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AntonÃÂÂn
CORNET
Piano, Voice
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OPERARIA MEZZOSOPRAN 2 Dramatique
Piano, Voice
[Sheet music]
Breitkopf & Härtel
Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Wh...
(+)
Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano
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Antonín Dvo?ák: Songs II for High Voice and Piano: High Voice: Vocal Album
Piano, Voice
Barenreiter
Songs II for High Voice and PianoFollowing the publication of Dvorák’s ea...
(+)
Songs II for High Voice and PianoFollowing the publication of Dvorák’s early set of love songs “Cypresses” (BA9569) all his other songs with piano accompaniment are now appearing in Urtext editions.“Songs II” includes the mature works from Dvorák’s late period. Besides the well-known cycle “Love Songs” and the less well-known cycle “Three Modern Greek Songs” the volume also contains some entirely unknown and previously unpublished pieces: “Lullaby” and the posthumously published “Song from The Smith of Lešetín” completedby Josef Suk.The songs are presented in chronological order in volumes for high and low voice. Each volume contains the vocal text underlaid in three languages (Cz/Eng/Ger). For the most part the translations have been taken from the first edition.- Second volume of the new five-volume Urtext edition of the complete songs- First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor- Some songs appear for the first time in print- Vocal texts in three languages (Cz/Eng/Ger)
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Antonín Dvo?ák: Songs II for Low Voice and Piano: Low Voice: Vocal Album
Piano, Voice
Barenreiter
Songs II for Low Voice and PianoFollowing the publication of Dvorák’s ear...
(+)
Songs II for Low Voice and PianoFollowing the publication of Dvorák’s early set of love songs “Cypresses” (BA9569) all his other songs with piano accompaniment are now appearing in Urtext editions.“Songs II” includes the mature works from Dvorák’s late period. Besides the well-known cycle “Love Songs” and the less well-known cycle “Three Modern Greek Songs” the volume also contains some entirely unknown and previously unpublished pieces: “Lullaby” and the posthumously published “Song from The Smith of Lešetín” completedby Josef Suk.The songs are presented in chronological order in volumes for high and low voice. Each volume contains the vocal text underlaid in three languages (Cz/Eng/Ger). For the most part the translations have been taken from the first edition.- Second volume of the new five-volume Urtext edition of the complete songs- First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor- Some songs appear for the first time in print- Vocal texts in three languages (Cz/Eng/Ger)
30.50 GBP - Sold by Musicroom UK
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Joaquín Rodrigo: Con Antonio Machado: Voice: Vocal Album
Español
Piano, Voice
[Sheet music]
Unión Musical Ediciones
Con Antonio Machado - Poemas de Antonio Machado by Joaquin Rodrigo for Voice and...
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Con Antonio Machado - Poemas de Antonio Machado by Joaquin Rodrigo for Voice and Piano. Composed 1971.
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Antonio Machado: Album De Leonor: (Antonio Machado) Voice and Piano: Voice:
Español
Piano, Voice
[Sheet music]
Unión Musical Ediciones
Album De Leonor: (Antonio Machado) Voice and Piano
11.50 GBP - Sold by Musicroom UK
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Dvorak A. - Te Deum - Chant-piano
Piano, Voice
Barenreiter
Gesamtausgabe der Werke von Antonín Dvorák II/6 Te Deum op. 103
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Il Teuzzone RV 736 (VIVALDI ANTONIO)
Piano, Voice
Ricordi
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI...
(+)
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI ANTONIO. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed./ Répertoire / Chant et Piano
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Antonio Vivaldi: Il Teuzzone RV 736: Vocal and Piano: Vocal Score
Piano, Voice
Ricordi
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teu...
(+)
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.
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Recueil ? Airs d?opéra (VIVALDI ANTONIO)
Français
Piano, Voice
[Sheet music]
Editions Buissonnieres
Par VIVALDI ANTONIO. C'est seulement en 1713 que Vivaldi aborde l'opéra ; certa...
(+)
Par VIVALDI ANTONIO. C'est seulement en 1713 que Vivaldi aborde l'opéra ; certaines sources parlent de 94 productions, mais seules 50 ont été identifiées. La musique de ces opéras n'ayant pas été imprimée, contrairement aux livrets, il ne reste trace (complète ou partielle) que d'une vingtaine d'opéras. Impresario du Teatro San Angelo de Venise, Vivaldi écrira la majorité de ces opéras pour ce théâtre. / Date parution : 2021-11-15/ Recueil / Basse
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Con Antonio Machado
Piano, Voice
Joaquín Rodrigo
/ Voix Et Piano
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Pablo Luna: Cancion Espanola No.6 From El Nino Judio: Voice: Instrumental Work
Español
Piano, Voice
[Sheet music]
Unión Musical Ediciones
Cancion Espanola No.6 From El Nino Judio. Letra: Enrique Garcia Al Varez Y Anto...
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Cancion Espanola No.6 From El Nino Judio. Letra: Enrique Garcia Al Varez Y Antonio Paso.
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Anton Garcia Abril: La Noche Está Con Los Dos (Voice/Piano): Voice: Score
Español
Piano, Voice
[Sheet music]
-
Intermediate
Unión Musical Ediciones
Written for voice and piano.
8.99 GBP - Sold by Musicroom UK
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Anton Garcia Abril: Cuatro canciones sobre textos gallegos: Voice: Score
Español
Piano, Voice
[Sheet music]
Unión Musical Ediciones
Cuatro canciones sobre textos gallegos
6.99 GBP - Sold by Musicroom UK
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Anton Garcia Abril: Aunque Vives En Costera: Voice: Score
Español
Piano, Voice
[Sheet music]
Unión Musical Ediciones
Aunque Vives En Costera
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Anton Garcia Abril: Coleccion De Canciones Infantiles: Voice: Vocal Album
Español
Piano, Voice
[Sheet music]
Unión Musical Ediciones
Coleccion De Canciones Infantiles
6.99 GBP - Sold by Musicroom UK
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Antonio Ruiz-Pipo: Weinona: Voice: Vocal Score
Español
Piano, Voice
Unión Musical Ediciones
For Voice and Piano
11.99 GBP - Sold by Musicroom UK
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Masters Of Song V5 Voice/Piano
Piano, Voice
Emb (editio Musica Budapest)
/ Voix Et Piano
32.65 EUR - Sold by LMI-partitions
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Masters Of Song V6 Voice/Piano
Piano, Voice
EMB (Editio Musica Budapest)
/ Voix Et Piano
27.38 EUR - Sold by LMI-partitions
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Selected Songs Piano Et Vocal Scores
Français
Piano, Voice
Beuscher
Pour la première fois en partition, retrouvez une sélection de 40 des plus gra...
(+)
Pour la première fois en partition, retrouvez une sélection de 40 des plus grandes chansons du compositeur, réalisateur, acteur, scénariste et touche-à-tout de génie Lewis Furey. / Piano/Vocal/Guitare (PVG)
40.60 EUR - Sold by LMI-partitions
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Vieilles Chansons et Rondes françaises
Français
Piano, Voice
[Sheet music]
Schott
Musiques du monde / Partition / Broché /
22.50 EUR - Sold by Note4Piano
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