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Ward
CORNET
Violin and Piano
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Sur 4 Cordes (TWARDOWSKI)
Violin and Piano
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par TWARDOWSKI. / Répertoire / Violon et Piano
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La Capricieuse - Op. 17
Violin and Piano
Schott
Edward Elgar écrivit grandes oeuvres symphoniques pour instruments solistes ave...
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Edward Elgar écrivit grandes oeuvres symphoniques pour instruments solistes avec accompagnement d'orchestre, mais aussi des oeuvres de musique de chambre et des oeuvres occasionnels, en particulier pour le violon: pour 'Salut d'amour' par exemple ou 'Chant de nuit'. Cette série comprend aussi 'La Capricieuse', composé en 1891. Le violoniste formé Elgar a su écrire un caprice, ou un morceau de musique même 'irascible', qui est à la hauteur du nom de 'Capricieuse'. Bien que la charmante miniature ne peut pas rivaliser avec la popularité de 'Pomp and Circumstance', on peut difficilement imaginer un plus drôle que ce réglage. Virtuose goody 'comme une pièce rappel après une soirée de concert difficile / Violon Et Piano
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Chanson de nuit, Chanson de matin op. 15 pour violon et piano (ELGAR EDWARD)
Violin and Piano
[Sheet music]
G. Henle
Par ELGAR EDWARD. Comme Salut d?amour, les deux Chansons font partie des mélodi...
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Par ELGAR EDWARD. Comme Salut d?amour, les deux Chansons font partie des mélodies les plus populaires d?Elgar. La rêveuse Chanson de nuit et son gai pendant, Chanson de matin, sont fréquemment jouées ensemble. De ce fait, il paraît presque incongru qu?Elgar ait achevé la Chanson de nuit en tant que pièce isolée en octobre 1897 et qu?il l?ait proposé peu de temps après à son éditeur, Novello, en vue d?une publication. La Chanson de matin ne suivit qu?un an et demi plus tard; Elgar révéla à Novello à cette occasion que «mon esquisse (que j?ai retrouvée la semaine dernière, et complétée depuis) m?a apporté la preuve que cette pièce devait former un diptyque avec celle que vous avez déjà en votre possession». Nous avons ici deux indémodables du répertoire pour violon, faciles à maîtriser sur le plan technique, édités d?après les éditions originales et pourvus de doigtés par le violoniste anglais et spécialiste d?Elgar Rupert Marshall-Luck. / Date parution : 2022-01-18/ Répertoire / Violon et Piano
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Fantasia (VERHEYDEN EDWARD)
Violin and Piano
[Sheet music]
Metropolis Music Publishers
Par VERHEYDEN EDWARD. / Répertoire / Violon et Piano
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To A Wild Rose Op. 51/1
Violin and Piano
[Sheet music]
Schott
Le compositeur et pianiste américain Edward MacDowell (1860-1908) est pratiquem...
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Le compositeur et pianiste américain Edward MacDowell (1860-1908) est pratiquement inconnu chez nous, même si son art a pris racine ici : il reçut sa formation pianistique à Paris, Stuttgart, Wiesbaden et Francfort. Retourné dans son pays, il y travailla / Violon Et Piano / 6 pages / niveau : Facile à Intermédiaire / Partition
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La Capricieuse Op. 17 (ELGAR EDWARD)
Violin and Piano
[Sheet music]
Breitkopf & Härtel
Par ELGAR EDWARD. / Répertoire / Violon et Piano
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Salut D'Amour Op. 12/3
Violin and Piano
Schott
Edward Elgar composé le ' I love vous carte ' 1888 comme petit Gegengabe pour u...
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Edward Elgar composé le ' I love vous carte ' 1888 comme petit Gegengabe pour un soi écrit le poème avec sa future femme auparavant avait surpris lui. La mélodie délicieuse peut avoir encouragé probablement elle dans son amour, parce que peu de choses a donné plus tard eLg / Violon Et Piano
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Step It Up! (with CD) (CHAMBERLAIN LOUISE)
Violin and Piano
[Sheet music + CD]
Alfred Publishing
Par CHAMBERLAIN LOUISE. Step It Up! is the fun way to move your playing onwards ...
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Par CHAMBERLAIN LOUISE. Step It Up! is the fun way to move your playing onwards and upwards. Packed full of original jazzy pieces by Louise Chamberlain - with imaginative arrangements of well-known tunes, unaccompanied pieces and duets too - this carefully graded volume for violin also includes a CD of groovy backing tracks. So whether practising at home or performing to your friends, take your playing to another level with Step It Up! - and prepare to step up a grade at the same time! Pamela Wedgwood writes as Louise Chamberlain for the Step It Up! series. She is recognised around the world as one of the UK's most prolific and successful composers of popular repertoire for young instrumentalists. Â **ABRSM selected piece (Violin 2008-2011): Be thou my vision (Anon.) / Instrumental Music / Etude / Violon et Piano
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Helen Grime: Romance for Violin and Piano: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Chester
'Romance for violin and piano is a short reflective piece that exploits the lyr...
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'Romance for violin and piano is a short reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'???????????? - Helen GrimeBorn in 1981 Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07 Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison Michael Gandolfi Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO London Symphony Orchestra BCMG Britten Sinfonia BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding Oliver Knussen Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Hall? from the
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Louise Chamberlain: Step It Up! Violin: Violin: Instrumental Album
Violin and Piano
[Sheet music + CD]
-
Easy
Faber Music Limited
Step it up! is the fun way to move your playing onwards and upwards...Packed ful...
