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Trumpet, Piano
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Luís Tinoco: Spam!: Chamber Ensemble: Study Score
School Ensemble
[Sheet music]
University Of York Music Press
Scored for Baritone/Narrator and Ensemble this humerous work takes its texts fr...
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Scored for Baritone/Narrator and Ensemble this humerous work takes its texts from various sources including internet spam!Baritone Voice/NarratorFluteOboeClarinetBassClarinetBassoonFrench HornTrumpetTrombone2 PercussionistsPiano and Keyboard SamplerViolin 1Violin 2ViolaCelloDoubleBass
32.00 GBP - Sold by Musicroom UK
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Luís Tinoco: Spam!: Baritone Voice: Score
School Ensemble
[Sheet music]
University Of York Music Press
Scored for Baritone/Narrator and Ensemble this humerous work takes its texts fr...
(+)
Scored for Baritone/Narrator and Ensemble this humerous work takes its texts from various sources including internet spam!Baritone Voice/NarratorFluteOboeClarinetBassClarinetBassoonFrench HornTrumpetTrombone2 PercussionistsPiano and Keyboard SamplerViolin 1Violin 2ViolaCelloDoubleBass
40.00 GBP - Sold by Musicroom UK
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Simon Bainbridge: Diptych (Full Score): Ensemble: Score
School Ensemble
[Sheet music]
Novello & Co Ltd.
Commissioned for the BBC.Piccolo/Alto FluteFlutes 1 & 2Alto Flute/Bass Flute2 Ob...
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Commissioned for the BBC.Piccolo/Alto FluteFlutes 1 & 2Alto Flute/Bass Flute2 OboesCor Anglais3 ClarinetsBass Clarinet2 BassoonsContrabassoon4 Horns4 Trumpets3 TrombonesPianoHarpAccordionMandolinStrings (16.14.12.10.8) 4 Percussion:IMarimbaCrotales (with bow) Small suspended cymbalAntique cymbalGlockenspielSmall triangleIISmall suspended cymbalMedium suspended cymbalVibraphone (with bow) Triangles (small and medium)IIIMedium suspended cymbalMaracasBoobamsVibraphoneSizzle cymbalLargetriangleIVBass DrumTam-tamWater gongs (small and large) Tubular bellsBurmese gongs (medium and large)
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Freddie Mercury: We Are The Champions: Ensemble: Score and Parts
Italiano
School Ensemble
-
Easy
Carisch
Arrangement and Orchestration by Andrea Cappellari. Full score and 22 parts: 1) ...
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Arrangement and Orchestration by Andrea Cappellari. Full score and 22 parts: 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 2) C Instr. (Flute Violin) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin) / 3) Bb Instr. (Clarinet Trumpet) / 4) C Instr. (Violin) / 4) Bb Inslarinet) / 5) C Instr. (Violin) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin) / 6) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Violin) / 7) Bb Instr. (Clarinet) / 7) Eb Instr. (Alto Sax.) / Guitar / Pianoiano 2 / Bass Cello Bassoon / Cymbals Bass drum / Triangle Snare drum / Four Hands Piano ad libitum. Performance possibile alsowithout Piano.
22.99 GBP - Sold by Musicroom UK
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Thiele-Weisse: What A Wonderful World For Ensemble: Ensemble: Score and Parts
Italiano
School Ensemble
-
Intermediate
Carisch
Arrangement and Orchestration by Andrea Cappellari. Full score and 26 parts: 1) ...
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Arrangement and Orchestration by Andrea Cappellari. Full score and 26 parts: 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 2) C Instr. (Flute Violin Oboe) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin Viola) / 3) Bb Instr. (Clarinet Soprano Sax.) / 4) C Instr. (VViola) / 4) Bb Instr. (Clarinet Soprano Sax.) / 5) C Instr. (Violin Viola) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin Viola) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Violin Viola Oboe) / 7) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 7nstr. (Alto Sax.) / 8) C Instruments(Violin Viola) / 8) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 8) Eb Instr. (Alto Sax.) / Guitar/ Piano 1 / Piano 2 / Bass Cello Bassoon / Timpani / Maracas / Cymbals Bass drum / Snare drum / Four Hands Pialibitum. Performance possibile also without Piano.
22.99 GBP - Sold by Musicroom UK
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Andrea Cappellari: Greensleeves: Ensemble: Score and Parts
Italiano
School Ensemble
-
Easy
Carisch
Arrangement and Orchestration by Andrea Cappellari. Full score and 16 instrument...
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Arrangement and Orchestration by Andrea Cappellari. Full score and 16 instrumentals parts : 1) C Instr. (Recorder) / 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet Soprano Sax Trumpet) / 1) Eb Instr. (Alto Sax) / 2) C Instr. (Recorder) / 2) C Instr. (Flute Violin Oboe) / 2) Bb Instr. (Clarioprano Sax Trumpet) / 2) Eb Instr. (Alto Sax) / 3) C Instr. (Violin Viola) / 3) Bb Instr. (Clarinet) / 3) Eb Instr. (Alto Sax) / 4) C Instr. (Bass Cello Bas-soon) / Guitar / Piano 1 / Piano 2 / Percussion / PLUS Choir (Voice 1 & 2)
22.99 GBP - Sold by Musicroom UK
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David Blake: Scoring A Century: Ensemble: Vocal Score
School Ensemble
[Sheet music]
University Of York Music Press
Vocal Score-Vocal Score.For 10 singers/actors Flute Oboe Clarinet 1 Clarinet...
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Vocal Score-Vocal Score.For 10 singers/actors Flute Oboe Clarinet 1 Clarinet 2 Bassoon 2 French Horns Trumpet Trombone 2 Percussionists Piano Guitar String Ensemble (44222 or more) Double Bass with Low C.Onstage -Violin Cello Piano Electric Piano Guitar Electric Guitar 2 Gavels and Tambourine.
50.00 GBP - Sold by Musicroom UK
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Søren Nils Eichberg: Circles: Ensemble: Score
School Ensemble
[Score]
Wilhelm Hansen
In Circles - 16 Imaginary Dances for 18 Players (2010). Parts are available on h...
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In Circles - 16 Imaginary Dances for 18 Players (2010). Parts are available on hire: hire@ewh.dk Instr.: FluteOboeClarinet in BbBass ClarinetBassoonHorn2 Trumpets In BbTenor-Bassposaune2 PercussionistsPiano2 ViolinsViola2 CellosDouble Bass Programme note About five years ago the Ensemble Modern commissioned a composition giving me relatively free rein over instrumentation duration and completion date. I was very excited about the opportunity and eager to start work but first I had to finish asymphony and a cello concerto. However when I wanted to begin writing the piece for Frankfurt inspiration became silent and remained silent for the next three years apart from the two works for chamber orchestra: I experienced my first writer’s block. This was not my first commission but the first time that I was seriously worried about a piece and started thinking about the commissioning ensemble and its expectations. If anything I held the Ensemble Modern in too high esteem. The ensemble is notorious for being a group of all-rounders who have already seen and done everything. However it was simply time for me to challenge my self-belief as composer and to search out what kind of composer I really am. Whatever the true reason was I still didn’t get anything down on paper. Nothing would gel. In 2008 a stipend from a New York foundation led me to an Italian lavender-castle from the 15th century far away from everything else deep in Umbria. The deadline for my first opera moved dangerously closer but was barely started. The next commission for an orchestra was also waiting in addition to the piece for EM: only empty sheets. When I came home six weeks later though I hadn’t finished anything the spell was broken. Behind the massive walls drafts had been created for what within the
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