SKU: BA.BA04590-01
ISBN 9790006451296. 33 x 26 cm inches. Text Language: Italian. Text: Giovanni de Gamerra.
On 13 December 1769 Leopold Mozart and his son Wolfgang set out on their first tour of Italy. It was not until 28 March 1771 that they finally returned to Salzburg. The trip brought the young composer two commissions for opere serie. In March 1770 he was commissioned to write Mitridate, K.87 (74a), for the 1770-71 Carneval season at the Regio Ducal Teatro in Milan. Mozart started work on the opera in Bologna on 29 September 1770, and the premiere duly took place on the Feast of St. Stephen (26 December) in 1770. The second, Lucio Silla (K. 135), again commissioned for the 1771-72 Carneval season in Milan, doubtless resulted from the success of Mitridate. News of the commission reached the Mozarts in March 1771 in Verona, where they had stopped on their return to Salzburg. (At roughly the same time Wolfgang received an invitation from Vienna to supply a serenata teatrale for the wedding of Archduke Ferdinand, the third son of Maria Theresia, scheduled to take place in Milan in October 1771. This invitation ultimately resulted in Ascanio in Alba, K. 111.)
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SKU: CA.4061413
ISBN 9790007073527. Key: C minor. Language: Latin.
Score available separately - see item CA.4061400.
SKU: CA.3410413
ISBN 9790007212599. Language: German.
An unknown work from the so-called Buckeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ.. Score and part available separately - see item CA.3410400.
SKU: CA.3913013
ISBN 9790007215873. Language: German/English.
The Frankfurt cantata for Whitsun, 1717, offers the choir and the four soloists rewarding tasks, while in the opening chorus and in two of the three arias a virtuoso recorder player is employed. Score and part available separately - see item CA.3913000.
SKU: CA.3913709
ISBN 9790007216078. Language: German.
The cantata cycle Die Tageszeiten, which was composed in Hamburg in 1757, is one of the outstanding late works of Georg Philipp Telemann. A Symphonie and four cantatas (each of which consists of an aria, accompagnato, aria, and chorus) portray, in a richly sensitive manner, the course of a day, beginning with the awakening of nature to the sunset. The poetry of Friedrich Wilhelm Zachariae and Telemann's music herald the beauty of nature, as well as the greatness of God revealed within it. Colorful instrumentation and pictures in sound corresponding to each time of the day, delicate compositional structure, and an ingenious realization of the text characterize this work, whose musical idiom is at times reminiscent of Haydn. Score and parts available separately - see item CA.3913700.
SKU: CA.3113909
ISBN 9790007208233. Text language: German/English. Text: Rube, Johann Chr.
Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and parts available separately - see item CA.3113900.
SKU: CA.3113509
ISBN 9790007208042. Language: German/English.
Bach composed BWV 135 as the fourth cantata in the second annual cycle of Leipzig cantatas. The hymn Ach Herr, mich armen Sunder was written in the 16th century to the tune of Herzlich tut mich verlangen. The unidentified Leipzig librettist of the 2nd cycle of chorale cantatas made free use of this hymn as the basis of an exemplary cantata text. Score and parts available separately - see item CA.3113500.
SKU: CA.3113809
ISBN 9790007208165. Language: German/English.
Although Warum betrubst du dich, mein Herz (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. In this unusual composition from Bach's first cycle of cantatas, further chorale verses were not paraphrased in the freely-composed sections (as in the chorale cantatas). Instead the chorale occurs in dialog with the recitatives. It assumes the role of the comforter, whilst doubts are expressed through the recitatives. This leads to recitative and chorale being merged into larger movements. In the only aria in the cantata, trust in God finally prevails. The cantata ends with a final chorale verse; in the interludes between the lines, Bach ignites a roaring virtuoso firework display. Score and parts available separately - see item CA.3113800.
SKU: BA.BA05004-01
ISBN 9790006461387. 33 x 26.5 cm inches. Language: German.
SKU: BA.BA05036-01
ISBN 9790006462131. 33 x 26.5 cm inches. Language: German.
SKU: CA.3102613
ISBN 9790007205287. Language: German/English.
Bach's cantata BWV 26 belongs to the Leipzig cycle of chorale cantatas, 1724/25, and it was first performed on 19 November 1724. The underlying 13-vers hymn by Michael Franck provided Bach and his unidentified librettist with an abundance of metaphors and comparisons which, from verse to verse and movement to movement, illustrate the fleeting and transitory nature of earthly life: an impressive musical-poetic exposition of potent baroque pictures of vanity.. Score and part available separately - see item CA.3102600.
SKU: CA.3115513
ISBN 9790007049492. Key: D minor / f major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
Score available separately - see item CA.3115500.
SKU: BA.BA05020-01
ISBN 9790006461813. 33 x 26 cm inches.
SKU: CA.3111319
ISBN 9790007136628. Key: B minor. Language: German/English. Text: Ringwaldt, Bartholomaus. Text: Bartholomaus Ringwaldt.
Score and parts available separately - see item CA.3111300.
SKU: BA.BA05566
ISBN 9790006497331. 33 x 25.5 cm inches. Language: German. Preface: Mario Aschauer. Text: Johann Mayrhofer.
SKU: CA.1036913
ISBN 9790007190545. Key: F major. Language: German/English.
The Bach contemporary Christian August Jacobi is among those composers who made a lasting impression among 18th century Middle German composers, since the influence of the Thomaskantor himself was limited primarily to Leipzig. Jacobi's cantatas are richly varied and they not too difficult to perform. Five of the six movements of the Christmas cantata Also hat Gott die Welt geliebet for soli, choir, strings and basso continuo are based on Luther's Christmas chorale Vom Himmel hoch, da komm ich her, which give the work a traditional character (the text of the first movement is based on the Gospel of St. John). The richly varied instrumentation and alternation between choral movements and duets by the soloists bring to the sound of the cantata a variety which will also be enhanced by the use of the harp (ad libitum). Score and part available separately - see item CA.1036900.
SKU: CA.3111314
ISBN 9790007048433. Key: B minor. Language: German/English. Text: Ringwaldt, Bartholomaus. Text: Bartholomaus Ringwaldt.
Score available separately - see item CA.3111300.
SKU: CA.4005513
ISBN 9790007059392. Key: B flat major. Language: Latin.
The large-scale church works of Wolfgang Amadeus Mozart include, along with his Masses, Requiem and Vespers, his four litanies, all composed in and for Salzburg. The Litany KV 125, dated March 1772, employs the identical text and nine-movement structure als its sister work, the larger-scaled KV 243 of March 1776. Score and part available separately - see item CA.4005500.
SKU: CA.7006513
ISBN 9790007244705. Language: German.
In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.
SKU: CA.2706813
ISBN 9790007199869. Language: Latin.
The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass, presented here in a first edition, represents a high point in this widely disseminated genre. Score and part available separately - see item CA.2706800.
SKU: CA.2705113
ISBN 9790007199487. Language: Latin.
If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score and part available separately - see item CA.2705100.
SKU: CA.3119813
ISBN 9790007210618. Text language: German/English.
Composed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.
SKU: CA.5070513
ISBN 9790007224455. Language: Latin.
After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score and part available separately - see item CA.5070500.
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