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Step it up! is the fun way to move your playing onwards and upwards...Packed full of original jazzy pieces by Louise Chamberlain - with imaginative arrangements of well-known tunes unaccompanied pieces and duets too - this carefully graded volume also includes a CD of groovy backing tracks. So whether practising at home or performing to your friends take your playing to another level with 'Step it up!' - and prepare to step up a grade at the same time!
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Jigs Reels & Hornpipes: Violin: Mixed Songbook
Violin and Piano
Boosey and Hawkes
Complete Edition ( Violin And Piano )-Edward Huws Jones’ popular series of...
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Complete Edition ( Violin And Piano )-Edward Huws Jones’ popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band. The violin edition includes optional easy violin part and guitar chords whilst the complete edition also includes both keyboard and violin accompaniments. Either format is highly flexible which means themusic can be played as solos duets or trios as well as with larger ensembles. Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.
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Jones: The American Fiddler (New edition): Violin: Instrumental Album
Violin and Piano
[Sheet music + CD]
Boosey and Hawkes
Edward Huws Jones’ popular series of traditional fiddle repertoire now av...
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Edward Huws Jones’ popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band.The violin edition includes optional easy violin part and guitar chords whilst the complete edition also includes both keyboard and violin accompaniments. Either format is highly flexible whichmeans the music can be played as solos duets or trios as well as with larger ensembles.Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.
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The Celtic Fiddler (Neuausgabe): Violin: Instrumental Album
Violin and Piano
[Sheet music + CD]
Boosey and Hawkes
Edward Huws Jones’ popular series of traditional fiddle repertoire now av...
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Edward Huws Jones’ popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band.The violin edition includes optional easy violin part and guitar chords whilst the complete edition also includes both keyboard and violin accompaniments. Either format is highly flexible whichmeans the music can be played as solos duets or trios as well as with larger ensembles.Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.
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The Ceilidh Collection: Violin: Score
Violin and Piano
[Sheet music + CD]
Boosey and Hawkes
Complete Edition- Edward Huws Jones’ popular series of traditional fiddle ...
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Complete Edition- Edward Huws Jones’ popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band. Â The violin edition includes optional easy violin part and guitar chords whilst the complete edition also includes both keyboard and violin accompaniments. Eitherformat is highly flexible which means the music can be played as solos duets or trios as well as with larger ensembles. Â Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.
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The Klezmer Fiddler: Violin: Instrumental Album
Violin and Piano
[Sheet music + CD]
Boosey and Hawkes
The Klezmer edition from Edward Huws Jones’ popular series of traditional ...
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The Klezmer edition from Edward Huws Jones’ popular series of traditional fiddle repertoire now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations the new audio resource will aid and inspire your private practice and public performance alike. These generous collections of authentic music some familiar some more exotic but all of it faithfully arranged enable you to create your own ceilidh bluegrass club or charanga band. The Violin edition includes optional easy Violin part and Guitar chords whilst the complete edition also includes both Keyboard and Violinaccompaniments. Either format is highly flexible which means the music can be played as solos duets or trios as well as with larger ensembles. Edwards Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance.
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Fun-tasto: Reflection and Exhilaration
Violin and Piano
[Sheet music]
EMB (Edition Musica Budapest)
for violin and piano. Par THOMAS KORNEL. Kornel Thomas (*1986) studied compositi...
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for violin and piano. Par THOMAS KORNEL. Kornel Thomas (*1986) studied composition with László Draskóczy in Budapest, and conducting with Mark Stringer in Vienna. His works were awarded, among others, at the 2023 5th Zodiac International Music Competition, and the 2020 MUPA Composers Competition. As a conductor, he made his debut with the Hungarian State Opera in 2021. 2017-2020 he was assistant conductor of Savaria Symphony Orchestra. By incorporating a diverse range of musical genres, his aim is to connect with a wide spectrum of music enthusiasts. Many of his works delve into the intricate realm of mental health. Reflection and Exhilaration were awarded the second prize at the 2022 Béla Bartók World Competition and was chosen as obligatory piece of the 2023 Béla Bartók World Competition for violin. The two movements represent opposite moods, but they have in common the simplicity and effectiveness of the melodic invention, as well as the rhythmic sophistication, which also refers to the Bulgarian rhythms known from Bartók. / Date parution : 2023-07-31/ Répertoire / Violon et Piano
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violin and Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
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G.H. Fiocco: Allegro for Violin and Piano G Major: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Barenreiter
The series 'Bärenreiter?s Concert Pieces' presents a new edition of Allegro in ...
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The series 'Bärenreiter?s Concert Pieces' presents a new edition of Allegro in G by Joseph-Hector Fiocco.All editions contain a solo violin part and a piano part for the piano accompanist. The series is edited by Kurt Sassmannshaus the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition. His forewords introduce these little gems and include tips for successful first concerts. These editions form an ideal continuation of the Sassmannshaus violin school tradition and can be used in parallel from the third volume onwards or alongside any violin method. The series will be continued andwill introduce students to more demanding repertoire with a gradually increasing level of difficulty.
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