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Viola, Piano
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Stationery (18)
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Flexible Instrumentation (14)
Flûte Traversière, Violon, I… (14)
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Lap Steel Guitar (12)
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Solo A, Choeur SATB/SATB, 2 Or… (11)
1 Piano, 6 hands (11)
Clavier Electronique et Ligne … (11)
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Gemischter Chor (SSAATBB) und … (11)
Flute, Basso continuo (11)
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Solistes (STB), Choeur Mixte (… (10)
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Baritone voice (10)
Violin, Basso continuo (10)
String Trio: 2 violins, cello (10)
Solistes SB, Choeur SATB, 2 Ha… (10)
Solistes SAB, Choeur SATB, 4 F… (10)
Organ, Piano (duet) (10)
Paroisse, Choeur SATB, 2 Tromp… (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Solistes SATB, Choeur SATB, 2 … (10)
String Quintet: 2 violins, 2 v… (10)
Saxophone (band part) (10)
Marimba (10)
Clavecin (10)
Solistes SST, Choeur SATB/SATB… (9)
Gemischter Chor (SATB) und Orc… (9)
2 Violons Solo, 2 Violons, Alt… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Solistes SATB, Choeur SATB, Ha… (9)
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Children choir, Instruments (9)
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Solo instrument and Organ (9)
Piano, Guitar (Chords) (9)
Solistes SAB, Choeur SATB, 3 F… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Choeur d'Enfants à 2 Parties … (9)
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Flute Quartet: 4 flutes (9)
Orchestre: Choeur SSA, Flûte … (9)
Conga (9)
Soli (T (Evangelist), B (Jesus… (9)
Lyrics only (9)
Xylophone (9)
:: (9)
Solistes SS, 2 Altos, 2 Violon… (8)
Voice and Orchestra (8)
Piano, Violin, Bandoneon, Guit… (8)
Piano, Bass, Drums (trio) (8)
Solistes SATB, 2 Cors, 2 Violo… (8)
Piano, Guitar (duet) (8)
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Harp, Flute (duet) (8)
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Solistes SSA, Choeur SATB, 2 F… (8)
String Trio: 2 violins, viola (8)
Choeur SSA, 2 Flûtes Traversi… (8)
Petit Orchestre: Récitant, So… (8)
Ensemble (8)
Clarinet Ensemble (8)
Quintette avec Piano (8)
Violin, Horn and Piano (8)
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Bagpipe (8)
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Solistes SSATB, Choeur SSATB, … (7)
Piano, Voice, Guitar tablature… (7)
Flute, Violin, Violoncello and… (7)
Quatuor de Cuivres, Orgue et V… (7)
Clarinette, Basson, Cor, 2 Vio… (7)
Violoncello, Basso continuo (7)
Soli (STB), Gemischter Chor (S… (7)
Flute Trio: 3 flutes (7)
Electric bass, Drums (7)
2 Choeurs Mixtes (SATB Et SATB… (7)
Flute, Piano Trio (bass, drum,… (7)
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Tenor Saxophone and Piano (7)
Violon 1, Violon 2, Alto, Viol… (7)
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Big Note Piano (7)
Chamber Music (7)
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Klavier und Orchester (6)
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Solo S, Choeur SATB, 2 Violons… (6)
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Solistes SATB, Choeur SATB, Pa… (6)
Saxhorn en Sib Basse Continue (6)
Set de Cordes (6)
Violine und Orchester (6)
Lute (6)
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Cello, String Bass (duet) (6)
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Soprano voice, Orchestra (6)
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Piccolo, 2 Flûtes Traversièr… (6)
Hohe Stimme, Melodie-Instrume… (6)
Baryton ou Tuba et Fanfare (6)
Choeur SATB, 2 Violons, Violon… (6)
Petit Choeur SATB et Choeur SA… (6)
Fake Book (6)
Orchestre et Piano (6)
Vibraphone (6)
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Guitar Tab, Voice, Bass, Drum (6)
Guitare Fingerpicking (6)
Ensemble Mixte (6)
Viola, Cello (duet) (6)
Djembe (6)
Trompette en Sib (5)
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Cello Ensemble (5)
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Trio avec Piano (5)
2 Flûtes Traversières, Instr… (5)
Bodhran (5)
English horn, Piano (5)
