Zweistimmige Organa und Motetten des 14. Jahrhunderts. Das Erbe Deutscher Musik VII/10 und 11. / Mottet / Recueil / Voix

Learn the art of jazz vocal improvisation! This book will help you hear, understand and apply jazz theory so that you can solo as a complete musician?in the same way that instrumentalists do. Each lesson offers a core musical concept related to harmony, melody, and rhythm, integrating skills such as conducting and analysis. All concepts are reinforced with practical exercises. The accompanying audio tracks demonstrate techniques and let you practice improvising along with a piano accompaniment.
You will learn to:
Develop your sense of timing and swing
Understand jazz harmony, such as tensions and non-diatonic chords, as well as chord progressions such as II V and cycle V progressions, and use harmony as your basis for creating expressive solos
Navigate song forms, such as AABA, blues forms, turnarounds, and other common jazz structures
Improve your ear for jazz harmony through studying intervals and chord progressions, and by memorizing emblematic jazz melodic patterns
Create expressive vocal lines that work well over jazz chords and integrate well within the context of a jazz ensemble
?Mili Bermejo?s Vocal Jazz Improvisation is the most comprehensive vocal book I have ever seen on improvisation. Her years of research and her wisdom and artistry leave no stones unturned. I would recommend this book to instrumentalists as well, to develop their ears and breadth of expression.?
?Jerry Bergonzi, Jazz Saxophonist, Composer, Author, Educator

?I have been a huge fan of Mili as an artist for many years now, and have admired her impeccable skills as a teacher for just as long. Seeing Mili perform in duo with Dan Greenspan is one of the great wonders of the world. They make voice and bass seem like an orchestra, harmonically rich and complete, and emotionally compelling. How lucky for us that Mili has written a book on improvisation from her own assured and gracious vantage point. Her approach is accessible, organic, personal, and best of all, inspiring! She takes the fear factor out and provides tools to make improvisation a truly creative and joyful experience.?
?Peter Eldridge, Jazz Singer, Pianist, Composer (New York Voices)

?Creating awareness is at the core of this beautiful material that was very much needed in the vocal jazz field. Here is a book with clever, effectively organized information for all vocalists to develop a practical framework that covers the foundation to find confidence, strength and ultimately freedom as a vocal improviser.
Mili?s music speaks to the heart, overflowing with humanity, joy, and compassion, and this book does the same. Mili traces a clear path, guiding us step by step along the way. She draws on her own experience, which I must say reflects all vocalists? experience, as we walk this fascinating journey of jazz singing.?
?Magos Herrera, GRAMMY-nominated Jazz Singer

?How lucky for all of us that Mili Bermejo put her decades of experience and skill as both performer and teacher into this book. What a gift! Thank you, Mili.?
?Tierney Sutton, Multi-GRAMMY Nominated Jazz Singer
/ Méthodes et pédagogie / Chant / / BERKLEE

Description Margaret Hamilton. This unique collection of songs from South Africa contains 35 songs of the people, performed in churches, workplaces and at gatherings. This book provides the first opportunity for churches, schools and colleges to perform these wonderful songs of liberation and Christian praise. Transcribed and introduced, including performance notes, by Maggie Hamilton and written for unaccompanied voices with guitar symbols for use with unison or two-part singing. The simplicity of many of the tunes and remaining parts makes them suitable for playing on glockenspiels, recorders or other melodic instruments. Published by Novello in association with Christian Aid. Songlist A Ndi Bonanga Umfana (I Did Not See The Shepherd) Abasundu Nabamhlope (Blacks And Whites) Afika Baba Mandela Daai Stones (Those Stones) Ehlatin'e Lusaka (In Lusaka Bush) Hamba Kahle (Go Well) Hamba Vangeli (Spread The Word) Hayo O Tshwanang Le Yena (There's No-one Like Him) Inzima Lendlela (This Road Is Heavy) Klim Op Die Wa (Get Onto The Wagon) Lerato Ia Jeso Le A Makatsa (The Love Of Jesus Is Wonderful) Mandela Prescribes For Freedom Mandela Wethu (Our Mandela) Manyanani Basebenzi (Workers Unite) Monateng Kapele (In Joy We Will Be Together) Nkosi Sikelel' Iafrika (Lord Bless Africa) Organize And Mobilize Parna Junda (The Flag) Release Mandela Rolihlahla Mandela Say'ilim Ingqolowa (We Are Ploughing Wheat) Senzenina (What Have We Done?) Siku Rin Gwana (One Day) Siyay Epitori (We Are Goin To Pretoria) Songena Sirubuluza (We Enter Crawling) Stop Killing Our Children Studente Sal Nooit Verloor (Students Will Never Lose) Thula Sizwe (Be Silent, Nation) Thuma Mina (Send Me) Tshollela Moya Wa Hao, Jesu (Pour Down Your Spirit, Jesus) Tumelo Yaka Ha Nkeke Ka E Lathla (My Faith, I Will Never Lose It) Umzabalazo (We Are The Woman) Uthando Lwakhe (God's Love) We! Mshlamane Uzungakholwa (Hey! My 'Friend', Don't Foget)

Le Singin' with the Jazz offre une variété de 10 grands standards pour le chanteur solo avec un combo de neuf ou dix pièces --- idéal pour le chanteur qui a besoin d'arrangements pour un petit ensemble. L'instrumentation combo est trompette, sax alto, saxophone ténor, trombone, guitare, basse, drumset, et le piano avec des indices conducteurs pour les cornes. Une partie de baryton sax option ajoute de la couleur et de la texture supplémentaire. Superbement organisé par Dave Wolpe, les chansons sont dans une variété de styles et de tempos pour offrir une flexibilité dans tous les milieux musicaux. / Voix

Par BYRD WILLIAM. SSAAAATTBB and Organ Edited by Craig Monson/ Répertoire / Voix

Technique De La Voix Parlée Et Chanté. Par MANSION M.. Un livre sur le chant que chacun peut comprendre. Déscription et fonctionnement du mécanisme de la voix, contôle de la respiration, position et fonction des organes de la bouche, émission du son, articulation et diction, hygiène physique et psychique du chanteur, le trac, la voix parlée, enseigner le chant, la spiritualité du chant et de exercices de mise en application. Autant de thèmes traités qui font de ce livre une référence en matière d'étude du chant./ Etude / Voix