, one oboe and no timpani). A series of appendices contain music and information which have been included in no other edition of the opera to date. - Takes into account all original sources, also including five manuscripts with Rossini’s autograph ornamentation. - Takes into consideration the full extent of Rossini ’s personal notational characteristics. - With a detailed foreword (Eng/Ital)/ Répertoire / Partition de Poche

Par SCHUBERT FRANZ. This study score of Franz Schubert 's complete string trios (Violin, Viola and Violoncello) takes its text from the New Schubert Edition. It also includes Schubert 's very first essay in the genre, which only resurfaced in 1997: the draft trio in B-flat major, D 111A (1814). Besides this draft, two other trios in B-flat major written a short while later have come down to us: D 471 and D 581. The first is likewise a fragment as it breaks off in m. 39 of the second movement. D 581 survives in two versions, the first based on the autograph score, the second on a set of parts prepared and thoroughly revised by Schubert. Both versionsprovide useful performance alternatives that differ widely in their form, rhythm, articulation and dynamics. - All of Schubert 's string trios - All drafts and alternative versions for the first time in a study score - Urtext from the New Schubert Edition Contents: - Trio in B-flat major, D 471 (movement 1) - Trio in B-flat major, D 581 (versions 1 and 2) - Incomplete first movement to Trio in B-flat major, D 111A - Incomplete second movement to Trio in B-flat major, D 471/ Répertoire / Partition de Poche

Par BEETHOVEN LUDWIG VAN. Nicknamed 'The Emperor' for its nobility and grandeur, Beethoven's Piano Concerto No. 5 in E Flat, Op. 73 was the composer's last piano concerto. Written in 1809, when Beethoven was 39, it ranks among the most popular concertos in the repertoire, and is considered to be one of the strongest works conceived by Beethoven. Reproduced here from an authoritative early edition, the score appears with bar-numbered movements. Ideal for classroom or home study./ Répertoire / Partition de Poche

Miniature Score of D759 'Unfinished' and D944 'The Great'. Par SCHUBERT FRANZ. The least schooled of the great German musicians, Schubert amply compensated for his lack of formal training with his keen musical intuition and limitless melodic invention. This volume comprises two of his greatest and best-loved orchestral works. Although the Unfinished consists of only two movements, it is one of the composer's most popular compositions, cherished for the quiet intimacy of its emotion and its beautiful melody. Symphony No. 9 composed in the final year of Schubert's life, is his ultimate masterpiece- a vast work with extensive development and great breadth of musical ideas. Both are in full score with original instrumentation. Idealfor study purpose./ Répertoire / Partition de Poche

Par BRAHMS JOHANNES. Braham's second symphony was an instant success when it first premiered in 1877. From its ingenious treatment of attractive melodic ideas in the first movement and the somber adagio, to the lyrical charm of the allegretto and the finale's robust cheerfulness, it is a delightful combination of enchanting melodies and masterly thematic treatment. A staple of the repertoire, it is reproduced here from an authoritative edition. The score appears with bar-numbered movements, ideal for study in the classroom, at home, or in the concert hall. This affordable, high-quality, conveniently sized volume will be edition of choice for music students and music lovers alike. Instrumentation includes: 4 Horns in C, D, E, G, B 2 Trumpets in D, B 3 Trombones Bass Tumba Timpani 2 Flutes 2 Oboes 2 Clarinets in A 2 Bassoons Violin 1, 2 Violas Cellos Basses/ Répertoire / Partition de Poche

Par BACH JOHANN SEBASTIAN. Long considered the noblest, most inspired musical treatment of the crucifixion of Christ, Bach's St. Matthew Passion remains an immensely popular work. First performed in the late 1720s, the great choral masterpiece was scored for a vast ensemble of double chorus, soloists, double orchestra and two organs. Richly dramatic and theatrical, its deeply moving story unfolds in recitatives, ariosos, arias, and majestic choral movements. Reproduced here from an authoritative early edition, the score appears with bar-numbered movements. Ideal for classroom or home study. / Musique religieuse / Répertoire / Partition de Poche

Cantata for Sunday Sexagesimae. Par BACH JOHANN SEBASTIAN. Gleichwie der Regen und Schnee vom Himmel fällt (Like as the Raindrops and Snow from Heaven fall) BWV 18 Cantata for Sunday Sexagesimae, Leipzig Version. These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach's output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sunday and festival of the church year, as well as for numerous secular occasionssuch as council inaugurations, school and university celebrations and royal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. - Performance material vocal score & study score available for sale/ Répertoire / Partition de Poche