Clavecin, 2 Flûtes A Bec Et I… (5)
Violon, Viole Et Orchestre (5)
CD (5)
2 Flûtes Traversières, Instr… (5)
Tout Instrument (5)
Solistes (SATB), Choeur Mixte … (5)
Soli (SATB), Chor (SATB) und O… (5)
Soli (AB), Choeur Mixte (SATB)… (5)
Choral SSAATBB, Organ (5)
Solistes SATB, Choeur SATB, 2 … (5)
Voix, Flûte à Bec et Percuss… (5)
Percussions Diverses (5)
Saxophone Baryton (5)
Pocket, Study conductor (5)
Hautbois, Clarinette, 4 Violon… (5)
Viola da Gamba (5)
Tenor Banjo (5)
Treble (Alto) Recorder, Piano (5)
Timpani (5)
2 Violons, Instruments à Cord… (4)
S, A, A, T, B, Choeur Mixte A … (4)
Ensemble A Vent (4)
Violon Ou Flûte, Violoncelle … (4)
Flûte Traversière, Clarinett… (4)
Flûte Traversière Clarinette… (4)
Flûte Traversière, Hautbois,… (4)
ChÅ“ur Mixte [SATB] et Orchest… (4)
Organ, Percussion (4)
Quintette de Cuivres (4)
Flûte et Mandoline (4)
Clarinette, Violoncelle, Percu… (4)
2 Violons, Instruments A Corde… (4)
Basse, Choeur Mixte (SATB), Ha… (4)
Violon, Alto, Violoncelle et C… (4)
Clarinet, Violin, Cello, Piano… (4)
Piccolo, Piano (4)
Violon, Piano, Guitare Basse e… (4)
Saxophone, Band scores (4)
Voix Mixtes SAB et Piano (4)
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Septuor et Dispositif Electroa… (4)
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2 Violons, Alto, Hautbois, Cor… (4)
Sextuor (4)
Guitar, String Quartet (4)
2 Oboes and English horn (4)
Flute, Violoncello (4)
Soli [AT] et Orchestre (4)
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Flûte Traversière, Violon, A… (4)
Guitar and String Quintet (4)
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Trumpet (band part) (4)
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Xylophone or Marimba or Vibrap… (4)
Flûte Traversière Basson et … (4)
Solo à (B), 2 Cors et Orgue (4)
Concert Band / Harmonie (4)
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Violon, Alto, Violoncelle et H… (4)
Baritone Ukulele (4)
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Cornet et Brass Band (4)
Quatuor (4)
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2 Violons Hautbois et Orchestr… (4)
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Tous instruments (4)
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Soli (T (Evangelist), B (Jesus… (4)
Clarinette, Violoncelle et Pia… (4)
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Accessoire (4)
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Fiddle (4)
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Voice Soprano, Cello (3)
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Travaux Pour Choeurs (3)
Basse (3)
Libretto (3)
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Bongos (3)
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2 Violins and Basso (3)
Accordion ensemble (3)
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Clavecin et Instruments à Cor… (3)
Baryton (3)
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Mariachi (3)
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Solistes SATB, Choeur SATB, 2 … (3)
Ligne Mélodique, Paroles Et A… (3)
Hautbois et Cor Anglais (3)
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Piccolo (3)
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Cor en Fa (3)
Concert band, Choral (3)
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Conducteur De Poche (3)
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Trompette et Concert Band ou H… (3)
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DVD concert (3)
Choeur d'Enfants et Piano (3)
Chanson (3)
Clarinet, Bass Clarinet, Violi… (2)
Flûte traversière (2)
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Harpsychord (2)
Saxophone ensemble (2)
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Flute (band part) (2)
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Mallet Percussions (2)
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Carte Postale (2)
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Solo Et 3 Partie(s) Voix Aigue… (2)
SOP/BAR/ENS::Soprano, Baritone… (2)
Soli, Gemischter Chor 1 & 2, … (2)
Choeur SSA Et Percussions (2)
2 Parties Mixtes Et Piano (2)
Accordion, Flute (2)
Viola da Gamba, Basso continuo… (2)
Brass Quartet: 4 horns (2)
Xylophone et Concert Band ou H… (2)
2 Snare Drums (duet) (2)
