Learn the art of jazz vocal improvisation! This book will help you hear, understand and apply jazz theory so that you can solo as a complete musician?in the same way that instrumentalists do. Each lesson offers a core musical concept related to harmony, melody, and rhythm, integrating skills such as conducting and analysis. All concepts are reinforced with practical exercises. The accompanying audio tracks demonstrate techniques and let you practice improvising along with a piano accompaniment.
You will learn to:
Develop your sense of timing and swing
Understand jazz harmony, such as tensions and non-diatonic chords, as well as chord progressions such as II V and cycle V progressions, and use harmony as your basis for creating expressive solos
Navigate song forms, such as AABA, blues forms, turnarounds, and other common jazz structures
Improve your ear for jazz harmony through studying intervals and chord progressions, and by memorizing emblematic jazz melodic patterns
Create expressive vocal lines that work well over jazz chords and integrate well within the context of a jazz ensemble
?Mili Bermejo?s Vocal Jazz Improvisation is the most comprehensive vocal book I have ever seen on improvisation. Her years of research and her wisdom and artistry leave no stones unturned. I would recommend this book to instrumentalists as well, to develop their ears and breadth of expression.?
?Jerry Bergonzi, Jazz Saxophonist, Composer, Author, Educator

?I have been a huge fan of Mili as an artist for many years now, and have admired her impeccable skills as a teacher for just as long. Seeing Mili perform in duo with Dan Greenspan is one of the great wonders of the world. They make voice and bass seem like an orchestra, harmonically rich and complete, and emotionally compelling. How lucky for us that Mili has written a book on improvisation from her own assured and gracious vantage point. Her approach is accessible, organic, personal, and best of all, inspiring! She takes the fear factor out and provides tools to make improvisation a truly creative and joyful experience.?
?Peter Eldridge, Jazz Singer, Pianist, Composer (New York Voices)

?Creating awareness is at the core of this beautiful material that was very much needed in the vocal jazz field. Here is a book with clever, effectively organized information for all vocalists to develop a practical framework that covers the foundation to find confidence, strength and ultimately freedom as a vocal improviser.
Mili?s music speaks to the heart, overflowing with humanity, joy, and compassion, and this book does the same. Mili traces a clear path, guiding us step by step along the way. She draws on her own experience, which I must say reflects all vocalists? experience, as we walk this fascinating journey of jazz singing.?
?Magos Herrera, GRAMMY-nominated Jazz Singer

?How lucky for all of us that Mili Bermejo put her decades of experience and skill as both performer and teacher into this book. What a gift! Thank you, Mili.?
?Tierney Sutton, Multi-GRAMMY Nominated Jazz Singer
/ Méthodes et pédagogie / Chant / / BERKLEE

A collection of expertly crafted Folk Songs for Solo Singers arranged for Medium Low Voice and Piano accompaniment. Volume 1 includes eleven favourite folk songs arranged by some of Alfred's finest writers such as Philip Kern Jay Althouse and Carl Strommen.

Sing! is a complete programme of effective and efficient Vocal Warm-ups suitable for all styles of singing. Also featuring a download card that gives you access to online audio and spokeninstructions so that your voice will be in the best shape possible for any performance.   Written by an accomplished world-class vocal coach with around 30 years experience working with singers in amultitude of genres and styles Sing! Vocal Warm-ups will explain the science behind the intricacies of the human voice while providing you with 39 exercises to help you warm up your voice as effectively aspossible reducing the risk of frustrating strain or injury.    Whether you're a smooth jazz singer a powerful rock belter or a folk crooner this book will allow you to refine various vocaltechniques encouraging you to learn how to protect your voice and prepare it for making the best possible performance. The convenient book will take you through different regimes getting you to sing well low supported long freely and clearly with each one focusing on a different aspect of your voice and your singing technique. You can use the exercises to plan your own warm-up routine or just work your way though.   Using the audio examples provided on the practical and useful download card you will be encouraged to participate as you might in a live warm-up session. The spoken instructions will guide you through while you'll be ableto sing along to the music or just familiarise yourself with each exercise before you try it out for yourself. The logical layout and authoritative exercises make Sing! an essential tool for singers of anystyle to learn how to properly warm-up.   Written by author Paul Knight who has been a vocal coach for over thirty years each exercise has been expertly-crafted to be a perfect way to warm-up your

