SKU: CA.1280600
ISBN 9790007099442. Language: German. Text: Mohr, Christoph. Text: Christoph Mohr.
King Punimo is a king who is never satisfied with the weather, and buy other weather for himself. However, the plants, animals, and his people are dissatisfied with the weather bought by the king. Finally, he realises that it is better not to try to influence the weather. Musically, the ballad is based on a Rhumba, and with its half-tone rise each verse it is 'nicely done'. (Wurtt. Blatter fur Kirchenmusik 2/98).
SKU: CA.1280611
Language: German. Text: Mohr, Christoph. Text: Christoph Mohr.
King Punimo is a king who is never satisfied with the weather, and buy other weather for himself. However, the plants, animals, and his people are dissatisfied with the weather bought by the king. Finally, he realises that it is better not to try to influence the weather. Musically, the ballad is based on a Rhumba, and with its half-tone rise each verse it is 'nicely done'. (Wurtt. Blatter fur Kirchenmusik 2/98). Score and part available separately - see item CA.1280600.
SKU: CA.1280605
ISBN 9790007099459. Language: German. Text: Mohr, Christoph. Text: Christoph Mohr.
King Punimo is a king who is never satisfied with the weather, and buy other weather for himself. However, the plants, animals, and his people are dissatisfied with the weather bought by the king. Finally, he realises that it is better not to try to influence the weather. Musically, the ballad is based on a Rhumba, and with its half-tone rise each verse it is 'nicely done'. (Wurtt. Blatter fur Kirchenmusik 2/98). Score available separately - see item CA.1280600.
SKU: XC.SATB1903
UPC: 812598030747. 6.75 x 10.5 inches.
With a hauntingly beautiful original text, The Sunrise Will Come is the perfect piece to showcase lyrical delivery and phrasing. The song's minor key paired with the hopeful lyric creates a sense of forward leaning, satisfied at the close of the piece with a Picardy third. Interesting harmony, satisfying (yet accessible) divisi, a gorgeous a cappella section, and a stunning soprano highlight in the final moments of the piece set it apart, making it an excellent choice for an intermediate-advanced group's concert or festival selection.
SKU: HL.14014459
In its original form the Suite was written in answer to a commission from the Farnham Festival and was first performed on 11 May 1971. I was, however, not entirely satisfied with it and did not pass it for publication until 1982, when I revised it in considerable detail. In its revised form it was first performed on 18 June, 1983, at Monash University, Melbourne. The music requires little explanation. The titles of each of the five movements indicate their character: 'Fanfare'; 'Dance', which has Elizabethan overtones; 'Popular Song', which explores jazz rhythms and harmonies; 'Ceremony' - a solemn chorale; and 'Finale', a light-hearted Rondo with fugal touches. The overall intention is simply to entertain both the players and their audiences.
SKU: BR.SON-634
ISBN 9790004803691. 9 x 12 inches.
Sibelius's oeuvre contains four string quartets. They appeared over a long time span and in different phases of his professional career. Most of his early compositions were chamber music, and he composed his three earliest quartets (in E flat major (JS 184, 1885), A minor (JS 183, 1889), B flat major (Op. 4, 1890)) around his study years. They remained unprinted during his lifetime, and the string quartet in E flat major was also not performed in public. The quartet in D minor Voces intimae op. 56, on the other hand, was completed in London in the spring of 1909, and Sibelius wrote to his wife Aino: It became wonderful. Just the kind that raises a smile on one's face even at the moment of death. Voces intimae was published in the same year. Even later, Sibelius seemed to be very satisfied with his composition, for he wrote in his diary: It is generally claimed to be my best work. I do not think quite that, but it does belong among my best ones..
SKU: GI.G-1087
UPC: 785147008729.
This incredible group, on their self-titled first recording, melds the finest choral technique with true depth of emotion, creating a not-to-be-missed listening experience. Recorded just days before COVID-19 abruptly altered the semester at Oakwood University and released in the midst of the pandemic, coupled with heightened racial tensions across the U.S. and beyond, The Aeolians seeks to bring hope to so many who are in need. Conductor Jason Max Ferdinand writes, “You, our audience should be provoked, challenged, and leave with optimism—the type of optimism that Mahatma Gandhi and Martin Luther King possessed. We, the Aeolians, are no longer satisfied with solely displaying musical prowess. Coupling hope with mastery could be the combination that produces uncompromising societal transformation. We have programmed this music, hoping to appeal to the mind, but not leaving the heart untouched.†CONTENTS: Forever Music (Hayes) • Smile (arr. Dent) • Promised Land (Burton) • Pilgrim’s Hymn (Dawson) • Examine Me (Dent) • My Soul Hath Found Refuge (Simpson-Currenton) • The Chariot Jubilee (Dett/ed. Ferdinand) • Gospel Train (arr. Burton) • We Remember Them (LaBarr) • We Shall Overcome (arr. Gibson) • Shout for Joy (Hailstork) • When I Lay Me Down to Sleep (Mulholland).
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