Trumpet and String Quartet (2)
Orgue Sans Pédale (2)
Section Rythmique (Piano, Guit… (2)
Voix Moyenne(s), 3 Clarinettes… (2)
Parties Supplémentaires (2)
Guitare Tablatures Classique e… (2)
Saxhorn or Euphonium (2)
Clarinette, 2 Violons, Alto e… (2)
Opéra (2)
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Tuba (band part) (2)
Bugle and Piano (2)
Voice, Organ (2)
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Piano (band part) (2)
BAR/STR QUARTET::Baryton, Quat… (2)
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Madrigaux (2)
Soprano, SATB et Orchestre (2)
5-String Banjo (2)
28 Ã 67 Joueurs (2)
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Paroles (2)
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Voix Haute (2)
Mittlere Stimme, Melodie-Inst… (2)
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Choeur SSA, Orgue, (Solistes S… (2)
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E Flat Instruments (2)
Opéra Full Score (2)
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WIND 5TET::Quintette · Vent (2)
Chant et Basse Continue (2)
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2 Orgues (2)
Cor en Mib (2)
Violon I (2)
Guitare Tablatures Electrique (2)
Voix et Piano Réduction (2)
4 Cellos (2)
Treble (Alto) Recorder, Basso … (2)
Drums/Percussion (2)
Flûte Traversière et Piccolo… (2)
Exemplaire Complet (2)
Choral SSATBB (2)
2 Harps (duet) (2)
Piano et Clavier (2)
FLT/VLN/VLA/VLC/PFC::Fl–te T… (2)
Basse Electrique (2)
Voix solo - piano (2)
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William Walton: Viola Concerto: Viola: Instrumental Work
Viola, Piano
Oxford University Press
Reduction for viola and piano-William Walton composed his Viola Concerto in 1928...
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Reduction for viola and piano-William Walton composed his Viola Concerto in 1928-9 and it was given its premiere at a Promenade Concert at Queen's Hall London on 3rd October 1929. In the beginning Viola players adjusted the solo line to fit their own ideas of the work's character and Walton was generally happy to accomodate this. However he came to regard one player's version above all the others for its discipline and balance - that of Frederick Riddle. Riddle's edition was originally published with a Piano reduction of the first Orchestration in 1938 and it is this that forms that basis for the solo line in this edition. This present Piano reduction was made by Geoffrey Pratleyand published in 1993.
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Hugh Wood: Variations Op. 1: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Chester
For Viola and Piano this is the composer's first opused work. Premiered at the ...
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For Viola and Piano this is the composer's first opused work. Premiered at the Wigmore Hall in July 1959 by Cecil Aronowitz and Margaret Kitchen.Wood: In 1957 I knew I had newly discovered the music of Schoenberg and hispupils and I knew at once that they were to show me the way forward for my music; as indeed they have ever since. The revelation was primarily an emotional experience for me and however imperfectly their influence wasreceived it was obviously reflected in the all-out chromaticism (new for me then) in the many chains of twelve notes or lesser chromatic formations (which do not here amount to serial working and have only rarely done sosince) in the characteristic harmonic and rhythmic formations the wide and sometimes angular intervals of the melodies and in general the introverted romanticism. Anyway I knew then that this was the sort of music that Ihenceforth would want to write and so I called these Variations my Opus One.The declamatory Introduction leads into the Theme heard on the viola. Six Variations follow of which No.3 is the most violent and No.4 the mostsustainedly lyrical. The recitative-like sixth variation leads into the Finale a more extended movement. The Theme returning on the piano leads to a climax at which there is a citation from Beethoven’s C minor Variations forpiano. Then their characteristics sequence of chords is heard on the piano as an accompaniment to the final statement of my own theme on the viola in the closing bars of the work.