14 of the greatest standards ever written now in keys specifically designed for singers. Includes a book and 2 CDs - one CD for high voice and the other CD for low voice - so all singers, men and women, can find a key comfortable for their personal range. The book includes all of the songs written in both keys with lyrics clearly notated over the melody line. Rhythm Section: Steve Allee (p); Tyrone Wheeler (b); Jonathan Higgins (d). Songs and Keys (High/Low): You'd Be So Nice To Come Home To (Bb,G-/G,E-) I've Got You Under My Skin (Db/Bb) What Is This Thing Called Love? (Bb/G) Night And Day (D/C) Love For Sale (Ab-/F-) Just One Of Those Things (Eb/C) In The Still Of The Night (Eb/C) I Love You (Eb/C) I Concentrate On You (D/C) Get Out Of Town (G/Eb) From This Moment On (F/Eb) Easy To Love (G/Eb) At Long Last Love (Bb/G) All Of You (Eb/Bb)

Understanding the Psychology Relationships and Technology in Recording and Live Performance-To be a great singer talent and technique are obviously important as are having excellent songs and being able to move an audience. But there's more to it than that including two critical skills that are rarely if ever addressed in vocal training: managing the technology on stage and in the studio and interacting with the people who run it. No matter how fantastic your voice is or how much money is behind you if you don't know how to work with performing and recording technology you're in for a tough ride. Countless phenomenal singers stagnate professionally and even leave the business because they can't figure out how to deliver when using studio headphones and stagemonitors or how to communicate their needs to producers and engineers. And many less-capable singers get ahead because they can. The Art of Singing on Stage and in the Studio is the only book that comprehensively addresses these critical issues in an easy-to-read accessible style. Starting with a discussion of the evolution of technology and the voice in our culture it also explores the root causes of anxiety-related performance issues and more importantly how to overcome them. Singers performers producers and engineers will all come away from this book more knowledgeable about the origins of their fields empowered in the tools of their trade and clearer on how to best communicate with one another.

Don't read notes read patterns of sound! This unique sight reading course for treble voices in elementary and early middle school does just that! Patterns Of Sound uses excellent voice leading careful sequencing and musically interesting exercises that can be combined to strengthen part singing pitch relationships and to develop rhythmic independence. Volume 1 starts from square one assuming no previous training with exercises that are so carefully sequenced that the students are quickly singing four-measure phrases and eight measure songs in two parts and finding it easy! Students are introduced to notes rests meter pitch and unison/2-part songs in Vol. 1 andcontinue in Vol. 2 with dotted rhythms & syncopation keys & key changes and more 2-part songs. Use it every day and watch your students' confidence level grow! Available: Teacher's Edition (Vol.1) Student Edition (Vol.1) CD (Vol.1) Teacher's Edition (Vol.2) Student Edition (Vol.2). Recommended for Grades 3-8.

Teachers Edition. Don't read notes read patterns of sound! This unique sight reading course for treble voices in elementary and early middle school does just that! PATTERNS OF SOUND uses excellent voice leading careful sequencing and musically interesting exercises that can be combined to strengthen part singing pitch relationships and to develop rhythmic independence. Volume 1 starts from square one assuming no previous training with exercises that are so carefully sequenced that the students are quickly singing four-measure phrases and eight measure songs in two parts and finding it easy! Students are introduced to notes rests meter pitch and unison/2-partsongs in Vol. 1 and continue in Vol. 2 with dotted rhythms & syncopation keys & key changes and more 2-part songs. Use it every day and watch your students' confidence level grow! Available: Teacher's Edition (Vol.1) Student Edition (Vol.1) CD (Vol.1) Teacher's Edition (Vol.2) Student Edition (Vol.2). Recommended for Grades 3-8.

A Brown Bird Singing (published in 1922) is second only to the Roses of Picardy in popularity among Wood’s vast oeuvre. With lyrics by composer Royden Barrie the romantic words are well matched to the touching melody. The songhas been recorded many times since it appeared including a version by jazz songstress Peggy Lee and one arranged for zither.Haydn Wood earned his reputation as a giant of British light music in the twentieth century through aprolific career that encompassed performance as Violin soloist and conductor and as well as composer of some of the nation’s favourite melodies. Wood was not only was a gifted and popular creator of Orchestral works and musicaltheatre but also the composer more than 200 songs in his lifetime -- perhaps inspired by his long and happy marriage to singer Dorothy Court -- many of them the greatest hits of their era. This sheet music presents A Brown BirdSinging arranged in A Flat for Vocal Duet SA or TB and Piano.