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Henryk Wieniawski: Reverie: Instrumental Work
Viola, Piano
PWM (Polskie Wydawnictwo Muzyczne)
In addition to the numerous violin pieces in H. Wieniawski's compositional outpu...
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In addition to the numerous violin pieces in H. Wieniawski's compositional output there is only one piee for viola and piano ''Reverie'' which is without opus number. The ''Dream'' ost probably comes from that period when Wieniawski stayed in London (1858-1859) and apart from his regular concert activities took part in chamber concerts which were very popular at that time. During one of the Beethoven-Quartett-Society concerts a quartet of four outstanding virtuosos (Ernst Joachim Wieniawski and Piatti the cellist) performed together. Wieniawski who played the viola on that occasion presumably concluded that there were too few original compositions for thisbeautiful instrument and decided to write a short viola piece himself. He endowed it with a lyrical character and the stamp of fervour characteristic of his other compositions. (S. Kamasa)
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Hugh Colledge Katherine Colledge: Fast Forward: Viola: Instrumental Album
Viola, Piano
Boosey and Hawkes
A third book of 21 pieces for beginner-Fast Forward is the third book of this ev...
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A third book of 21 pieces for beginner-Fast Forward is the third book of this ever popular series containing 21 pieces which help build skills using new finger patterns and varied bowing techniques. Ideal for beginner Viola players with Piano Accompaniment. This is the Viola part only; a separate volume is available which includes the Piano part. This series has been created by Katherine Colledge and Hugh Colledge and edited by Sheila M. Nelson. Note that this is not a book for beginners in the sense that it will teach you how to play theinstrument; it is however a collection of additional pieces for a cellist of beginner standard to learn in order to expand their repertoire. Throughout the book new rhythms and compound times are introduced along with a wider range of expression marks and some varied bowings.
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Max Reger: Klarinettensonate Opus 107: Viola: Instrumental Work
Viola, Piano
G. Henle
Clarinet Sonata op. 107-Just as Johannes Brahms had done with his Opus 120 Rege...
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Clarinet Sonata op. 107-Just as Johannes Brahms had done with his Opus 120 Reger also provided parts for two alternative solo instruments for his Sonata op. 107: 'I will also arrange the clarinet part for viola so that the work can also be played thus'(letter to his publisher). He by no means wanted to leave the arrangement of the viola part to the publisher as slurs had to be changed here and there as well as octave transpositions had to be made - 'only I can do this work!'The viola’s sonorous mid range comes close to that of the clarinet but lends the work its own timbre. Viola players will also value this Urtext edition on account of the practical fingerings and bowing marks.
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Christoph Sassmannshaus Kurt Sassmannshaus Melissa Lusk: Viola Recital Album:
Viola, Piano
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Easy
Barenreiter
First Position - Volume 1-Viola Recital Album Volume 1: 9 Recital Pieces in Firs...
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First Position - Volume 1-Viola Recital Album Volume 1: 9 Recital Pieces in First Position for Viola and Piano or Two ViolasViola Recital AlbumVolumes 1-4 (BA8990-BA8993)These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces are written entirely in first position they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.The piano part may be played by the teacher or an advanced student. Alternatively a secondviola part allows duet playing with the teacher during lessons. The Viola Recital Album Volume 1 can be used as a supplement to the Early Start on the Viola method Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.New pieces to supplement the Sassmannshaus Viola methodAll pieces in first positionInclude an additional viola part for duet version and a piano accompaniment
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More Time Pieces For Viola - Volume 1: Viola: Instrumental Album
Viola, Piano
[Sheet music]
ABRSM Publishing
Music through the Ages-Take a journey through time with More Time Pieces For Vio...
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Music through the Ages-Take a journey through time with More Time Pieces For Viola. These two volumes contain well-crafted arrangements presented in chronological order to take you from the seventeenth century right up to the present day. Â Pieces that regularly feature on the ABRSM Viola syllabus. Invaluable source of recital repertoire. Contrasting styles from Schubert to Stravinsky and from Wagner to Weill. Arrangements that practise the note ranges and keys of the grades. Â Maggy Lamb played the Viola with English National Opera and the Philharmonia Orchestra before taking up the post ofHead of Strings at St Peter’s School in York. She now divides her time between teaching performing and examining. Rachel Meredith is a Bristol University graduate. After a period performing both in the UK and abroad she now teaches upper strings in York. Rachel is also a syllabus selector and examiner for ABRSM.
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More Time Pieces For Viola - Volume 2: Viola: Instrumental Album
Viola, Piano
[Sheet music]
ABRSM Publishing
Music through the Ages-Take a journey through time with More Time Pieces For Vio...
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Music through the Ages-Take a journey through time with More Time Pieces For Viola. These two volumes contain well-crafted arrangements presented in chronological order to take you from the seventeenth century right up to the present day. Â Pieces that regularly feature on the ABRSM Viola syllabus. Invaluable source of recital repertoire. Contrasting styles from Schubert to Stravinsky and from Wagner to Weill. Arrangements that practise the note ranges and keys of the grades. Â Maggy Lamb played the Viola with English National Opera and the Philharmonia Orchestra before taking up the post ofHead of Strings at St Peter’s School in York. She now divides her time between teaching performing and examining. Rachel Meredith is a Bristol University graduate. After a period performing both in the UK and abroad she now teaches upper strings in York. Rachel is also a syllabus selector and examiner for ABRSM.
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Edward Elgar: Canto Populare: Viola: Score and Parts
Viola, Piano
[Sheet music]
-
Intermediate/advanced
Novello & Co Ltd.
According to Elgar the concert overture came to him in a single moment of inspi...
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According to Elgar the concert overture came to him in a single moment of inspiration while visiting Italy with his family in the winter of 1904. It was given its premiere by the Hallé Orchestra in March of that year with the central Viola serenade winning particular acclaim. Elgar then adapted the work as a song then for Viola and Piano and then for other instruments.At the time this piece was written Elgar had achieved universal renown with his Enigma Variations and The Dream of Gerontius and was established not only as a composer at the peak of British music of that time but also as a major Romantic composer. The Italianate rendering of the work is a nod to thepiece?s beginnings on the Adriatic coast. The work is full of the unrequited yearning of Elgar?s lyric work and a very effective sonatina for performance.
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Frank Bridge: 10 Pieces For Viola And Piano-Volume 1 (Nos. 1-5): Viola:
Viola, Piano
[Sheet music]
-
Intermediate/advanced
Thames Publishing
Many of the occasional pieces Bridge wrote in the early part of his career were ...
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Many of the occasional pieces Bridge wrote in the early part of his career were published in versions for violin and piano or cello and piano. Bridge was himself a fine viola player and so it is therefore appropriate that these pieces (in addition to those he wrote specifically for viola and piano) should be published in transcriptions for viola.This volume contains numbers 1 to 5 of a set of ten pieces which have been skilfully transcribed for Viola with Piano accompaniment by Veronica Leigh Hunt.
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Christoph Sassmannshaus Kurt Sassmannshaus Melissa Lusk: Viola Recital Album:
Viola, Piano
-
Easy
Barenreiter
First Position - Volume 3-These volumes contain a wide selection of easy recital...