Jazz Warm-ups And Vocalises is a perfect set of warm-ups for the vocal jazz ensemble that's designed to enhance and stimulate the growth of each member's vocal and choral ability.Thinking of the warm-up as a 'mini voice lesson ' you can reinforce concepts with consistent encouragement criticism problem-solving and praise. This practical volume will help the conductor provide purposeful leadership and develop artistry in each individual through exercises that build styles such as Swing Latin and Rock using solfége and scat syllables as well as tone and blend in ballad style. Each exercise includes a notated keyboard accompaniment with multiplemodulations and professional recordings of a rhythm section and singers performing each drill on the enclosed CD.

Teaching Harmony with Multicultural Rounds and Canons-From the campfire to the concert hall singing in rounds and canons is one of the most enjoyable experiences for singers of all ages. As music teachers we know that successful harmony doesn't just happen. It occurs over time with lots of practice and encouragement.This collection of rounds and canons is a sequential repertoire of kid-tested no-fail songs to guide students through that developmental process of ?finding their voices? in successful harmony. It includes movement and percussion echoes rounds and canons; speech canons; call and response songs; and song rounds and canons. ROUND the World is also a multicultural collection so thatstudents can experience the music of their world brothers and sisters and have a greater understanding of their cultural stories and traditions.?The Teacher Edition features reproducible song melodies with chord symbols song background performance tips piano/vocal arrangements and a variety of reproducible classroom instrument parts for accompanying options. The Performance/Accompaniment CD is available separately or in a Classroom Kit with the Teacher Edition for more budget-saving value! Available separately: Teacher Edition (HL09971739) Performance/Accompaniment CD (HL09971740) and Classroom Kit (Teacher and P/A CD). Suggested for grades 2-5.

G F Handel (1685-1759) was a German-born British composer and organist who spent his life working in London. He is credited with popularising opera and oratorio in Britain both importing Italian works and composing his own. Twelve Songs From The Oratorios have been edited by Alberto Randegger and are scored for Baritone or Bass with Piano accompaniment. It contains 12 airs from popular works such as Messiah Judas Maccabaeus and Samson and 8 of their associated recitatives. This is the perfect collection for any Bass or Baritone looking to expand their repertoire or for any Handel fan who wants todiscover more of his songs. 

Daedalus Remembers is the third part in a trilogy called 3 for Icarus. Daedalus was Icarus' father and a famous craftsman. He once forged a magic sword for Peleus which had a property of making its owner victorious inbattle and he also created the labyrinth of King Minos of Crete in which the Minotaur (half bull half man) was imprisoned. The second part of the trilogy is entitled Minotaur Games after Troy games a kind of labyrinthine danceinvolving cords (Ariadne’s thread?).At one point in the myth Daedalus and Icarus are also imprisoned in the labyrinth. They escape by means of wings which Daedalus has made from feathers and wax. Sadly despite his father’swarnings Icarus flies too close to the sun in a fit of hubris and the wings melt causing him to plunge to his death. Daedalus alights safely on a beach in Sardinia and after he has collected his thoughts remembers his son’sfall and scenes from his own past life. Have the gods paid him back for the death of his nephew Talos whom Daedalus killed in a fit of jealousy by pushing him off the top of a temple in the Acropolis? Daedalus rants and sorrows dark memories nag persistently.Daedalus Remembers is scored for solo cello with flugelhorn two horns percussion cimbalom harp three violas four cellos and two double-basses.

Compiled by Ron Middlebrook. Cowboys have always held a special place in the hearts and imaginations of Americans. Images of riding bravely and happily into the sunset fending off dangerous enemies and singing around the campfire evoke a sense of pride and respect for a lifestyle nearly forgotten in this age of progress. Relive the days of the cowboys bringing the herds home in this interesting compilation of facts and music. 53 songs celebrate the life and times on the range by such noted writers as Doc Denning Chris LeDoux Rusty Richards Roy Rogers Jr. and others. Their music is an actual view into their daily adventures tribulations and entertainment. This uniquepublication also features articles on black cowboys cowgirls cowboys' Spanish ancestry and more.