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First Position - Volume 3-These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces are written entirely in first position they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.The piano part may be played by the teacher or an advanced student. Alternatively a second viola part allows duet playing with the teacher during lessons.The Viola Recital Album Volume 1 can be used as a supplement to the Early Start on theViola method Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.- New pieces to supplement the Sassmannshaus Viola method- All pieces in first position- Include an additional viola part for duet version and a piano accompaniment
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Christoph Sassmannshaus Kurt Sassmannshaus Melissa Lusk: Viola Recital Album:
Viola, Piano
-
Easy
Barenreiter
First Position - Volume 4-These volumes contain a wide selection of easy recital...
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First Position - Volume 4-These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces are written entirely in first position they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.The piano part may be played by the teacher or an advanced student. Alternatively a second viola part allows duet playing with the teacher during lessons.The Viola Recital Album Volume 1 can be used as a supplement to the Early Start on theViola method Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.- New pieces to supplement the Sassmannshaus Viola method- All pieces in first position- Include an additional viola part for duet version and a piano accompaniment
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Georg Philipp Telemann: Viola Concerto In G Major: Viola: Score
Viola, Piano
G. Henle
Piano reduction-Georg Philipp Telemann's Viola Concerto In G Major. Piano reduct...
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Piano reduction-Georg Philipp Telemann's Viola Concerto In G Major. Piano reduction.The Viola is often not credited with being able to take over a soloistic role but this is completely unjust. In 1738 JohannPhilipp Eisel already wrote of the Viola as being the ?very bowels of music? and stressed that it was not only needed to ?flesh out? the Orchestral sound but also as a 'concert voice which is fully proven by the concertos andconcert overtures by the famous Capell-Meister Telemann'.Telemann?s Concerto In G Major is considered to be one of the earliest works for solo Viola and Orchestra and forms part of thecore repertoire for pupils and students. In this Urtext Piano reduction the specialist Kai Köpp has provided information regarding historical performance practice.
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Johannes Brahms: Sonatas In F Minor And E-Flat For Viola: Viola: Instrumental
Viola, Piano
Barenreiter
for Viola and Piano-Brahms had already announced his 'retirement' from compositi...
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for Viola and Piano-Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted Viola parts to his two sonatas. In any case the Viola and Clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms? authorship of the Viola parts. They include important differences fromthe Clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.A pioneering Urtext editionWith an unmarked Urtext partWith a second part including fingering and bowing based on the practices of contemporaries of BrahmsWith an extensive Performance Practice
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César Franck: Sonata: Viola: Instrumental Work
Viola, Piano
Barenreiter
arranged for Piano and Viola-Cesar Franck’s Sonata for Piano and Violin i...
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arranged for Piano and Viola-Cesar Franck’s Sonata for Piano and Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.After Franck’s death in 1890 the original publisher of the Sonata the Parisian house Julien Hamelle announced an arrangement of the work for Viola but it has not been possible to locate any copy of this publication. The present arrangement for Viola is largely based on Jules Delsart’s arrangement for Piano and Cello the onlyversion of the Sonata which the composer authorized. However the Viola part here also adopts extensive passages in their original register or remains in the middle octave especially in those passages where the Cello lies two octaves beneath the Violin.Being set in the alto register the part thus lies between the other two string versions lending the Sonata a delightful hybrid hue beyond the brilliance of the Violin and the sonorousness of the Cello. The Piano part has been left intact and is thus identical to that of the original version.The edition is rounded off by an informative text on the genesis and reception history of the Sonata (Ger/Fr/Eng).
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Frank Bridge: 10 Pieces Volume 2 (Nos. 6-10): Viola: Instrumental Album
Viola, Piano
[Sheet music]
-
Intermediate/advanced
Thames Publishing
Many of the occasional pieces Bridge wrote in the early part of his career were ...
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Many of the occasional pieces Bridge wrote in the early part of his career were published in versions for Violin and Piano and Cello and Piano. Bridge was himself a fine Viola player and it is therefore appropriate that these pieces (in addition to those he wrote specifically for Viola and Piano) should be published in transcription for Viola.This volume contains numbers 6 to 10 of a set of ten pieces which have been skilfully transcribed for Viola with Piano accompaniment by Veronica Leigh Jacobs.
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Pam Wedgwood C. Lumsden: Jackaroo: Viola: Instrumental Tutor
Viola, Piano
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Beginner
Faber Music Limited
Have you ever heard of a Crocodillo Lazy Chimliroo or Fluttering Butterworm - n...
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Have you ever heard of a Crocodillo Lazy Chimliroo or Fluttering Butterworm - not to mention a Pythonippotamus? These are just some of the creatures that feature in Jackaroo an imaginative collection of pieces with a jazzy twist for the absolute beginner viola player. Using only open strings and first finger each piece introduces a new rhythmic or technical point with useful suggestion boxes for the teacher. The addition of words and lively accompaniments by Pam Wedgwood mean that each piece can be sung through first. There’s even the chance to draw your own imaginary animals too inspired by Drew Hillier’s wacky illustrations - how about aSnivelling Skunkpanze? This book will inspire young violists and inject a healthy dose of fun into Viola lessons.
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Williams John - Indiana Jones - Crystal Skull + Cd - Viola And Piano
Viola, Piano
[Sheet music + CD]
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Easy
Alfred Publishing
In the Summer of 2008, the long-awaited Indiana Jones And The Kingdon Of The Cry...
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In the Summer of 2008, the long-awaited Indiana Jones And The Kingdon Of The Crystal Skull hit our cinemas. Filled with the intrigue and drama characteristic of all the classic Indiana Jones films, Harrison Ford once again reprised his role as our adventerous hero. This book includes selections from that film arranged for viola with a fully orchestrated CD accompaniment as well as a piano accompaniment part. The book contains a carefully edited part that is appropriate for the intermediate level player. The CD includes a demo track, which features a live instrumental performance, followed by the play-along track itself. Also included are eight pages of colour photographs from the movie. Raider's March; Marion's Theme; The Adventures Of Mutt; Irina's Theme; The Journey To Akator.
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Nadia Boulanger: Three Pieces For Viola & Piano (Originally For Cello). Sheet Music for Viola Piano Accompaniment
Viola, Piano
Leduc, Alphonse
Nadia Boulanger's Three Pieces for Viola and Piano transcribed from the origina...
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Nadia Boulanger's Three Pieces for Viola and Piano transcribed from the original for Cello. Posterity has retained of Nadia Boulanger only her gifts as a virtuoso of the piano and organ her skill as a conductor (of vocal ensemble and orchestra) and most of all her incredible charisma as a teacher. For nearly sixty years 'Mademoiselle' made the most of her famous Wednesdays bringing rigour and passion to the training of several generations of musicians: among so many others Aaron Copland Leonard Bernstein Igor Markevitch Michel Legrand Witold Lutoslawski Astor Piazzolla Quincy Jones and John-Eliot Gardiner have all kept unforgettable memories of thesetimes.Was Nadia Boulanger wrong to let teaching music take precedence over her composing as Gabriel Fauré the great master she venerated believed? The publication of Three Pieces for Viola and Piano raises the question. This transcription of Three Pieces for cello and piano was composed between 1911 and 1913 and published by Heugel. The two initial pieces were originally written for organ: the first in E flat minor brings a moderate tempo to a melancholy cantilena with Romantic accents while the second in A minor exudes warmth and tenderness. The third piece (C sharp minor) most likely originally titled Danse espagnole heralds the Roaring Twenties with its restlessness and festive crackle. Together they emit a charm that is difficult to resist.
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Dimitri Shostakovich: Sonata For Viola And Piano Op.147: Viola: Instrumental
Viola, Piano
Sikorski
Shostakovich's last work the Sonata For Viola And Piano Op.147 is a superbly c...
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Shostakovich's last work the Sonata For Viola And Piano Op.147 is a superbly crafted Sonata in three movements with unusually a slow Adagio movement for the third. It was dedicated to the violist Fyodor Druzhinin a professor of the Moscow Tchaikovsky Conservatory and a member of the Beethoven String Quartet a renowned Moscow ensemble that played at the premieres of most of Shostakovich’s string quartets. Fyodor Druzhinin and Mikhail Muntyan premiered the Viola Sonata in Leningrad on October 1 1975.The solo Viola part is also included on a separate insert.
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Ouvertüre Zuruslan Und Ludmila- As 3Rd Movement To The Unfinished Sonata In D Minor
Viola, Piano
Hofmeister Musikverlag
The music of Glinka's Ouverture to his opera 'Ruslan and Ludmila? is presented a...
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The music of Glinka's Ouverture to his opera 'Ruslan and Ludmila? is presented as arrangement for viola and piano by Diemut Poppen here. It is a sparkling virtuos little piece for viola and piano in D major that should be played as a last movement to Glinka's Sonata for Viola in d minor but can also be performed separately. / Alto Et Piano
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Sonata Op. 39 (1997)
Viola, Piano
-
Intermediate
Ricordi
Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Ros...
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Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Alto et Piano
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Pyotr Ilyich Tchaikovsky: Melodie: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Viola World
Melodie was originally written for Violin and Piano in 1878 as the third of the...
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Melodie was originally written for Violin and Piano in 1878 as the third of the three Memories that made up the composer’s opus 47. It was dedicated to Brailovo the Ukrainian Country estate where it was finished. Since then it has been re-arranged many times most famously for Violin with Orchestra. This arrangement for Viola and Piano by Alan Arnold is part of the popular Viola World series. Pyotr Ilyich Tchaikovsky (1840 - 1893) is one of the best-known Russian composers in the west. He was the first Russian composer to write in the European style generating criticism from his peers for abandoning the Russian culturalheritage but enjoying acclaim across both Europe and America.
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James Rae: Play It Cool For Viola: Viola: Instrumental Work
Viola, Piano
[Sheet music + CD]
-
Easy
Universal Edition
”Designed for the beginner this collection of pieces provides stimulating...
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”Designed for the beginner this collection of pieces provides stimulating performing material at the easiest possible level. The accompaniments (piano or CD) provide a good solid backing and will inspire the soloist to play with energy and enthusiasm. I have made much deliberate use of the repetition of phrases as I feel that this is the best way for pupils to absorb new rhythms.” James Rae• Performing pieces for the beginner in a variety of styles including Swing Funk Reggae Blues and Latin• Each piece is recorded with a professional soloist for listening and learning. The following track provides the accompaniment minus the solo forplaying along• The versions available for other instruments can all be played together and used as elementary ensemble material• Ideal for group tuition• Pieces from Play it Cool Viola have been set on the new Trinity Guildhall Examination Syllabus 2007 for Viola Grades 1 and 2
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Romanian Folk Dances (BARTOK BELA)
Viola, Piano
[Sheet music]
Universal Edition
Par BARTOK BELA. The ?Romanian Folk Dances? are undoubtedly among the most popul...
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Par BARTOK BELA. The ?Romanian Folk Dances? are undoubtedly among the most popular works of Bartók. The earliest version is for piano (1915) and was published by Universal Edition in 1918; arrangements for many other instruments followed. Now the internationally successful violist Kim Kashkashian presents her arrangement for viola and piano. Proof that Bartók?s dances are also perfectly accentuated by the warm sound of the viola. (After the transcription for violin and piano by Zoltán Székely, UE 8474)/ Répertoire / Alto et Piano
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Little Pop Music Vap (SCHMITZ MANFRED)
Viola, Piano
[Sheet music]
AMA Verlag
27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFR...
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27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Pop & rock / Recueil / Alto et Piano
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